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  1. Wedded to the Land?
    Gender, Boundaries, and Nationalism in Crisis
    Autor*in: Layoun, Mary N.
    Erschienen: [2001]; © 2001
    Verlag:  Duke University Press, Durham

    In Wedded to the Land? Mary N. Layoun offers a critical commentary on the idea of nationalism in general and on specific attempts to formulate alternatives to the concept in particular. Narratives surrounding three geographically and temporally... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In Wedded to the Land? Mary N. Layoun offers a critical commentary on the idea of nationalism in general and on specific attempts to formulate alternatives to the concept in particular. Narratives surrounding three geographically and temporally different national crises form the center of her study: Greek refugees' displacement from Asia Minor into Greece in 1922, the 1974 right-wing Cypriot coup and subsequent Turkish invasion of Cyprus, and the Palestinian and PLO expulsion from Beirut following the Israeli invasion in 1982.Drawing on readings of literature and of official documents and decrees, songs, poetry, cinema, public monuments, journalism, and conversations with exiles, refugees, and public officials, Layoun uses each historical incident as a means of highlighting a recurring trope within constructs of nationalism. The displacement of the Greek refugees in the 1920s calls into question the very idea of home, as well as the desire for ethnic homogeneity within nations. She reads the Cypriot coup and invasion as an illustration of the gendering of nation and how the notion of the inviolable woman came to represent sovereignity. In her third example she shows how the Palestinian and PLO expulsion from Beirut highlights the ambiguity of the borders upon which many manifestations of nationalism putatively depend. These chapters are preceded and introduced by a discussion of "culturing the nation" and closed by a consideration of citizenship and silence in which Layoun discusses rights ostensibly possessed by all members of a political community.This book will be of interest to scholars engaged in cultural and critical theory, Middle Eastern and Mediterranean history, literary studies, political science, postcolonial studies, and gender studies

     

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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822380481
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / Middle Eastern; Nationalism and literature; Nationalism in literature; Politics and culture; Politics in literature
    Umfang: 1 online resource (240 pages), 10 b&w photographs
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  2. Lucchesi and The Whale
    Erschienen: [2000]; © 2001
    Verlag:  Duke University Press, Durham

    Lucchesi and The Whale is an unusual work of fiction by noted author and critic Frank Lentricchia. Its central character, Thomas Lucchesi Jr., is a college professor in the American heartland whose obsessions and compulsions include traveling to... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Lucchesi and The Whale is an unusual work of fiction by noted author and critic Frank Lentricchia. Its central character, Thomas Lucchesi Jr., is a college professor in the American heartland whose obsessions and compulsions include traveling to visit friends in their last moments of life-because grief alone inspires him to write-and searching for secret meaning in Herman Melville's Moby-Dick. Himself a writer of "stories full of violence in a poetic style," Lucchesi tells his students that he teaches "only because [his] fiction is commercially untouchable" and to "never forget that." Austerely isolated, anxiety-ridden, and relentlessly self-involved, Lucchesi nonetheless cannot completely squelch his eagerness for love.Having become "a mad Ahab of reading," who is driven to dissect the "artificial body of Melville's behemothian book" to grasp its truth, Lucchesi allows his thoughts to wander and loop from theory to dream to reality to questionable memory. But his black humor-tinged musings are often as profoundly moving as they are intellectual, such as the section in which he ponders the life and philosophy of Ludwig Wittgenstein in relation to the significance of a name-and then attempts to share these thoughts with a sexy, middle-aged flight attendant-or another in which he describes a chance meeting with a similarly-named mafia don.Despite apparent spiritual emptiness, Lucchesi in the end does find "a secret meaning" to Moby-Dick. And Lentricchia's creations-both Lucchesi and The Whale and its main character-reveal this meaning through a series of ingeniously self-reflective metaphors, in much the way that Melville himself did in and through Moby-Dick. Vivid, humorous, and of unparalleled originality, this new work from Frank Lentricchia will inspire and console all who love and ponder both great literature and those who would write it

     

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    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822380498
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / General; College teachers; Fiction; Friendship; Grief; Psychological fiction
    Umfang: 1 online resource (128 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  3. A Master on the Periphery of Capitalism
    Machado de Assis
    Erschienen: [2001]; © 2001
    Verlag:  Duke University Press, Durham

    A Master on the Periphery of Capitalism is a translation (from the original Portuguese) of Roberto Schwarz's renowned study of the work of Brazilian novelist Machado de Assis (1839-1908). A leading Brazilian theorist and author of the highly... mehr

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A Master on the Periphery of Capitalism is a translation (from the original Portuguese) of Roberto Schwarz's renowned study of the work of Brazilian novelist Machado de Assis (1839-1908). A leading Brazilian theorist and author of the highly influential notion of "misplaced ideas," Schwarz focuses his literary and cultural analysis on Machado's The Posthumous Memoirs of Brás Cubas, which was published in 1880. Writing in the Marxist tradition, Schwarz investigates in particular how social structure gets internalized as literary form, arguing that Machado's style replicates and reveals the deeply embedded class divisions of nineteenth-century Brazil.Widely acknowledged as the most important novelist to have written in Latin America before 1940, Machado had a surprisingly modern style. Schwarz notes that the unprecedented wit, sarcasm, structural inventiveness, and mercurial changes of tone and subject matter found in The Posthumous Memoirs of Brás Cubas marked a crucial moment in the history of Latin American literature. He argues that Machado's vanguard narrative reflects the Brazilian owner class and its peculiar status in both national and international contexts, and shows why this novel's success was no accident. The author was able to confront some of the most prestigious ideologies of the nineteenth century with some uncomfortable truths, not the least of which was that slavery remained the basis of the Brazilian economy.A Master on the Periphery of Capitalism will appeal to those with interests in Latin American literature, nineteenth century history, and Marxist literary theory

     

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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.); John, Gledson (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822380801
    Weitere Identifier:
    Schriftenreihe: Latin America in Translation
    Schlagworte: LITERARY CRITICISM / Caribbean & Latin American
    Umfang: 1 online resource (232 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  4. Shakespeare, Brecht, and the Intercultural Sign
    Autor*in: Tatlow, Antony
    Erschienen: [2001]; © 2001
    Verlag:  Duke University Press, Durham

