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The Ethics of (Fictional) Form: Persuasiveness and Perspective Taking from the Point of View of Cognitive Literary Studies
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Reading fictions, changing minds
the cognitive value of fiction -
Points of arrival
travels in time, space, and self = Zielpunkte: Unterwegs in Zeit, Raum und Selbst -
Klassiker und Strömungen des englischen Romans im 20. Jahrhundert
Festschrift zum 65. Geburtstag von Gerhard Haefner -
Literature and linguistics
approaches, models, and applications ; studies in honour of Jon Erickson -
Literature and literary studies in the twenty-first century
cultural concerns - concepts - case studies -
Narrative Truth in Bloomsbury's Novels and Biographies
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The Ethics of (Fictional) Form: Persuasiveness and Perspective Taking from the Point of View of Cognitive Literary Studies
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Stories as “Weapons of Mass Destruction”: George W. Bush’s Narratives of Crisis as Paradigm Examples of Ways of World- and Conflict-Making (and Conflict-Solving?)
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How to Stay Healthy and Foster Well-Being with Narratives, or: Where Narratology and Salutogenesis Could Meet
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Politics and Sentiment: Catharine Macaulay's Republicanism
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Unreliable Narration and the Historical Variability of Values and Norms: The Vicar of Wakefield as a Test Case of a Cultural-Historical Narratology
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Some Notes on the Narrative Communication Model and Modest Proposals for a Rhetorical Poetics of Narrative
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“Human Character Changed”: Virginia Woolf’s Conceptualisation of Literary Change in the 21st Century
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On the Narrativity of Rituals: Interfaces between Narratives and Rituals and Their Potential for Ritual Studies
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Ritual and Narrative: An Introduction
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Where Literature, Culture and the History of Mentalities Meet: Changes in British National Identity as a Paradigm for a New Kind of Literary/Cultural History
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Changes in the Representation of Men and Women in the Second Half of the Eighteenth Century
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Fictions of Collective Memory
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Voicing Criticism in Eighteenth-Century Novels by Women: Narrative Attempts at Claiming Authority
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Experiments with Ethics in Contemporary British Fiction: The Lack of a Stable Framework
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“A Theory of the Art of Writing”: Virginia Woolf’s Aesthetics from the Point of View of Her Critical Essays
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Interfaces between the Sciences and the Humanities
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Introduction: Literary Criticism and Linguistics - 'Natural Allies' or 'Strange Bedfellows'?
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Human Nature and Social Class in Two English Novels of the 1750s: Henry Fielding's Amelia and Eliza Haywood's History of Miss Betsy Thoughtless