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  1. The secular problem of evil
    an essay in analytic existentialism
    Autor*in: Prescott, Paul
    Erschienen: [2021]

    The existence of evil is often held to pose philosophical problems only for theists. I argue that the existence of evil gives rise to a philosophical problem which confronts theist and atheist alike. The problem is constituted by the following... mehr

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    The existence of evil is often held to pose philosophical problems only for theists. I argue that the existence of evil gives rise to a philosophical problem which confronts theist and atheist alike. The problem is constituted by the following claims: (1) Successful human beings (i.e. those meeting their basic prudential interests) are committed to a good-enough world; (2) the actual world is not a good-enough world (i.e. sufficient evil exists). It follows that human beings must either (3a) maintain a state of epistemic ignorance regarding the nature of the actual world or (3b) abandon their basic prudential interests. Theists resolve this problem by rejecting (2), only to confront the problem of evil as it is traditionally understood. Successful atheists also reject (2), but without adequate grounds for doing so.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Religious studies; Cambridge [u.a.] : Cambridge Univ. Press, 1965; 57(2021), 1, Seite 101-119; Online-Ressource

    Schlagworte: Existenzialismus; Das Böse; Säkularismus;
  2. Shakespeare on European festival stages
    Beteiligt: Cinpoeş, Nicoleta (HerausgeberIn); March, Florence (HerausgeberIn); Prescott, Paul (HerausgeberIn)
    Erschienen: 2022; ©2022
    Verlag:  Bloomsbury Publishing Plc, London

    Cover -- Contents -- List of figures -- Notes on contributors -- Acknowledgements -- A note on the text -- 1 Shakespeare on European festival stages: An introduction Paul Prescott, Nicoleta Cinpoeş and Florence March -- 2 Shaping democratic festivals... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Hochschulbibliothek Friedensau
    Online-Ressource
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    Cover -- Contents -- List of figures -- Notes on contributors -- Acknowledgements -- A note on the text -- 1 Shakespeare on European festival stages: An introduction Paul Prescott, Nicoleta Cinpoeş and Florence March -- 2 Shaping democratic festivals through Shakespeare in southern France: Avignon, Montpellier, Nice Florence March -- 3 Shakespeare at the Almagro festivals: Reinventing the plays in Spain Isabel Guerrero -- 4 Shakespeare at Four Castles: Summer Shakespeare Festival in Prague, Brno, Ostrava (Czech Republic) and Bratislava (Slovakia) Filip Krajník and Eva Kyselová -- 5 Globolatry in Germany: The Shakespeare Festival at Neuss - a dramaturg's perspective Vanessa Schormann -- 6 A world's stage for many players: The International Shakespeare Festival - Craiova (Romania) Nicoleta Cinpoeş -- 7 Festivalizing Shakespeare in Italy: Verona and Rome Lisanna Calvi and Maddalena Pennacchia -- 8 The Gdańsk Shakespeare Festival: Four centuries of travelling theatre in Poland Urszula Kizelbach and Jacek Fabiszak -- 9 From a schoolyard play to civic festival: Shakespeare in the Bulgarian village of Patalenitsa Boika Sokolova and Kirilka Stavreva -- 10 The Gyula Shakespeare Festival (Hungary): Local, national, European, global Júlia Paraizs and Ágnes Matuska -- 11 Unhomely Shakespeares: Interculturalism and diplomacy in Elsinore Anne Sophie Refskou -- 12 Shakespeare's Globe in Inđija: A portrait of Itaka Shakespeare Festival (Serbia) Alexandra Portmann -- Index.

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Cinpoeş, Nicoleta (HerausgeberIn); March, Florence (HerausgeberIn); Prescott, Paul (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350140172
    RVK Klassifikation: HI 3341
    Schlagworte: Self in literature; Electronic books
    Umfang: 1 online resource (257 pages), Illustrationen, Karte
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  3. Richard III
    Autor*in: Prescott, Paul
    Erschienen: 2006; ©2006
    Verlag:  Macmillan Education UK, London

    Cover -- Half-Title -- Series -- Title -- Copyright -- Dedication -- Contents -- General Editor's Preface -- Preface -- 1 The Texts and Early Performances -- 2 The Play's Sources and Cultural Contexts -- 3 Commentary -- 4 Key Productions and... mehr

