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  1. Reading, Desire, and the Eucharist in Early Modern Religious Poetry
    Autor*in: Netzley, Ryan
    Erschienen: [2017]; © 2011
    Verlag:  University of Toronto Press, Toronto

    The courtly love tradition had a great influence on the themes of religious poetry—just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The courtly love tradition had a great influence on the themes of religious poetry—just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently available, did the nature and interpretation of devotional verse change? Ryan Netzley argues that early modern religious lyrics presented both desire and reading as free, loving activities, rather than as endless struggles or dramatic quests.Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers—including John Milton, Richard Crashaw, John Donne, and George Herbert—whose religious poetry presented parallels between sacramental desire and the act of understanding written texts. Netzley finds that by directing devotees to crave spiritual rather than worldly goods, these poets questioned ideas not only of what people should desire, but also how they should engage in the act of yearning. Challenging fundamental assumptions of literary criticism, Reading, Desire, and the Eucharist shows how poetry can encourage love for its own sake, rather than in the hopes of salvation

     
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    Format: Online
    ISBN: 9781442694927
    Weitere Identifier:
    Schlagworte: DISCOUNT-B.; Geschichte; Christian poetry, English; Christianity and literature; God in literature; Lordx27s Supper in literature; Eucharistie <Motiv>; Religiöse Literatur; Sakrament <Motiv>
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Jan. 23, 2017)
  2. Lyric Apocalypse
    Milton, Marvell, and the Nature of Events
    Autor*in: Netzley, Ryan
    Erschienen: [2015]; © 2015
    Verlag:  Fordham University Press, New York, NY

    What’s new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new.John Milton’s and Andrew Marvell’s lyrics attempt to... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    What’s new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new.John Milton’s and Andrew Marvell’s lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation’s insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen.Lyric Apocalypse argues that Milton’s and Marvell’s lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no "after" to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 9780823263493
    Weitere Identifier:
    Schriftenreihe: Verbal Arts: Studies in Poetics
    Schlagworte: Apocalypse; Immanence; Marvel; Milton; Possibility; Revelation; event; lyric; poetics; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Apocalypse in literature; English poetry
    Umfang: 1 online resource (288 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  3. Reading, Desire, and the Eucharist in Early Modern Religious Poetry
    Autor*in: Netzley, Ryan
    Erschienen: [2017]; ©2011
    Verlag:  University of Toronto Press, Toronto

    The courtly love tradition had a great influence on the themes of religious poetry—just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    keine Fernleihe

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    Universitätsbibliothek Braunschweig
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    Universitätsbibliothek der Eberhard Karls Universität
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    The courtly love tradition had a great influence on the themes of religious poetry—just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently available, did the nature and interpretation of devotional verse change? Ryan Netzley argues that early modern religious lyrics presented both desire and reading as free, loving activities, rather than as endless struggles or dramatic quests.Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers—including John Milton, Richard Crashaw, John Donne, and George Herbert—whose religious poetry presented parallels between sacramental desire and the act of understanding written texts. Netzley finds that by directing devotees to crave spiritual rather than worldly goods, these poets questioned ideas not only of what people should desire, but also how they should engage in the act of yearning. Challenging fundamental assumptions of literary criticism, Reading, Desire, and the Eucharist shows how poetry can encourage love for its own sake, rather than in the hopes of salvation.

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442694927
    Weitere Identifier:
    Schlagworte: God in literature; Lord\x27s Supper in literature; Christianity and literature; Christian poetry, English; Lord's Supper in literature; Christianity and literature; Christian poetry, English; God in literature; Christian poetry, English.; Christianity and literature.; God in literature.; Lord\x27s Supper in literature.; DISCOUNT-B.
    Umfang: 1 online resource
    Bemerkung(en):