    In Shakespeare, Brecht, and the Intercultural Sign renowned Brecht scholar Antony Tatlow uses drama to investigate cultural crossings and to show how intercultural readings or performances question the settled assumptions we bring to interpretations... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In Shakespeare, Brecht, and the Intercultural Sign renowned Brecht scholar Antony Tatlow uses drama to investigate cultural crossings and to show how intercultural readings or performances question the settled assumptions we bring to interpretations of familiar texts. Through a "textual anthropology" Tatlow examines the interplay between interpretations of Shakespeare and readings of Brecht, whose work he rereads in the light of theories of the social subject from Nietzsche to Derrida and in relation to East Asian culture, as well as practices within Chinese and Japanese theater that shape their versions of Shakespearean drama.Reflecting on how, why, and to what effect knowledges and styles of performance pollinate across cultures, Tatlow demonstrates that the employment of one culture's material in the context of another defamiliarizes the conventions of representation in an act that facilitates access to what previously had been culturally repressed. By reading the intercultural, Tatlow shows, we are able not only to historicize the effects of those repressions that create a social unconscious but also gain access to what might otherwise have remained invisible.This remarkable study will interest students of cultural interaction and aesthetics, as well as readers interested in theater, Shakespeare, Brecht, China, and Japan

     

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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822380894
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / Shakespeare; Intercultural communication in literature; Intercultural communication; Theater
    Umfang: 1 online resource (308 pages), 9 illustrations
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  5. Divergent Modernities
    Culture and Politics in Nineteenth-Century Latin America
    Autor*in: Ramos, Julio
    Erschienen: [2001]; © 2001
    Verlag:  Duke University Press, Durham

    With a Foreword by José David SaldívarSince its first publication in Spanish nearly a decade ago, Julio Ramos's Desenucuentros de la modernidad en America Latina por el siglo XIX has been recognized as one of the most important studies of modernity... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    With a Foreword by José David SaldívarSince its first publication in Spanish nearly a decade ago, Julio Ramos's Desenucuentros de la modernidad en America Latina por el siglo XIX has been recognized as one of the most important studies of modernity in the western hemisphere. Available for the first time in English-and now published with new material-Ramos's study not only offers an analysis of the complex relationships between history, literature, and nation-building in the modern Latin American context but also takes crucial steps toward the development of a truly comparative inter-American cultural criticism.With his focus on the nineteenth century, Ramos begins his genealogy of an emerging Latin Americanism with an examination of Argentinean Domingo Sarmiento and Chilean Andrés Bello, representing the "enlightened letrados" of tradition. In contrast to these "lettered men," he turns to Cuban journalist, revolutionary, and poet José Martí, who, Ramos suggests, inaugurated a new kind of intellectual subject for the Americas. Though tracing Latin American modernity in general, it is the analysis of Martí-particularly his work in the United States-that becomes the focal point of Ramos's study. Martí's confrontation with the unequal modernization of the New World, the dependent status of Latin America, and the contrast between Latin America's culture of elites and the northern mass culture of commodification are, for Ramos, key elements in understanding the complex Latin American experience of modernity.Including two new chapters written for this edition, as well as translations of three of Martí's most important works, Divergent Modernities will be indispensable for anyone seeking to understand development and modernity across the Americas

     

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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.); José David, Saldivar (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822381099
    Weitere Identifier:
    Schriftenreihe: Latin America in Translation
    Schlagworte: POLITICAL SCIENCE / History & Theory; Politics and literature; Spanish American literature
    Umfang: 1 online resource (376 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  6. The Dialectics of Our America
    Genealogy, Cultural Critique, and Literary History
    Erschienen: [1991]; © 1991
    Verlag:  Duke University Press, Durham

    Joining the current debates in American literary history, José David Saldívar offers a challenging new perspective on what constitutes not only the canon in American literature, but also the notion of America itself. His aim is the articulation of a... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Joining the current debates in American literary history, José David Saldívar offers a challenging new perspective on what constitutes not only the canon in American literature, but also the notion of America itself. His aim is the articulation of a fresh, transgeographical conception of American culture, one more responsive to the geographical ties and political crosscurrents of the hemisphere than to narrow national ideologies.Saldívar pursues this goal through an array of oppositional critical and creative practices. He analyzes a range of North American writers of color (Rolando Hinojosa, Gloria Anzaldúa, Arturo Islas, Ntozake Shange, and others) and Latin American authors (José Martí, Roberto Fernández Retamar, Gabriel García Márquez, and others), whose work forms a radical critique of the dominant culture, its politics, and its restrictive modes of expression. By doing so, Saldívar opens the traditional American canon to a dialog with other voices, not just the voices of national minorities, but those of regional cultures different from the prevalent anglocentric model.The Dialectics of Our America, in its project to expand the "canon" and define a pan-American literary tradition, will make a critical difference in ongoing attempts to reconceptualize American literary history

     

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    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822381709
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / American / General
    Umfang: 1 online resource (232 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  7. Figures of Resistance
    Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts
    Erschienen: [1991]; © 1991
    Verlag:  Duke University Press, Durham

    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature.Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author's reading stratgey is based on the texts' own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts.Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture

     

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    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822381723
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / Asian / General; Japanese literature
    Umfang: 1 online resource (400 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  8. Criticism in the Borderlands
    Studies in Chicano Literature, Culture, and Ideology
    Erschienen: [1991]; © 1991
    Verlag:  Duke University Press, Durham

