The Prisoner’s Body/The Prisoner’s Dilemma: Subjects in Contemporary U.S. Prison Literature
https://www.winter-verlag.de/de/detail/978-3-8253-5391-9/Sielke_Schaefer_Wuensche_Eds_The_Body_as_Interface/
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At the Limits of Representation: Counter-tourism in Jean Amery and W.G. Sebald
Users of the material shall give appropriate credit, provide a link to the license, and indicate if changes were made. They may do so in any reasonable manner, but not in any way that suggests the licensor endorses the licensee or his/ her use. The...
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Users of the material shall give appropriate credit, provide a link to the license, and indicate if changes were made. They may do so in any reasonable manner, but not in any way that suggests the licensor endorses the licensee or his/ her use. The material may not be used for commercial purposes. If a user remixes, transforms, or builds upon the material, he/she may not distribute the modified material. ; www.peterlang.com/document/1102905
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What Chabon Remembers: Terrorism, The Yiddish Policemen’s Union, and Nations without Borders
https://www.peterlang.com/document/1046348 ; Users of the material shall give appropriate credit, provide a link to the license, and indicate if changes were made. They may do so in any reasonable manner, but not in any way that suggests the licensor...
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www.peterlang.com/document/1046348 ; Users of the material shall give appropriate credit, provide a link to the license, and indicate if changes were made. They may do so in any reasonable manner, but not in any way that suggests the licensor endorses the licensee or his/ her use. The material may not be used for commercial purposes. If a user remixes, transforms, or builds upon the material, he/she may not distribute the modified material.
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Feminist Voices: Women’s Short Fiction after 1945
This is the peer reviewed version of the article, which has been published in final form at https://www.wiley.com/en-gb/A+Companion+to+the+British+and+Irish+Short+Story-p-9781405145374. This article may be used for non-commercial purposes in...
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This is the peer reviewed version of the article, which has been published in final form at www.wiley.com/en-gb/A+Companion+to+the+British+and+Irish+Short+Story-p-9781405145374. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Use of Self-Archived Versions. This article may not be enhanced, enriched or otherwise transformed into a derivative work, without express permission from Wiley or by statutory rights under applicable legislation. Copyright notices must not be removed, obscured or modified. The article must be linked to Wiley’s version of record on Wiley Online Library and any embedding, framing or otherwise making available the article or pages thereof by third parties from platforms, services and websites other than Wiley Online Library must be prohibited.
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Robert Louis Stevenson: 'The Bottle Imp', 'The Beach of Falesá' and 'Markheim'
This is the peer reviewed version of the article, which has been published in final form at https://www.wiley.com/en-gb/A+Companion+to+the+British+and+Irish+Short+Story-p-9781405145374. This article may be used for non-commercial purposes in...
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This is the peer reviewed version of the article, which has been published in final form at www.wiley.com/en-gb/A+Companion+to+the+British+and+Irish+Short+Story-p-9781405145374. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Use of Self-Archived Versions. This article may not be enhanced, enriched or otherwise transformed into a derivative work, without express permission from Wiley or by statutory rights under applicable legislation. Copyright notices must not be removed, obscured or modified. The article must be linked to Wiley’s version of record on Wiley Online Library and any embedding, framing or otherwise making available the article or pages thereof by third parties from platforms, services and websites other than Wiley Online Library must be prohibited.
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Fighting on the Home Front: Skyfall (2012) and James Bond’s London
Whereas the city of London mainly served as a safe haven and as the backdrop for expository scenes in the early James Bond films, it has acquired a more prominent role within the most recent films in the series. Skyfall (2012), in particular, saw a...
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Whereas the city of London mainly served as a safe haven and as the backdrop for expository scenes in the early James Bond films, it has acquired a more prominent role within the most recent films in the series. Skyfall (2012), in particular, saw a significant departure from the franchise’s traditional reliance on exotic locations and based nearly a third of its running time in the British capital. At the same time, the notion of Bond’s ‘coming home’ (which serves as a dominant motif in the film) coincides with a paradigm shift in post-9/11 geopolitics. The article traces these developments by assessing Skyfall’s depiction of London and how the film negotiates and adapts classic Bond tropes in the ‘age of terrorism’. ; brill.com/view/book/edcoll/9789004344013/B9789004344013_009.xml
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The Quantified Child. Zur Darstellung von Adoleszenz unter den Bedingungen der Digitalisierung in der aktuellen Kinder- und Jugendliteratur
Dataveillance, as part of a technological dystopia within children’s literature is often combined with narratives about adolescence. This paper analyses the depiction of surveillance technology in the life of young adults and children within recent...
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Dataveillance, as part of a technological dystopia within children’s literature is often combined with narratives about adolescence. This paper analyses the depiction of surveillance technology in the life of young adults and children within recent fiction. The two exemplary texts analyzed are the children’s audio drama Die Nanny-App by Angela Gerrits (2018) and the ‘Eleria-Trilogie’ (2012–2014) by Ursula Poznanski. By placing a young adult as narrator and hero/heroine center stage, both texts depict the experience of adolescence as a personal crisis within an educational system under surveillance. The heroines deal with the role of tracking device technology as a paradoxical and powerful weapon, which may serve as an extended element of self-regulation as well as a device of parental and/or governmental control. ; www.peterlang.com/view/title/69884
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