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    Cover -- Half-Title -- Series -- Title -- Copyright -- Dedication -- Contents -- General Editor's Preface -- Preface -- 1 The Texts and Early Performances -- 2 The Play's Sources and Cultural Contexts -- 3 Commentary -- 4 Key Productions and Performances -- 5 The Play on Screen -- 6 Critical Assessments -- Further Reading -- Index.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780230204331
    Schriftenreihe: Shakespeare Handbooks Ser.
    Schlagworte: Shakespeare, William,-1564-1616-Film adaptations..; Shakespeare, William,-1564-1616-Stage history..; Shakespeare, William,-1564-1616.-King Richard III..; Richard-III,-King of England,-1452-1485-In literature..; Literature; Electronic books
    Umfang: 1 online resource (195 pages)
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  4. Shakespeare on European festival stages
    Beteiligt: Cinpoeş, Nicoleta (HerausgeberIn); March, Florence (HerausgeberIn); Prescott, Paul (HerausgeberIn)
    Erschienen: 2022
    Verlag:  The Arden Shakespeare, London, UK

    Shakespeare on European festival stages : an introduction / Paul Prescott, Nicoleta Cinpoeş and Florence March -- Shaping democratic festivals through Shakespeare in southern France : Avignon, Montpellier, Nice / Florence March -- Shakespeare at the... mehr

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Shakespeare on European festival stages : an introduction / Paul Prescott, Nicoleta Cinpoeş and Florence March -- Shaping democratic festivals through Shakespeare in southern France : Avignon, Montpellier, Nice / Florence March -- Shakespeare at the Almagro festivals : reinventing the plays in Spain / Isabel Guerrero -- Shakespeare at Four Castles : Summer Shakespeare Festival in Prague, Brno, Ostrava (Czech Republic) and Bratislava (Slovakia) / Filip Krajník and Eva Kyselová -- Globolatry in Germany : the Shakespeare Festival at Neuss--a dramaturg's perspective / Vanessa Schormann -- A world's stage for many players : the International Shakespeare Festival--Craiova, Romania / Nicoleta Cinpoeş -- Festivalizing Shakespeare in Italy : Verona and Rome / Lisanna Calvi and Maddalena Pennacchia -- The Gdańsk Shakespeare Festival : four centuries of travelling theatre in Poland / Urszula Kizelbach and Jacek Fabiszak -- From a schoolyard play to civic festival : Shakespeare in the Bulgarian village of Patalenitsa / Boika Sokolova and Kirilka Stavreva -- The Gyula Shakespeare Festival, Hungary : local, national, European, global / Ágnes Matuska and Júlia Paraizs -- Unhomely Shakespeares : interculturalism and diplomacy in Elsinore / Anne Sophie Refskou -- Shakespeare's Globe in Indija--a portrait of Itaka Shakespeare Festival (Serbia) / Alexandra Portmann. "Shakespeare on European Festival Stages is the first book to chart Shakespeare's presence at European festivals and to examine the role these festivals play in European socio-cultural exchanges, while considering, in turn, the impact festivals have on the production and circulation of staged Shakespeare. This collection offers the most authoritative and informed accounts of a wide range of festivals hosted in 14 countries, including the Itaka Shakespeare Festival (Serbia), the Gdansk Shakespeare Festival (Poland), Shake-Nice! (France) and the Almago Festival (Spain). From the aftermath of World War II until now, festivals have deployed Shakespeare as a model of inclusive theatre to provide alternative answers to Europe's multi-faceted crises. This collection charts the history of Shakespeare appropriation in Europe in the 20th and 21st centuries through the framework of festivals. It provides a dialectical perspective on local and global, national and trans-national strategies of appropriation of Shakespeare, providing new angles from which to analyse his historical, cultural, political, diplomatic and ethical significance in Europe"--

     

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    Quelle: Verbundkataloge
    Beteiligt: Cinpoeş, Nicoleta (HerausgeberIn); March, Florence (HerausgeberIn); Prescott, Paul (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350140196; 9781350140189
    Weitere Identifier:
    RVK Klassifikation: HI 3341
    Schlagworte: Drama festivals
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xviii, 238 Seiten), illustrations (black and white), map
  5. Shakespeare on European festival stages
    Beteiligt: Cinpoeş, Nicoleta (HerausgeberIn); March, Florence (HerausgeberIn); Prescott, Paul (HerausgeberIn)
    Erschienen: 2022
    Verlag:  The Arden Shakespeare, London, UK