    This pathbreaking anthology of Chicano literary criticism, with essays on a remarkable range of texts-both old and new-draws on diverse perspectives in contemporary literary and cultural studies: from ethnographic to postmodernist, from Marxist to... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This pathbreaking anthology of Chicano literary criticism, with essays on a remarkable range of texts-both old and new-draws on diverse perspectives in contemporary literary and cultural studies: from ethnographic to postmodernist, from Marxist to feminist, from cultural materialist to new historicist.The editors have organized essays around four board themes: the situation of Chicano literary studies within American literary history and debates about the "canon"; representations of the Chicana/o subject; genre, ideology, and history; and the aesthetics of Chicano literature. The volume as a whole aims at generating new ways of understanding what counts as culture and "theory" and who counts as a theorist. A selected and annotated bibliography of contemporary Chicano literary criticism is also included.By recovering neglected authors and texts and introducing readers to an emergent Chicano canon, by introducing new perspectives on American literary history, ethnicity, gender, culture, and the literary process itself, Criticism in the Borderlands is an agenda-setting collection that moves beyond previous scholarship to open up the field of Chicano literary studies and to define anew what is American literature.Contributors. Norma Alarcón, Héctor Calderón, Angie Chabram, Barbara Harlow, Rolando Hinojosa, Luis Leal, José E. Limón, Terese McKenna, Elizabeth J. Ordóñez, Genero Padilla, Alvina E. Quintana, Renato Rosaldo, José David Saldívar, Sonia Saldívar-Hull, Rosaura Sánchez, Roberto Trujillo

     

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    Quelle: Verbundkataloge
    Beteiligt: Alvina, Quintana (Hrsg.); Angie, Chabram (Hrsg.); Barbara, Harlow (Hrsg.); Calderón, Héctor (Hrsg.); Elizabeth, Ordonez (Hrsg.); Fish, Stanley (Hrsg.); Genaro, Padilla (Hrsg.); Hector, Calderon (Hrsg.); Jameson, Fredric (Hrsg.); Jose, Limon (Hrsg.); Jose, Saldivar (Hrsg.); Luis, Leal (Hrsg.); Norma, Alarcon (Hrsg.); Ramon, Saldivar (Hrsg.); Renato, Rosaldo (Hrsg.); Rosaura, Sanchez (Hrsg.); Saldívar, José David (Hrsg.); Sonia, Hull (Hrsg.); Teresa, McKenna (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382355
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / American / General
    Umfang: 1 online resource (308 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  9. Fables of Power
    Aesopian Writing and Political History
    Erschienen: [1991]; © 1991
    Verlag:  Duke University Press, Durham

    In this imaginative and illuminating work, Annabel Patterson traces the origins and meanings of the Aesopian fable, as well as its function in Renaissance culture and subsequently. She shows how the fable worked as a medium of political analysis and... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this imaginative and illuminating work, Annabel Patterson traces the origins and meanings of the Aesopian fable, as well as its function in Renaissance culture and subsequently. She shows how the fable worked as a medium of political analysis and communication, especially from or on behalf of the politically powerless.Patterson begins with an analysis of the legendary Life of Aesop, its cultural history and philosophical implications, a topic that involves such widely separated figures as La Fontaine, Hegel, and Vygotsky. The myth's origin is recovered here in the saving myth of Aesop the Ethiopian, black, ugly, who began as a slave but become both free and influential, a source of political wisdom. She then traces the early modern history of the fable from Caxton, Lydgate, and Henryson through the eighteenth century, focusing on such figures as Spenser, Sidney, Lyly, Shakespeare, and Milton, as well as the lesser-known John Ogilby, Sir Roger L'Estrange, and Samuel Croxall.Patterson discusses the famous fable of The Belly and the Members, which, because it articulated in symbolic terms some of the most intransigent problems in political philosophy and practice, was still going strong as a symbolic text in the mid-nineteenth century, where it was focused on industrial relations by Karl Marx and by George Eliot against electoral reform

     

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    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382577
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English literature; English literature; Fables, English; Fables, Greek; Political fiction, English; Political poetry, English; Politics and literature; Politics and literature
    Umfang: 1 online resource (184 pages), 8 b&w illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  10. Fables of Power
    Aesopian Writing and Political History
    Erschienen: [1991]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 • Aesop's life: Fathering the fable -- 2 • Fables of power: the sixteenth century -- 3 • "The fable is inverted": 1628-1700 -- 4 • Body fables -- 5 • "The world is Chang'd": 1700-2000 --... mehr

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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 • Aesop's life: Fathering the fable -- 2 • Fables of power: the sixteenth century -- 3 • "The fable is inverted": 1628-1700 -- 4 • Body fables -- 5 • "The world is Chang'd": 1700-2000 -- Postscript • -- Notes • -- Index • In this imaginative and illuminating work, Annabel Patterson traces the origins and meanings of the Aesopian fable, as well as its function in Renaissance culture and subsequently. She shows how the fable worked as a medium of political analysis and communication, especially from or on behalf of the politically powerless.Patterson begins with an analysis of the legendary Life of Aesop, its cultural history and philosophical implications, a topic that involves such widely separated figures as La Fontaine, Hegel, and Vygotsky. The myth’s origin is recovered here in the saving myth of Aesop the Ethiopian, black, ugly, who began as a slave but become both free and influential, a source of political wisdom. She then traces the early modern history of the fable from Caxton, Lydgate, and Henryson through the eighteenth century, focusing on such figures as Spenser, Sidney, Lyly, Shakespeare, and Milton, as well as the lesser-known John Ogilby, Sir Roger L’Estrange, and Samuel Croxall.Patterson discusses the famous fable of The Belly and the Members, which, because it articulated in symbolic terms some of the most intransigent problems in political philosophy and practice, was still going strong as a symbolic text in the mid-nineteenth century, where it was focused on industrial relations by Karl Marx and by George Eliot against electoral reform

     

