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  1. How the streets were made
    housing segregation and Black life in America
    Autor*in: Bailey, Yelena
    Erschienen: [2020]
    Verlag:  The University of North Carolina Press, Chapel Hill

    "In this book, Yelena Bailey examines the creation of 'the streets' not just as a physical, racialized space produced by segregationist policies but also as a sociocultural entity that has influenced our understanding of blackness in America for... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In this book, Yelena Bailey examines the creation of 'the streets' not just as a physical, racialized space produced by segregationist policies but also as a sociocultural entity that has influenced our understanding of blackness in America for decades. Drawing from fields such as media studies, literary studies, history, sociology, film studies, and music studies, this book engages in an interdisciplinary analysis of the how the streets have shaped contemporary perceptions of black identity, community, violence, spending habits, and belonging"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781469660592; 9781469660585
    Schlagworte: Stadtviertel; Straße; Schwarze <Motiv>; Siedlung <Motiv>; Literatur; Schwarze; Musik; Film; Straße <Motiv>; Siedlung; Segregation <Soziologie>
    Weitere Schlagworte: African Americans / Segregation; Segregation / United States / History; African Americans / Social life and customs; African Americans / Social conditions / 1975-; African Americans / Economic conditions / History / 20th century; African Americans / Economic conditions; African Americans / Segregation; African Americans / Social conditions; African Americans / Social life and customs; Segregation; United States; Since 1900; History
    Umfang: xii, 208 Seiten, Illustrationen, 25 cm
    Bemerkung(en):

    How the streets were made -- The secret of selling the Negro: the creation of black urban consumerism -- From the street to the streets: black literary production and urban space -- Music born of the streets: hip hop's articulations of urban life and identity -- A hood genre: visualizing the streets in TV and film
  2. Ebony
    covering Black America
    Beteiligt: Lavette, Lavaille; Stader, Christian; Common; Simmons, Kimora Lee; Wade, Dwyane; Union, Gabrielle; Williams, Venus
    Erschienen: 2021
    Verlag:  Rizzoli, New York ; Paris ; London ; Milan

    "In 1945, Ebony's legendary founder John H. Johnson set out to create a magazine for Black America much like that of the trailblazing Life Magazine, and that he did. For the African American community, Ebony has been a breath of fresh air, speaking... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "In 1945, Ebony's legendary founder John H. Johnson set out to create a magazine for Black America much like that of the trailblazing Life Magazine, and that he did. For the African American community, Ebony has been a breath of fresh air, speaking on issues and events from the Black perspective, celebrating Black standards of beauty and elevating heroes of Black America--athletes, entertainers, activists, elected officials, or some combination thereof. Ebony: Covering Black America, by Lavaille Lavette, is a celebration of the treasure trove of the magazine's rich history, glamorous covers, groundbreaking cultural impact, and authentic coverage of Black American life from the magazine's inception to the present. Ebony was Black America's social media long before the birth of Facebook, Twitter, and Instagram, says Lavette. Curated by Lavette, this all-out feast of a book is packed with exclusive contributions by a host of celebrities, influencers, and cultural icons, including Common, Gabrielle Union, Dwyane Wade, Sean Combs, Kimora Lee Simmons, Ciara, and Venus Williams. The book also includes more than 600 covers and photographs featuring political forces such as Martin Luther King Jr., Michelle and President Barack Obama, and Congresswoman Barbara Jordan; entertainers such as Diana Ross, Sidney Poitier, Dorothy Dandridge, Oprah Winfrey, and Prince; as well as sports heroes like Serena Williams, Muhammad Ali, Russell Westbrook, and Simone Biles. Lavette has chosen select articles, features, and reportage of note, including Martin Luther King Jr.'s advice column, and Ebony Fashion Fair photo shoots, divided into categories found within the magazine, including Civil Rights & Social Justice, Love & Family, Ebony Men, Ebony Women, and Ebony Music. Unique in the quality of its photographs and contributors and chronicling everything from fashion and food to politics and social change, to sports and entertainment, Ebony: Covering Black America is a monumental milestone in African-American history and culture, and will be a treasured volume for the magazine's legion of loyal readers."--Provided by publisher

     
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  3. The matter of Black living
    the aesthetic experiment of racial data, 1880-1930
    Autor*in: Womack, Autumn
    Erschienen: 2022
    Verlag:  University of Chicago Press, Chicago ; London