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction: Desiring Sacraments and Reading Real Presence in Seventeenth- Century Religious Poetry -- -- 1. Take and Taste, Take and Read: Desiring, Reading, and Taking Presence in George Herbert’s The Temple -- -- 2. Reading Indistinction: Desire, Indistinguishability, and Metonymic Reading in Richard Crashaw’s Religious Lyrics -- -- 3. Loving Fear: Affirmative Anxiety in John Donne’s Divine Poems -- -- 4. Desiring What Has Already Happened: Reading Prolepsis and Immanence in John Milton’s Early Poems and Paradise Regained -- -- Conclusion: Reading Is Love -- -- Notes -- -- Bibliography -- -- Index
  4. Reading, Desire, and the Eucharist in Early Modern Religious Poetry
    Autor*in: Netzley, Ryan
    Erschienen: 2014
    Verlag:  University of Toronto Press, Toronto ; ProQuest, Ann Arbor, Michigan

    Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers-including John Milton, Richard Crashaw, John Donne, and George Herbert-whose religious poetry presented parallels between sacramental desire and the act of... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Standort:
    Universitätsbibliothek Gießen
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    Universität Mainz, Zentralbibliothek
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    keine Fernleihe

     

    Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers-including John Milton, Richard Crashaw, John Donne, and George Herbert-whose religious poetry presented parallels between sacramental desire and the act of understanding written texts.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442694927
    Umfang: 1 Online-Ressource (296 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  5. Lyric Apocalypse
    Milton, Marvell, and the Nature of Events
    Autor*in: Netzley, Ryan
    Erschienen: [2015]
    Verlag:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Apocalyptic Means -- 2. Hope in the Present -- 3. What Happens in Lycidas? -- 4. How Poems End -- Conclusion -- Notes -- Bibliography -- Index What’s new about the apocalypse?... mehr

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    Verlag (lizenzpflichtig)

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    Universitätsbibliothek Braunschweig
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    Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Apocalyptic Means -- 2. Hope in the Present -- 3. What Happens in Lycidas? -- 4. How Poems End -- Conclusion -- Notes -- Bibliography -- Index What’s new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new.John Milton’s and Andrew Marvell’s lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation’s insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen.Lyric Apocalypse argues that Milton’s and Marvell’s lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no “after” to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823263493
    Weitere Identifier:
    Schriftenreihe: Verbal Arts: Studies in Poetics
    Schlagworte: Apocalypse in literature; English poetry; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource (288 p)
  6. Lyric Apocalypse
    Milton, Marvell, and the Nature of Events
    Autor*in: Netzley, Ryan
    Erschienen: [2015]; © 2015
    Verlag:  Fordham University Press, New York, NY

    What’s new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new.John Milton’s and Andrew Marvell’s lyrics attempt to... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    What’s new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new.John Milton’s and Andrew Marvell’s lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation’s insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen.Lyric Apocalypse argues that Milton’s and Marvell’s lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no "after" to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823263493
    Weitere Identifier:
    Schriftenreihe: Verbal Arts: Studies in Poetics
    Schlagworte: Apocalypse; Immanence; Marvel; Milton; Possibility; Revelation; event; lyric; poetics; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Apocalypse in literature; English poetry
    Umfang: 1 online resource (288 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  7. Lyric apocalypse
    Milton, Marvell, and the nature of events
    Autor*in: Netzley, Ryan
    Erschienen: 2015
    Verlag:  Fordham Univ. Press, New York

    "What's new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new. John Milton's and Andrew Marvell's lyrics attempt to... mehr

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    "What's new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new. John Milton's and Andrew Marvell's lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation's insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen. Lyric Apocalypse argues that Milton's and Marvell's lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no "after" to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new"..

