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<<The>> warrior's camera
the cinema of Akira Kurosawa -
Classical film violence
designing and regulating brutality in Hollywood cinema, 1930 - 1968 -
Firestorm
American film in the age of terrorism -
Classical film violence
designing and regulating brutality in Hollywood cinema, 1930 - 1968 -
Firestorm
American film in the age of terrorism -
Savage cinema
Sam Peckinpah and the rise of ultraviolent movies -
Visions of empire
political imagery in contemporary American film -
Visions of Empire
political imagery in contemporary American film -
Digital visual effects in cinema
the seduction of reality -
Apocalypse Cinema
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Savage cinema
Sam Peckinpah and the rise of ultraviolent movies -
Digital visual effects in cinema
the seduction of reality -
Digital visual effects in cinema
the seduction of reality -
Firestorm
American film in the age of terrorism -
Savage cinema
Sam Peckinpah and the rise of ultraviolent movies -
Visions of empire
political imagery in contemporary American film -
Apocalypse Cinema
-
Apocalypse Cinema
-
Visions of empire
political imagery in contemporary American film -
Savage cinema
Sam Peckinpah and the rise of ultraviolent movies -
Classical film violence
designing and regulating brutality in Hollywood cinema, 1930 - 1968 -
Firestorm
American film in the age of terrorism -
Savage cinema
Sam Peckinpah and the rise of ultraviolent movies -
Digital visual effects in cinema
the seduction of reality -
Visions of empire
political imagery in contemporary American film