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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (HerausgeberIn); Jameson, Fredric (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382577
    Weitere Identifier:
    RVK Klassifikation: FH 20893
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: English literature; English literature; Fables, English; Fables, Greek; Political fiction, English; Political poetry, English; Politics and literature; Politics and literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource (184 p), 8 b&w illustrations
  11. Criticism in the Borderlands
    Studies in Chicano Literature, Culture, and Ideology
    Beteiligt: Alvina, Quintana (MitwirkendeR); Angie, Chabram (MitwirkendeR); Barbara, Harlow (MitwirkendeR); Calderón, Héctor (HerausgeberIn); Elizabeth, Ordonez (MitwirkendeR); Fish, Stanley (HerausgeberIn); Genaro, Padilla (MitwirkendeR); Hector, Calderon (MitwirkendeR); Jameson, Fredric (HerausgeberIn); Jose, Limon (MitwirkendeR); Jose, Saldivar (MitwirkendeR); Luis, Leal (MitwirkendeR); Norma, Alarcon (MitwirkendeR); Ramon, Saldivar (MitwirkendeR); Renato, Rosaldo (MitwirkendeR); Rosaura, Sanchez (MitwirkendeR); Saldívar, José David (HerausgeberIn); Sonia, Hull (MitwirkendeR); Teresa, McKenna (MitwirkendeR)
    Erschienen: [1991]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Acknowledgments -- Foreword: Redefining American Literature, Rolando Hinojosa -- Editors' Introduction: Criticism in the Borderlands -- Part I. Institutional Studies and the Literary Canon -- Narrative, Ideology, and the... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Foreword: Redefining American Literature, Rolando Hinojosa -- Editors' Introduction: Criticism in the Borderlands -- Part I. Institutional Studies and the Literary Canon -- Narrative, Ideology, and the Reconstruction of American Literary History -- The Rewriting of American Literary History -- The Theoretical Subject(s) of This Bridge Called My Back and Anglo-American Feminism -- Part II. Representations of the Chicana/o Subject: Race, Class, and Gender -- Imprisoned Narrative? Or Lies, Secrets, and Silence in New Mexico Women's Autobiography -- Body, Spirit, and the Text: Alma Villanueva's Life Span -- Ana Castillo's The Mixquiahuala Letters: The Novelist as Ethnographer -- Fables of the Fallen Guy -- Part III. Genre, Ideology, and History -- The Novel and the Community of Readers: Rereading Tomas Rivera's Yno se 10 trago la tierra -- Ideological Discourses in Arturo Islas's The Rain God -- Conceptualizing Chicano Critical Discourse -- Sites of Struggle: Immigration, Deportation, Prison, and Exile -- Part IV. Aesthetics of the Border -- Chicano Border Narratives as Cultural Critique -- On Chicano Poetry and the Political Age: Corridos as Social Drama -- Feminism on the Border: From Gender Politics to Geopolitics -- Dancing with the Devil: Society, Gender, and the Political Unconscious in Mexican-American South Texas -- Works Cited -- Selected and Annotated Bibliography of Contemporary Chicano Literary Criticism -- Index -- Contributors This pathbreaking anthology of Chicano literary criticism, with essays on a remarkable range of texts—both old and new—draws on diverse perspectives in contemporary literary and cultural studies: from ethnographic to postmodernist, from Marxist to feminist, from cultural materialist to new historicist.The editors have organized essays around four board themes: the situation of Chicano literary studies within American literary history and debates about the “canon”; representations of the Chicana/o subject; genre, ideology, and history; and the aesthetics of Chicano literature. The volume as a whole aims at generating new ways of understanding what counts as culture and “theory” and who counts as a theorist. A selected and annotated bibliography of contemporary Chicano literary criticism is also included.By recovering neglected authors and texts and introducing readers to an emergent Chicano canon, by introducing new perspectives on American literary history, ethnicity, gender, culture, and the literary process itself, Criticism in the Borderlands is an agenda-setting collection that moves beyond previous scholarship to open up the field of Chicano literary studies and to define anew what is American literature.Contributors. Norma Alarcón, Héctor Calderón, Angie Chabram, Barbara Harlow, Rolando Hinojosa, Luis Leal, José E. Limón, Terese McKenna, Elizabeth J. Ordóñez, Genero Padilla, Alvina E. Quintana, Renato Rosaldo, José David Saldívar, Sonia Saldívar-Hull, Rosaura Sánchez, Roberto Trujillo

     

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    Beteiligt: Alvina, Quintana (MitwirkendeR); Angie, Chabram (MitwirkendeR); Barbara, Harlow (MitwirkendeR); Calderón, Héctor (HerausgeberIn); Elizabeth, Ordonez (MitwirkendeR); Fish, Stanley (HerausgeberIn); Genaro, Padilla (MitwirkendeR); Hector, Calderon (MitwirkendeR); Jameson, Fredric (HerausgeberIn); Jose, Limon (MitwirkendeR); Jose, Saldivar (MitwirkendeR); Luis, Leal (MitwirkendeR); Norma, Alarcon (MitwirkendeR); Ramon, Saldivar (MitwirkendeR); Renato, Rosaldo (MitwirkendeR); Rosaura, Sanchez (MitwirkendeR); Saldívar, José David (HerausgeberIn); Sonia, Hull (MitwirkendeR); Teresa, McKenna (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382355
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    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / American / General
    Umfang: 1 Online-Ressource (308 p)
  12. Figures of Resistance
    Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts
    Erschienen: [1991]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Preface -- Introduction -- I. Tales of the Bamboo Cutter -- 1. Languages of Narrating and Bamboo-Cutter Pretexts -- 2. A "Pivotal" Narrative: The Tale of the Bamboo Cutter -- II. Waka JJPoetics" and Tales of JJlse" -- 3.... mehr

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    Frontmatter -- Contents -- Preface -- Introduction -- I. Tales of the Bamboo Cutter -- 1. Languages of Narrating and Bamboo-Cutter Pretexts -- 2. A "Pivotal" Narrative: The Tale of the Bamboo Cutter -- II. Waka JJPoetics" and Tales of JJlse" -- 3. Constructing a Capital "Poetics": Kokin wakashu -- 4. An Early Figure of Resistance: Lady Ise -- 5. Sexual/Textual Politics and The Tale of Ise -- III. Tales of "Genji" -- 6. Situating the "Feminine Hand" -- 7. Narrating the Private: "Kiritsubo" -- 8. Feminine Representation and Critique: "Hahakigi" -- 9. A Figure of Narrating: Tamakazura -- 10. Aesthetics, Politics, and Genealogy -- 11. Substitutions and Incidental Narrating: "Wakamurasaki" -- 12. The Akashi Intertexts -- Epilogue: Endings, Tellings, and Retellings -- Appendix: Chapters in The Tale of Genji -- Notes -- Bibliography -- Index In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature.Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author’s reading stratgey is based on the texts’ own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts.Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822381723
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: Japanese literature; LITERARY CRITICISM / Asian / General
    Umfang: 1 Online-Ressource (400 p)
  13. The Dialectics of Our America
    Genealogy, Cultural Critique, and Literary History
    Erschienen: [1991]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Acknowledgments -- Preface -- I. Metahistory and Dependency -- 1. The Dialectics of Our America -- 2. "Squeezed by the Banana Company": Dependency and Ideology in Macondo -- 3. Chicano Border Narratives as Cultural Critique... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Preface -- I. Metahistory and Dependency -- 1. The Dialectics of Our America -- 2. "Squeezed by the Banana Company": Dependency and Ideology in Macondo -- 3. Chicano Border Narratives as Cultural Critique -- II. Magical Narratives -- 4. The Real and the Marvelous in Charleston, South Carolina: Ntozake Shange's Sassafrass, Cypress & Indigo -- 5. The Hybridity of Culture in Arturo Islas's The Rain God -- III. Caliban and Resistance Cultures -- 6. The School of Caliban -- Afterword: Postcolonial Borders, Dissent, and the Politics of the Possible -- Notes -- References -- Index Joining the current debates in American literary history, José David Saldívar offers a challenging new perspective on what constitutes not only the canon in American literature, but also the notion of America itself. His aim is the articulation of a fresh, transgeographical conception of American culture, one more responsive to the geographical ties and political crosscurrents of the hemisphere than to narrow national ideologies.Saldívar pursues this goal through an array of oppositional critical and creative practices. He analyzes a range of North American writers of color (Rolando Hinojosa, Gloria Anzaldúa, Arturo Islas, Ntozake Shange, and others) and Latin American authors (José Martí, Roberto Fernández Retamar, Gabriel García Márquez, and others), whose work forms a radical critique of the dominant culture, its politics, and its restrictive modes of expression. By doing so, Saldívar opens the traditional American canon to a dialog with other voices, not just the voices of national minorities, but those of regional cultures different from the prevalent anglocentric model.The Dialectics of Our America, in its project to expand the “canon” and define a pan-American literary tradition, will make a critical difference in ongoing attempts to reconceptualize American literary history

     

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    ISBN: 9780822381709
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    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / American / General
    Umfang: 1 Online-Ressource (232 p)
  14. Divergent Modernities
    Culture and Politics in Nineteenth-Century Latin America
    Autor*in: Ramos, Julio
    Erschienen: [2001]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Translator’s Preface -- Foreword -- Prologue -- PART I -- 1. The Other’s Knowledge:Writing and Orality in Sarmiento’s Facundo -- 2. Knowledge-(as)-Said: Language and Politics in Andrés Bello -- 3. Fragmentation of the... mehr

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    Frontmatter -- Contents -- Translator’s Preface -- Foreword -- Prologue -- PART I -- 1. The Other’s Knowledge:Writing and Orality in Sarmiento’s Facundo -- 2. Knowledge-(as)-Said: Language and Politics in Andrés Bello -- 3. Fragmentation of the Republic of Letters -- 4. Limits of Autonomy: Journalism and Literature -- 5. Decorating the City: The Chronicle and Urban Experience -- PART II -- Introduction: Martí and His Journey to the United States -- 6. Machinations: Literature and Technology -- Chapter 7 ‘‘This Cardboard Tabloid Life’’: Literature and the Masses -- 8. Culturalism and Latinoamericanismo -- Chapter 9. ‘‘Nuestra América’’: The Art of Good Governance -- 10. The Repose of Heroes: Poetry and War in José Martí -- 11. Migratories -- Appendixes Translations of Three Texts by José Martí -- Index With a Foreword by José David SaldívarSince its first publication in Spanish nearly a decade ago, Julio Ramos’s Desenucuentros de la modernidad en America Latina por el siglo XIX has been recognized as one of the most important studies of modernity in the western hemisphere. Available for the first time in English—and now published with new material—Ramos’s study not only offers an analysis of the complex relationships between history, literature, and nation-building in the modern Latin American context but also takes crucial steps toward the development of a truly comparative inter-American cultural criticism.With his focus on the nineteenth century, Ramos begins his genealogy of an emerging Latin Americanism with an examination of Argentinean Domingo Sarmiento and Chilean Andrés Bello, representing the “enlightened letrados” of tradition. In contrast to these “lettered men,” he turns to Cuban journalist, revolutionary, and poet José Martí, who, Ramos suggests, inaugurated a new kind of intellectual subject for the Americas. Though tracing Latin American modernity in general, it is the analysis of Martí—particularly his work in the United States—that becomes the focal point of Ramos’s study. Martí’s confrontation with the unequal modernization of the New World, the dependent status of Latin America, and the contrast between Latin America’s culture of elites and the northern mass culture of commodification are, for Ramos, key elements in understanding the complex Latin American experience of modernity.Including two new chapters written for this edition, as well as translations of three of Martí’s most important works, Divergent Modernities will be indispensable for anyone seeking to understand development and modernity across the Americas

     

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    ISBN: 9780822381099
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    Schriftenreihe: Latin America in Translation
    Schlagworte: Politics and literature; Spanish American literature; POLITICAL SCIENCE / History & Theory
    Umfang: 1 Online-Ressource (376 p)
  15. Shakespeare, Brecht, and the Intercultural Sign
    Autor*in: Tatlow, Antony
    Erschienen: [2001]
    Verlag:  Duke University Press, Durham

    Frontmatter -- CONTENTS -- Preface -- Prologue -- 1 Reading the Intercultural: Cultures of Reading -- 2 Intercultural Signs: Textual Anthropology -- 3 Desire, Laughter, and the Social Unconscious -- 4 Historicizing the Unconscious in Plautine and... mehr

