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Arnold Wesker
fragments and visions -
British Experimental Women’s Fiction, 1945—1975
Slipping Through the Labels -
Arnold Wesker
Fragments and Visions -
Arnold Wesker
fragments and visions -
Thomas Hardy and the survivals of time
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British Experimental Women's Fiction, 1945--1975
Slipping Through the Labels -
Romantic echoes in the Victorian era
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Modernist Women Writers and Spirituality
A Piercing Darkness -
About Kane
the playwright and the work -
About Kane
the playwright and the work -
Patrick Marber's Closer
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Elizabethan and Jacobean Reappropriation in Contemporary British Drama
"Upstart Crows" -
Elizabethan and Jacobean reappropriation in contemporary British drama
'Upstart Crows' -
The occult imagination in Britain, 1875-1947
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The Edinburgh companion to modernism, myth and religion
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British theatre companies
2, 1980 - 1994 : Joint Stock Theatre Company, Gay Sweatshop, Théâtre de Complicité, Forced Entertainment, Women's Theatre Group, and Talawa / Graham Saunders -
The lost girls
Demeter-Persephone and the literary imagination, 1850 - 1930 -
Patrick Marber's Closer
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Elizabethan and Jacobean Reappropriation in Contemporary British Drama
"Upstart Crows" -
"Love me or kill me"
Sarah Kane and the theatre of extremes -
Patrick Marber's Closer
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British Experimental Women’s Fiction, 1945—1975
Slipping Through the Labels -
British Experimental Women’s Fiction, 1945—1975
Slipping Through the Labels -
Harold Pinter
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Modernist Women Writers and Spirituality
A Piercing Darkness