    Shakespeare on European festival stages : an introduction / Paul Prescott, Nicoleta Cinpoeş and Florence March -- Shaping democratic festivals through Shakespeare in southern France : Avignon, Montpellier, Nice / Florence March -- Shakespeare at the... mehr

    Universität Potsdam, Universitätsbibliothek
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    Shakespeare on European festival stages : an introduction / Paul Prescott, Nicoleta Cinpoeş and Florence March -- Shaping democratic festivals through Shakespeare in southern France : Avignon, Montpellier, Nice / Florence March -- Shakespeare at the Almagro festivals : reinventing the plays in Spain / Isabel Guerrero -- Shakespeare at Four Castles : Summer Shakespeare Festival in Prague, Brno, Ostrava (Czech Republic) and Bratislava (Slovakia) / Filip Krajník and Eva Kyselová -- Globolatry in Germany : the Shakespeare Festival at Neuss--a dramaturg's perspective / Vanessa Schormann -- A world's stage for many players : the International Shakespeare Festival--Craiova, Romania / Nicoleta Cinpoeş -- Festivalizing Shakespeare in Italy : Verona and Rome / Lisanna Calvi and Maddalena Pennacchia -- The Gdańsk Shakespeare Festival : four centuries of travelling theatre in Poland / Urszula Kizelbach and Jacek Fabiszak -- From a schoolyard play to civic festival : Shakespeare in the Bulgarian village of Patalenitsa / Boika Sokolova and Kirilka Stavreva -- The Gyula Shakespeare Festival, Hungary : local, national, European, global / Ágnes Matuska and Júlia Paraizs -- Unhomely Shakespeares : interculturalism and diplomacy in Elsinore / Anne Sophie Refskou -- Shakespeare's Globe in Indija--a portrait of Itaka Shakespeare Festival (Serbia) / Alexandra Portmann. "Shakespeare on European Festival Stages is the first book to chart Shakespeare's presence at European festivals and to examine the role these festivals play in European socio-cultural exchanges, while considering, in turn, the impact festivals have on the production and circulation of staged Shakespeare. This collection offers the most authoritative and informed accounts of a wide range of festivals hosted in 14 countries, including the Itaka Shakespeare Festival (Serbia), the Gdansk Shakespeare Festival (Poland), Shake-Nice! (France) and the Almago Festival (Spain). From the aftermath of World War II until now, festivals have deployed Shakespeare as a model of inclusive theatre to provide alternative answers to Europe's multi-faceted crises. This collection charts the history of Shakespeare appropriation in Europe in the 20th and 21st centuries through the framework of festivals. It provides a dialectical perspective on local and global, national and trans-national strategies of appropriation of Shakespeare, providing new angles from which to analyse his historical, cultural, political, diplomatic and ethical significance in Europe"--

     

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    Quelle: Verbundkataloge
    Beteiligt: Cinpoeş, Nicoleta (HerausgeberIn); March, Florence (HerausgeberIn); Prescott, Paul (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350140196; 9781350140189
    Weitere Identifier:
    RVK Klassifikation: HI 3341
    Schlagworte: Drama festivals
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xviii, 238 Seiten), illustrations (black and white), map
  6. Shakespeare on European festival stages
    Beteiligt: Cinpoeş, Nicoleta (HerausgeberIn); March, Florence (HerausgeberIn); Prescott, Paul (HerausgeberIn)
    Erschienen: 2022; ©2022
    Verlag:  Bloomsbury Publishing Plc, London

    Cover -- Contents -- List of figures -- Notes on contributors -- Acknowledgements -- A note on the text -- 1 Shakespeare on European festival stages: An introduction Paul Prescott, Nicoleta Cinpoeş and Florence March -- 2 Shaping democratic festivals... mehr