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    Frontmatter -- CONTENTS -- Preface -- Prologue -- 1 Reading the Intercultural: Cultures of Reading -- 2 Intercultural Signs: Textual Anthropology -- 3 Desire, Laughter, and the Social Unconscious -- 4 Historicizing the Unconscious in Plautine and Shakespearean Farce -- 5 Coriolanus and the Historical Text -- 6 Macbeth in Kunju Opera -- Epilogue -- Notes -- Works Cited -- Index In Shakespeare, Brecht, and the Intercultural Sign renowned Brecht scholar Antony Tatlow uses drama to investigate cultural crossings and to show how intercultural readings or performances question the settled assumptions we bring to interpretations of familiar texts. Through a “textual anthropology” Tatlow examines the interplay between interpretations of Shakespeare and readings of Brecht, whose work he rereads in the light of theories of the social subject from Nietzsche to Derrida and in relation to East Asian culture, as well as practices within Chinese and Japanese theater that shape their versions of Shakespearean drama.Reflecting on how, why, and to what effect knowledges and styles of performance pollinate across cultures, Tatlow demonstrates that the employment of one culture’s material in the context of another defamiliarizes the conventions of representation in an act that facilitates access to what previously had been culturally repressed. By reading the intercultural, Tatlow shows, we are able not only to historicize the effects of those repressions that create a social unconscious but also gain access to what might otherwise have remained invisible.This remarkable study will interest students of cultural interaction and aesthetics, as well as readers interested in theater, Shakespeare, Brecht, China, and Japan

     

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    Sprache: Englisch
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    Format: Online
    ISBN: 9780822380894
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: Intercultural communication in literature; Intercultural communication; Theater; LITERARY CRITICISM / Shakespeare
    Umfang: 1 Online-Ressource (308 p), 9 illustrations
  16. Wedded to the Land?
    Gender, Boundaries, and Nationalism in Crisis
    Autor*in: Layoun, Mary N
    Erschienen: [2001]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Acknowledgments -- Introduction: Culturing the Nation -- 1 National Homogeneity and Population Exchanges: Who Belongs Where?— Greece 1922 -- 2 The Gendered Purity of the Nation: Sovereignty and Its Violation, or, Rape by... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Introduction: Culturing the Nation -- 1 National Homogeneity and Population Exchanges: Who Belongs Where?— Greece 1922 -- 2 The Gendered Purity of the Nation: Sovereignty and Its Violation, or, Rape by Any Other Name—Cyprus 1974 -- 3 Between Here and There: National Community from the Inside Out and the Outside In—Palestine 1982 -- 4 Thinking Citizens Again: Culture, Gender, and the Silences of the (Never Quite) Nation-State -- Notes -- Bibliography -- Index In Wedded to the Land? Mary N. Layoun offers a critical commentary on the idea of nationalism in general and on specific attempts to formulate alternatives to the concept in particular. Narratives surrounding three geographically and temporally different national crises form the center of her study: Greek refugees’ displacement from Asia Minor into Greece in 1922, the 1974 right-wing Cypriot coup and subsequent Turkish invasion of Cyprus, and the Palestinian and PLO expulsion from Beirut following the Israeli invasion in 1982.Drawing on readings of literature and of official documents and decrees, songs, poetry, cinema, public monuments, journalism, and conversations with exiles, refugees, and public officials, Layoun uses each historical incident as a means of highlighting a recurring trope within constructs of nationalism. The displacement of the Greek refugees in the 1920s calls into question the very idea of home, as well as the desire for ethnic homogeneity within nations. She reads the Cypriot coup and invasion as an illustration of the gendering of nation and how the notion of the inviolable woman came to represent sovereignity. In her third example she shows how the Palestinian and PLO expulsion from Beirut highlights the ambiguity of the borders upon which many manifestations of nationalism putatively depend. These chapters are preceded and introduced by a discussion of “culturing the nation” and closed by a consideration of citizenship and silence in which Layoun discusses rights ostensibly possessed by all members of a political community.This book will be of interest to scholars engaged in cultural and critical theory, Middle Eastern and Mediterranean history, literary studies, political science, postcolonial studies, and gender studies

     

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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (HerausgeberIn); Jameson, Fredric (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822380481
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: Nationalism and literature; Nationalism in literature; Politics and culture; Politics in literature; LITERARY CRITICISM / Middle Eastern
    Umfang: 1 Online-Ressource (240 p), 10 b&w photographs
  17. Wedded to the Land?
    Gender, Boundaries, and Nationalism in Crisis
    Autor*in: Layoun, Mary N.
    Erschienen: [2001]; © 2001
    Verlag:  Duke University Press, Durham

    In Wedded to the Land? Mary N. Layoun offers a critical commentary on the idea of nationalism in general and on specific attempts to formulate alternatives to the concept in particular. Narratives surrounding three geographically and temporally... mehr

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    In Wedded to the Land? Mary N. Layoun offers a critical commentary on the idea of nationalism in general and on specific attempts to formulate alternatives to the concept in particular. Narratives surrounding three geographically and temporally different national crises form the center of her study: Greek refugees' displacement from Asia Minor into Greece in 1922, the 1974 right-wing Cypriot coup and subsequent Turkish invasion of Cyprus, and the Palestinian and PLO expulsion from Beirut following the Israeli invasion in 1982.Drawing on readings of literature and of official documents and decrees, songs, poetry, cinema, public monuments, journalism, and conversations with exiles, refugees, and public officials, Layoun uses each historical incident as a means of highlighting a recurring trope within constructs of nationalism. The displacement of the Greek refugees in the 1920s calls into question the very idea of home, as well as the desire for ethnic homogeneity within nations. She reads the Cypriot coup and invasion as an illustration of the gendering of nation and how the notion of the inviolable woman came to represent sovereignity. In her third example she shows how the Palestinian and PLO expulsion from Beirut highlights the ambiguity of the borders upon which many manifestations of nationalism putatively depend. These chapters are preceded and introduced by a discussion of "culturing the nation" and closed by a consideration of citizenship and silence in which Layoun discusses rights ostensibly possessed by all members of a political community.This book will be of interest to scholars engaged in cultural and critical theory, Middle Eastern and Mediterranean history, literary studies, political science, postcolonial studies, and gender studies

     

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    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822380481
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / Middle Eastern; Nationalism and literature; Nationalism in literature; Politics and culture; Politics in literature
    Umfang: 1 online resource (240 pages), 10 b&w photographs
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  18. Lucchesi and The Whale
    Erschienen: [2000]; © 2001
    Verlag:  Duke University Press, Durham

    Lucchesi and The Whale is an unusual work of fiction by noted author and critic Frank Lentricchia. Its central character, Thomas Lucchesi Jr., is a college professor in the American heartland whose obsessions and compulsions include traveling to... mehr

