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  1. British satire and the politics of style
    1789 - 1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely... mehr

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse.

     
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  2. British satire and the politics of style, 1789-1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511003633; 9780511003639
    RVK Klassifikation: HL 1397 ; HL 1401
    Schriftenreihe: Cambridge studies in Romanticism ; 23
    Schlagworte: HUMOR / General; Intellectual life; Political satire, English; Political science; Politics and literature; Radicalism; Romanticism; Engels; Bellettrie; Satires; Politiek; Englisch; Geschichte; Politik; Politische Wissenschaft; Radikalismus; Political satire, English; Politics and literature; Politics and literature; Romanticism; Radicalism; Satire; Politik <Motiv>; Englisch
    Umfang: 1 Online-Ressource (xii, 263 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 198-250) and index

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse

    The scope of satire, 1789-1832 -- The modes of satire and the politics of style -- The meaning of Radical verse satire -- Peacock, Disraeli, and the satirical prose narrative -- Satire displaced, satire domesticated -- A select bibliography of British satirical verse, 1789-1832
  3. British satire and the politics of style
    1789 - 1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse.

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511585333
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    RVK Klassifikation: HL 1397 ; HL 1401
    Auflage/Ausgabe: 1. publ., digitally printed 1. paperback version 2006
    Schriftenreihe: Cambridge studies in Romanticism ; 23
    Schlagworte: Engels; Letterkunde; Politiek; Politique et littérature - Grande-Bretagne - Histoire - 18e siècle; Politique et littérature - Grande-Bretagne - Histoire - 19e siècle; Radicalisme - Grande-Bretagne; Romantisme - Grande-Bretagne; Satire politique anglaise - Histoire et critique; Satires; Englisch; Geschichte; Literatur; Politik; Radikalismus; Political satire, English; Politics and literature; Politics and literature; Radicalism; Romanticism; Englisch; Politik <Motiv>; Satire
    Umfang: 1 Online-Ressource (XII, 263 S.)
  4. British satire and the politics of style, 1789-1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    This book surveys and interprets the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    This book surveys and interprets the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars, satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ('Peter Pindar') and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramification for women writers of satire's 'masculine' connotations. The book includes a bibliography of more than 700 volumes containing satirical verses.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511585333
    RVK Klassifikation: HL 1397 ; HL 1401
    Schriftenreihe: Cambridge studies in Romanticism ; 23
    Schlagworte: Englisch; Satire; Politik
    Umfang: 1 Online-Ressource (xii, 263 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  5. British satire and the politics of style, 1789-1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    This book surveys and interprets the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book surveys and interprets the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars, satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ('Peter Pindar') and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramification for women writers of satire's 'masculine' connotations. The book includes a bibliography of more than 700 volumes containing satirical verses 1. The scope of satire, 1789-1832 -- 2. The modes of satire and the politics of style -- 3. The meaning of Radical verse satire -- 4. Peacock, Disraeli, and the satirical prose narrative -- 5. Satire displaced, satire domesticated -- A select bibliography of British satirical verse, 1789-1832

     
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  6. British satire and the politics of style, 1789-1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511003633; 9780511003639
    RVK Klassifikation: HL 1397 ; HL 1401
    Schriftenreihe: Cambridge studies in Romanticism ; 23
    Schlagworte: Englisch; Satire; Politik
    Umfang: 1 Online-Ressource (xii, 263 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 198-250) and index
  7. British satire and the politics of style, 1789-1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    This book surveys and interprets the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary... mehr

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    This book surveys and interprets the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars, satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ('Peter Pindar') and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramification for women writers of satire's 'masculine' connotations. The book includes a bibliography of more than 700 volumes containing satirical verses 1. The scope of satire, 1789-1832 -- 2. The modes of satire and the politics of style -- 3. The meaning of Radical verse satire -- 4. Peacock, Disraeli, and the satirical prose narrative -- 5. Satire displaced, satire domesticated -- A select bibliography of British satirical verse, 1789-1832

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)