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  1. REconciliations
    artists: Lana Čmajčanin and Adela Jušić, Milena Michalski, Mladen Miljanović, Paul Coldwell, Post-Conflict Research Center, Sabina Tanović and Dario Kristić, Vladimir Miladinović, Ziyah Gafić
    Beteiligt: Hašimbegović, Elma (VeranstalterIn); Lowe, Paul (VeranstalterIn); Čmajčanin, Lana (KünstlerIn); Jušić, Adela (KünstlerIn); Michalski, Milena (KünstlerIn); Miljanović, Mladen (KünstlerIn); Coldwell, Paul (KünstlerIn); Tanović, Sabina (KünstlerIn); Kristić, Dario (KünstlerIn); Miladinović, Vladimir (KünstlerIn); Gafić, Ziyah (KünstlerIn)
    Erschienen: [2018]
    Verlag:  King's College London, [London]

    Universitätsbibliothek Freiburg
    KA 2019/439
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2019 R 339
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Hašimbegović, Elma (VeranstalterIn); Lowe, Paul (VeranstalterIn); Čmajčanin, Lana (KünstlerIn); Jušić, Adela (KünstlerIn); Michalski, Milena (KünstlerIn); Miljanović, Mladen (KünstlerIn); Coldwell, Paul (KünstlerIn); Tanović, Sabina (KünstlerIn); Kristić, Dario (KünstlerIn); Miladinović, Vladimir (KünstlerIn); Gafić, Ziyah (KünstlerIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781908951250
    Schlagworte: Balkankriege <1912-1913, Motiv>; Kunst; Geschichte 2000-2018;
    Umfang: 48 Seiten
    Bemerkung(en):

    "REconciliations", 27.6.18-31.8.18, History Museum of Bosnia and Herzegovina, Sarajevo

  2. Dougie Wallace - East Ended
    Erschienen: 2020
    Verlag:  Dewi Lewis Publishing, Stockport

    Street art was once simply graffiti, a sign of decay that lowered property values. Fast forward to the transformation of London?s East End and it became cool. Seen as "gritty" and "edgy", street art generates interest in an area. Refashioned, and... mehr

    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Street art was once simply graffiti, a sign of decay that lowered property values. Fast forward to the transformation of London?s East End and it became cool. Seen as "gritty" and "edgy", street art generates interest in an area. Refashioned, and made acceptable, it transforms public space as areas become high-priced, trendy and attractive to the emerging creative class. Its "edge" and sense of "authenticity" become a means to speed up gentrification. Yet as property prices rise, the high cost of living forces out those artists who created the art as well as the local residents. Never was this truer than in London's Shoreditch where these images are shot ? an open-air showcase of urban art that generates considerable tourism. Exhibition: Gallery 46, London, UK (07-21.03.2020)

     

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  3. Ernst Haas - The American West
    Autor*in: Lowe, Paul
    Erschienen: [2022]; © 2022
    Verlag:  Prestel, Munich ; London ; New York

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Quelle: Verbundkataloge
    Beteiligt: Haas, Ernst
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9783791388250
    RVK Klassifikation: AP 94100
    Schlagworte: Fotografie; USA <Motiv>
    Weitere Schlagworte: Haas, Ernst (1921-1986); Analoge Fotografie; Fotografie; Farbfotografie; Bildband Fotografie; Schwarz-Weiß-Fotografie; USA; Amerika / USA; New York in Color; frühe Farbfotografie
    Umfang: 207 Seiten
  4. Photography, bearing witness and the Yugoslav wars, 1988-2021
    testimonies of light
    Autor*in: Lowe, Paul
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    "Combining case studies with theoretical and philosophical insights, this book explores the role of photography in representing conflict and genocide, both during and after the break-up of Yugoslavia. Concentrating on the photographer, this book... mehr

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Combining case studies with theoretical and philosophical insights, this book explores the role of photography in representing conflict and genocide, both during and after the break-up of Yugoslavia. Concentrating on the photographer, this book considers the practice of photojournalism rather than simply in terms of its consumption and use by the media. The experiences and working methods of photographers in the field are analysed, showing how practitioners conceptualised their work and responded to larger questions about neutrality and moral responsibility. Presenting this 'active' form of witness, author Paul Lowe investigates a crucial ethical paradox faced by photojournalists. Moving beyond the end of the Yugoslav Wars in 2001, this book also considers the therapeutic and validating potential of photography for survivors, featuring photographers whose work centres on memory and reconciliation. Based on archival research, close reading and discourse analyses of photographs, and interviews with a range of international photographers, this book explores how photography from this period has been used and remediated in editorial photojournalism, fine art documentary and advocacy photography. This book will be of interest to scholars in the history of photography, art and visual culture, and photojournalism"

