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The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames
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<<The>> Gesamtkunstwerk as a synergy of the arts
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Intermediality and storytelling
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Narrative complexity
cognition, embodiment, evolution -
Narrative complexity
cognition, embodiment, evolution -
Theoretical schools and circles in the twentieth-century humanities
literary theory, history, philosophy -
Intermediality and storytelling
-
The models of space, time and vision in V. Nabokov's fiction
narrative strategies and cultural frames -
Intermediality and storytelling
-
The Gesamtkunstwerk As a Synergy of the Arts
-
Narrative complexity
cognition, embodiment, evolution -
Theoretical schools and circles in the twentieth-century humanities
literary theory, history, philosophy -
The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames
-
The models of space, time and vision in V. Nabokov's fiction
narrative strategies and cultural frames -
Theoretical schools and circles in the Twentieth-Century humanities
literary theory, history, philosophy -
Narrative complexity
cognition, embodiment, evolution -
Narrative complexity
cognition, embodiment, evolution -
The Gesamtkunstwerk as a synergy of the arts
-
The Models of Space, Time and Vision in V. Nabokov's Fiction: Narrative Strategies and Cultural Frames
-
Intermediality and storytelling
-
Theoretical schools and circles in the twentieth-century humanities
literary theory, history, philosophy -
The Gesamtkunstwerk as a synergy of the arts
-
Narrative complexity
cognition, embodiment, evolution -
Theoretical schools and circles in the twentieth-century humanities
literary theory, history, philosophy -
Intermediality and storytelling