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Results for "Manuel Mühlbacher"

Displaying results 1 to 2 of 2.

  1. The Wounded Body
    Memory, Language and the Self from Petrarch to Shakespeare
    Contributor: Bondi, Fabrizio (HerausgeberIn); Stella, Massimo (HerausgeberIn); Torre, Andrea (HerausgeberIn)
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Preface (Fabrizio Bondi, Massimo Stella, Andrea Torre) -- 2. The Wounded Poet. On the Twenty-First Series of Deleuze’s Logic of Sense (Rocco Ronchi) -- 3. The Scars and the Tale, the Wounds and the Drama (Anna Beltrametti) -- 4. The ‘aperto segno’... more

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    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    1. Preface (Fabrizio Bondi, Massimo Stella, Andrea Torre) -- 2. The Wounded Poet. On the Twenty-First Series of Deleuze’s Logic of Sense (Rocco Ronchi) -- 3. The Scars and the Tale, the Wounds and the Drama (Anna Beltrametti) -- 4. The ‘aperto segno’ and the ‘colpo ascoso’. The Love Wound in Cavalcanti and Dante (Gabriele Frasca) -- 5. Through the Wound, and What Petrarch Found There (Andrea Torre) -- 6. Untimely wounds in Shakespeare’s Macbeth (Iolanda Plescia) -- 7. An Anatomy of the Destructiveness of Knights. Wound Imagery and the Culture of Physical Force in ‘Langue d’oïl’ Heroic Narrative (Alvaro Barbieri) -- 8. Adventure and the Wound: History of a Paradoxical Relationship (Manuel Mühlbacher) -- 9. The Wounded Body in Boiardo’s ‘Innamorato’ and Ariosto’s ‘Orlando Furioso’ (Sabrina Stroppa) -- 10. The Bleeding Scar. Towards a Reading of ‘Gerusalemme liberata’ as the Poem of Belatedness (Giancarlo Alfano) -- 11. The Meta-Physical Wound: Shakespeare’s Roman Plays (Massimo Stella) -- 12. ‘Chacun de nous tient sa blessure ouverte, sì che tal piaga il mondo unqua risalde’. The Wound in Women’s Poetry (that of Cixous and Colonna among others) (Tatiana Crivelli) -- 13. A masochistic Prometheus: the Wound in Tasso’s Lyric Poetry (Fabrizio Bondi) -- 14. ‘And of what force your wounding graces are’. Importing and Augmenting the Wound from Italy to Elizabethan England (Selene Scarsi) -- 15. Amoretta and Lucrece: Wounded Identities (Luca Manini) -- 16.‘Risguarda quella piaga’. Stigmata and the Education of the Gaze in Early Modern Franciscan Iconography (Giuseppe Capriotti) -- 17. ‘What Are These Wounds?’ Stigmata and/as Memory in Italian Religious Literature (Andrea Torre). . This edited collection explores the image of the wound as a ‘cultural symptom’ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone’s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound—from Petrarch’s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare—could respond to the emergence of Modernity as a new cultural feature.. Fabrizio Bondi is Fellow of Italian Literature at Scuola Normale Superiore of Pisa, Italy. Massimo Stella is Lecturer in Comparative Literatures and Theory of Literature at the Ca’ Foscari University of Venice, Italy. Andrea Torre is Associate Professor of Italian Literature at Scuola Normale Superiore of Pisa, Italy.

     
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    Source: Union catalogues
    Contributor: Bondi, Fabrizio (HerausgeberIn); Stella, Massimo (HerausgeberIn); Torre, Andrea (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030919047
    Other identifier:
    Edition: 1st ed. 2022.
    Series: Springer eBook Collection
    Subjects: European literature—Renaissance, 1450-1600.; Classical literature.; Literature, Ancient.; European literature.
    Scope: 1 Online-Ressource(XII, 411 p. 14 illus., 13 illus. in color.)
  2. The Wounded Body
    Memory, Language and the Self from Petrarch to Shakespeare
    Contributor: Bondi, Fabrizio (HerausgeberIn); Stella, Massimo (HerausgeberIn); Torre, Andrea (HerausgeberIn)
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Preface (Fabrizio Bondi, Massimo Stella, Andrea Torre) -- 2. The Wounded Poet. On the Twenty-First Series of Deleuze’s Logic of Sense (Rocco Ronchi) -- 3. The Scars and the Tale, the Wounds and the Drama (Anna Beltrametti) -- 4. The ‘aperto segno’... more