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    Cover -- Contents -- List of figures -- Notes on contributors -- Acknowledgements -- A note on the text -- 1 Shakespeare on European festival stages: An introduction Paul Prescott, Nicoleta Cinpoeş and Florence March -- 2 Shaping democratic festivals through Shakespeare in southern France: Avignon, Montpellier, Nice Florence March -- 3 Shakespeare at the Almagro festivals: Reinventing the plays in Spain Isabel Guerrero -- 4 Shakespeare at Four Castles: Summer Shakespeare Festival in Prague, Brno, Ostrava (Czech Republic) and Bratislava (Slovakia) Filip Krajník and Eva Kyselová -- 5 Globolatry in Germany: The Shakespeare Festival at Neuss - a dramaturg's perspective Vanessa Schormann -- 6 A world's stage for many players: The International Shakespeare Festival - Craiova (Romania) Nicoleta Cinpoeş -- 7 Festivalizing Shakespeare in Italy: Verona and Rome Lisanna Calvi and Maddalena Pennacchia -- 8 The Gdańsk Shakespeare Festival: Four centuries of travelling theatre in Poland Urszula Kizelbach and Jacek Fabiszak -- 9 From a schoolyard play to civic festival: Shakespeare in the Bulgarian village of Patalenitsa Boika Sokolova and Kirilka Stavreva -- 10 The Gyula Shakespeare Festival (Hungary): Local, national, European, global Júlia Paraizs and Ágnes Matuska -- 11 Unhomely Shakespeares: Interculturalism and diplomacy in Elsinore Anne Sophie Refskou -- 12 Shakespeare's Globe in Inđija: A portrait of Itaka Shakespeare Festival (Serbia) Alexandra Portmann -- Index.

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Cinpoeş, Nicoleta (HerausgeberIn); March, Florence (HerausgeberIn); Prescott, Paul (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350140172
    RVK Klassifikation: HI 3341
    Schlagworte: Self in literature; Electronic books
    Umfang: 1 online resource (257 pages), Illustrationen, Karte
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  7. Richard III
    [a guide to the text and its theatrical life]
    Autor*in: Prescott, Paul
    Erschienen: 2006
    Verlag:  Palgrave Macmillan, Basingstoke

    This introduction to the performance potential of one of Shakespeare's most theatrically exciting plays provides extensive commentary that explores the challenges faced by actors and directors and encourages readers to engage imaginatively with... mehr

    Universitätsbibliothek Würzburg
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    This introduction to the performance potential of one of Shakespeare's most theatrically exciting plays provides extensive commentary that explores the challenges faced by actors and directors and encourages readers to engage imaginatively with Shakespeare's words. Chapters on stage, film and critical history combine to form a comprehensive study

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    RVK Klassifikation: HI 3451 ; HI 3421
    Schriftenreihe: Shakespeare Handbooks
    Schlagworte: Richard - In literature
    Weitere Schlagworte: Shakespeare, William (1564-1616): King Richard III; Richard King of England (1452-1485); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): King Richard III
    Umfang: 1 online resource (196 pages)
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    Cover -- Contents -- General Editor's Preface -- Preface -- 1 The Texts and Early Performances -- 2 The Play's Sources and Cultural Contexts -- 3 Commentary -- 4 Key Productions and Performances -- 5 The Play on Screen -- 6 Critical Assessments -- Further Reading -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.

  8. Reviewing Shakespeare
    journalism and performance from the eighteenth century to the present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes... mehr

    Universitätsbibliothek Bamberg
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    Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes the changing priorities and interpretative habits of theatre critics as they have both responded to and provoked innovations in Shakespearean performance culture over the last three centuries. It analyses the conditions – theatrical, journalistic, social and personal – in which Shakespearean reception has taken place, presenting original readings of the works of key critics (Shaw, Beerbohm, Agate, Tynan), whilst also tracking broader historical shifts in the relationship between reviewers and performance. Prescott explores the key function of the 'night-watch constable' in patrolling the boundaries of legitimate Shakespearean performance and offers a compelling account of the many ways in which newspaper reviews are uniquely fruitful documents for anyone interested in Shakespeare and the theatre