     
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  8. Reading, Desire, and the Eucharist in Early Modern Religious Poetry
    Autor*in: Netzley, Ryan
    Erschienen: [2017]; © 2011
    Verlag:  University of Toronto Press, Toronto

    The courtly love tradition had a great influence on the themes of religious poetry—just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    The courtly love tradition had a great influence on the themes of religious poetry—just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently available, did the nature and interpretation of devotional verse change? Ryan Netzley argues that early modern religious lyrics presented both desire and reading as free, loving activities, rather than as endless struggles or dramatic quests.Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers—including John Milton, Richard Crashaw, John Donne, and George Herbert—whose religious poetry presented parallels between sacramental desire and the act of understanding written texts. Netzley finds that by directing devotees to crave spiritual rather than worldly goods, these poets questioned ideas not only of what people should desire, but also how they should engage in the act of yearning. Challenging fundamental assumptions of literary criticism, Reading, Desire, and the Eucharist shows how poetry can encourage love for its own sake, rather than in the hopes of salvation

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442694927
    Weitere Identifier:
    Schlagworte: DISCOUNT-B.; Geschichte; Christian poetry, English; Christianity and literature; God in literature; Lordx27s Supper in literature; Eucharistie <Motiv>; Religiöse Literatur; Sakrament <Motiv>
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Jan. 23, 2017)
  9. Reading, desire, and the Eucharist in early modern religious poetry
    Autor*in: Netzley, Ryan
    Erschienen: 2011; © 2011
    Verlag:  University of Toronto Press, Toronto, [Ontario] ; Buffalo, [New York] ; London, [England]

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
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    ISBN: 9781442694927
    Schlagworte: Christian poetry, English; Christianity and literature; Lord's Supper in literature; God in literature; Eucharistie <Motiv>; Religiöse Literatur; Sakrament <Motiv>
    Umfang: 1 online resource (296 pages)
    Bemerkung(en):

    Description based on print version record
  10. Reading, desire, and the Eucharist in early modern religious poetry
    Autor*in: Netzley, Ryan
    Erschienen: ©2011
    Verlag:  University of Toronto Press, Toronto [Ont.]

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1442694920; 9781442694927
    Schlagworte: POETRY / English, Irish, Scottish, Welsh; LITERARY CRITICISM / Poetry; Christian poetry, English / Early modern; Christianity and literature; God in literature; Lord's Supper in literature; Gedichten; Wensen; Heilig Avondmaal; Geschichte; Lyrik; Christian poetry, English; Christianity and literature; Lord's Supper in literature; God in literature; Eucharistie <Motiv>; Religiöse Literatur; Sakrament <Motiv>
    Weitere Schlagworte: Herbert, George / 1593-1633; Crashaw, Richard / approximately 1613-1649; Donne, John / 1572-1631; Milton, John / 1608-1674
    Umfang: 1 Online-Ressource (viii, 287 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Take and Taste, Take and Read: Desiring, Reading, and Taking Presence in George Herbert's The Temple -- Reading Indistinction: Desire, Indistinguishability, and Metonymic Reading in Richard Crashaw's Religious Lyrics -- Loving Fear: Affirmative Anxiety in John Donne's Divine Poems -- Desiring What Has Already Happened: Reading Prolepsis and Immanence in John Milton's Early Poems and Paradise Regained

    "The courtly love tradition had a great influence on the themes of religious poetry - just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently available, did the nature and interpretation of devotional verse change? Ryan Netzley argues that early modern religious lyrics presented both desire and reading as free, loving activities, rather than as endless struggles or dramatic quests

    Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers - including John Milton, Richard Crashaw, John Donne, and George Herbert - whose religious poetry presented parallels between sacramental desire and the act of understanding written texts. Netzley finds that by directing devotees to crave spiritual rather than worldly goods, these poets questioned ideas not only of what people should desire, but also how they should engage in the act of yearning. Challenging fundamental assumptions of literary criticism, Reading, Desire, and the Eucharist shows how poetry can encourage love for its own sake, rather than in the hopes of salvation."--Pub. desc
  11. Reading, desire, and the Eucharist in early modern religious poetry
    Autor*in: Netzley, Ryan
    Erschienen: 2011
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    "The courtly love tradition had a great influence on the themes of religious poetry - just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as... mehr

    Standort:
    Bayerische Staatsbibliothek
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    "The courtly love tradition had a great influence on the themes of religious poetry - just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently available, did the nature and interpretation of devotional verse change? Ryan Netzley argues that early modern religious lyrics presented both desire and reading as free, loving activities, rather than as endless struggles or dramatic quests

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781442642812
    Schlagworte: Christian poetry, English / Early modern, 1500-1700 / History and criticism; Christianity and literature / England / History / 17th century; Lord's Supper in literature; God in literature; Geschichte; Sakrament <Motiv>; Eucharistie <Motiv>; Religiöse Literatur
    Umfang: VIII, 287 S.
    Bemerkung(en):

    Includes bibliographical references and index

    Take and Taste, Take and Read: Desiring, Reading, and Taking Presence in George Herbert's The Temple -- Reading Indistinction: Desire, Indistinguishability, and Metonymic Reading in Richard Crashaw's Religious Lyrics -- Loving Fear: Affirmative Anxiety in John Donne's Divine Poems -- Desiring What Has Already Happened: Reading Prolepsis and Immanence in John Milton's Early Poems and Paradise Regained
  12. Lyric Apocalypse
    Milton, Marvell, and the Nature of Events
    Autor*in: Netzley, Ryan
    Erschienen: [2015]
    Verlag:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    What’s new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new.John Milton’s and Andrew Marvell’s lyrics attempt to... mehr

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    What’s new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new.John Milton’s and Andrew Marvell’s lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation’s insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen.Lyric Apocalypse argues that Milton’s and Marvell’s lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no “after” to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823263493
    Weitere Identifier:
    Schriftenreihe: Verbal Arts: Studies in Poetics
    Umfang: 1 Online-Ressource (288 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  13. Lyric Apocalypse
    Milton, Marvell, and the Nature of Events
    Autor*in: Netzley, Ryan
    Erschienen: 2015
    Verlag:  Fordham University Press, New York ; ProQuest, Ann Arbor, Michigan

    Standort:
    Universität Mainz, Zentralbibliothek
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    Format: Online
    ISBN: 9780823263509
    Umfang: 1 Online-Ressource (283 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  14. Reading, Desire, and the Eucharist in Early Modern Religious Poetry
    Autor*in: Netzley, Ryan
    Erschienen: [2011]
    Verlag:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    The courtly love tradition had a great influence on the themes of religious poetry—just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently... mehr

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    keine Fernleihe

     

    The courtly love tradition had a great influence on the themes of religious poetry—just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently available, did the nature and interpretation of devotional verse change? Ryan Netzley argues that early modern religious lyrics presented both desire and reading as free, loving activities, rather than as endless struggles or dramatic quests.Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers—including John Milton, Richard Crashaw, John Donne, and George Herbert—whose religious poetry presented parallels between sacramental desire and the act of understanding written texts. Netzley finds that by directing devotees to crave spiritual rather than worldly goods, these poets questioned ideas not only of what people should desire, but also how they should engage in the act of yearning. Challenging fundamental assumptions of literary criticism, Reading, Desire, and the Eucharist shows how poetry can encourage love for its own sake, rather than in the hopes of salvation.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    ISBN: 9781442694927
    Weitere Identifier:
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Jan. 23, 2017)
  15. Reading, desire, and the Eucharist in early modern religious poetry
    Autor*in: Netzley, Ryan
    Erschienen: 2011
    Verlag:  University of Toronto Press, Toronto [Ont.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "The courtly love tradition had a great influence on the themes of religious poetry - just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    "The courtly love tradition had a great influence on the themes of religious poetry - just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently available, did the nature and interpretation of devotional verse change? Ryan Netzley argues that early modern religious lyrics presented both desire and reading as free, loving activities, rather than as endless struggles or dramatic quests. Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers - including John Milton, Richard Crashaw, John Donne, and George Herbert - whose religious poetry presented parallels between sacramental desire and the act of understanding written texts. Netzley finds that by directing devotees to crave spiritual rather than worldly goods, these poets questioned ideas not only of what people should desire, but also how they should engage in the act of yearning. Challenging fundamental assumptions of literary criticism, Reading, Desire, and the Eucharist shows how poetry can encourage love for its own sake, rather than in the hopes of salvation."--Pub. desc.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442694927; 1442694920
    Umfang: 1 Online-Ressource (viii, 287 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  16. Lyric apocalypse
    Milton, Marvell, and the nature of events
    Autor*in: Netzley, Ryan
    Erschienen: 2015
    Verlag:  Fordham Univ. Press, New York, NY

