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Displaying results 1 to 5 of 290.

  1. The reactivation of time
    Author: Baldacci, Cristina; Nicastro, Clio; Sforzini, Arianna
    Published: 07.04.2022

    Reappropriating, restaging, revisioning, remediating: at the crossroad of the new millennium, reenactment has undoubtedly emerged as a key issue in the field of artistic production, in theoretical discourse, and in the socio-political sphere. Taking... more

     

    Reappropriating, restaging, revisioning, remediating: at the crossroad of the new millennium, reenactment has undoubtedly emerged as a key issue in the field of artistic production, in theoretical discourse, and in the socio-political sphere. Taking an ever larger distance from notions of historical revival and 'Living History', current reenactments call into question whether the present can unpack, embody, or disentangle the past. Accordingly, to reenact is to experience the past by reactivating either a particular cultural heritage or unexplored utopias. If to reenact means not to restore but to challenge the past, history is thus turned into a possible and perpetual becoming, a site for invention and renewal.

     
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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Categories: 700; 800
    Collection: ICI Berlin
    Subjects: Reenactment; Geschichte; Künste
    Rights:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  2. From re- to pre- and back again
    Author: Lütticken, Sven
    Published: 07.04.2022

    Tracing the complex history of the term 'reenactment', back to R.G. Collingwood's philosophy of history, on the one hand, and popular practices of war reenactments and living history museums, on the other, a survey of its current contribution in art... more

     

    Tracing the complex history of the term 'reenactment', back to R.G. Collingwood's philosophy of history, on the one hand, and popular practices of war reenactments and living history museums, on the other, a survey of its current contribution in art and museum practices highlights the importance of historicity - a category the postmodern was supposed to have vacated - in a wide range of examples, from Rod Dickinson and Jeremey Deller to Alexandra Pirici, Manuel Pelmuş, and Milo Rau. Performance reenactments, in particular, are premised on performance art having become historical, but also threaten to digest history in favour of a mere productivist mobilization for the needs of current attention economies. An alternative could be the attempt to counter historical with dramatic time in order to unlock unrealized possibilities and futures, as the term preenactment promises.

     
    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Categories: 790; 800
    Collection: ICI Berlin
    Subjects: Reenactment; Performance <Künste>; Geschichtlichtkeit; Historismus; Living History
    Rights:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  3. The reenacted double : repetition as a creative paradox
    Author: Sforzini, Arianna
    Published: 08.04.2022

    The essay engages with a screenplay by Michel Foucault, written in 1970 for a film, not realized during Foucault's lifetime, about Pablo Picasso's "Las Meninas", a series of 58 paintings that the artist made in 1957, taking up, updating,... more

     

    The essay engages with a screenplay by Michel Foucault, written in 1970 for a film, not realized during Foucault's lifetime, about Pablo Picasso's "Las Meninas", a series of 58 paintings that the artist made in 1957, taking up, updating, reinterpreting the famous painting with the same title by Diego Velázquez (1656). This screenplay is at the same time an example of critical reflection on reenactment in art history and itself a reenactment practice of sorts: the filmic repetition of an artistic repetition. It invites a reflection on the role of repetition as a critical operation: how doubles, reenacted images, and 'countermimesis' can become creative gestures and opening movements of transformation through plays of refraction, duplication, and multiplication of the realities and subjectivities at stake in them.

     
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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Categories: 750; 791; 800
    Collection: ICI Berlin
    Subjects: Foucault, Michel; Drehbuch; Velázquez, Diego Rodríguez de Silva y; Las Meninas; Picasso, Pablo; Reenactment; Wiederholung; Mimesis
    Rights:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  4. 'The reconstruction of the past is the task of historians and not agents' : operative reenactment in state security archives
    Author: Krasznahorkai, Kata
    Published: 08.04.2022

    State security archives in Eastern Europe are shedding new light on the operative practices of the secret services and their interaction with performance art. Surveillance, tracking, undermining, disruption, writing of reports, and measure plans were... more

     

    State security archives in Eastern Europe are shedding new light on the operative practices of the secret services and their interaction with performance art. Surveillance, tracking, undermining, disruption, writing of reports, and measure plans were different operative methods to be carried out in continuous repetitive processes. This paper argues that, through these repetitive working processes, state security agencies were permanently engaged in different forms of reenactments: of orders, legends, report writing, and inventing measure plans. With this operative reenactment, state security agencies not only tried to track down facts but also created 'fake facts' serving their agenda. These 'fake-facts' were then again repeated and reenacted by informants endlessly to be 'effective' in the surveillance and elimination of performance art.

     
    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Categories: 790; 800
    Collection: ICI Berlin
    Subjects: Performance <Künste>; Ostblock; Geheimdienst; Überwachung; Archiv; Reenactment
    Rights:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  5. The collection of Jane Ryan & William Saunders : reconstruction as 'democratic gesture'
    Author: Abad, Pio
    Published: 08.04.2022

    This paper focuses on an ongoing project that began in 2012, entitled "The Collection of Jane Ryan & William Saunders". This project is an attempt to reconstitute the Marcos Collection. Sourced from auction catalogues, museum archives, and scant... more

     

    This paper focuses on an ongoing project that began in 2012, entitled "The Collection of Jane Ryan & William Saunders". This project is an attempt to reconstitute the Marcos Collection. Sourced from auction catalogues, museum archives, and scant government records, their lavish inventory of commissioned portraits, jewellery, Regency silverware, and old master paintings is reproduced as photographic installations, postcards, and three-dimensional prints. Reconstruction, in this instance, becomes a sustained democratic gesture, allowing an increasingly forgetful public to access a collection that has remained unavailable through a systemic failure by successive post-dictatorial governments to institutionalize collective acts of remembering.

     
    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Categories: 700; 800; 950
    Collection: ICI Berlin
    Subjects: Marcos, Ferdinando Edralin; Marcos, Imelda Romualdez; Sammlung; Rekonstruktion; Kollektives Gedächtnis; Geschichte; Philippinen
    Rights:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess