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  1. Rewriting Histories and Geographies: Cosmopolitan Moments in Contemporary Indian Writing in English
    Autor*in: Cottier Bucher, Annie Madeleine
    Erschienen: 2014
    Verlag:  (:null)

    Other ; In order to grasp the imaginative geographical and historical scope of contemporary Indian writing in English, this thesis claims that it is necessary to think about literature beyond the paradigms of national, postcolonial or even... mehr

     

    Other ; In order to grasp the imaginative geographical and historical scope of contemporary Indian writing in English, this thesis claims that it is necessary to think about literature beyond the paradigms of national, postcolonial or even transnational diasporic literatures. It is asserted that cosmopolitanism, which is here understood to be a concept that encompasses the negotiation of the ethics and practice of migration, community, responsibility, difference and sameness, offers the possibility of thinking critically about migration and globalization in the context of the literary texts at the centre of this thesis: Amitav Ghosh’s Sea of Poppies (2008) and River of Smoke (2011), Salman Rushdie’s The Enchantress of Florence (2007) and M.G. Vassanji’s The Assassin’s Song (2007). Literary criticism has acknowledged the relevance of cosmopolitan thought in contemporary literatures of a global, transnational literary imaginary. Yet the literature concerned with cosmopolitanism has, with a few exceptions, mainly used it as a descriptive rather than as an interpretative term, focusing on the politics of these fictional texts rather than on their aesthetics or in this case, to be more precise, their literary features. In this thesis, the interest is to examine the ethics, practice and aesthetics of cosmopolitan moments in which histories and geographies are rewritten and reimagined, i.e. the propensity of these four novels to remap, rethink and reimagine these narratives of time and space according to an understanding that moves away from postcolonial dichotomies towards a more global view of events that still takes into account existing power relations.

     
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    Sprache: Englisch
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    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820)
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    info:eu-repo/semantics/openAccess
  2. AIDS in German Literature, Theatre, and Film. The Cultural Dramaturgy of Disorder
    Autor*in: Schappach, Beate
    Erschienen: 2014
    Verlag:  (:null)

    Other ; Background The paper sheds light on the development of the cultural representation of HIV/AIDS in Germany, Austria and Switzerland from the 1980ies until present. It analyses the contribution of literature, theatre, and film to the public... mehr

     

    Other ; Background The paper sheds light on the development of the cultural representation of HIV/AIDS in Germany, Austria and Switzerland from the 1980ies until present. It analyses the contribution of literature, theatre, and film to the public discourse about HIV/AIDS and characterises the rhetorical and iconographic strategies used to construct, represent, and discuss the disease and deal with it. The presentation shows which functions literature, theatre and film have performed within the HIV/AIDS discourse during the last 30 years in German speaking countries. Methods Having a background in Cultural Studies, Theatre Studies and German Studies the study uses methods from these disciplines to analyse the reception of aesthetic strategies – the ‘what’ and ‘how’ – of literary, theatrical and cinematic representations of HIV/AIDS on a micro level. On a macro level interdiscourse analysis (Jürgen Link) and sociological systems theory (Niklas Luhmann) are applied to describe the dramaturgical development of the HIV/AIDS discourse in German speaking countries. Results The public HIV/AIDS discourse in German speaking countries can be divided into seven stages characterised by different dominant modes of representing HIV/AIDS: exclusion and blame, prevention, integration, refuse of integration, apocalyptic scenarios, thrill, and normalisation. The dramaturgy of the HIV/AIDS discourse is initialised by the occurrence of the new disease in the 1980ies. In the first years it followed the pattern of historical epidemic discourses (plague, leprosy, syphilis). Since then, two major plotpoints have changed the structure of the discourse altogether: the discovery of the HI-Virus and the introduction of combined antiretroviral therapy. In the 21st century HIV/AIDS starts to become normalised. Nevertheless discrimination patterns known from the HIV/AIDS discourse of the 1980ies can be found again in medial representations. Conclusions The paper discusses the complex relationship between cultural and medical communication in the face of HIV/AIDS. Literature, theatre, and film perform different functions dealing with the disease: 1. feeding rhetorical and iconographic representations into the public discourse 2. observing and documenting the discourse about HIV/AIDS in the mass media 3. intervening in the public discourse through criticism or alternative interpretations 4. offering coping / passing strategies and strategies of assigning meaning to the disease.

     
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    Sprache: Englisch
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    DDC Klassifikation: Geschichte Europas (940); Literatur und Rhetorik (800); Freizeitgestaltung, darstellende Künste, Sport (790); Sozialwissenschaften (300); Geschichte und Geografie (900)
    Schlagworte: rhetoric & criticism; games & entertainment; sociology & anthropology
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    info:eu-repo/semantics/openAccess
  3. Intermedialität: Text/Bild-Verhältnisse
    Autor*in: Rippl, Gabriele
    Erschienen: 2014
    Verlag:  De Gruyter

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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    info:eu-repo/semantics/openAccess
  4. Hemingway and the Venetian Nobility
    Autor*in: Knigge, Jobst C.
    Erschienen: 2014
    Verlag:  Humboldt-Universität zu Berlin

    Abstract ; Between 1948 and 1954 the American author Ernest Hemingway visited Venice and the surrounding area for four times. In this period he made friendship with members of four local noble families: the Franchetti, di Robilant, Kechler and... mehr

     

    Abstract ; Between 1948 and 1954 the American author Ernest Hemingway visited Venice and the surrounding area for four times. In this period he made friendship with members of four local noble families: the Franchetti, di Robilant, Kechler and Ivancich. He was invited to their palazzi and country estates. He went fishing and hunting with them. He was fascinated by their lifestyle and portrayed members of the families in his novel "Across the River and into the Trees". The center figure was Adriana Ivancich. She became his "Venetian Muse" and center figure of the novel as Contessa Renata.

     
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    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
    Schlagworte: Hemingway; Franchetti; Kechler; di Robilant; Ivancich; Across the River and into the Trees; Venice
  5. Review of A.S. Byatt by Mariadele Boccardi
    Autor*in: Rippl, Gabriele
    Erschienen: 2014
    Verlag:  De Gruyter

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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  6. Gulliver's Travels. The Cambridge Edition of the Works of Jonathan Swift
    Autor*in: Richter, Virginia
    Erschienen: 2014
    Verlag:  De Gruyter

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    Sprache: Englisch
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    Format: Online
    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820)
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  7. Mallarmé and His Futurist 'Heir' Marinetti
    Autor*in: Suter, Patrick
    Erschienen: 2014
    Verlag:  De Gruyter

    Other ; Marinetti is known for his call to arms against Mallarmé's aesthetics, but, in actual fact, he admired the great Symbolist at the beginning of his literary career. Nevertheless, his heritage from Mallarmé was not pure. This becomes most... mehr

     

    Other ; Marinetti is known for his call to arms against Mallarmé's aesthetics, but, in actual fact, he admired the great Symbolist at the beginning of his literary career. Nevertheless, his heritage from Mallarmé was not pure. This becomes most apparent in their diverging attitude towards the book as a cultural attainment and a literariy vehicle. While Mallarmé's Book was organized according to the model of the constellation, where all elements answer each other in a system of echoes, the Futurist text was characterized by the absence of both memory and echoes between the different parts of the book.]

     
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    DDC Klassifikation: Literaturen romanischer Sprachen; Französische Literatur (840); Romanische Sprachen; Französisch (440)
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  8. Contact, Mobility and Authenticity: Language Ideologies in Koineisation and Creolisation
    Autor*in: Neuenschwander, Christoph; Tresch, Laura Alessandra
    Erschienen: 2014
    Verlag:  (:null)

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    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820)
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    info:eu-repo/semantics/openAccess
  9. Contact, Mobility and Authenticity: Language Ideologies in Koineisation
    Autor*in: Tresch, Laura Alessandra
    Erschienen: 2014
    Verlag:  (:null)

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an... mehr

     

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.

     
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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  10. Language ideologies: the formation and legitimisation of New Zealand English
    Autor*in: Tresch, Laura Alessandra; Neuenschwander, Christoph
    Erschienen: 2014
    Verlag:  (:null)

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an... mehr

     

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.

     
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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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    info:eu-repo/semantics/openAccess
  11. Digital multitext editions from scratch to electronic performance. Transcription and collation routines transformed in a flexible database system
    Autor*in: Stolz, Michael
    Erschienen: 2014
    Verlag:  (:null)

    Other ; The poster demonstrates the preparatory steps of a digital multi-text edition that are abstracted from the experiences made in the Parzival Project, based at the University of Bern, the Berlin-Brandenburg Academy of Sciences and the... mehr

     

    Other ; The poster demonstrates the preparatory steps of a digital multi-text edition that are abstracted from the experiences made in the Parzival Project, based at the University of Bern, the Berlin-Brandenburg Academy of Sciences and the University of Erlangen. This edition of Wolfram von Eschenbach’s German Grail novel, written shortly after 1200 and transmitted during several centuries in ca. hundred witnesses, has now been completed by more than a half of the textual corpus. As the text is transmitted in medieval manuscripts the witnesses have to be transcribed according to specific encoding rules. The transcriptions then are collated following certain ideas and concepts of how the transmission process could have developed. The transcriptions and collations finally have to be transferred to a digital edition that allows the users to explore the characteristics of single witnesses as well as the history of a text, which is delivered in variants and in different versions. A dynamically organized database offering various components and adapted to the needs of diverse user-profiles is nowadays the right tool for this purpose.

