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Displaying results 1 to 25 of 35.

  1. Perder la forma humana
    una imagen sísmica de los años ochenta en América Latina ; [este cat. se publica con motivo de la exposición ... org. y producida por el Museo Nac. Centro de Arte Reina Sofia en colab. con la AECID ; Museo Nac. Centro de Arte Reina Sofia 25 de oct. de 2012 - 11 de marzo de 2013 ; Museo de Arte de Lima Nov. de 2013 - Febr. de 2014]
    Published: 2012
    Publisher:  Museo Nacional Centro de Arte Reina Sofía, Departamento de Actividades Editoriales, [Madrid]

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Signature:
    A 17 / 17357
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Signature:
    Glo/Per
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    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    Linga A/909047
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 8480264624; 9788480264624
    Other identifier:
    M 39416-2012
    Subjects: Art, Latin American; Human figure in art; Art and social action; Art, Latin American; Conceptual art
    Scope: 280 S., Ill., 24 cm
    Notes:

    Índice

    Exposición: Museo Nacional Centro de Arte Reina Sofía, 25 de octubre de 2012 - 11 de marzo de 2013; Museo de Arte de Lima, noviembre de 2013 - febrero de 2014
  2. How to do things with art
    what performativity means in art
    Author: Hantelmann, Dorothea von
    Published: 2010
    Publisher:  JRP/Ringier [u.a.], Zurich

    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    2014/541
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    Location:
    Hochschulbibliothek der Hochschule Düsseldorf
    Signature:
    11 JXX 567 (2010,Eng.)
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    Location:
    Kunstakademie Düsseldorf, Bibliothek
    Signature:
    Eu, 27
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9783037641040; 3037641045; 9782840663614
    Series: Documents / Documents series ; 4
    Subjects: Ästhetik
    Other subjects: Coleman, James (1941-); Sehgal, Tino (1976-); Buren, Daniel (1938-); Koons, Jeff (1955-); Coleman, James, 1941-; Buren, Daniel; Sehgal, Tino; Koons, Jeff, 1955-; Art and social action; Art and society; Art / Political aspects; Art, Modern / 21st century / Philosophy
    Scope: 199 S., Ill., 21 cm
    Notes:

    Includes bibliographical references

    Teilw. zugl.: Berlin, FU, Univ., Diss., 2006
  3. Biko's ghost
    the iconography of Black Consciousness
    Author: Hill, Shannen L.
    Published: 2015
    Publisher:  Univ Of Minnesota Press, Minneapolis

    ""When you say, 'Black is Beautiful,' what in fact you are saying. is: Man, you are okay as you are; begin to look upon yourself as a human being." With such statements, Stephen Biko became the voice of Black Consciousness. And with Biko's brutal... more

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    ""When you say, 'Black is Beautiful,' what in fact you are saying. is: Man, you are okay as you are; begin to look upon yourself as a human being." With such statements, Stephen Biko became the voice of Black Consciousness. And with Biko's brutal death in the custody of the South African police, he became a martyr, an enduring symbol of the horrors of apartheid. Through the lens of visual culture, Biko's Ghost reveals how the man and the ideology he promoted have profoundly influenced liberation politics and race discourse--in South Africa and around the globe--ever since.Tracing the linked histories of Black Consciousness and its most famous proponent, Biko's Ghost explores the concepts of unity, ancestry, and action that lie at the heart of the ideology and the man. It challenges the dominant historical view of Black Consciousness as ineffectual or racially exclusive, suppressed on the one side by the apartheid regime and on the other by the African National Congress.Engaging theories of trauma and representation, and icon and ideology, Shannen L. Hill considers the martyred Biko as an embattled icon, his image portrayals assuming different shapes and political meanings in different hands. So, too, does she illuminate how Black Consciousness worked behind the scenes throughout the 1980s, a decade of heightened popular unrest and state censorship. She shows how--in streams of imagery that continue to multiply nearly forty years on--Biko's visage and the ongoing life of Black Consciousness served as instruments through which artists could combat the abuses of apartheid and unsettle the "rainbow nation" that followed. "--...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781452944302; 145294430X
    Series: UPCC book collections on Project MUSE
    Subjects: Kunst; Schwarze <Motiv>; Art and social action; Blacks in popular culture; Blacks in art; SOCIAL SCIENCE / Discrimination & Race Relations; HISTORY / Africa / South / Republic of South Africa; ART / History / General
    Other subjects: Biko, Steve (1946-1977); Biko, Steve (1946-1977)
    Scope: 1 Online-Ressource
  4. Perder la forma humana
    una imagen sísmica de los años ochenta en América Latina ; [este cat. se publica con motivo de la exposición ... org. y producida por el Museo Nac. Centro de Arte Reina Sofia en colab. con la AECID ; Museo Nac. Centro de Arte Reina Sofia 25 de oct. de 2012 - 11 de marzo de 2013 ; Museo de Arte de Lima Nov. de 2013 - Febr. de 2014]
    Published: 2012
    Publisher:  Museo Nacional Centro de Arte Reina Sofía, Departamento de Actividades Editoriales, [Madrid]