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    Lucchesi and The Whale is an unusual work of fiction by noted author and critic Frank Lentricchia. Its central character, Thomas Lucchesi Jr., is a college professor in the American heartland whose obsessions and compulsions include traveling to visit friends in their last moments of life-because grief alone inspires him to write-and searching for secret meaning in Herman Melville's Moby-Dick. Himself a writer of "stories full of violence in a poetic style," Lucchesi tells his students that he teaches "only because [his] fiction is commercially untouchable" and to "never forget that." Austerely isolated, anxiety-ridden, and relentlessly self-involved, Lucchesi nonetheless cannot completely squelch his eagerness for love.Having become "a mad Ahab of reading," who is driven to dissect the "artificial body of Melville's behemothian book" to grasp its truth, Lucchesi allows his thoughts to wander and loop from theory to dream to reality to questionable memory. But his black humor-tinged musings are often as profoundly moving as they are intellectual, such as the section in which he ponders the life and philosophy of Ludwig Wittgenstein in relation to the significance of a name-and then attempts to share these thoughts with a sexy, middle-aged flight attendant-or another in which he describes a chance meeting with a similarly-named mafia don.Despite apparent spiritual emptiness, Lucchesi in the end does find "a secret meaning" to Moby-Dick. And Lentricchia's creations-both Lucchesi and The Whale and its main character-reveal this meaning through a series of ingeniously self-reflective metaphors, in much the way that Melville himself did in and through Moby-Dick. Vivid, humorous, and of unparalleled originality, this new work from Frank Lentricchia will inspire and console all who love and ponder both great literature and those who would write it

     

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    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822380498
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / General; College teachers; Fiction; Friendship; Grief; Psychological fiction
    Umfang: 1 online resource (128 pages)
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  19. Shakespeare, Brecht, and the Intercultural Sign
    Autor*in: Tatlow, Antony
    Erschienen: [2001]; © 2001
    Verlag:  Duke University Press, Durham

    In Shakespeare, Brecht, and the Intercultural Sign renowned Brecht scholar Antony Tatlow uses drama to investigate cultural crossings and to show how intercultural readings or performances question the settled assumptions we bring to interpretations... mehr

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    In Shakespeare, Brecht, and the Intercultural Sign renowned Brecht scholar Antony Tatlow uses drama to investigate cultural crossings and to show how intercultural readings or performances question the settled assumptions we bring to interpretations of familiar texts. Through a "textual anthropology" Tatlow examines the interplay between interpretations of Shakespeare and readings of Brecht, whose work he rereads in the light of theories of the social subject from Nietzsche to Derrida and in relation to East Asian culture, as well as practices within Chinese and Japanese theater that shape their versions of Shakespearean drama.Reflecting on how, why, and to what effect knowledges and styles of performance pollinate across cultures, Tatlow demonstrates that the employment of one culture's material in the context of another defamiliarizes the conventions of representation in an act that facilitates access to what previously had been culturally repressed. By reading the intercultural, Tatlow shows, we are able not only to historicize the effects of those repressions that create a social unconscious but also gain access to what might otherwise have remained invisible.This remarkable study will interest students of cultural interaction and aesthetics, as well as readers interested in theater, Shakespeare, Brecht, China, and Japan

     

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    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822380894
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / Shakespeare; Intercultural communication in literature; Intercultural communication; Theater
    Umfang: 1 online resource (308 pages), 9 illustrations
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  20. Divergent Modernities
    Culture and Politics in Nineteenth-Century Latin America
    Autor*in: Ramos, Julio
    Erschienen: [2001]; © 2001
    Verlag:  Duke University Press, Durham

    With a Foreword by José David SaldívarSince its first publication in Spanish nearly a decade ago, Julio Ramos's Desenucuentros de la modernidad en America Latina por el siglo XIX has been recognized as one of the most important studies of modernity... mehr

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    With a Foreword by José David SaldívarSince its first publication in Spanish nearly a decade ago, Julio Ramos's Desenucuentros de la modernidad en America Latina por el siglo XIX has been recognized as one of the most important studies of modernity in the western hemisphere. Available for the first time in English-and now published with new material-Ramos's study not only offers an analysis of the complex relationships between history, literature, and nation-building in the modern Latin American context but also takes crucial steps toward the development of a truly comparative inter-American cultural criticism.With his focus on the nineteenth century, Ramos begins his genealogy of an emerging Latin Americanism with an examination of Argentinean Domingo Sarmiento and Chilean Andrés Bello, representing the "enlightened letrados" of tradition. In contrast to these "lettered men," he turns to Cuban journalist, revolutionary, and poet José Martí, who, Ramos suggests, inaugurated a new kind of intellectual subject for the Americas. Though tracing Latin American modernity in general, it is the analysis of Martí-particularly his work in the United States-that becomes the focal point of Ramos's study. Martí's confrontation with the unequal modernization of the New World, the dependent status of Latin America, and the contrast between Latin America's culture of elites and the northern mass culture of commodification are, for Ramos, key elements in understanding the complex Latin American experience of modernity.Including two new chapters written for this edition, as well as translations of three of Martí's most important works, Divergent Modernities will be indispensable for anyone seeking to understand development and modernity across the Americas

     

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    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.); José David, Saldivar (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822381099
    Weitere Identifier:
    Schriftenreihe: Latin America in Translation
    Schlagworte: POLITICAL SCIENCE / History & Theory; Politics and literature; Spanish American literature
    Umfang: 1 online resource (376 pages)
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  21. The Dialectics of Our America
    Genealogy, Cultural Critique, and Literary History
    Erschienen: [1991]; © 1991
    Verlag:  Duke University Press, Durham

    Joining the current debates in American literary history, José David Saldívar offers a challenging new perspective on what constitutes not only the canon in American literature, but also the notion of America itself. His aim is the articulation of a... mehr

