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  1. After Dickens
    reading, adaptation, and performance
    Autor*in: Glavin, John
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge [England]

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511003706; 0511035985; 0511051212; 0511117132; 051148481X; 0521633222; 9780511003707; 9780511035982; 9780511051210; 9780511117138; 9780511484810; 9780521633222
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 20
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Performing arts; Performing arts in literature; Stage adaptations; Toneelbewerkingen; Toneel; Theater; Aufführung; Roman; Geschichte; Theater; Wissen; Performing arts; Performing arts in literature; Stage adaptations; Theater; Rezeption; Drama
    Weitere Schlagworte: Dickens, Charles / 1812-1870; Dickens, Charles / 1812-1870; Dickens, Charles / (1812-1870) / Adaptations / Histoire et critique; Dickens, Charles / (1812-1870) / Critique et interprétation; Dickens, Charles; Dickens, Charles (1812-1870); Dickens, Charles (1812-1870); Dickens, Charles (1812-1870)
    Umfang: 1 Online-Ressource (xiii, 226 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 216-222) and index

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relation to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also explores the paradoxically rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations

    pt. I. Set up. Dickens, adaptation and Grotowski. ... as upon a theatre -- pt. II. Flashback. ... to be a Shakespeare. Exit: "the sanguine mirage" -- pt. III. Resolution. How to do it. Coda
  2. After Dickens
    reading, adaptation, and performance
    Autor*in: Glavin, John
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge [England]

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521633222
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 20
    Schlagworte: Geschichte; Wissen; Performing arts; Performing arts in literature; Stage adaptations; Rezeption; Drama; Theater
    Weitere Schlagworte: Dickens, Charles (1812-1870); Dickens, Charles (1812-1870); Dickens, Charles (1812-1870)
    Umfang: xiii, 226 p
    Bemerkung(en):

    Includes bibliographical references (p. 216-222) and index
  3. After Dickens
    reading, adaptation and performance
    Autor*in: Glavin, John
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484810
    Weitere Identifier:
    RVK Klassifikation: HL 2585 ; HL 2589
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 20
    Schlagworte: Geschichte; Wissen; Performing arts / Great Britain / History / 19th century; Performing arts in literature; Stage adaptations; Drama; Rezeption; Theater
    Weitere Schlagworte: Dickens, Charles / 1812-1870 / Knowledge / Performing arts; Dickens, Charles / 1812-1870 / Adaptations; Dickens, Charles (1812-1870)
    Umfang: 1 online resource (xiii, 226 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. After Dickens
    reading, adaptation and performance
    Autor*in: Glavin, John
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484810
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 20
    Schlagworte: Performing arts; Performing arts in literature; Stage adaptations; Dickens, Charles ; 1812-1870 ; Knowledge ; Performing arts; Dickens, Charles ; 1812-1870 ; Adaptations; Performing arts ; Great Britain ; History ; 19th century; Performing arts in literature; Stage adaptations
    Weitere Schlagworte: Dickens, Charles (1812-1870); Dickens, Charles (1812-1870)
    Umfang: 1 Online-Ressource (xiii, 226 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    pt. I. Set up. 1. Dickens, adaptation and Grotowski. 2. ... as upon a theatre -- pt. II. Flashback. 3. ... to be a Shakespeare. 4. Exit: "the sanguine mirage" -- pt. III. Resolution. 5. How to do it. 6. Coda.
  5. After Dickens
    reading, adaptation and performance
    Autor*in: Glavin, John
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and... mehr

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    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Gießen
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    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484810
    RVK Klassifikation: HL 2589 ; HL 2585
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 20
    Schlagworte: Roman; Theater; Aufführung
    Weitere Schlagworte: Dickens, Charles (1812-1870)
    Umfang: 1 Online-Ressource (xiii, 226 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. After Dickens
    reading, adaptation, and performance
    Autor*in: Glavin, John
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge [England] [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relation to the theatre and... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relation to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also explores the paradoxically rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511003706; 9780511003707; 0511035985; 9780511035982; 0511051212; 9780511051210; 0511117132; 9780511117138; 9780511484810; 051148481X
    RVK Klassifikation: HL 2589 ; HL 2585
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 20
    Schlagworte: Roman; Theater; Aufführung
    Weitere Schlagworte: Dickens, Charles (1812-1870)
    Umfang: 1 Online-Ressource (xiii, 226 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 216-222) and index
  7. After Dickens
    reading, adaptation, and performance
    Autor*in: Glavin, John
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge [England]

    John Glavin uncovers a richly ambivalent, often unexpectedly hostile, relationship between Dickens and the theatre and theatricality of his own time. Yet he also explores the performative potential in Dickens's fiction, and describes new ways to... mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    keine Fernleihe

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    John Glavin uncovers a richly ambivalent, often unexpectedly hostile, relationship between Dickens and the theatre and theatricality of his own time. Yet he also explores the performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521633222
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 20
    Schlagworte: Stage adaptations; Performing arts; Performing arts in literature; Dickens, Charles ; 1812-1870 ; Knowledge ; Performing arts; Electronic books
    Weitere Schlagworte: Dickens, Charles (1812-1870); Dickens, Charles (1812-1870)
    Umfang: Online-Ressource (xiii, 226 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 216-222) and index

    Electronic reproduction; Available via World Wide Web

    Preliminaries; Contents; Acknowledgments; Note on the text; Introduction; I Set Up; Chapter 1 Dickens, adaptation and Grotowski; Chapter 2 . . . as upon a theatre; II Flashback; Chapter 3 . . . to be a Shakespeare; Chapter 4 Exit: ''the sanguine mirage''; III Resolution; Chapter 5 How To Do It; Chapter 6 Coda; Notes; References; Index; Cambridge Studies in Nineteenth-Century Literature and Culture
  8. After Dickens
    reading, adaptation and performance
    Autor*in: Glavin, John
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and... mehr

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    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484810
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 20
    Schlagworte: Performing arts; Performing arts in literature; Stage adaptations; Dickens, Charles ; 1812-1870 ; Knowledge ; Performing arts; Dickens, Charles ; 1812-1870 ; Adaptations; Performing arts ; Great Britain ; History ; 19th century; Performing arts in literature; Stage adaptations
    Weitere Schlagworte: Dickens, Charles (1812-1870); Dickens, Charles (1812-1870)
    Umfang: 1 Online-Ressource (xiii, 226 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    pt. I. Set up. 1. Dickens, adaptation and Grotowski. 2. ... as upon a theatre -- pt. II. Flashback. 3. ... to be a Shakespeare. 4. Exit: "the sanguine mirage" -- pt. III. Resolution. 5. How to do it. 6. Coda.