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139108966
    Weitere Identifier:
    RVK Klassifikation: HI 3330 ; HI 3550
    Schlagworte: Geschichte; Theater / Reviews; Rezension; Theater
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation / History; Shakespeare, William / 1564-1616 / Dramatic production; Shakespeare, William / 1564-1616 / Influence; Shakespeare, William (1564-1616)
    Umfang: 1 online resource (x, 216 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    An introduction to the night-watch constable -- Tradition and the individual talent : reviewing the Macbeth actor c.1740s-1890s -- New journalism, new critics c.1890-1910 -- The reviewer in transition c.1920-1960 -- New contexts, new crises (1997-2012) : reviewing from the opening of Shakespeare's Globe to the World Shakespeare Festival 2012

  9. Reviewing Shakespeare
    journalism and performance from the eighteenth century to the present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge ; New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107468320
    RVK Klassifikation: HI 3330 ; HI 3550
    Schlagworte: Theater; Theater; Rezension
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (228 pages)
    Bemerkung(en):

    Description based on print version record

  10. Reviewing Shakespeare
    journalism and performance from the eighteenth century to the present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    An introduction to the night-watch constable -- Tradition and the individual talent : reviewing the Macbeth actor c.1740s-1890s -- New journalism, new critics c.1890-1910 -- The reviewer in transition c.1920-1960 -- New contexts, new crises... mehr

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    Hochschule Aalen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    An introduction to the night-watch constable -- Tradition and the individual talent : reviewing the Macbeth actor c.1740s-1890s -- New journalism, new critics c.1890-1910 -- The reviewer in transition c.1920-1960 -- New contexts, new crises (1997-2012) : reviewing from the opening of Shakespeare's Globe to the World Shakespeare Festival 2012. Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1461945143; 1139108964; 9781461945147; 9781139108966
    Schlagworte: Theater; DRAMA ; English, Irish, Scottish, Welsh; Influence (Literary, artistic, etc.); Theater; Criticism, interpretation, etc; History; Reviews
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Umfang: 1 Online-Ressource (1 online resource)
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    Includes bibliographical references and index

  11. Othello
    Erschienen: 2018; ©2018
    Verlag:  Bloomsbury Publishing Plc, London

    Cover page -- Halftitle page -- Series page -- Title page -- Copyright page -- contents -- preface -- series introduction -- a note on metre -- introduction -- suggested further reading -- dramatis personae -- OTHELLO -- ACT 1, SCENE 1 -- ACT 1,... mehr

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    Cover page -- Halftitle page -- Series page -- Title page -- Copyright page -- contents -- preface -- series introduction -- a note on metre -- introduction -- suggested further reading -- dramatis personae -- OTHELLO -- ACT 1, SCENE 1 -- ACT 1, SCENE 2 -- ACT 1, SCENE 3 -- ACT 2, SCENE 1 -- ACT 2, SCENE 2 -- ACT 2, SCENE 3 -- ACT 3, SCENE 1 -- ACT 3, SCENE 2 -- ACT 3, SCENE 3 -- ACT 3, SCENE 4 -- ACT 4, SCENE 1 -- ACT 4, SCENE 2 -- ACT 4, SCENE 3 -- ACT 5, SCENE 1 -- ACT 5, SCENE 2.

     

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    Quelle: Verbundkataloge
    Beteiligt: Prescott, Paul (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474272360
    Schriftenreihe: Arden Performance Editions Ser.
    Schlagworte: Electronic books
    Umfang: 1 online resource (234 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  12. A Year of Shakespeare
    Re-Living the World Shakespeare Festival
    Autor*in: Edmondson, Paul
    Erschienen: 2015
    Verlag:  Bloomsbury Publishing PLC, London

    A Year of Shakespeare gives a uniquely expert and exciting overview of the largest Shakespeare celebration the world has ever known: the World Shakespeare Festival 2012. This is the only book to describe and analyse each of the Festival's 73... mehr

    Saarländische Universitäts- und Landesbibliothek
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    A Year of Shakespeare gives a uniquely expert and exciting overview of the largest Shakespeare celebration the world has ever known: the World Shakespeare Festival 2012. This is the only book to describe and analyse each of the Festival's 73 productions in well-informed,lively reviews by eminent and up-and-coming scholars and critics from the UK and around the world. A rich resource of critical interest to all students, scholars and lovers of Shakespeare, the book also captures the excitement of this extraordinary event. A Year of Shakespeare provides: †¢ a ground-breaking collection of Shakespearean reviews, covering all of the Festival's productions; †¢ a dynamic visual record through a wide range of production photographs; †¢ incisive analysis of the Festival's significance in the wider context of the Cultural Olympiad 2012. All the world really is a stage, and it's time for curtain-up…. Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- List of contributors -- List of illustrations -- Note on names and textual references -- Foreword -- PART ONE: Openings -- Olympic Performance in the Year of Shakespeare -- Nightwatch Constables and Domineering Pedants: the past, present and future of Shakespearean theatre reviewing -- PART TWO: The Reviews -- All's Well That Ends Well -- Antony and Cleopatra -- As You Like It -- The Comedy of Errors -- Coriolanus -- Coriolan/us -- Cymbeline -- Hamlet -- The Rest is Silence -- Henry IV Part 1 -- Henry IV Part 2 -- Henry V -- Henry VI Part 1 -- Henry VI Part 2 -- Henry VI Part 3 -- Henry VIII -- Julius Caesar -- I, Cinna (The Poet) -- King John -- King Lear -- Love's Labour's Lost -- Macbeth -- 2008: Macbeth -- Macbeth: Leïla & Ben -- Measure for Measure -- The Merchant of Venice -- The Merry Wives of Windsor -- Falstaff -- A Midsummer Night's Dream -- A Midsummer Night's Dream (As You Like It) -- Much Ado About Nothing -- Othello -- Otello -- Desdemona -- Pericles -- The Rape of Lucrece -- Richard II -- Richard III -- Two Roses for Richard III -- Romeo and Juliet -- Romeo and Juliet in Baghdad -- West Side Story -- The Taming of the Shrew -- The Tempest -- Y Storm -- Timon of Athens -- Titus Andronicus -- Troilus and Cressida -- Twelfth Night -- The Two Gentlemen of Verona -- Venus and Adonis -- The Winter's Tale -- In a Pickle -- Events and adaptations inspired by multiple plays or themes -- The Hollow Crown: Richard II -- The Hollow Crown: Henry IV Part 1 -- The Hollow Crown: Henry IV Part 2 -- The Hollow Crown: Henry V -- The Dark Side of Love -- Forests -- A Soldier in Every Son -- Shakespeare: Staging the World -- A Tender Thing -- PART THREE: Endings -- Epilogue -- Appendix 1: Productions by Country and Language.

     

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    Quelle: Verbundkataloge
    Beteiligt: Prescott, Paul (MitwirkendeR); Sullivan, Erin (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474246286
    RVK Klassifikation: HI 3330
    Auflage/Ausgabe: 1st ed.
    Schlagworte: Drama festivals; Shakespeare, William; Electronic books
    Weitere Schlagworte: Array; Array
    Umfang: 1 online resource (320 pages)
  13. Shakespeare on the global stage
    performance and festivity in the olympic year
    Beteiligt: Prescott, Paul (HerausgeberIn); Sullivan, Erin (HerausgeberIn)
    Erschienen: [2015]; © 2015
    Verlag:  Bloomsbury Arden, London

    Long held as Britain's 'national poet', Shakespeare's role in the 2012 London Cultural Olympiad confirmed his status as a global icon in the modern world. From his prominent positioning in the Olympic and Paralympic ceremonies, to his major presence... mehr

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    Long held as Britain's 'national poet', Shakespeare's role in the 2012 London Cultural Olympiad confirmed his status as a global icon in the modern world. From his prominent positioning in the Olympic and Paralympic ceremonies, to his major presence in the cultural programme surrounding the Games, including the Royal Shakespeare Company's World Shakespeare Festival and the Globe's Globe to Globe Festival, Shakespeare played a major role in the way the UK presented itself to its citizens and to the world. This collection explores the cultural forces at play in the construction, use and reception of Shakespeare during the 2012 Olympic Moment, considering what his presence says about culture, politics and identity in twenty-first century British and global life. FC -- Half title -- Related Titles -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Preface -- 1 Shakespeare and the Dream of Olympism Paul Prescott -- 2 Two Poems from the Olympic Year Kapka Kassabova -- 3 Performing Shakespeare in the Olympic Year: Interviews with Three Practitioners Frank Cottrell -- 4 States of the Nations: Henry VI, the London Olympics and the Spectacular City Stuart Hampton-Re -- 5 Shakespeare in the North: Regionalism, Culture and Power Adam Hansen and Monika Smialkowska -- 6 Shakespeare, Spectatorship and the 'Olympic Spirit' Stephen Purcell -- 7 Expert Spectatorship and Intra-Audience Relationships at Globe to Globe 2012 Rose Elfman -- 8 'Mind the gap': Globalism, Postcolonialism and Making up Africa in the Cultural Olympiad Colet -- 9 A Tale of Two Londons: Locating Shakespeare and Dickens in 2012 Peter Kirwan and Charlotte Mat -- 10 1948/2012: Building Nations Tony Howard -- 11 Olympic Shakespeare and the Idea of Legacy: Culture, Capital and the Global Future Erin Sulli -- Afterword Kathleen McLuskie -- Index.

