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Credit und Diskreditierung: Zur englischen Presse und Literatur im frühen 18. Jahrhundert
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Einleitung: Vertrauen und Glaubwürdigkeit
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On First Looking Into Ackroyd's Chatterton: Framing Pictures
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Exploring Romanticism – Romantic Explorations
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The Fictions of Diaspora and Caryl Phillips’s Diasporic Fiction
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Black Versions of Englishness: Daniel Defoe, Olaudah Equiano, and Mary Prince
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Revisions and Specular Inversions in Wordsworth’s Prelude
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Gibbon's Memoirs: The Palimpsest as Paradigm for Autobiographies?
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Henry Morton Stanley's ‘Cannibalism’
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Animating The Tempest: Power, Passion, and Spectacle
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Shakespeare multimedial: As You Like It
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From Utopia to Dystopia: David Macaulay's Satiric Picturebook Baaa (1985) and Media Literacy
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Virtual and Real Slavery: Women on Abolition
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Wilde’s Lectures and Trials: The Imitation, Reproduction, and Simulation of Poses
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William Beckford’s Real and Imaginary Travels
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An African’s Trouble with His Master’s Voices
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Ulysses as Digestive Tract
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Imaginary Jews and True Confessions: Ethnicity, Lyricism, and John Berryman's Dream Songs
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Introduction: Returns of the Real
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W.D. Snodgrass’ The Fuehrer Bunker: Confession, Memory, and the Personification of History
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American Innovations: A Conversation with Rivka Galchen and Joseph O’Neill
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Goldwater’s Phoenix: Emerging from the Ashes of an Unsuccessful Presidential Campaign
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Individualism, W. H. Auden’s The Age of Anxiety, and the Group
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'After Auschwitz': Adorno, Postmodernism, and the Anti-Aesthetic
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Signs of Violence: Terrorism, (Post-)Modernism, and the Nostalgia for Disaster