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 8480264624; 9788480264624
    Other identifier:
    M 39416-2012
    Subjects: Art, Latin American; Human figure in art; Art and social action; Art, Latin American; Conceptual art
    Scope: 280 S., Ill., 24 cm
    Notes:

    Índice

    Exposición: Museo Nacional Centro de Arte Reina Sofía, 25 de octubre de 2012 - 11 de marzo de 2013; Museo de Arte de Lima, noviembre de 2013 - febrero de 2014
  5. The art of emergency
    aesthetics and aid in African crises
    Contributor: Ndaliko, Chérie Rivers (Publisher); Anderson, Samuel (Publisher)
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York, NY

    "Across Africa, artists increasingly turn to NGO sponsorship in pursuit of greater influence and funding, while simultaneously NGOs-both international and local-commission arts projects to buttress their interventions and achieve greater reach and... more

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    Bayerische Staatsbibliothek
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    "Across Africa, artists increasingly turn to NGO sponsorship in pursuit of greater influence and funding, while simultaneously NGOs-both international and local-commission arts projects to buttress their interventions and achieve greater reach and marketability. As such, the key values of artistic expression become "healing" and "sensitization" measured in turn by "impact" and "effectiveness." Such rubrics obscure the aesthetic complexities of the artworks and the power dynamics that inform their production. Clashes arise as foreign NGOs import foreign aesthetic models and preconceptions about their efficacy, alongside foreign interpretations of politics, medicine, psychology, trauma, memorialization, and so on. Meanwhile, each community embraces its own aesthetic precedents, often at odds with the intentions of humanitarian agencies. The arts are a sphere in which different worldviews enter into conflict and conversation. To tackle the consequences of aid agency arts deployment, the volume assembles ten case studies from across the African continent employing multiple media including music, sculpture, photography, drama, storytelling, ritual, and protest marches. Organized under three widespread yet under-analyzed objectives for arts in emergency-demonstration, distribution, and remediation-each case offers a different disciplinary and methodological perspective on a common complication in NGO-sponsored creativity. The Art of Emergency shifts the discourse on arts activism away from fixations on message and toward diverse investigations of aesthetics and power negotiations. In doing so, this volume brings into focus the conscious and unconscious configurations of humanitarian activism, the social lives it attempts to engage, and the often-fraught interactions between the two"--

     
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  6. Gender and activism in a little magazine
    the modern figures of the "Masses"
    Author: Schreiber, Rachel
    Published: 2016
    Publisher:  Routledge, Taylor & Francis Group, London ; New York

    Location:
    Bayerische Staatsbibliothek
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  7. Feminist visual activism and the body
    Contributor: Sliwinska, Basia (Publisher)
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    "This book examines contemporary feminist visual activism(s) through the lens of embodiment(s). The contributors explore how the arts articulate and engage with the current sense of crisis and political concerns (e.g. equality, decolonization, social... more

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    Bayerische Staatsbibliothek
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    "This book examines contemporary feminist visual activism(s) through the lens of embodiment(s). The contributors explore how the arts articulate and engage with the current sense of crisis and political concerns (e.g. equality, decolonization, social justice, democracy, precarity, vulnerability), negotiated with and through the body. Drawing upon the legacy of feminist art historical critique, the book scrutinizes activist strategies, practices, and resilience techniques in intersectional and transnational frameworks. It interrogates how the arts enable the creation of civil and political resilience, become engaged with politics as a response to disaster capitalism, and attempt to reform and improve society. The book will be of interest to scholars working in art history, visual culture, fine arts, women's studies, gender studies, feminism, and cultural studies"--

