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Prévosts "Manon Lescaut" in deutschen Übersetzungen des 18., 19. und 20. Jahrhunderts
eine Studie im Rahmen der historisch-deskriptiven Übersetzungsforschung -
"The God who never lies"
mendacity in French literature from the eleventh through the thirteenth centuries -
Constructs and crisis in West African and Antillean literature of French expression
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A study in avant-garde experimentalism
the poetic theory and praxis of the futurist, cubo-futurist, Dada, and surrealist groups -
Music in "Gargantua and Pantagruel"
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Exprimer l'inexprimable
les écrivains combattants de la grande guerre -
The conflict of life and death in Zola's Rougon-Macquart
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Voyage and writing in Gide's fictions
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Writing and representing the body in Voltaire's philosophical tales
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The wild man
images of liminality ; prolegomena to a study of "Gilgamesh" and Montaigne's "Des cannibales" -
"Libertins sensibles"
Crébillon, Laclos, Diderot -
The call to the reader's freedom in Jean-Paul Sartre's literary criticism
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Flaubert's house of fiction
furnishing new spaces -
Writing women in(to) the July Monarchy press
fashion, feminism, and the feuilleton -
Montale's anti-fascist poetry from 'Ossi di Seppia' to the post-war years
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Proust and psychoanalytic criticism: an analysis and a translation of Doubrovsky's "Place de la Madeleine"
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Aspects de la mort dans le théâtre de Camus, Tardieu, Ionesco, Genet, Beckett
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La part de vérité
l'histoire de la Marquise de Ganges et ses réécritures -
The poet's craft
the tapestry metaphor for poetry in Ariosto and Spenser -
Aspects of the archetypal feminine in the plays of Michel de Ghelderode
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Zwischen Struktur und Strukturlosigkeit
zur Darstellung und Funktion des Raumes in Adalbert Stifters "Der Nachsommer" -
Crime et châtiment dans le théâtre de Racine
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Seesturm und Schiffbruch im Werk des Ludolf Backhuysen (Emden 1630 - 1708 Amsterdam)
eine motivkundliche Untersuchung mit anschließendem motivspezifischen und kritischen Werkkatalog -
Death in the poetry of Jean de Sponde and Jean-Baptiste Chassignet
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The concept of 'Identity' in the theatre of Eugène Ionesco