    Access:
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    Universitätsbibliothek Freiburg
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    Max-Planck-Institut für ethnologische Forschung, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Zentrum für Wissensmanagement, Bibliothek Hamm
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    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
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    Zentrum für Wissensmanagement, Bibliothek Lippstadt
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    eBook Springer
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    eBook Springer
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    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
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    eBook Springer
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    Universitätsbibliothek Mannheim
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    Universitätsbibliothek Mannheim
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universität Potsdam, Universitätsbibliothek
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    Universitätsbibliothek Stuttgart
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    1. Preface (Fabrizio Bondi, Massimo Stella, Andrea Torre) -- 2. The Wounded Poet. On the Twenty-First Series of Deleuze’s Logic of Sense (Rocco Ronchi) -- 3. The Scars and the Tale, the Wounds and the Drama (Anna Beltrametti) -- 4. The ‘aperto segno’ and the ‘colpo ascoso’. The Love Wound in Cavalcanti and Dante (Gabriele Frasca) -- 5. Through the Wound, and What Petrarch Found There (Andrea Torre) -- 6. Untimely wounds in Shakespeare’s Macbeth (Iolanda Plescia) -- 7. An Anatomy of the Destructiveness of Knights. Wound Imagery and the Culture of Physical Force in ‘Langue d’oïl’ Heroic Narrative (Alvaro Barbieri) -- 8. Adventure and the Wound: History of a Paradoxical Relationship (Manuel Mühlbacher) -- 9. The Wounded Body in Boiardo’s ‘Innamorato’ and Ariosto’s ‘Orlando Furioso’ (Sabrina Stroppa) -- 10. The Bleeding Scar. Towards a Reading of ‘Gerusalemme liberata’ as the Poem of Belatedness (Giancarlo Alfano) -- 11. The Meta-Physical Wound: Shakespeare’s Roman Plays (Massimo Stella) -- 12. ‘Chacun de nous tient sa blessure ouverte, sì che tal piaga il mondo unqua risalde’. The Wound in Women’s Poetry (that of Cixous and Colonna among others) (Tatiana Crivelli) -- 13. A masochistic Prometheus: the Wound in Tasso’s Lyric Poetry (Fabrizio Bondi) -- 14. ‘And of what force your wounding graces are’. Importing and Augmenting the Wound from Italy to Elizabethan England (Selene Scarsi) -- 15. Amoretta and Lucrece: Wounded Identities (Luca Manini) -- 16.‘Risguarda quella piaga’. Stigmata and the Education of the Gaze in Early Modern Franciscan Iconography (Giuseppe Capriotti) -- 17. ‘What Are These Wounds?’ Stigmata and/as Memory in Italian Religious Literature (Andrea Torre). . This edited collection explores the image of the wound as a ‘cultural symptom’ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone’s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound—from Petrarch’s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare—could respond to the emergence of Modernity as a new cultural feature.. Fabrizio Bondi is Fellow of Italian Literature at Scuola Normale Superiore of Pisa, Italy. Massimo Stella is Lecturer in Comparative Literatures and Theory of Literature at the Ca’ Foscari University of Venice, Italy. Andrea Torre is Associate Professor of Italian Literature at Scuola Normale Superiore of Pisa, Italy.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Bondi, Fabrizio (HerausgeberIn); Stella, Massimo (HerausgeberIn); Torre, Andrea (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030919047
    Other identifier:
    Edition: 1st ed. 2022.
    Subjects: European literature—Renaissance, 1450-1600.; Classical literature.; Literature, Ancient.; European literature.
    Scope: 1 Online-Ressource(XII, 411 p. 14 illus., 13 illus. in color.)