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Fiction on fiche
author index to fiction since 1950 -
The role of love in the comedy of Marivaux
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Framing fiction with death
"The seven sages of Rome", Boccaccio's "Decameron", and Chaucer's "Canterbury Tales" -
Zola et ses femmes
quelques figures feminines des pouvoir dans les "Rougon-Macquart" d'Émile Zola -
Coleridge and Emerson
a complex affinity -
Gendering and sexualizing rock stars
star cult - genre discourse - mass media -
Factional identities
narrative (de-)constructions of gender in works by Audrey Thomas, Daphne Marlatt, and Louise Erdrich -
Romancing the cathedral
gothic architecture in Fin-de-Siècle French culture -
Themes and topics of the American musical after world war II
a literary study ... with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim and James Lapine -
Fiction on fiche
author index to fiction since 1950 -
Text as meamorphic process
invention in Annie Dillard's lyrical and narrative meditations -
Boys or women?
the rhetoric of sexual preference in Achilles Tatius, Plutarch, and pseudo-Lucian -
Situating the beast
animals and animal imagery in nineteenth- and twentieth-century Russian literature -
Divide and conquer in game tree search
algorithms, software and case studies -
Factional identities
narrative (de-)constructions of gender in works by Audrey Thomas, Daphne Marlatt, and Louise Erdrich -
Fashioning Marlowes
Marlowe criticism from the Victorian times to the present -
Factional identities
narrative (de-) constructions of gender in works by Audrey Thomas, Daphne Marlatt, and Louise Erdrich -
Themes and topics of the American musical after world war II
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The theme of death in Italian art
The Triumph of Death -
The great Mogul
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Melville's use of the narrator in "Moby-Dick"
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Tauchnitz edition
collection of British and American authors -
<<The>> beggar's voice
impoverished writing in Nietzsche, Mallarmé, Rilke, and Benjamin -
Fashioning Marlowes
Marlowe criticism from the Victorian times to the present -
Factional identities
narrative (de-)constructions of gender in works by Audrey Thomas, Daphne Marlatt, and Louise Erdrich