    What's new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new. John Milton's and Andrew Marvell's lyrics attempt to... mehr

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2015 A 4602
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Heidelberg
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    What's new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new. John Milton's and Andrew Marvell's lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation's insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen. Lyric Apocalypse argues that Milton's and Marvell's lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no "after" to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new. "What's new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new. John Milton's and Andrew Marvell's lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation's insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen. Lyric Apocalypse argues that Milton's and Marvell's lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no "after" to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new"-- "How can one experience the apocalypse in the present? Lyric Apocalypse argues that John Milton's and Andrew Marvell's lyrics depict revelation as an immediately perceptible event. In so doing, their lyrics explore the nature of events, the modern question of what it means for something to happen in the present"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780823263479
    RVK Klassifikation: HK 2535 ; HK 2575
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Array
    Schlagworte: Apocalyptic literature; Apocalypse in literature; Revelation in literature; Change in literature; English poetry
    Weitere Schlagworte: Milton, John (1608-1674); Marvell, Andrew (1621-1678)
    Umfang: X, 269 S.
    Bemerkung(en):

    Bibliogr.: S. 251 - 263

    Machine generated contents note:Acknowledgments -- Introduction. Lyric Apocalypses, Transformative Time, and the Possibility of Endings -- 1. Apocalyptic Means: Allegiance, Force, and Events in Marvell's Cromwell Trilogy and Royalist Elegies -- 2. Hope in the Present: Paratactic Apocalypses and Contemplative Events in Milton's Sonnets -- 3. What Happens in Lycidas Apocalypse, Possibility, and Events in Milton's Pastoral Elegy -- 4. How Poems End: Apocalypse, Symbol, and the Event of Ending in "Upon Appleton House" -- Conclusion. Revelation: Learning Freedom and the End of Crisis -- Notes -- Bibliography -- Index.
  17. Reading, desire, and the Eucharist in early modern religious poetry
    Autor*in: Netzley, Ryan
    Erschienen: 2011
    Verlag:  Univ. of Toronto Pr., Toronto [u.a.]

    "The courtly love tradition had a great influence on the themes of religious poetry - just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as... mehr

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2011 A 16995
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
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    Standort:
    Herzog August Bibliothek Wolfenbüttel
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    "The courtly love tradition had a great influence on the themes of religious poetry - just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently available, did the nature and interpretation of devotional verse change? Ryan Netzley argues that early modern religious lyrics presented both desire and reading as free, loving activities, rather than as endless struggles or dramatic quests Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers - including John Milton, Richard Crashaw, John Donne, and George Herbert - whose religious poetry presented parallels between sacramental desire and the act of understanding written texts. Netzley finds that by directing devotees to crave spiritual rather than worldly goods, these poets questioned ideas not only of what people should desire, but also how they should engage in the act of yearning. Challenging fundamental assumptions of literary criticism, Reading, Desire, and the Eucharist shows how poetry can encourage love for its own sake, rather than in the hopes of salvation."--pub. desc

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781442642812
    Schlagworte: Christian poetry, English; Christianity and literature; Lord's Supper in literature; God in literature
    Umfang: VIII, 287 S.
    Bemerkung(en):

    Literaturverzeichnis S. [263] - 277

    Take and Taste, Take and Read: Desiring, Reading, and Taking Presence in George Herbert's The Temple -- Reading Indistinction: Desire, Indistinguishability, and Metonymic Reading in Richard Crashaw's Religious Lyrics -- Loving Fear: Affirmative Anxiety in John Donne's Divine Poems -- Desiring What Has Already Happened: Reading Prolepsis and Immanence in John Milton's Early Poems and Paradise Regained.
  18. Reading, Desire, and the Eucharist in Early Modern Religious Poetry
    Autor*in: Netzley, Ryan
    Erschienen: 2014
    Verlag:  University of Toronto Press, Toronto

    Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers-including John Milton, Richard Crashaw, John Donne, and George Herbert-whose religious poetry presented parallels between sacramental desire and the act of... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers-including John Milton, Richard Crashaw, John Donne, and George Herbert-whose religious poetry presented parallels between sacramental desire and the act of understanding written texts

     
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    Quelle: Verbundkataloge
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    ISBN: 9781442642812
    Schlagworte: Electronic books; Christianity and literature ; England ; History ; 17th century; Lord's Supper in literature; God in literature; Christian poetry, English ; Early modern, 1500-1700 ; History and criticism
    Umfang: 1 Online-Ressource (296 p)
    Bemerkung(en):

    Description based upon print version of record
  19. Lyric apocalypse
    Milton, Marvell, and the nature of events
    Autor*in: Netzley, Ryan
    Erschienen: 2014
    Verlag:  Fordham University Press, New York

    "How can one experience the apocalypse in the present? Lyric Apocalypse argues that John Milton's and Andrew Marvell's lyrics depict revelation as an immediately perceptible event. In so doing, their lyrics explore the nature of events, the modern... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    "How can one experience the apocalypse in the present? Lyric Apocalypse argues that John Milton's and Andrew Marvell's lyrics depict revelation as an immediately perceptible event. In so doing, their lyrics explore the nature of events, the modern question of what it means for something to happen in the present"-- "What's new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new. John Milton's and Andrew Marvell's lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation's insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen. Lyric Apocalypse argues that Milton's and Marvell's lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no "after" to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new"--

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823263509
    Schriftenreihe: Verbal arts : studies in poetics
    Schlagworte: Apocalypse in literature; English poetry; Milton, John ; 1608-1674 ; Criticism and interpretation; Marvell, Andrew ; 1621-1678 ; Criticism and interpretation; Apocalyptic literature ; History and criticism; Apocalypse in literature; Revelation in literature; Change in literature; English poetry ; 17th century ; History and criticism; Electronic books
    Weitere Schlagworte: Milton, John (1608-1674); Marvell, Andrew (1621-1678)
    Umfang: Online-Ressource (256 p)
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note:Acknowledgments -- Introduction. Lyric Apocalypses, Transformative Time, and the Possibility of Endings -- 1. Apocalyptic Means: Allegiance, Force, and Events in Marvell's Cromwell Trilogy and Royalist Elegies -- 2. Hope in the Present: Paratactic Apocalypses and Contemplative Events in Milton's Sonnets -- 3. What Happens in Lycidas Apocalypse, Possibility, and Events in Milton's Pastoral Elegy -- 4. How Poems End: Apocalypse, Symbol, and the Event of Ending in "Upon Appleton House" -- Conclusion. Revelation: Learning Freedom and the End of Crisis -- Notes -- Bibliography -- Index.
  20. Sophie Read. Eucharist and the Poetic Imagination in Early Modern England
    Autor*in: Netzley, Ryan
    Erschienen: 2014

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    Übergeordneter Titel: Renaissance quarterly; New York, NY : Cambridge University Press, 1967-; Band 67, Heft 2 (2014), Seite 723

  21. REVIEWS - The Shattering of the Self-Violence, Subjectivity, and Early Modern Texts
    Autor*in: Marshall, Cynthia
    Erschienen: 2003

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    Quelle: Online Contents Komparatistik
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    Übergeordneter Titel: Clio; Fort Wayne, Ind. : Indiana Univ., 1971-; Band 32, Heft 3 (2003), Seite 379-383

  22. Reading Events: The Value of Reading and the Possibilities of Political Action and Criticism in Samson Agonistes
    Autor*in: Netzley, Ryan
    Erschienen: 2006

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    Übergeordneter Titel: Criticism; Detroit, Mich. : Wayne State Univ. Press, 1959-; Band 48, Heft 4 (2006), Seite 509-534