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  1. Introduction: Transatlantic Literary Studies
    Autor*in: Straub, Julia
    Erschienen: 2016
    Verlag:  De Gruyter

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Amerikanische Literatur in in Englisch (810)
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    info:eu-repo/semantics/openAccess
  2. Rewriting Histories and Geographies: Cosmopolitan Moments in Contemporary Indian Writing in English
    Autor*in: Cottier Bucher, Annie Madeleine
    Erschienen: 2014
    Verlag:  (:null)

    Other ; In order to grasp the imaginative geographical and historical scope of contemporary Indian writing in English, this thesis claims that it is necessary to think about literature beyond the paradigms of national, postcolonial or even... mehr

     

    Other ; In order to grasp the imaginative geographical and historical scope of contemporary Indian writing in English, this thesis claims that it is necessary to think about literature beyond the paradigms of national, postcolonial or even transnational diasporic literatures. It is asserted that cosmopolitanism, which is here understood to be a concept that encompasses the negotiation of the ethics and practice of migration, community, responsibility, difference and sameness, offers the possibility of thinking critically about migration and globalization in the context of the literary texts at the centre of this thesis: Amitav Ghosh’s Sea of Poppies (2008) and River of Smoke (2011), Salman Rushdie’s The Enchantress of Florence (2007) and M.G. Vassanji’s The Assassin’s Song (2007). Literary criticism has acknowledged the relevance of cosmopolitan thought in contemporary literatures of a global, transnational literary imaginary. Yet the literature concerned with cosmopolitanism has, with a few exceptions, mainly used it as a descriptive rather than as an interpretative term, focusing on the politics of these fictional texts rather than on their aesthetics or in this case, to be more precise, their literary features. In this thesis, the interest is to examine the ethics, practice and aesthetics of cosmopolitan moments in which histories and geographies are rewritten and reimagined, i.e. the propensity of these four novels to remap, rethink and reimagine these narratives of time and space according to an understanding that moves away from postcolonial dichotomies towards a more global view of events that still takes into account existing power relations.

     
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    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820)
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  3. Die Bildtafel des Kebes. Allegorie des Lebens
    Autor*in: (:null)
    Erschienen: 2008
    Verlag:  Wissenschaftliche Buchgesellschaft

  4. Matto regiert - Eine Figur emanzipiert sich vom literarischen Text (Auszug)
    Autor*in: Pellin, Elio
    Erschienen: 2016
    Verlag:  Strauhof

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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
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  5. Religious alterity and violence in contemporary anglophone novels by Indian and Pakistani writers
    Autor*in: Escherle, Nora Anna
    Erschienen: 2013
    Verlag:  (:null)

    Other ; Processes of hostile Othering on the basis of religious alterity and escalations of communal violence are represented in many contemporary novels by Indian and Pakistani writers. This thesis analyses the ways in which four selected Anglophone... mehr

     

    Other ; Processes of hostile Othering on the basis of religious alterity and escalations of communal violence are represented in many contemporary novels by Indian and Pakistani writers. This thesis analyses the ways in which four selected Anglophone contemporary novels by Indian and Pakistani writers refer to, represent and discuss historical and contemporary events that have repeatedly been categorized as examples of ‘religious violence,’ i.e. violent conflicts where the religious identities of both perpetrators and victims were the major reason or pretense for their involvement in those conflicts. The four novels analyzed in this thesis and the events they refer to are Bapsi Sidhwa’s Cracking India (1991) about Partition 1947, Shashi Tharoor’s Riot (2001) about the riots accompanying the Ram Janmabhumi campaign in the early 1990s, Raj Kamal Jha’s Fireproof (2006) about the anti-Muslim pogrom in Gujarat 2002, and Salman Rushdie’s Shalimar the Clown (2005) about the Kashmir conflict. Embedded as they are in the ‘real,’ empirical world, these novels engage with and respond to what they are surrounded by — a world abounding with violence and violent conflicts which seem to be directly related to religion in one way or another. Drawing on the debates about the question of religion’s relation to violence in different fields and conscientiously factoring in the specific historical contexts that the novels refer to and were written in, this study aims at identifying the ways in which the four selected examples of literary fiction represent, respond to and discuss historical instances of religious violence and how they negotiate the relation between religion and the violence they describe. This thesis’ overarching question is how these novels, representing those violent events on a fictional level, position themselves regarding the relation between religion, religious alterity, hostile Othering and violence. The approach to answering my principal question importantly involves looking at the ways in which these fictional texts refer to and include contemporary public discourses on the topic of religion’s relation to violence in India. In this respect, I am especially interested in literary representations and negotiations of the complex dynamics of marginalization, repression or silencing of memories of traumatizing events in dominant discourses in the public domain. My central hypothesis is that by way of narrating specific instances of religiously connoted violence, the novels scrutinize and highlight processes of hostile Othering on the basis of religious alterity and thereby bring to the fore its consequences both for the individuals directly involved and society as a whole. I contend that these novels deplore the status of religious alterity as singular category of perceiving the socio-cultural ‘Other’ and, by virtue of providing a multifaceted, complex image of India’s and Pakistan’s inhabitants, argue for a conceptual pluralization of identities and illustrate the advantages of perceiving others not as same but instead as diversely different.