     
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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830); Germanische Sprachen; Deutsch (430)
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    info:eu-repo/semantics/openAccess
  12. Introduction: Melodrama: Staging Emotions in the Anglophone World
    Autor*in: Straub, Julia; Rippl, Gabriele
    Erschienen: 2014
    Verlag:  De Gruyter

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    DDC Klassifikation: Englische, altenglische Literaturen (820); Amerikanische Literatur in in Englisch (810)
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    info:eu-repo/semantics/openAccess
  13. Workshop "Körper - Leib"
    Autor*in: Klankert, Tanja; Reisigl, Martin; Alloa, Emmanuel
    Erschienen: 2014
    Verlag:  (:null)

  14. Melodrama and Narrative Fiction: Towards a Typology
    Autor*in: Straub, Julia
    Erschienen: 2014
    Verlag:  De Gruyter

    Other ; Recent research on melodrama has stressed its versatility and ubiquity by approaching it as a mode of expression rather than a theatrical genre. A variety of contexts in which melodrama is at work have been explored, but only little scholarly... mehr

     

    Other ; Recent research on melodrama has stressed its versatility and ubiquity by approaching it as a mode of expression rather than a theatrical genre. A variety of contexts in which melodrama is at work have been explored, but only little scholarly attention has been paid to the relationship between melodrama and novels, short stories and novellas. This article proposes a typology of melodrama in narrative prose fiction, examining four different categories: Melodrama and Sentimentalism, Depiction of Melodramatic Performances in Narrative Prose Fiction, Theatrical Antics and Aesthetics in Narrative Prose Fiction and Meta-Melodrama. Its aim is to clarify the ways in which melodrama, ever since its early days on the stages of late eighteenth-century Europe, has interacted with fictional prose narratives, thereby shaping the literary imagination in the Anglophone world.

     
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420); Amerikanische Literatur in in Englisch (810)
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  15. The Best Story of the World: Theology, Geology and Philip Henry Gosse's Omphalos
    Autor*in: Richter, Virginia
    Erschienen: 2014
    Verlag:  Amsterdam University Press

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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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  16. Tim Lanzendörfer. The Professionalization of the American Magazine
    Autor*in: Straub, Julia
    Erschienen: 2014
    Verlag:  De Gruyter

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    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
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  17. "¿Critique génétique y/o filologia d’autore? Según los casos… ”Historia” —¿o fin?— “de una utopía real”
    Autor*in: Vauthier, Bénédicte
    Erschienen: 2014
    Verlag:  Departamento de Literatura Española. Facultad de Filosofía y Letras

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    Sprache: Englisch
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    DDC Klassifikation: Spanische, portugiesische Literaturen (860); Spanisch, Portugiesisch (460)
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  18. Rainer Werner Fassbinder’s "Garbage, The City, and Death". A Four Act Scandal in Post-war Germany
    Autor*in: Schappach, Beate
    Erschienen: 2014
    Verlag:  (:null)

    Other ; Rainer Werner Fassbinder’s Garbage, The City, and Death. A Four Act Scandal in Post-war Germany The paper explores the dramaturgy of the scandals around the play Garbage, The City and Death (Der Müll, die Stadt und der Tod) by German... mehr

     

