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L' immagine degli ottomani nelle commedie e tragedie italiane del Cinquecento
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Tra mito e realtà
l'immagine di Roma nella letteratura araba e turca d'età ottomana (secoli XV - XVI) -
Geschlechtergeschichte verändert Geschichtsbilder ; Das zweifache Leben der "Effi Briest"
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Einleitung [zu: Franz Theodor Kugler. Deutscher Kunsthistoriker und Berliner Dichter]
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Innovation und Destruktion in der Genieästhetik
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Pluralisme juridictionnel et protection des droits fondamentaux dans l’Union européenne
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Raisonner avec des ontologies: logiques de description et graphes conceptuels
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‘It’s not for me to smile at their tyranny’: Democracy and Dialogue in Charles Brockden Brown’s Alcuin
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A ‘Dish Offered to the Public’: The Business of Gender and Class in Nathaniel Hawthorne’s The House of the Seven Gables
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Introduction: Literature and Consumption in Nineteenth-Century America
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Genrekonventionen als Interpretationsstrategien: Ian McEwan’s Solar (2010) als Kriminalroman
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Ways of Worldmaking in Literature and Other Media: Theoretical Reconceptualizations and Constructivist Criticism
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Explorations of the Controversially Real: Risk, the Climate Change Novel, and the Narrative of Anticipation
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Gender-orientierte Erzähltextanalyse als Modell für die Schnittstelle von Narratologie und intersektioneller Forschung?: Wissenschaftsgeschichtliche Entwicklung, Schlüsselkonzepte und Anwendungsperspektiven
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Interrogating the Interview as Genre: Five Cases over Two Hundred Years
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The Making of Fictional Worlds: Processes, Features, and Functions
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Ways of Worldmaking as a Model for the Study of Culture: Theoretical Frameworks, Epistemological Underpinnings, New Horizons
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A Rage for Authenticity: Richard Powers' The Time of Our Singing, Jonathan Lethem's The Fortress of Solitude, and the Quest for Pure Hybridity
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Postcolonial/Transcultural/Transnational: American Studies, American Literature, and the World
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On First Looking Into Ackroyd's Chatterton: Framing Pictures
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Exploring Romanticism – Romantic Explorations
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Animating The Tempest: Power, Passion, and Spectacle
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Imaginary Jews and True Confessions: Ethnicity, Lyricism, and John Berryman's Dream Songs
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Introduction: Returns of the Real
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'After Auschwitz': Adorno, Postmodernism, and the Anti-Aesthetic