     
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    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820)
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  6. Die Aura der Autorschaft. Dichterprofile in der Manesseschen Liederhandschrift
    Autor*in: Stolz, Michael
    Erschienen: 2006
    Verlag:  De Gruyter

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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
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  7. 1 minute autohypnosis #37
    Autor*in: Bericat, Pedro
    Erschienen: 2017
    Verlag:  edition taberna kritika

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    Sprache: Englisch
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    DDC Klassifikation: Spanische, portugiesische Literaturen (860); Englische, altenglische Literaturen (820)
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  8. United under One Banner? Medievalism and ‘National’ Memory in 21st-Century Switzerland and Britain
    Autor*in: Berger, Matthias
    Erschienen: 2016
    Verlag:  (:null)

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Literaturen germanischer Sprachen; Deutsche Literatur (830); Literaturen romanischer Sprachen; Französische Literatur (840); Englisch, Altenglisch (420)
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  9. Postcolonial Ekphrasis in the Contemporary Anglophone Indian Novel
    Autor*in: Rippl, Gabriele
    Erschienen: 2015
    Verlag:  De Gruyter

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    Sprache: Englisch
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    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
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  10. Introduction
    Autor*in: Rippl, Gabriele
    Erschienen: 2015
    Verlag:  De Gruyter

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    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
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  11. When agreement is for covert and not for overt: the case of ustedes plus second person plural inflections in Peninsular Spanish
    Autor*in: Lara Bermejo, Victor
    Erschienen: 2016
    Verlag:  [Bellaterra] : Centre de Lingüística Teòrica, Departament de Filologia Catalana, Departament de Filologia Espanyola, Universitat Autònoma de Barcelona : [Girona] : Grup de Gramàtica i Lèxic, Departament de Filologia i Comunicació, Universitat de Girona

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    Sprache: Englisch
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    DDC Klassifikation: Spanische, portugiesische Literaturen (860); Linguistik (410); Spanisch, Portugiesisch (460)
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  12. AIDS in German Literature, Theatre, and Film. The Cultural Dramaturgy of Disorder
    Autor*in: Schappach, Beate
    Erschienen: 2014
    Verlag:  (:null)

    Other ; Background The paper sheds light on the development of the cultural representation of HIV/AIDS in Germany, Austria and Switzerland from the 1980ies until present. It analyses the contribution of literature, theatre, and film to the public... mehr

     

    Other ; Background The paper sheds light on the development of the cultural representation of HIV/AIDS in Germany, Austria and Switzerland from the 1980ies until present. It analyses the contribution of literature, theatre, and film to the public discourse about HIV/AIDS and characterises the rhetorical and iconographic strategies used to construct, represent, and discuss the disease and deal with it. The presentation shows which functions literature, theatre and film have performed within the HIV/AIDS discourse during the last 30 years in German speaking countries. Methods Having a background in Cultural Studies, Theatre Studies and German Studies the study uses methods from these disciplines to analyse the reception of aesthetic strategies – the ‘what’ and ‘how’ – of literary, theatrical and cinematic representations of HIV/AIDS on a micro level. On a macro level interdiscourse analysis (Jürgen Link) and sociological systems theory (Niklas Luhmann) are applied to describe the dramaturgical development of the HIV/AIDS discourse in German speaking countries. Results The public HIV/AIDS discourse in German speaking countries can be divided into seven stages characterised by different dominant modes of representing HIV/AIDS: exclusion and blame, prevention, integration, refuse of integration, apocalyptic scenarios, thrill, and normalisation. The dramaturgy of the HIV/AIDS discourse is initialised by the occurrence of the new disease in the 1980ies. In the first years it followed the pattern of historical epidemic discourses (plague, leprosy, syphilis). Since then, two major plotpoints have changed the structure of the discourse altogether: the discovery of the HI-Virus and the introduction of combined antiretroviral therapy. In the 21st century HIV/AIDS starts to become normalised. Nevertheless discrimination patterns known from the HIV/AIDS discourse of the 1980ies can be found again in medial representations. Conclusions The paper discusses the complex relationship between cultural and medical communication in the face of HIV/AIDS. Literature, theatre, and film perform different functions dealing with the disease: 1. feeding rhetorical and iconographic representations into the public discourse 2. observing and documenting the discourse about HIV/AIDS in the mass media 3. intervening in the public discourse through criticism or alternative interpretations 4. offering coping / passing strategies and strategies of assigning meaning to the disease.