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Sliwinska, Basia (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429298615
    Other identifier:
    RVK Categories: LH 61020 ; LH 60250
    Series: Routledge research in gender and art
    Subjects: Frauenbewegung; Embodiment; Feminismus; Geschlechterforschung; Künstlerin; Kunst; Körper
    Other subjects: Feminism and art; Art and social action; Art and social action; Feminism and art
    Scope: 1 Online-Ressource (xviii, 248 Seiten), Illustrationen
  8. Feminist visual activism and the body
    Contributor: Sliwinska, Basia (Publisher)
    Published: 2021
    Publisher:  Routledge, New York ; London

    "This book examines contemporary feminist visual activism(s) through the lens of embodiment(s). The contributors explore how the arts articulate and engage with the current sense of crisis and political concerns (e.g. equality, decolonization, social... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "This book examines contemporary feminist visual activism(s) through the lens of embodiment(s). The contributors explore how the arts articulate and engage with the current sense of crisis and political concerns (e.g. equality, decolonization, social justice, democracy, precarity, vulnerability), negotiated with and through the body. Drawing upon the legacy of feminist art historical critique, the book scrutinizes activist strategies, practices, and resilience techniques in intersectional and transnational frameworks. It interrogates how the arts enable the creation of civil and political resilience, become engaged with politics as a response to disaster capitalism, and attempt to reform and improve society. The book will be of interest to scholars working in art history, visual culture, fine arts, women's studies, gender studies, feminism, and cultural studies"--

     
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    Source: Union catalogues
    Contributor: Sliwinska, Basia (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780367278991
    Other identifier:
    9780367278991
    RVK Categories: LH 60250 ; LH 61020
    Edition: First published
    Series: Routledge research in gender and art
    Subjects: Frauenbewegung; Embodiment; Geschlechterforschung; Körper; Kunst; Künstlerin; Feminismus
    Other subjects: Feminism and art; Art and social action
    Scope: xviii, 248 Seiten, Illustrationen, 25 cm
    Notes:

    Includes bibliographical references and index
  9. Experiences of the common good
    inSite/Casa Gallina, a project immersed in a neighborhood
    Contributor: Lafuente, Pablo (Publisher)
    Published: 2018
    Publisher:  inSite, Casa Gallina, Santa María la Ribera, México

    "Thirteen years after inSite_05 inaugurated in what would be the last edition of inSite located on the border between Tijuana and San Diego, this book tells the history of the sixth edition and five year project that tells the story of inSite / Casa... more

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "Thirteen years after inSite_05 inaugurated in what would be the last edition of inSite located on the border between Tijuana and San Diego, this book tells the history of the sixth edition and five year project that tells the story of inSite / Casa Gallina in the neighborhood of Santa María la Ribera in Mexico City. The collective process of composition of this publication involved the neighbors and users, the permanent team (among which some are neighbors), the guests hired by the inSite / Casa Gallina team to perform specific actions (workshops, classrooms, artistic projects ...), to new guests (Writers who are not neighbors or collaborators and who were given the task of writing about the project). Therefore, this book is, among other things, a collection of names, of individuals who entered at some point in contact with inSite / Casa Gallina and its activities "...the proposal that although there would be artists invited to participate in residences of long-term research -mostly Mexicans-, neither they nor their works would be the main focus, but would constitute only one of the elements of a constellation of cultural, educational, scientific and communal-social organized by inSite / Casa Gallina with residents of Santa María la Ribera. Therefore, instead of exploiting the community to that it was at the service of some kind of reconceptualized notion of social art, the initiative would focus on the community in order to provide new opportunities so that you could think again as such, as community. Of all the inSite projects, Casa Gallina is the one that is least focused on art, but it is also the one that has done more to question the Curatorial conventions. Maybe, that's why it's the inSite initiative that has had a more relevant effect"--Pablo Lafuente "Casa Gallina is the most recent edition of in/Site, an art program held five times between 1992 and 2005 within an 80-kilometer corridor along the San Diego-Tijuana border between the USA and Mexico. At Casa Gallina, which was launched in 2013 and whose edition ends in 2018, the initiatives are developed in one particular neighborhood, Santa Maria la Ribera, a hub of hybrid public life in the megalopolis of Mexico City. Casa Gallina fulfills a dual role, as a place to house processes of participation in the neighborhood, and as a residence for artists who work with the local people. All of this is undertaken outside of the scope of conventional art world The meeting places include a kitchen garage open to local residents, a space for ideas to be exchanged and developed by artists and their collaborators, another space for technical workshops, and a further open space devoted for accumulating and exchanging knowledge produced by carrying out projects and programs. "It's not a community house, reinforcing the identity of the community -which would mean conforming to a police principle on Rancièrean terms- precisely because the intention is to keep the potential not only of the results (projects), but also of the subjective experience of those participating in the collaborative activity"--Front flap