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    Joining the current debates in American literary history, José David Saldívar offers a challenging new perspective on what constitutes not only the canon in American literature, but also the notion of America itself. His aim is the articulation of a fresh, transgeographical conception of American culture, one more responsive to the geographical ties and political crosscurrents of the hemisphere than to narrow national ideologies.Saldívar pursues this goal through an array of oppositional critical and creative practices. He analyzes a range of North American writers of color (Rolando Hinojosa, Gloria Anzaldúa, Arturo Islas, Ntozake Shange, and others) and Latin American authors (José Martí, Roberto Fernández Retamar, Gabriel García Márquez, and others), whose work forms a radical critique of the dominant culture, its politics, and its restrictive modes of expression. By doing so, Saldívar opens the traditional American canon to a dialog with other voices, not just the voices of national minorities, but those of regional cultures different from the prevalent anglocentric model.The Dialectics of Our America, in its project to expand the "canon" and define a pan-American literary tradition, will make a critical difference in ongoing attempts to reconceptualize American literary history

     

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    Format: Online
    ISBN: 9780822381709
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / American / General
    Umfang: 1 online resource (232 pages)
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  22. Figures of Resistance
    Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts
    Erschienen: [1991]; © 1991
    Verlag:  Duke University Press, Durham

    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and... mehr

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    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature.Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author's reading stratgey is based on the texts' own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts.Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822381723
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / Asian / General; Japanese literature
    Umfang: 1 online resource (400 pages)
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  23. Criticism in the Borderlands
    Studies in Chicano Literature, Culture, and Ideology
    Erschienen: [1991]; © 1991
    Verlag:  Duke University Press, Durham

    This pathbreaking anthology of Chicano literary criticism, with essays on a remarkable range of texts-both old and new-draws on diverse perspectives in contemporary literary and cultural studies: from ethnographic to postmodernist, from Marxist to... mehr

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    This pathbreaking anthology of Chicano literary criticism, with essays on a remarkable range of texts-both old and new-draws on diverse perspectives in contemporary literary and cultural studies: from ethnographic to postmodernist, from Marxist to feminist, from cultural materialist to new historicist.The editors have organized essays around four board themes: the situation of Chicano literary studies within American literary history and debates about the "canon"; representations of the Chicana/o subject; genre, ideology, and history; and the aesthetics of Chicano literature. The volume as a whole aims at generating new ways of understanding what counts as culture and "theory" and who counts as a theorist. A selected and annotated bibliography of contemporary Chicano literary criticism is also included.By recovering neglected authors and texts and introducing readers to an emergent Chicano canon, by introducing new perspectives on American literary history, ethnicity, gender, culture, and the literary process itself, Criticism in the Borderlands is an agenda-setting collection that moves beyond previous scholarship to open up the field of Chicano literary studies and to define anew what is American literature.Contributors. Norma Alarcón, Héctor Calderón, Angie Chabram, Barbara Harlow, Rolando Hinojosa, Luis Leal, José E. Limón, Terese McKenna, Elizabeth J. Ordóñez, Genero Padilla, Alvina E. Quintana, Renato Rosaldo, José David Saldívar, Sonia Saldívar-Hull, Rosaura Sánchez, Roberto Trujillo

     

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    Beteiligt: Alvina, Quintana (Hrsg.); Angie, Chabram (Hrsg.); Barbara, Harlow (Hrsg.); Calderón, Héctor (Hrsg.); Elizabeth, Ordonez (Hrsg.); Fish, Stanley (Hrsg.); Genaro, Padilla (Hrsg.); Hector, Calderon (Hrsg.); Jameson, Fredric (Hrsg.); Jose, Limon (Hrsg.); Jose, Saldivar (Hrsg.); Luis, Leal (Hrsg.); Norma, Alarcon (Hrsg.); Ramon, Saldivar (Hrsg.); Renato, Rosaldo (Hrsg.); Rosaura, Sanchez (Hrsg.); Saldívar, José David (Hrsg.); Sonia, Hull (Hrsg.); Teresa, McKenna (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382355
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / American / General
    Umfang: 1 online resource (308 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  24. Fables of Power
    Aesopian Writing and Political History
    Erschienen: [1991]; © 1991
    Verlag:  Duke University Press, Durham

    In this imaginative and illuminating work, Annabel Patterson traces the origins and meanings of the Aesopian fable, as well as its function in Renaissance culture and subsequently. She shows how the fable worked as a medium of political analysis and... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Technische Hochschule Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Coburg, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Kempten, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this imaginative and illuminating work, Annabel Patterson traces the origins and meanings of the Aesopian fable, as well as its function in Renaissance culture and subsequently. She shows how the fable worked as a medium of political analysis and communication, especially from or on behalf of the politically powerless.Patterson begins with an analysis of the legendary Life of Aesop, its cultural history and philosophical implications, a topic that involves such widely separated figures as La Fontaine, Hegel, and Vygotsky. The myth's origin is recovered here in the saving myth of Aesop the Ethiopian, black, ugly, who began as a slave but become both free and influential, a source of political wisdom. She then traces the early modern history of the fable from Caxton, Lydgate, and Henryson through the eighteenth century, focusing on such figures as Spenser, Sidney, Lyly, Shakespeare, and Milton, as well as the lesser-known John Ogilby, Sir Roger L'Estrange, and Samuel Croxall.Patterson discusses the famous fable of The Belly and the Members, which, because it articulated in symbolic terms some of the most intransigent problems in political philosophy and practice, was still going strong as a symbolic text in the mid-nineteenth century, where it was focused on industrial relations by Karl Marx and by George Eliot against electoral reform

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382577
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English literature; English literature; Fables, English; Fables, Greek; Political fiction, English; Political poetry, English; Politics and literature; Politics and literature
    Umfang: 1 online resource (184 pages), 8 b&w illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  25. Shakespeare, Brecht, and the Intercultural Sign
    Autor*in: Tatlow, Antony
    Erschienen: 2001
    Verlag:  Duke University Press, North Carolina ; ProQuest, Ann Arbor, Michigan

    Examines Asian staging of Western canonical theater, particularly Shakespeare's plays, arguing that intercultural performance questions the settled assumptions we bring to our interpretations of familiar texts. mehr

    Universität Frankfurt, Elektronische Ressourcen
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    Examines Asian staging of Western canonical theater, particularly Shakespeare's plays, arguing that intercultural performance questions the settled assumptions we bring to our interpretations of familiar texts.

     

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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley; Jameson, Fredric
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822380894
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Post-Contemporary Interventions Ser.
    Schlagworte: History
    Umfang: 1 Online-Ressource (309 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources