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Metamorphoses of the Metamorphoses: Patricia Eakins, Wendy Walker, Don Webb
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Between Quarrel and Gratitude: Culture, Democracy, America
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Two Concepts of Art: Art as Affirmation and Negation of Reality and as Interaction with the Recipient
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The Construction of Privacy in and around 'The Bostonians'
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Narrating Postmodern Spaces in Thomas Pynchon's Novel(s)
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E pluribus unum; or, Matthew Arnold Meets George Orwell in the 'Multiculturalism Debate'
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Speaking Freely: Language, Class, and Assimilation in American Literature
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Spectacular Anti-Spectacle: Ecstasy and Nationality in Whitman and His Heirs
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America and the European Sense of History
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Melvin B. Tolson - A 'Voluntary Negro'. Mit einer kommentierten Übersetzung von Auszügen aus Melvin B. Tolsons 'Libretto for the Republic of Liberia'
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Gender, Revolution, and the Political Unconscious in Rebecca Harding Davis' 'Life in the Iron Mills'
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'Irrational Zigzags': Cosmopolitanism in African American Intellectual History
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Need Assessment in Practice - Methods, Experiences and Trends
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Approaches to the "Fuzzy Front End" of innovation
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Management of R&D Cooperation
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Metamorphoses of the Metamorphoses: Patricia Eakins, Wendy Walker, Don Webb
-
Between Quarrel and Gratitude: Culture, Democracy, America
-
Two Concepts of Art: Art as Affirmation and Negation of Reality and as Interaction with the Recipient
-
The Construction of Privacy in and around 'The Bostonians'
-
Narrating Postmodern Spaces in Thomas Pynchon's Novel(s)
-
E pluribus unum; or, Matthew Arnold Meets George Orwell in the 'Multiculturalism Debate'
-
Speaking Freely: Language, Class, and Assimilation in American Literature
-
Spectacular Anti-Spectacle: Ecstasy and Nationality in Whitman and His Heirs
-
America and the European Sense of History
-
Melvin B. Tolson - A 'Voluntary Negro'. Mit einer kommentierten Übersetzung von Auszügen aus Melvin B. Tolsons 'Libretto for the Republic of Liberia'