     
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    Source: Union catalogues
    Contributor: Lafuente, Pablo (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780964255418; 0964255413
    Edition: First edition
    Subjects: Gemeinschaft <Motiv>; Öffentlicher Raum; Kunst
    Other subjects: inSite (Organization); Community arts projects / Mexico / Mexico City; Artists and community / Mexico / Mexico City; Art and social action / Mexico / Mexico City; Art and society / Mexico / Mexico City; Social practice (Art) / Mexico / Mexico City; Santa María la Ribera (Mexico City, Mexico) / Social life and customs; Social practice (Art); Manners and customs; Community arts projects; Art and social action; Art and society; Artists and community; Mexico / Mexico City / Santa Maria la Ribera; Mexico / Mexico City
    Scope: 287 Seiten, Illustrationen, 25 cm
    Notes:

    "This publication is an inSite/Casa Gallina curatorial platform"--Facing title page

    "Published to mark the completion of inSite/Casa Gallina, the sixth version of inSite"--Facing title page

    "The print run consists of 1,000 copies"--Colophon

    Array: Array

    Array: Array
  10. Unvermittelt
    Kampagne für einen Arbeitsbegriff jenseits von Ausbeutung und Mangel ; [Unvermittelt feiert zehn Jahre Workstation Ideenwerkstatt e.V. mit der Kampagne für einen Arbeitsbegriff jenseits von Überarbeitung und Mangel] ; [erscheint neben theoretischen Veranstaltungen, Kampagne, Ausstellung, Workshops, Filmabenden als Teil eines Projektes] ; [erscheint zum zehnjährigen Bestehen der Workstation Ideenwerkstatt Berlin e.V.]
    Published: 2008
    Publisher:  NGBK, Berlin

    Location:
    Städtische Galerie im Lenbachhaus und Kunstbau München, Bibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 9783938515211
    Series: Praxen, Techniken, Spielräume ; 2008/2009
    Subjects: Performance <Künste>; Arbeit <Motiv>; Aktionskunst
    Other subjects: Workstation ideenwerkstatt Berlin e.V; Quality of work life; Labor; Work; Work; Work design; Politics, Practical; Conceptual art; Community art projects; Art and social action
    Scope: 176 S., zahlr. Ill., graph. Darst., 19 cm
  11. Experiments in a Jazz Aesthetic
    Art, Activism, Academia, and the Austin Project
    Contributor: Bridgforth, Sharon (HerausgeberIn); Jones, Omi Osun Joni L (HerausgeberIn); Moore, Lisa L (HerausgeberIn)
    Published: [2021]
    Publisher:  University of Texas Press, Austin

    Frontmatter -- Contents -- Preface: How to Use This Book -- Acknowledgments -- Part I: Framing the Work -- Chapter One. Making Space: Producing the Austin Project -- Chapter Two. Finding Voice: Anchoring the Austin Project’s Artistic Process -- Part... more

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    Location:
    Hochschule für Gesundheit, Hochschulbibliothek
    Signature:
    Initiative E-Books.NRW
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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    Zentrale Hochschulbibliothek Flensburg
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    Universitätsbibliothek Greifswald
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Thüringer Universitäts- und Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    ebook deGruyter
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    eBook de Gruyter
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    Universitätsbibliothek der Eberhard Karls Universität
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Frontmatter -- Contents -- Preface: How to Use This Book -- Acknowledgments -- Part I: Framing the Work -- Chapter One. Making Space: Producing the Austin Project -- Chapter Two. Finding Voice: Anchoring the Austin Project’s Artistic Process -- Part II: Working the Work: An Anthology of Austin Project Writings -- Chapter Three. Polyphony: Writings by Ensemble Members -- Chapter Four. Call and Response: Performance Pieces by Austin Project Guest Artists -- Chapter Five. Affirming Connection: Pre-Show Artists’ Performance Texts -- Chapter Six. Spoken-Word Orchestra: A Full Script from the Austin Project Jam Session, December 2005 -- Part III: The Work of Transformation -- Chapter Seven. Transforming Practice: Artists, Activists, and Academics Working across Boundaries -- Chapter Eight. Work of the Spirit: A Conversation with an Austin Project Elder -- Chapter Nine. Narrating the Austin Project: The First Five Years -- Notes -- Index In Austin, Texas, in 2002, a group of artists, activists, and academics led by performance studies scholar Omi Osun Joni L. Jones formed the Austin Project (tAP), which meets annually in order to provide a space for women of color and their allies to build relationships based on trust, creativity, and commitment to social justice by working together to write and perform work in the jazz aesthetic. Inspired by this experience, this book is both an anthology of new writing and a sourcebook for those who would like to use creative writing and performance to energize their artistic, scholarly, and activist practices. Theoretical and historical essays by Omi Osun Joni L. Jones describe and define the African American tradition of art-making known as the jazz aesthetic, and explain how her own work in this tradition inspired her to start tAP. Key artists in the tradition, from Bessie Award–winning choreographer Laurie Carlos and writer/performer Robbie McCauley to playwrights Daniel Alexander Jones and Carl Hancock Rux, worked with the women of tAP as mentors and teachers. This book brings together never-before-published, must-read materials by these nationally known artists and the transformative writing of tAP participants. A handbook for workshop leaders by Lambda Literary Award–winning writer Sharon Bridgforth, tAP's inaugural anchor artist, offers readers the tools for starting similar projects in their own communities. A full-length script of the 2005 tAP performance is an original documentation of the collaborative, breath-based, body work of the jazz aesthetic in theatre, and provides both a script for use by theatre artists and an invaluable documentation of a major transformative movement in contemporary performance

