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"Contents" -- "List of Figures" -- "Series Editorsâ Preface" -- "Acknowledgements" -- "Notes on the Contributors" -- "Chronology" -- "Introduction" -- "A revolutionary moment" -- "Modern Times" -- "New Women and Contemporary Criticism, 1970â2014" -- "Outline of Volume" -- "Conclusions" -- "Notes" -- "Part I Modern Women" -- "From the New Woman to theSuffragette" -- "1 The (Irish) New Woman" -- "Notes" -- "2 Fin-de-siècle Ouida" -- "Notes" -- "3 The New Woman in Wales" -- "Notes" -- "4 British Women Writers, Technology, and the Sciences, 1880â1920" -- "Women Writers and Technology" -- "The Scientific New Woman of the 1880s and 1890s" -- "The Electromagnetic Laws of Aesthetic Attraction and Repulsion" -- "Unified Theories of Science and Spirituality" -- "Psychological Aesthetics, Stream of Consciousness, and Shell Shock" -- "Looking Forward to Relativity and Waves" -- "Notes" -- "5 Mediating Women" -- "Feminist Media, Feminist Mediality â New Women to Suffragettes" -- "Newspapers, Ear-Trumpets, Typewriters: Sharpâs Media Fictions" -- "Notes" -- "From the Decadent to the Queer" -- "6 Female Decadence" -- "George Egerton, Keynotes, and The Yellow Book" -- "Charlotte Mew, The Yellow Book, and Decadent Impressionism" -- "Female Decadence in The Yellow Book, Volume IV (January 1895)" -- "Notes" -- "7 Re-writing Myths of Creativity" -- "Discontented Galateas" -- "Queer Galateas" -- "Gothic Galateas" -- "Galatea as an Artist" -- "Notes" -- "8 Venus in the Museum" -- "Venus, Vanity, and Male-authored Fiction" -- "Ekphrasis, Women, and Museums" -- "Notes" -- "9 Womenâs Nature and theNeo-Pagan Movement" -- "Notes" -- "From the Nation to the Globe" -- "10 This Nation Which Is Not One" -- "Notes" -- "11 Geographies of Self" -- "Notes" -- "12 Modern Travel on the Fringesof Empire" -- "Harems and Honorary Men" -- "Markets, Art, and Culture". The Electromagnetic Laws of Aesthetic Attraction and Repulsion -- Unified Theories of Science and Spirituality -- Psychological Aesthetics, Stream of Consciousness, and Shell Shock -- Looking Forward to Relativity and Waves -- Notes -- 5 Mediating Women -- Feminist Media, Feminist Mediality - New Women to Suffragettes -- Newspapers, Ear-Trumpets, Typewriters: Sharp's Media Fictions -- Notes -- From the Decadent to the Queer -- 6 Female Decadence -- George Egerton, Keynotes, and The Yellow Book -- Charlotte Mew, The Yellow Book, and Decadent Impressionism Female Decadence in The Yellow Book, Volume IV (January 1895) -- Notes -- 7 Re-writing Myths of Creativity -- Discontented Galateas -- Queer Galateas -- Gothic Galateas -- Galatea as an Artist -- Notes -- 8 Venus in the Museum -- Venus, Vanity, and Male-authored Fiction -- Ekphrasis, Women, and Museums -- Notes -- 9 Women's Nature and theNeo-Pagan Movement -- Notes -- From the Nation to the Globe -- 10 This Nation Which Is Not One -- Notes -- 11 Geographies of Self -- Notes -- 12 Modern Travel on the Fringesof Empire -- Harems and Honorary Men -- Markets, Art, and Culture Belatedness and Innovation -- Conclusion -- Notes -- 13 Women Writing Japan -- Notes -- Part II Modern Genres -- From the Story to the Lyric -- 14 New Women Writing Beyondthe Novel -- Short stories -- Notes -- 15 Material Negotiations -- Notes -- 16 Women's Lyric, 1880-1920 -- Notes -- 17 Vigo Street Sapphos -- From Lesbos to Vigo Street: Modern Sapphic Poets -- Setting the Sapphic Tradition: Dollie Radford and Alice Meynell -- Expanding the Lyric Range: Katharine Tynan and Rosamund Marriott Watson -- Exemplifying Lyric Diversity: E. Nesbit's -- A Pomander of Verse -- Notes From Journalism to the War Memoir -- 18 Women's Slum Journalism, 1885-1910 -- Notes -- 19 Turn-of-the-Century Women Writing about Art, 1880-1920 -- Professionalization -- Cosmopolitans and New Women -- 'Impressionary Art' -- Exhibiting and Advocating Women Artists -- 'Pictures and Portraits' -- Modernism -- Conclusion -- Notes -- 20 The British Female Detective Written by Women, 1890-1920 -- 1. -- 2. -- 3. -- 4. -- Notes -- 21 Writing Modern Deaths -- Notes -- Select Bibliography -- Index
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