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Nabḍ al-fikr
qirāʾāt fi 'l-fann wa-'l-adab -
De oratore
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Miṣr fī qiṣaṣ kuttābihā al-muʿāṣirīn
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Quimera
revista de literatura -
De duplici copia verborum ac rerum commentarij 2
Multa accessione, novisque formulis locupletati -
Silsila-i Intišārāt-i Našr-i Qaṭra
Adabīyāt, Šiʿr-i muʿāṣir -
Cross cultures
readings in post-colonial literatures and cultures in English -
Kontinent
literaturnyj, publicističeskij i religioznyj žurnal = Kontinens = Kontynent -
XVIII vek
sbornik -
Tarih-i edebiyat-ı osmaniye
Cild 1 -
Şiir kütübhanesi
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Muštamil ʿala 'l-asmaʿiʿyāt
wa-baʿḍ qaṣāʾid luġawīya -
IN Q. HORA||TIVM FLACCVM HENRICI || GLAREANI HELVETII, PO.|| LAV. ANNOTATIONES || IAM RECOGNITAE.||
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W. Shakespeare
İngiliz edib-i azamı Vilyam Şekspir'in kıskançlar nam beş piyes üzerine Viktor Hugo zade Fransuva tarafından bir suret-i edibanede kaleme alınmış olan malumat -
Cross/Cultures
readings in post-colonial literatures and cultures in English -
TABVLAE || DE SCHEMATIBVS PETRI || Mosellani, à pluribus mendis quàm dili-||gentissime repurgatæ, adiectis insuper || his quæ in quibusdam æditionibus || incuria prætermissa sunt. || IN RHETORICA PHI=||lippi Melanchthonis. || IN ERASMI ROTERO||dami Libellum, de du=||plici Copia. ||
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Maǧmūʿa-i nišāna-šināsī wa zabān-šināsī
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Urdū-i humāyūn
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Rūznāma-i millatī
rūznāma-i millatī sunnīya-i Īrān -
al-Tawāzunāt ad-dāḫilīya fī ittifāqīyat at-tarbas wa'l-furaṣ wa't-taḥaddiyāt allatī tuwaffiruhā fī ḥālat al-dawāʾ
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at- Taʾṣīl aš-šarʻī li'l-ḫamr wa'l-muḫdarāt
dirāsa fiqhīya muqārana ; al-baḥt̲ al-auwal -
Ruʼya islāmiyya li-baʻḍ al-muškilāt al-ṭibbiyya al-muʻāṣira
t̲abt kāmil li-aʻmāl barnāmaǧ Muʼtamar al-ʻAwlama wa-at̲aruhā ʻalā al-tanmiyya wa-al-riʻāya al-ṣiḥḥiyya fī al-duwal al-islāmiyya ; fī al-fatra min 9-13 muḥarram 1423 H. al-muwāfiq 23-27 māris 2002 M. al-Kuwayt -
Rubāʿīyāt-i Ḥakīm Ḫaiyām Nīšābūrī
bā muqaddama wa ḥawāšī bi-ihtimām-i ǧināb-i āqā-i Muḥammad ʿAlī Furūġī, āqā-i duktur Ġanī -
Taḥqīq an-nuṣūṣ baina iḫtilāf ar-riwāyāt wa-ahimmiyat as-samāʿāt wa-taʿaddud al-ibrāzāt
= The Critical edition of texts between different narrations, the importance of auditions (Samāʿāt) and multiple versions -
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