     
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    Source: Union catalogues
    Contributor: Bridgforth, Sharon (HerausgeberIn); Jones, Omi Osun Joni L (HerausgeberIn); Moore, Lisa L (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292792968
    Other identifier:
    Subjects: African American aesthetics; American poetry; Art and social action; Creative writing; Music and literature; Performance art; Performance art; Performance poetry; Performance poetry; PERFORMING ARTS / General
    Scope: 1 Online-Ressource (1 online resource)
  12. How to do things with art
    what performativity means in art
    Author: Hantelmann, Dorothea <<von>>
    Published: 2010
    Publisher:  JRP/Ringier [u.a.], Zurich

    Location:
    Universitäts- und Landesbibliothek Bonn
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschulbibliothek der Hochschule Düsseldorf
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    Unlimited inter-library loan, copies and loan

    Location:
    Kunstakademie Düsseldorf, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9783037641040; 3037641045; 9782840663614
    Series: Documents / Documents series ; 4
    Subjects: Coleman, James, 1941-; Buren, Daniel; Sehgal, Tino; Koons, Jeff, 1955-; Art and social action; Art and society; Art / Political aspects; Art, Modern / 21st century / Philosophy
    Scope: 199 S. : Ill., 21 cm
    Notes:

    Includes bibliographical references

    Berlin, FU, Univ., Diss., 2006
  13. The politics of perception and the aesthetics of social change
    Author: Miller, Jason
    Published: [2021]; © 2021
    Publisher:  Columbia University Press, New York

    The cultural turn -- Rethinking the claims of culture : "offensiveness" in the Rushdie affair and beyond -- Imagining agency : self-determination and the experience of art -- The aesthetics of recognition -- Imagination and interpretation after the... more

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    The cultural turn -- Rethinking the claims of culture : "offensiveness" in the Rushdie affair and beyond -- Imagining agency : self-determination and the experience of art -- The aesthetics of recognition -- Imagination and interpretation after the 'end of art'.x "In both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere. Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote-or even inaccessible-from their own. Miller offers a timely response to questions such as: How does contemporary art's politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically? Discussing a wide range of works of art and popular culture-from Antigone to Do the Right Thing and The Wire-this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art's capacity to effect social change"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780231201421; 9780231201438
    Series: Columbia themes in philosophy, social criticism, and the arts
    Subjects: Kultur; Ästhetik; Kulturelle Identität; Kunst; Sozialer Wandel
    Other subjects: Hegel, Georg Wilhelm Friedrich / 1770-1831; Group identity; Arts and society; Art and social action
    Scope: xii, 271 Seiten, 22 cm
    Notes:

    Includes bibliographical references and index
  14. Experiments in a Jazz Aesthetic
    Art, Activism, Academia, and the Austin Project
    Contributor: Bridgforth, Sharon; Jones, Omi Osun Joni L.; Moore, Lisa L.
    Published: [2010]; ©2010
    Publisher:  University of Texas Press, Austin ; Walter de Gruyter GmbH, Berlin

    In Austin, Texas, in 2002, a group of artists, activists, and academics led by performance studies scholar Omi Osun Joni L. Jones formed the Austin Project (tAP), which meets annually in order to provide a space for women of color and their allies to... more