     
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    DDC Klassifikation: Geschichte Europas (940); Literatur und Rhetorik (800); Freizeitgestaltung, darstellende Künste, Sport (790); Sozialwissenschaften (300); Geschichte und Geografie (900)
    Schlagworte: rhetoric & criticism; games & entertainment; sociology & anthropology
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    info:eu-repo/semantics/openAccess
  13. White Woman
    Autor*in: Ørjasæter, Kristin
    Erschienen: 2010
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät II, Nordeuropa-Institut

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    DDC Klassifikation: Andere germanische Sprachen (439); Andere germanische Literaturen (839)
  14. The Landscape: "As my father I am dead"
    Autor*in: Stern, Michael J.
    Erschienen: 2011
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät II, Nordeuropa-Institut

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    DDC Klassifikation: Andere germanische Sprachen (439); Andere germanische Literaturen (839)
  15. Introduction
    Autor*in: Stern, Michael J.
    Erschienen: 2011
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät II, Nordeuropa-Institut

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    DDC Klassifikation: Andere germanische Sprachen (439); Andere germanische Literaturen (839)
  16. The Discourse of Realism in the North: Two Perspectives
    Autor*in: Stern, Michael J.
    Erschienen: 2011
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät II, Nordeuropa-Institut

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    DDC Klassifikation: Andere germanische Sprachen (439); Andere germanische Literaturen (839)
  17. The Nietzsche Reception: Questions of Primacy and Authenticity
    Autor*in: Stern, Michael J.
    Erschienen: 2011
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät II, Nordeuropa-Institut

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    DDC Klassifikation: Andere germanische Sprachen (439); Andere germanische Literaturen (839)
  18. Strindberg and Nietzsche as Tropes in the Anti-Realist Discourse: Two Swedish Examples and a Norwegian Interlude
    Autor*in: Stern, Michael J.
    Erschienen: 2011
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät II, Nordeuropa-Institut

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    DDC Klassifikation: Andere germanische Sprachen (439); Andere germanische Literaturen (839)
  19. The Impossibility of Influence or How the Story Has Been Told
    Autor*in: Stern, Michael J.
    Erschienen: 2011
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät II, Nordeuropa-Institut

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    DDC Klassifikation: Andere germanische Sprachen (439); Andere germanische Literaturen (839)
  20. The Genealogy of Self
    Autor*in: Stern, Michael J.
    Erschienen: 2011
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät II, Nordeuropa-Institut

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    DDC Klassifikation: Andere germanische Sprachen (439); Andere germanische Literaturen (839)
  21. Strindberg’s Open Sea: The Conflation of Science and Suffering
    Autor*in: Stern, Michael J.
    Erschienen: 2011
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät II, Nordeuropa-Institut

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    DDC Klassifikation: Andere germanische Sprachen (439); Andere germanische Literaturen (839)
  22. Conclusion: Are Nietzsche and Strindberg Our Contemporaries?
    Autor*in: Stern, Michael J.
    Erschienen: 2011
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät II, Nordeuropa-Institut

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    DDC Klassifikation: Andere germanische Sprachen (439); Andere germanische Literaturen (839)
  23. Bibliography
    Autor*in: Stern, Michael J.
    Erschienen: 2011
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät II, Nordeuropa-Institut

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    DDC Klassifikation: Andere germanische Sprachen (439); Andere germanische Literaturen (839)
  24. Intermediality, Transmediality, and Graphic Narrative
    Autor*in: Etter, Lukas; Rippl, Gabriele
    Erschienen: 2013
    Verlag:  De Gruyter

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    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820)
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  25. Intermedialität: Text/Bild-Verhältnisse
    Autor*in: Rippl, Gabriele
    Erschienen: 2014
    Verlag:  De Gruyter

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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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    info:eu-repo/semantics/openAccess