     

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    Beteiligt: Prescott, Paul (HerausgeberIn); Sullivan, Erin (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472520357; 9781472520340
    RVK Klassifikation: HI 3560
    Schriftenreihe: The Arden Shakespeare
    Schlagworte: Shakespeare, William, -- 1564-1616 -- Stage history; Shakespeare, William; Electronic books
    Umfang: 1 Online-Ressource (xvii, 356 Seiten), Illustrationen
  14. Reviewing Shakespeare
    journalism and performance from the eighteenth century to the present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes... mehr

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    Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes the changing priorities and interpretative habits of theatre critics as they have both responded to and provoked innovations in Shakespearean performance culture over the last three centuries. It analyses the conditions – theatrical, journalistic, social and personal – in which Shakespearean reception has taken place, presenting original readings of the works of key critics (Shaw, Beerbohm, Agate, Tynan), whilst also tracking broader historical shifts in the relationship between reviewers and performance. Prescott explores the key function of the 'night-watch constable' in patrolling the boundaries of legitimate Shakespearean performance and offers a compelling account of the many ways in which newspaper reviews are uniquely fruitful documents for anyone interested in Shakespeare and the theatre An introduction to the night-watch constable -- Tradition and the individual talent : reviewing the Macbeth actor c.1740s-1890s -- New journalism, new critics c.1890-1910 -- The reviewer in transition c.1920-1960 -- New contexts, new crises (1997-2012) : reviewing from the opening of Shakespeare's Globe to the World Shakespeare Festival 2012

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    Format: Online
    ISBN: 9781139108966
    Weitere Identifier:
    RVK Klassifikation: HI 3550
    Schlagworte: Theater; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Shakespeare, William ; 1564-1616 ; Dramatic production; Shakespeare, William ; 1564-1616 ; Influence; Theater ; Reviews
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 216 pages), digital, PDF file(s)
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  15. Shakespeare on European Festival Stages
    Erschienen: 2022
    Verlag:  Bloomsbury Publishing Plc, London ; ProQuest, Ann Arbor, Michigan

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    Beteiligt: March, Florence; Prescott, Paul
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350140172
    Umfang: 1 Online-Ressource (257 pages)
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  16. Reviewing Shakespeare
    journalism and performance from the eighteenth century to the present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes... mehr

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    Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes the changing priorities and interpretative habits of theatre critics as they have both responded to and provoked innovations in Shakespearean performance culture over the last three centuries. It analyses the conditions – theatrical, journalistic, social and personal – in which Shakespearean reception has taken place, presenting original readings of the works of key critics (Shaw, Beerbohm, Agate, Tynan), whilst also tracking broader historical shifts in the relationship between reviewers and performance. Prescott explores the key function of the 'night-watch constable' in patrolling the boundaries of legitimate Shakespearean performance and offers a compelling account of the many ways in which newspaper reviews are uniquely fruitful documents for anyone interested in Shakespeare and the theatre.

     

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    ISBN: 9781139108966
    Umfang: 1 Online-Ressource (x, 216 pages)
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  17. Reviewing Shakespeare
    Journalism and Performance from the Eighteenth Century to the Present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries. mehr

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    Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries.