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    In Austin, Texas, in 2002, a group of artists, activists, and academics led by performance studies scholar Omi Osun Joni L. Jones formed the Austin Project (tAP), which meets annually in order to provide a space for women of color and their allies to build relationships based on trust, creativity, and commitment to social justice by working together to write and perform work in the jazz aesthetic. Inspired by this experience, this book is both an anthology of new writing and a sourcebook for those who would like to use creative writing and performance to energize their artistic, scholarly, and activist practices. Theoretical and historical essays by Omi Osun Joni L. Jones describe and define the African American tradition of art-making known as the jazz aesthetic, and explain how her own work in this tradition inspired her to start tAP. Key artists in the tradition, from Bessie Award–winning choreographer Laurie Carlos and writer/performer Robbie McCauley to playwrights Daniel Alexander Jones and Carl Hancock Rux, worked with the women of tAP as mentors and teachers. This book brings together never-before-published, must-read materials by these nationally known artists and the transformative writing of tAP participants. A handbook for workshop leaders by Lambda Literary Award–winning writer Sharon Bridgforth, tAP's inaugural anchor artist, offers readers the tools for starting similar projects in their own communities. A full-length script of the 2005 tAP performance is an original documentation of the collaborative, breath-based, body work of the jazz aesthetic in theatre, and provides both a script for use by theatre artists and an invaluable documentation of a major transformative movement in contemporary performance.

     
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    Source: Union catalogues
    Contributor: Bridgforth, Sharon; Jones, Omi Osun Joni L.; Moore, Lisa L.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292792968
    Other identifier:
    Subjects: African American aesthetics; American poetry; Art and social action; Creative writing; Music and literature; Performance art; Performance art; Performance poetry; Performance poetry; PERFORMING ARTS / General
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021)
  15. Gender and activism in a little magazine
    the modern figures of the Masses
    Author: Schreiber, Rachel
    Published: 2011
    Publisher:  Ashgate, Burlington, Vt.

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    ISBN: 9781409409458
    Subjects: American wit and humor, Pictorial; Sex role; Art and social action; Geschlechterrolle <Motiv>; Illustration
    Scope: XI, 182 Seiten, Illustrationen
    Notes:

    Revised dissertation

    Includes bibliographical references and index

    Dissertation, ,
  16. Unvermittelt
    Kampagne für einen Arbeitsbegriff jenseits von Ausbeutung und Mangel ; [Unvermittelt feiert zehn Jahre Workstation Ideenwerkstatt e.V. mit der Kampagne für einen Arbeitsbegriff jenseits von Überarbeitung und Mangel] ; [erscheint neben theoretischen Veranstaltungen, Kampagne, Ausstellung, Workshops, Filmabenden als Teil eines Projektes] ; [erscheint zum zehnjährigen Bestehen der Workstation Ideenwerkstatt Berlin e.V.]
    Published: 2008
    Publisher:  NGBK, Berlin

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Stiftung Deutsches Historisches Museum, Bibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: Undetermined
    Media type: Book
    ISBN: 9783938515211
    RVK Categories: LK 10370
    Series: Praxen, Techniken, Spielräume ; 2008/2009
    Subjects: Performance <Künste>; Arbeit <Motiv>; Aktionskunst
    Other subjects: Workstation ideenwerkstatt Berlin e.V; Quality of work life; Labor; Work; Work; Work design; Politics, Practical; Conceptual art; Community art projects; Art and social action
    Scope: 176 S., zahlr. Ill., graph. Darst., 19 cm
  17. Creating worlds otherwise
    art, collective action and (post)extractivism
    Author: Serafini, Paula
    Published: [2022]
    Publisher:  Vanderbilt University Press, Nashville, Tennessee

    "Art as resistance against extractivism and toward a post-extractivist future in Argentina"-- more

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    Freie Universität Berlin, Universitätsbibliothek
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    "Art as resistance against extractivism and toward a post-extractivist future in Argentina"--

     
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  18. Creating worlds otherwise
    art, collective action and (post)extractivism
    Author: Serafini, Paula
    Published: [2022]
    Publisher:  Vanderbilt University Press, Nashville, Tennessee

    "Art as resistance against extractivism and toward a post-extractivist future in Argentina"-- more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    "Art as resistance against extractivism and toward a post-extractivist future in Argentina"--

     
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    Volltext (URL des Erstveröffentlichers)
  19. Socially engaged art in contemporary China
    voices from below
    Author: Wang, Meiqin
    Published: 2019
    Publisher:  Routledge, New York

