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"A bridge of words": the american critical reception of Richard Wright ; 1938 - 1945
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"A most conspicuous theatre": the rise of American theater and drama, 1787 - 1829
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"Almost infinite variation": Eighteenth-century epistolary fictions
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"An ark on which two might escape"
modernist and postmodernist discourse Julian Barnes's "A history of the world in 10 1/2 chapters"/ Nadia Maria Halim -
"At once narrow and promiscuous": representations of eduacted women in the Victorian novel
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"Equally 'childlike' outsiders": women and the celt in the work of Charlotte Bronte͏̈
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"Formed for labour and not for love"
self-cultivation and the Victorian heroine -
"Is there nowhere else where we can meet?"
the post-colonial woman writer and political fiction -
"Little rhymes, little jingle, little chimes
a history of nursery rhymes in English literature before "Tommy Thumb's pretty song book" -
"Officer, she's writing again": Gertrude Stein's American readers
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"Pierre" and "Bartleby"
a study of Melville's metaphysics and aesthetics -
"Populous solitude"
the poet, his audience, and the social context in selected works of Shelley -
"Sehnsucht": the key to the secret of life, as illustrated in selected modern American novels
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"Stylistic arrangements of experience": space and time in the aesthetics of William Butler Yeats and Wyndham Lewis
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"The book of myths in which our names do not appear:" a study of the struggle of Irish women poets with the tradition of modern Irish poetry
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"The desire of the woman which is for the desire of the man": feminist readings in Austen and Atwood
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"The projecting species": reading Swift's critique of the scientific project in book 3 of "Gulliver's Travels"
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"This grotesque position": hard-boiled crime fiction and American literary culture
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"Unsex me here"
female power in Shakespearean tragedy -
"Vertue vanish'd": censorship of early English women dramatists
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"Who aint a salve"
Melville and captivity in America -
"Writing the wrong: female identity and the postmodern feminist novel of manners in America"
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'A dangerous delight'
the artist as mage and the persistance of theuric aesthetics from Shakespeare to Singer -
'The highest point of extasy'
sex and sexuality in the novels of Jane Austen and her predecessors -
'The like of her shall have another name than Vivian'
visions and revisions of Camelot's "Other" magician