    "What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in the decades between 1880 and 1930. Womack describes nothing less than a "racial data revolution," one in which social scientists, reformers, and theorists rendered Black life an inanimate object of inquiry. At the very same time, Black cultural producers staged their own kind of revolution, undisciplining racial data in ways that challenged normative visual regimes and capturing the dynamism of Black social life. Womack focuses on figures like W.E.B DuBois, Kelly Miller, Sutton Griggs, and Zora Neale Hurston, as well as lesser-known editors, social reformers, and performers. She shows how they harnessed media as diverse as the social survey, the novel, the stage, and early motion pictures to reform visual practices and recalibrate the relationship between data and black life"--

     
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  4. What matters most
    photographs of Black life
    Beteiligt: Lee, Zun (Hrsg.); Hackett, Sophie (Hrsg.)
    Erschienen: 2022
    Verlag:  DelMonico Books, D.A.P., New York, NY

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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      BibTeX-Format
    Hinweise zum Inhalt
  5. How the streets were made
    housing segregation and black life in America
    Autor*in: Bailey, Yelena
    Erschienen: [2020]
    Verlag:  The University of North Carolina Press, Chapel Hill

    "In this book, Yelena Bailey examines the creation of 'the streets' not just as a physical, racialized space produced by segregationist policies but also as a sociocultural entity that has influenced our understanding of blackness in America for... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In this book, Yelena Bailey examines the creation of 'the streets' not just as a physical, racialized space produced by segregationist policies but also as a sociocultural entity that has influenced our understanding of blackness in America for decades. Drawing from fields such as media studies, literary studies, history, sociology, film studies, and music studies, this book engages in an interdisciplinary analysis of the how the streets have shaped contemporary perceptions of black identity, community, violence, spending habits, and belonging"--

     
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  6. Antagonistic cooperation
    jazz, collage, fiction, and the shaping of African American culture
    Autor*in: O'Meally, Robert G.
    Erschienen: [2022]
    Verlag:  Columbia University Press, New York

    "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G.... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780231189194; 9780231189187
    Schriftenreihe: Leonard Hastings Schoff memorial lectures
    Schlagworte: Literatur; Musik; Schwarze; Kunst; Jazz
    Weitere Schlagworte: Jazz / History and criticism; African American art; American literature / African American authors / History and criticism; African Americans / Social life and customs; Music and literature; Art and music; Collage; Art noir américain; Noirs américains / Mœurs et coutumes; Musique et littérature; Art et musique; Collage (Art); collage (technique); MUSIC / History & Criticism; African American art; African Americans / Social life and customs; American literature / African American authors; Art and music; Collage; Jazz; Music and literature; Lecture; lectures; Criticism, interpretation, etc; Lectures; Lectures; Conférences
    Umfang: xiii, 275 Seiten, 8 ungezählte Seiten Tafeln, Illustrationen
    Bemerkung(en):

    This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished
  7. The matter of Black living
    the aesthetic experiment of racial data, 1880-1930
    Autor*in: Womack, Autumn
    Erschienen: 2022
    Verlag:  University of Chicago Press, Chicago

    "What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in the decades between 1880 and 1930. Womack describes nothing less than a "racial data revolution," one in which social scientists, reformers, and theorists rendered Black life an inanimate object of inquiry. At the very same time, Black cultural producers staged their own kind of revolution, undisciplining racial data in ways that challenged normative visual regimes and capturing the dynamism of Black social life. Womack focuses on figures like W.E.B DuBois, Kelly Miller, Sutton Griggs, and Zora Neale Hurston, as well as lesser-known editors, social reformers, and performers. She shows how they harnessed media as diverse as the social survey, the novel, the stage, and early motion pictures to reform visual practices and recalibrate the relationship between data and black life"--

     
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      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226806884
    RVK Klassifikation: MS 3450 ; HU 1728
    Schlagworte: Fotografie; Schwarze <Motiv>; Film; Literatur
    Weitere Schlagworte: African Americans in literature; African Americans in motion pictures; African Americans in art; American literature / 20th century / History and criticism; Motion pictures / United States / History / 20th century; Photography / United States / History / 20th century; African Americans / Social life and customs / 19th century; African Americans / Social life and customs / 20th century; Social surveys / United States; African Americans in art; African Americans in literature; African Americans in motion pictures; African Americans / Social life and customs; American literature; Motion pictures; Photography; Social surveys; United States; 1800-1999; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource (270 Seiten, 7 ungezählte Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index.

    Introduction: data and the matter of Black life -- The social survey: the survey spirit -- Photography: looking out -- Film: overexposure -- Coda: racial datas afterlives