Indarkeria isila
[Salon of the Museum of Contemporary Art, Belgrad, del 9 de mayo al 30 de junio de 2014 ; Artium, Centro-Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz, del 13 de septiembre de 2014 al 11 de enero de 2015 ; artists Kader Attia, Itziar Barrio, Ursula Biemann ...] = Violencia invisible
Standort:
Kunst- und Museumsbibliothek der Stadt Köln
Signatur:
KMB/YG BELGRA 30 2014
Fernleihe:
keine Fernleihe
Recherchematerial
Fotos aus der Anatomischen Lehrsammlung in Waldeyer-Haus, Berlin, 2016
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It's the economy, stupid!
the invisible hand of ideology from primitive accumulation to accumulation by dispossession
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Von der Gleichung zur Gleichheit
die mathematischen Bedingungen des Gesellschaftsvertrags
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The landing strip - Kader Attia
French Algerian artist Kader Attia has often focused his work on marginalised communities or people living on the periphery of society ? whether LGBTQ, illegal immigrants, or the mentally or physically disabled.00His photographic series, 'La Piste...
mehr
Standort:
Zentralinstitut für Kunstgeschichte, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
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French Algerian artist Kader Attia has often focused his work on marginalised communities or people living on the periphery of society ? whether LGBTQ, illegal immigrants, or the mentally or physically disabled.00His photographic series, 'La Piste d'atterrissage' (Landing Strip) (2000-2002) offers psychologically complex and astonishingly intimate portraits of a community of transgender Algerian prostitutes in Paris, many of whom were illegal immigrants. The artist developed close relationships with members of this community whilst assisting them in their efforts to gain legal residence in France, and his photographs portray the full spectrum of their existence, from precarious work lives to everyday domestic life and moments of personal happiness
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Kader Attia - transformations
[erscheint anlässlich der Ausstellung ... "Kader Attia. Reparatur", KW Institute for Contemporary Art, Berlin, 26.5. - 25.8.2013]
Standort:
Bayerische Staatsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universitätsbibliothek der LMU München
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Zentralinstitut für Kunstgeschichte, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
The reluctant narrator
a survey of narrative practices across media : Julieta Aranda, Armando Andrade Tudela, Leonor Antunes, Kader Attia, Nina Beier, Derek Boshier, Aleksandra Domanovic, Dani Gal, Karl Holmqvist, Christoph Keller, David Levine, Amalia Pica, Bojan Šarcevic, John Smith, Hito Steyerl, Stephen Sutcliffe, Andreas Töpfer, Gernot Wieland : Museu Coleção Berardo, Lisbon, 15 October 2014-11 January 2015
Often referred to as the "narrative turn," an explosion of interest in narrative practices at the end of the twentieth century was predicated on the notion that life itself is storied, or - as Jacques Ranciére put it - that the real must be...
mehr
Standort:
Bayerische Staatsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Zentralinstitut für Kunstgeschichte, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
|
Often referred to as the "narrative turn," an explosion of interest in narrative practices at the end of the twentieth century was predicated on the notion that life itself is storied, or - as Jacques Ranciére put it - that the real must be fictionalized in order to be thought. Postmodernism itself was described as a "narrative turn" in which a rekindled interest in the fictive, the chronicle, and the anecdotal upstaged the symbolic unity of high modernism. But as Susan Buck-Morss has noted, modernism and postmodernism are not historical moments, they are political positions: two poles of a recurring movement, expressing the contradictions inherent to the industrial mode of production in the identity and nonidentity between social function and aesthetic form. Rather than opposing a myriad of micro-narratives to the grand narrative of modernism, The Reluctant Narrator attempts to map the migration of narrative modes across several media, bringing together works that intertwine personal biography with historical events, or that deal with stories that fell through the crevices of history.
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Negative Space
Orbiting Inner and Outer Experience
The reluctant narrator
Julieta Aranda ... ; [Museu Coleção Berardo, Lisbon, 15 October 2014 - 11 January 2015]
Between walls and windows
[in conjunction with the Exhibition Between Walls and Windows, Haus der Kulturen der Welt, Berlin, 1. - 30. September 2012] = Architektur und Ideologie
Streamlines
Ozeane, Welthandel und Migration
<<The>> reluctant narrator
Julieta Aranda, Armando Andrade Tudela, Leonor Antunes, Kader Attia, Nina Beier, Derek Boshier, Aleksandra Domanovic, Dani Gal, Karl Holmqvist, Christoph Keller, David Levine, Amalia Pica, Bojan Šarcevic, John Smith, Hito Steyerl, Stephen Sutcliffe, Andreas Töpfer, Gernot Wieland
Often referred to as the “narrative turn,” an explosion of interest in narrative practices at the end of the twentieth century was predicated on the notion that life itself is storied, or - as Jacques Ranciére put it - that the real must be...
mehr
|
Often referred to as the “narrative turn,” an explosion of interest in narrative practices at the end of the twentieth century was predicated on the notion that life itself is storied, or - as Jacques Ranciére put it - that the real must be fictionalized in order to be thought. Postmodernism itself was described as a “narrative turn” in which a rekindled interest in the fictive, the chronicle, and the anecdotal upstaged the symbolic unity of high modernism. But as Susan Buck-Morss has noted, modernism and postmodernism are not historical moments, they are political positions: two poles of a recurring movement, expressing the contradictions inherent to the industrial mode of production in the identity and nonidentity between social function and aesthetic form. Rather than opposing a myriad of micro-narratives to the grand narrative of modernism, The Reluctant Narrator attempts to map the migration of narrative modes across several media, bringing together works that intertwine personal biography with historical events, or that deal with stories that fell through the crevices of history. (Quelle: www.sternberg-press.com)
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Kader Attia - transformations
[... Ausstellung Kader Attia. Reparatur. 5 Akte, Repair. 5 acts ; KW Institute for Contemporary Art, Berlin, 26. 5. - 25. 8. 2013]
Kader Attia - the repair
from occident to extra-occidental cultures
The landing strip - Kader Attia
French Algerian artist Kader Attia has often focused his work on marginalised communities or people living on the periphery of society ? whether LGBTQ, illegal immigrants, or the mentally or physically disabled.00His photographic series, 'La Piste...
mehr
Standort:
Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
|
French Algerian artist Kader Attia has often focused his work on marginalised communities or people living on the periphery of society ? whether LGBTQ, illegal immigrants, or the mentally or physically disabled.00His photographic series, 'La Piste d?atterrissage' (Landing Strip) (2000?2002) offers psychologically complex and astonishingly intimate portraits of a community of transgender Algerian prostitutes in Paris, many of whom were illegal immigrants.00The artist developed close relationships with members of this community whilst assisting them in their efforts to gain legal residence in France, and his photographs portray the full spectrum of their existence, from precarious work lives to everyday domestic life and moments of personal happiness
|
The reluctant narrator
Julieta Aranda ... ; [Museu Coleção Berardo, Lisbon, 15 October 2014 - 11 January 2015]
Standort:
Stiftung Galerie für Zeitgenössische Kunst Leipzig, Bibliothek
Signatur:
30.15 Lissabon Coleção Berardo 2014:1
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
Indarkeria isila
[Salon of the Museum of Contemporary Art, Belgrad, del 9 de mayo al 30 de junio de 2014 ; Artium, Centro-Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz, del 13 de septiembre de 2014 al 11 de enero de 2015 ; artists Kader Attia, Itziar Barrio, Ursula Biemann ...] = Violencia invisible
Standort:
Kunst- und Museumsbibliothek der Stadt Köln
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Kader Attia - transformations
[erscheint anlässlich der Ausstellung ... "Kader Attia. Reparatur", KW Institute for Contemporary Art, Berlin, 26.5. - 25.8.2013]
Standort:
Universität der Künste Berlin, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