    Art criticism, exhibition, and citizen politics : Wang Nanming and the theory of critical art -- Waste, pollution, and environment activism : Wang Jiuliang and the power of documenting -- Art, urban renewal, and grassroots community building : Zheng... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
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    NX180.S6 W36 2019
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    Art criticism, exhibition, and citizen politics : Wang Nanming and the theory of critical art -- Waste, pollution, and environment activism : Wang Jiuliang and the power of documenting -- Art, urban renewal, and grassroots community building : Zheng Dazhen and lifestyle activism -- Rural reconstruction through art : Zuo Jing and place-making for the people -- From representation to collaboration : Wen Fang and her participatory art -- Art education for children : Hu Jianqiang, Wang Jun, and the nurture effect.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138314344
    Series: Routledge research in art and politics
    Subjects: Art and social action; Arts and society
    Scope: xii, 238 Seiten, 4 ungezählte Blätter, Illustrationen
    Notes:

    Includes bibliographical references and index
  20. Perder la forma humana
    una imagen sísmica de los años ochenta en América Latina
    Author: Amigo Cerisola, Roberto; Gutierrez Castañeda, David
    Published: 2012
    Publisher:  Museo Nacional Centro de Arte Reina Sofía, Departamento de Actividades Editoriales, [Madrid]

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    Haus der Kulturen der Welt, HKW.Bibliothek
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    KK 300 AM Per
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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Signature:
    A 17 / 17357
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
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    Glo/Per
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Linga A/909047
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 8480264624; 9788480264624
    Other identifier:
    M 39416-2012
    Subjects: Art, Latin American; Human figure in art; Art and social action; Art, Latin American; Conceptual art; Art, Latin American; Human figure in art; Art and social action; Art, Latin American; Conceptual art
    Scope: 280 Seiten, Illustrationen, 23 cm
    Notes:

    Autores: Roberto Amigo [and 30 others]--Page 278. - Comisariado: Red Conceptualismos del Sur; investigadores: David Gutíerrez Castañeda [and 13 others]; coordinación: Rafael García Horrillo, Tamara Díaz Bringas--Page 284. - Catalog exhibitions held at the Museo Nacional Centro de Arte Reina Sofía, October 25, 2012 to March 11, 2013, and the Museo de Arte de Lima, November to February 2014. - Includes bibliographical references and index. - Translation of some English and Portuguese to Spanish
  21. The art of protest
    political art and activism
    Contributor: Klanten, Robert (HerausgeberIn); Dexter, Lincoln (HerausgeberIn); Servert, Andrea (HerausgeberIn); Bieber, Alain (MitwirkendeR); Gavin, Francesca (MitwirkendeR); Rafferty, Penny (MitwirkendeR)
    Published: 2021
    Publisher:  Gestalten, Berlin

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Contributor: Klanten, Robert (HerausgeberIn); Dexter, Lincoln (HerausgeberIn); Servert, Andrea (HerausgeberIn); Bieber, Alain (MitwirkendeR); Gavin, Francesca (MitwirkendeR); Rafferty, Penny (MitwirkendeR)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783967040111; 3967040119
    Other identifier:
    9783967040111
    RVK Categories: LH 65870
    Subjects: Art and social action; Art; Political art; Art; Art et action sociale; Art - Aspect politique; Art - Aspect politique - Histoire - 21e siècle; political art; Political art; Art and social action; Art - Political aspects; Beeldende kunsten; Politieke aspecten; Activisme; History
    Scope: 335 Seiten, 30 cm x 24 cm
  22. And if I devoted my life to one of its feathers?
    aesthetic responses to extraction, accumulation and dispossession
    Contributor: López, Miguel A. (HerausgeberIn)
    Published: [2022]; © 2022
    Publisher:  Sternberg Press, London ; Kunsthalle Wien, Wien ; Wiener Festwochen

    "And if I devoted my life to one of its feathers?" wrote the Chilean poet, artist, and feminist activist Cecilia Vicuña in the early 1970s. Vicuña countered anthropocentric and hetero-patriarchal urges with healing and appreciation, reviving the... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "And if I devoted my life to one of its feathers?" wrote the Chilean poet, artist, and feminist activist Cecilia Vicuña in the early 1970s. Vicuña countered anthropocentric and hetero-patriarchal urges with healing and appreciation, reviving the aesthetic and spiritual bonds between human and more-than-human entities and worlds. Revolving around this vision of interconnectivity, this book, which accompanies a joint exhibition of the same name of Kunsthalle Wien and Wiener Festwochen, seeks to create a collective dialogue around unequal distribution of power, sovereignty, and social and ecological justice."