    Other ; Rainer Werner Fassbinder’s Garbage, The City, and Death. A Four Act Scandal in Post-war Germany The paper explores the dramaturgy of the scandals around the play Garbage, The City and Death (Der Müll, die Stadt und der Tod) by German playwright, theatre and film maker Rainer Werner Fassbinder. Published in 1976, the play immediately caused a scandal in West Germany, because it was accused of reproducing anti-Semitic stereotypes. The presentation sheds light on the different phases of the scandal and their historical and cultural contexts in post-war Germany – starting as a literary scandal in 1976, being transformed into a theatre scandal in the 1980ies and finally being dissolved by the German premiere in 2009. The paper is structured as follows: Act One: The Literary Scandal. Destroying Fassbinder’s Garbage, Act Two: Preventing the Staging of the Play, Act Three: Blocking the Opening Night, Act Four: Performing the Play in Germany. By analysing the dramaturgical structure of this specific scandal, the paper discusses the following hypotheses: 1. Scandals arise through the circulation of decontextualised information in public. This is due to either a lack of information about the actual object or incident being scandalised or a lack of information about the context of the object or incident. This lack is caused by the logic of the scandal itself: Because the play or the performance is prohibited, it has been withdrawn from the public, making it impossible to form a well-founded opinion on the controversy. 2. The scandal is driven forward by an emotionalising rhetoric built around the decontextualised information. 3. Once the gap of information is filled, the scandalising rhetoric turns into a rhetoric of irrelevance: Reviews of the first performance of Garbage, The City and Death in Germany considered the play hardly a matter of public concern.

     
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  19. Performing AIDS. The Film-maker Rosa von Praunheim between HIV/AIDS-Communities in Germany and the USA
    Autor*in: Schappach, Beate
    Erschienen: 2014
    Verlag:  (:null)

    Other ; This paper explores the works of German film-maker Rosa von Praunheim during the AIDS crisis. In the 1980ies and 1990ies he produced several films portraying the gay communities in Germany and the USA in the face of AIDS. First, this paper... mehr

     

    Other ; This paper explores the works of German film-maker Rosa von Praunheim during the AIDS crisis. In the 1980ies and 1990ies he produced several films portraying the gay communities in Germany and the USA in the face of AIDS. First, this paper analyses the cinematic techniques von Praunheim uses to criticise the German gay community and present the American practices of performing community as a role model for AIDS-activism. In a second step, the focus is put on von Praunheim’s autobiography and the rhetoric strategies he uses to participate in New York’s HIV-community, while being HIV-negative himself.

     
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  20. Contact, Mobility and Authenticity: Language Ideologies in Koineisation and Creolisation - Poster for CSLS
    Autor*in: Tresch, Laura Alessandra; Neuenschwander, Christoph
    Erschienen: 2014
    Verlag:  (:null)

    Other ; How are new dialects and new languages represented and evaluated in public discourse? mehr

     

    Other ; How are new dialects and new languages represented and evaluated in public discourse?

     
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    DDC Klassifikation: Englisch, Altenglisch (420); Sprache (400); Englische, altenglische Literaturen (820); Linguistik (410)
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  21. Displacing Humans, Reconfiguring Darwin in Contemporary Culture and Theory
    Autor*in: Richter, Virginia
    Erschienen: 2014
    Verlag:  Ashgate

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  22. Ape Meets Primatologist. Post-Darwinian Interspecies Romances
    Autor*in: Richter, Virginia
    Erschienen: 2014
    Verlag:  University of Georgia Press

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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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  23. Internal and external resources: constraints on creativity?
    Autor*in: Ehrensberger-Dow, Maureen; Massey, Gary
    Erschienen: 2014

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    DDC Klassifikation: Rhetorik, Sammlungen von Literatur (808)
    Schlagworte: ErgoTrans presentation; CAT tool; HCI; Translation process
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    Licence according to publishing contract
  24. Paradisum speculatorium in picturam ponere : developing a picture program as the ‘Mirror of Virgins’
    Autor*in: Powell, Morgan
    Erschienen: 2014
    Verlag:  Reichert

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    DDC Klassifikation: Literatur und Rhetorik (800)
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  25. Authorship and context : writing and text production as situated activities
    Autor*in: Gnach, Aleksandra; Powell, Katrina M.
    Erschienen: 2014
    Verlag:  De Gruyter

    In this chapter, the authors examine the study of text production in relation to the ways that agency, author, and social context intersect, examining such questions as who are the agents of text production and how do they act in contemporary... mehr

     

    In this chapter, the authors examine the study of text production in relation to the ways that agency, author, and social context intersect, examining such questions as who are the agents of text production and how do they act in contemporary institutions of individual and organizational text production? In addition to outlining several related theoretical frameworks (Realist Social Theory, Activity Theory, Critical Discourse Analysis), the authors address the ways that research methodologies are inextricably linked to the theoretical perspectives informing them. Highlighting the interplay of socio-cultural contexts with authoring activities, the authors use two examples from the traditions of media linguistics and new literacy studies to address the ways that understanding context is crucial in analyzing and interpreting authors as agents of text production.

     
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    DDC Klassifikation: Rhetorik, Sammlungen von Literatur (808)
    Schlagworte: Applied Linguistics; Text production; Writing
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    Licence according to publishing contract