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781474243759
    RVK Klassifikation: AP 94900
    Schriftenreihe: Photography, history: history, photography
    Schlagworte: Bildpublizistik; Dokumentarfotografie; Jugoslawienkriege <Motiv>; Kriegsfotografie
    Weitere Schlagworte: Photojournalism / Moral and ethical aspects; Violence / Pictorial works / Moral and ethical aspects; Yugoslav War, 1991-1995 / Photography; Photography; Photojournalism / Moral and ethical aspects; 1991-1995
    Umfang: ix, 189 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 170-183

  5. Ernst Haas - The American West
    Autor*in: Lowe, Paul
    Erschienen: [2022]; © 2022
    Verlag:  Prestel, Munich ; London ; New York

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Haas, Ernst
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9783791388250
    RVK Klassifikation: AP 94100
    Schlagworte: Fotografie; USA <Motiv>
    Weitere Schlagworte: Haas, Ernst (1921-1986); Analoge Fotografie; Fotografie; Farbfotografie; Bildband Fotografie; Schwarz-Weiß-Fotografie; USA; Amerika / USA; New York in Color; frühe Farbfotografie
    Umfang: 207 Seiten
  6. Photography, bearing witness and the Yugoslav wars, 1988-2021
    testimonies of light
    Autor*in: Lowe, Paul
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    "Combining case studies with theoretical and philosophical insights, this book explores the role of photography in representing conflict and genocide, both during and after the break-up of Yugoslavia. Concentrating on the photographer, this book... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    keine Fernleihe

     

    "Combining case studies with theoretical and philosophical insights, this book explores the role of photography in representing conflict and genocide, both during and after the break-up of Yugoslavia. Concentrating on the photographer, this book considers the practice of photojournalism rather than simply in terms of its consumption and use by the media. The experiences and working methods of photographers in the field are analysed, showing how practitioners conceptualised their work and responded to larger questions about neutrality and moral responsibility. Presenting this 'active' form of witness, author Paul Lowe investigates a crucial ethical paradox faced by photojournalists. Moving beyond the end of the Yugoslav Wars in 2001, this book also considers the therapeutic and validating potential of photography for survivors, featuring photographers whose work centres on memory and reconciliation. Based on archival research, close reading and discourse analyses of photographs, and interviews with a range of international photographers, this book explores how photography from this period has been used and remediated in editorial photojournalism, fine art documentary and advocacy photography. This book will be of interest to scholars in the history of photography, art and visual culture, and photojournalism"

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781474243759
    RVK Klassifikation: AP 94900
    Schriftenreihe: Photography, history: history, photography
    Schlagworte: Bildpublizistik; Dokumentarfotografie; Jugoslawienkriege <Motiv>; Kriegsfotografie
    Weitere Schlagworte: Photojournalism / Moral and ethical aspects; Violence / Pictorial works / Moral and ethical aspects; Yugoslav War, 1991-1995 / Photography; Photography; Photojournalism / Moral and ethical aspects; 1991-1995
    Umfang: ix, 189 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 170-183

  7. <<The>> American West
    Autor*in: Haas, Ernst
    Erschienen: [2022]; © 2022
    Verlag:  Prestel Verlag, Munich ; London ; New York

    Kunst- und Museumsbibliothek der Stadt Köln
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Kunsthochschule für Medien, Bibliothek / Mediathek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Lowe, Paul (Verfasser von ergänzendem Text)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783791388250
    Schlagworte: Haas, Ernst; Fotografie; USA; Geschichte 1952-1981; Haas, Ernst; USA <Motiv>; Fotografie
    Umfang: 207 Seiten
  8. East Ended - Dougie Wallace$ffor the essay: Paul Lowe
    Beteiligt: Wallace, Dougie (FotografIn); Lowe, Paul (VerfasserIn von ergänzendem Text)
    Erschienen: 2020
    Verlag:  Dewi Lewis Publishing, Stockport

    Street art was once simply graffiti, a sign of decay that lowered property values. Fast forward to the transformation of London?s East End and it became cool. Seen as ?gritty? and ?edgy?, street art generates interest in an area. Refashioned, and... mehr

    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Street art was once simply graffiti, a sign of decay that lowered property values. Fast forward to the transformation of London?s East End and it became cool. Seen as ?gritty? and ?edgy?, street art generates interest in an area. Refashioned, and made acceptable, it transforms public space as areas become high-priced, trendy and attractive to the emerging creative class. Its ?edge? and sense of ?authenticity? become a means to speed up gentrification. Yet as property prices rise, the high cost of living forces out those artists who created the art as well as the local residents. Never was this truer than in London?s Shoreditch where these images are shot ? an open-air showcase of urban art that generates considerable tourism.00Exhibition: Gallery 46, London, UK (07-21.03.2020)

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Wallace, Dougie (FotografIn); Lowe, Paul (VerfasserIn von ergänzendem Text)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781911306597
    RVK Klassifikation: AP 94100
    Schlagworte: Street photography; Graffiti; Street art; Gentrification; Gentrification; Graffiti
    Weitere Schlagworte: Wallace, Dougie (Photographer)
    Umfang: 140 ungezählte Seiten, 30 cm