     
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    Source: Union catalogues
    Contributor: López, Miguel A. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783956796371; 3956796373
    RVK Categories: LH 65020
    Subjects: Arts and society; Arts and society; Art and social action; Art and social action; Arts, Modern; Arts, Modern; Art et société - Histoire - 21e siècle - Expositions; Arts - Emploi en thérapeutique - Histoire - 21e siècle - Expositions; Art et action sociale - Histoire - 21e siècle - Expositions; Art - 21e siècle - Expositions; Art and social action; Art and society; Art, Modern; Arts - Therapeutic use; Exhibition catalogs; History
    Scope: 255 Seiten, Illustrationen
    Notes:

    Seite 254: "And if I devoted my life to one of its feathers?" a joint exhibition of Kunsthalle Wien and Wiener Festwochen, May 15- September 26, 2021
  23. Socially engaged art in contemporary China
    voices from below
    Author: Wang, Meiqin
    Published: 2019
    Publisher:  Routledge, New York

    Art criticism, exhibition, and citizen politics : Wang Nanming and the theory of critical art -- Waste, pollution, and environment activism : Wang Jiuliang and the power of documenting -- Art, urban renewal, and grassroots community building : Zheng... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    Art criticism, exhibition, and citizen politics : Wang Nanming and the theory of critical art -- Waste, pollution, and environment activism : Wang Jiuliang and the power of documenting -- Art, urban renewal, and grassroots community building : Zheng Dazhen and lifestyle activism -- Rural reconstruction through art : Zuo Jing and place-making for the people -- From representation to collaboration : Wen Fang and her participatory art -- Art education for children : Hu Jianqiang, Wang Jun, and the nurture effect.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138314344
    Series: Routledge research in art and politics
    Subjects: Art and social action; Arts and society
    Scope: xii, 238 Seiten, 4 ungezählte Blätter, Illustrationen
    Notes:

    Includes bibliographical references and index
  24. Creating worlds otherwise
    art, collective action and (post)extractivism
    Author: Serafini, Paula
    Published: [2022]
    Publisher:  Vanderbilt University Press, Nashville, Tennessee

    "Art as resistance against extractivism and toward a post-extractivist future in Argentina"-- more

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "Art as resistance against extractivism and toward a post-extractivist future in Argentina"--

     
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  25. Experiments in a Jazz Aesthetic
    Art, Activism, Academia, and the Austin Project
    Published: [2021]; © 2010
    Publisher:  University of Texas Press, Austin

    In Austin, Texas, in 2002, a group of artists, activists, and academics led by performance studies scholar Omi Osun Joni L. Jones formed the Austin Project (tAP), which meets annually in order to provide a space for women of color and their allies to... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    In Austin, Texas, in 2002, a group of artists, activists, and academics led by performance studies scholar Omi Osun Joni L. Jones formed the Austin Project (tAP), which meets annually in order to provide a space for women of color and their allies to build relationships based on trust, creativity, and commitment to social justice by working together to write and perform work in the jazz aesthetic. Inspired by this experience, this book is both an anthology of new writing and a sourcebook for those who would like to use creative writing and performance to energize their artistic, scholarly, and activist practices. Theoretical and historical essays by Omi Osun Joni L. Jones describe and define the African American tradition of art-making known as the jazz aesthetic, and explain how her own work in this tradition inspired her to start tAP. Key artists in the tradition, from Bessie Award-winning choreographer Laurie Carlos and writer/performer Robbie McCauley to playwrights Daniel Alexander Jones and Carl Hancock Rux, worked with the women of tAP as mentors and teachers. This book brings together never-before-published, must-read materials by these nationally known artists and the transformative writing of tAP participants. A handbook for workshop leaders by Lambda Literary Award-winning writer Sharon Bridgforth, tAP's inaugural anchor artist, offers readers the tools for starting similar projects in their own communities. A full-length script of the 2005 tAP performance is an original documentation of the collaborative, breath-based, body work of the jazz aesthetic in theatre, and provides both a script for use by theatre artists and an invaluable documentation of a major transformative movement in contemporary performance

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292792968
    Other identifier:
    Subjects: PERFORMING ARTS / General; African American aesthetics; American poetry; Art and social action; Creative writing; Music and literature; Performance art; Performance art; Performance poetry; Performance poetry
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021)