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107021495; 9781107464834 (Sekundärausgabe)
    Umfang: 228 p.
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  18. Reviewing Shakespeare
    Journalism and Performance from the Eighteenth Century to the Present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries mehr

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    Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries

     

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    ISBN: 9781107021495
    Schlagworte: Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Shakespeare, William ; 1564-1616 ; Dramatic production; Shakespeare, William ; 1564-1616 ; Influence; Theater ; Reviews; Electronic books
    Umfang: Online-Ressource (228 p)
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    Description based upon print version of record

    Contents; Acknowledgements; Chapter One An introduction to the night-watch constable; Performance, print, memory: three preludes; Eunuchs in a harem: the cultural reputation of the critic; Night-watch constables, men of letters and domineering pedants; Critical conditions; Re-viewing the Shakespearean reviewer: precedents; Reviewing Shakespeare: the argument; Chapter Two Tradition and the individual talent; Macbeth and the ghost of success; 'Are you a man?' Macbeth, King David and the Irish Jew; Heroic assassin or common stabber? Class, masculinity and courage

    Mid century Macbeths: rivalry and riotingA domestic coward: Irving's Macbeth and the masculine estimate of man; 'Lay on': the Macbeth actor exits fighting; Chapter Three New Journalism, New Critics c.1890-1910; 'The climax and masterpiece of literary Jacobinism': the introduction of the signed article; 'Gentlemen, I am about to speak of myself à propos of Shakespeare': the critic and the play of personality; 'The best part of the circus': Shaw as New Critic; 'The plays as Shakespeare wrote them': Shaw and authenticity; 'He would buy me in the market like a rabbit': Shaw and incorruptibility

    'The hack work of genius': Beerbohm and Shakespeare in the Saturday ReviewChapter Four The reviewer in transition c.1920-1960; Prologue: another Shaw?; 'That modern nuisance': Agate, the producer and the death of the actor; Unchanging Cockaigne: Agate and the recuperation of tradition; 'Post-mortem on the egoist': style, paternity and the dynamics of succession; He That Plays the King: enter Tynan, stage right; 'When comes there such another?' Tynan, Olivier and Macbeth; Re-enter Tynan, stage left: anti-heroic Shakespeare and the possibility of radicalism; Conclusion: Roundheads and Cavaliers

    Chapter Five New contexts, new crises (1997-2012)'When comes there such another?' Tynan and belatedness; Matters of size and status: reviewing and post-Fleet Street journalism; A community of the same? The cultural biography of contemporary reviewers; Speak, memory: a misfortune of Macbeths 1995-6; Inheriting the Globe: the reception of Shakespearean audience and authenticity in contemporary reviewing; Damn Yankees: reviewing the Shakespearean audience; 'Arsenal/Tottenham': reviewing the Shakespearean space; 'Dear Mr Billington': the audience writes back

    The World Shakespeare Festival 2012: coverage, comment and the framer framed'Back to British business as usual': race, nation and regime change in Henry V at the Globe and Julius Caesar in Stratford; Epilogue: guarding the guardians, changing the guard; Notes; Works cited; Index

  19. Reviewing Shakespeare
    journalism and performance from the eighteenth century to the present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes... mehr

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    Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes the changing priorities and interpretative habits of theatre critics as they have both responded to and provoked innovations in Shakespearean performance culture over the last three centuries. It analyses the conditions – theatrical, journalistic, social and personal – in which Shakespearean reception has taken place, presenting original readings of the works of key critics (Shaw, Beerbohm, Agate, Tynan), whilst also tracking broader historical shifts in the relationship between reviewers and performance. Prescott explores the key function of the 'night-watch constable' in patrolling the boundaries of legitimate Shakespearean performance and offers a compelling account of the many ways in which newspaper reviews are uniquely fruitful documents for anyone interested in Shakespeare and the theatre An introduction to the night-watch constable -- Tradition and the individual talent : reviewing the Macbeth actor c.1740s-1890s -- New journalism, new critics c.1890-1910 -- The reviewer in transition c.1920-1960 -- New contexts, new crises (1997-2012) : reviewing from the opening of Shakespeare's Globe to the World Shakespeare Festival 2012

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139108966
    Weitere Identifier:
    RVK Klassifikation: HI 3550
    Schlagworte: Theater; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Shakespeare, William ; 1564-1616 ; Dramatic production; Shakespeare, William ; 1564-1616 ; Influence; Theater ; Reviews
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 216 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)