Peter Ackroyd: Chatterton
http://www.litencyc.com/php/sworks.php?rec=true&UID=6032
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Zoe Wicomb: David's Story
http://www.litencyc.com/php/sworks.php?rec=true&UID=24867
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Arundhati Roy: The God of Small Things
http://www.litencyc.com/php/sheadwords.php?newsearch=yes&golist=go&phrase=god+of+small+things
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Bénédicte Ledent (2002): Caryl Phillips and Susanne Reichl (2002): Cultures in the Contact Zone. Ethnic Semiosis in Black British Literature
This is an Accepted Manuscript version of the article, accepted for publication in Wasafiri 41 (Spring 2004). It is deposited under the terms of the Creative Commons Attribution-NonCommercial License (http://creativecommons.org/licenses/by-nc/4.0/),...
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This is an Accepted Manuscript version of the article, accepted for publication in Wasafiri 41 (Spring 2004). It is deposited under the terms of the Creative Commons Attribution-NonCommercial License (http://creativecommons.org/licenses/by-nc/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
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The Poetics of History and Irish Historical Poetry
Par un autre exemple de méthode synthétique, les œuvres de deux poètes irlandais contemporains, Seamus Heaney et daran Carson, sont ici comparées pour ce qui est de la façon dont ils traitent de l'histoire. Au delà du contexte irlandais post-colonial...
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Par un autre exemple de méthode synthétique, les œuvres de deux poètes irlandais contemporains, Seamus Heaney et daran Carson, sont ici comparées pour ce qui est de la façon dont ils traitent de l'histoire. Au delà du contexte irlandais post-colonial où la littérature se trouve aux prises avec l'histoire et l'historiographie, cette étude se poursuit par une réflexion plus générale sur les rapports qu'entretient la poésie moderne avec l'idéologie.
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Re-framing the Ethnographic Encounter: Les Maîtres fous
The controversy provoked by Rouch’s Les Maîtres fous resulted both from the ambiguity of the unfamiliar Hauka ritual at the center of the film, and from the complexity of Rouch’s verbal and visual framing of the event. The dialogic framing does not...
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The controversy provoked by Rouch’s Les Maîtres fous resulted both from the ambiguity of the unfamiliar Hauka ritual at the center of the film, and from the complexity of Rouch’s verbal and visual framing of the event. The dialogic framing does not hedge interpretation, but rather multiplies the ritual’s potential meanings in Rouch’s contradictory views of both the ethnographer’s position and the object of observation in essays, in interviews, in his voice-over commentary, and in his editing of the footage.
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Antonia S. Byatt's Intermedial "Art Work": The Empire Knits Back
https://angl.winter-verlag.de/article/ANGL/2012/2/14
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Let's Talk About Sex: Confessions And Vows In "The Monk"
Critics of The Monk stress its pornographic elements and the opposition of natural, subversive libidinal forces against the cultural order. However, discourses about love and sex prevail against depictions of sexual acts. The Monk exemplifies...
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Critics of The Monk stress its pornographic elements and the opposition of natural, subversive libidinal forces against the cultural order. However, discourses about love and sex prevail against depictions of sexual acts. The Monk exemplifies Foucault's observation of the increasing discursivization of sexuality by transferring confessions and vows from the religious into the private sphere. Significantly, these discourses not only serve to control but also to elicit desire, which is less hidden and repressed but constitutes the focus of an obsessive concern. The lovers do not represent anarchic or innovative forces because they merely repeat the cultural pattern of arousing and hedging desire. Lovers, families and the church rival each other for power in the field of sexuality without any significant differences in the structure of their behaviour, so that The Monk criticizes the sentimental view of the private sphere.
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Arno Löffler and Eberhard Späth, eds. (2005): Geschichte der englischen Kurzgeschichte AND Sabine Buchholz (2003): Narrative Innovationen in der modernistischen britischen Short Story
This publication is with permission of the rights owner freely accessible due to an Alliance licence and a national licence (funded by the DFG, German Research Foundation) respectively.
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This publication is with permission of the rights owner freely accessible due to an Alliance licence and a national licence (funded by the DFG, German Research Foundation) respectively.
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Introduction: Multimodality and Multiliteracies
https://angl.winter-verlag.de/article/ANGL/2018/1/3
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Fred I. Greenstein, ed. (2003): The George W. Bush Presidency: An Early Assessment
http://www.cercles.com/review/r24/greenstein.htm
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Robert DiYanni (2004): Literature: Approaches to Fiction, Poetry, and Drama
http://www.cercles.com/review/r16/diyanni.htm
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Visuelle Kompetenz durch multimodale Bild/Texte
http://www.wvttrier.de/top/beschreibungen/ID1367.html
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Zadie Smith, White Teeth (2000)
White Teeth is a realistic and comic family saga about the intertwined lives of three families of different ethnic affiliations. The novel spans the twentieth century, connecting the colonial past in Jamaica and India with the postcolonial present in...
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White Teeth is a realistic and comic family saga about the intertwined lives of three families of different ethnic affiliations. The novel spans the twentieth century, connecting the colonial past in Jamaica and India with the postcolonial present in London. In this metahistorical novel, narrative comments, the characters’ unreliable versions of the past, and the twisted plots develop an ironic comedy of history characterized by repetition as a farce. Both first-generation and second-generation immigrants struggle for recognition. However, they develop different strategies in constructing their positions and identities through assimilation, transcultural hybridization, or the delimitation of their cultures in opposition to the permissive and capitalist Western society. The cosmopolitan and multicultural metropolis becomes the site of intercultural conflicts and transcultural blending. ; www.degruyter.com/document/doi/10.1515/9783110369489/html
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