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  1. The grammar rules of affection
    passion and pedagogy in Sidney, Shakespeare, and Jonson
    Autor*in: Knecht, Ross
    Erschienen: [2021]; © 2021
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the... mehr

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    Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the disciplinary gaze of the mistress, melancholy as a process of gradual decline like the declension of the noun, and courtship as a practice in which the participants are arranged like the parts of speech in a sentence. The Grammar Rules of Affection explores this synthesis of the affective and the pedagogical in Renaissance literature, analysing examples from major texts by Philip Sidney, William Shakespeare, and Ben Jonson. Drawing on philosophical approaches to emotion, theories of social practice, and the history of education, this book argues that emotions appear in Renaissance literature as conventional, rule-guided practices rather than internal states. This claim represents a novel intervention in the historical study of emotion, departing from the standard approaches to emotions as either corporeal phenomena or mental states. Combining linguistic philosophy and theory of emotion, The Grammar Rules of Affection works to overcome this dualistic crux by locating emotion in the expressions and practices of everyday life

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487538323; 9781487538330
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / Modern / 17th Century; Education, Humanistic, in literature; Emotions in literature; English literature; Figures of speech in literature
    Umfang: 1 Online-Ressource (viii, 180 Seiten)
  2. The Grammar Rules of Affection
    Passion and Pedagogy in Sidney, Shakespeare, and Jonson
    Autor*in: Knecht, Ross
    Erschienen: [2021]
    Verlag:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter One “Precept and Practice”: Grammar and Pedagogy from the Medieval Period to the Renaissance -- Chapter Two “Heart-Ravishing Knowledge”: Love and Learning in Sidney’s Astrophil and... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter One “Precept and Practice”: Grammar and Pedagogy from the Medieval Period to the Renaissance -- Chapter Two “Heart-Ravishing Knowledge”: Love and Learning in Sidney’s Astrophil and Stella -- Chapter Three The Ablative Heart: Love as Rule-Guided Action in Shakespeare’s Love’s Labour’s Lost -- Chapter Four “Shapes of Grief”: The Ineffable and the Grammatical in Shakespeare’s Hamlet -- Chapter Five “Drunken Custom”: Rules, Embodiment, and Exemplarity in Jonson’s Humours Plays -- Conclusion -- Notes -- Works Cited -- Index Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the disciplinary gaze of the mistress, melancholy as a process of gradual decline like the declension of the noun, and courtship as a practice in which the participants are arranged like the parts of speech in a sentence. The Grammar Rules of Affection explores this synthesis of the affective and the pedagogical in Renaissance literature, analysing examples from major texts by Philip Sidney, William Shakespeare, and Ben Jonson. Drawing on philosophical approaches to emotion, theories of social practice, and the history of education, this book argues that emotions appear in Renaissance literature as conventional, rule-guided practices rather than internal states. This claim represents a novel intervention in the historical study of emotion, departing from the standard approaches to emotions as either corporeal phenomena or mental states. Combining linguistic philosophy and theory of emotion, The Grammar Rules of Affection works to overcome this dualistic crux by locating emotion in the expressions and practices of everyday life

     

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  3. The Grammar Rules of Affection
    Passion and Pedagogy in Sidney, Shakespeare, and Jonson
    Autor*in: Knecht, Ross
    Erschienen: [2021]
    Verlag:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter One “Precept and Practice”: Grammar and Pedagogy from the Medieval Period to the Renaissance -- Chapter Two “Heart-Ravishing Knowledge”: Love and Learning in Sidney’s Astrophil and... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter One “Precept and Practice”: Grammar and Pedagogy from the Medieval Period to the Renaissance -- Chapter Two “Heart-Ravishing Knowledge”: Love and Learning in Sidney’s Astrophil and Stella -- Chapter Three The Ablative Heart: Love as Rule-Guided Action in Shakespeare’s Love’s Labour’s Lost -- Chapter Four “Shapes of Grief”: The Ineffable and the Grammatical in Shakespeare’s Hamlet -- Chapter Five “Drunken Custom”: Rules, Embodiment, and Exemplarity in Jonson’s Humours Plays -- Conclusion -- Notes -- Works Cited -- Index Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the disciplinary gaze of the mistress, melancholy as a process of gradual decline like the declension of the noun, and courtship as a practice in which the participants are arranged like the parts of speech in a sentence. The Grammar Rules of Affection explores this synthesis of the affective and the pedagogical in Renaissance literature, analysing examples from major texts by Philip Sidney, William Shakespeare, and Ben Jonson. Drawing on philosophical approaches to emotion, theories of social practice, and the history of education, this book argues that emotions appear in Renaissance literature as conventional, rule-guided practices rather than internal states. This claim represents a novel intervention in the historical study of emotion, departing from the standard approaches to emotions as either corporeal phenomena or mental states. Combining linguistic philosophy and theory of emotion, The Grammar Rules of Affection works to overcome this dualistic crux by locating emotion in the expressions and practices of everyday life

     

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  4. The grammar rules of affection
    passion and pedagogy in Sidney, Shakespeare, and Jonson
    Autor*in: Knecht, Ross
    Erschienen: [2021]; © 2021
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the... mehr

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    Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the disciplinary gaze of the mistress, melancholy as a process of gradual decline like the declension of the noun, and courtship as a practice in which the participants are arranged like the parts of speech in a sentence. The Grammar Rules of Affection explores this synthesis of the affective and the pedagogical in Renaissance literature, analysing examples from major texts by Philip Sidney, William Shakespeare, and Ben Jonson. Drawing on philosophical approaches to emotion, theories of social practice, and the history of education, this book argues that emotions appear in Renaissance literature as conventional, rule-guided practices rather than internal states. This claim represents a novel intervention in the historical study of emotion, departing from the standard approaches to emotions as either corporeal phenomena or mental states. Combining linguistic philosophy and theory of emotion, The Grammar Rules of Affection works to overcome this dualistic crux by locating emotion in the expressions and practices of everyday life

     

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  5. The grammar rules of affection
    passion and pedagogy in Sidney, Shakespeare, and Jonson
  6. The grammar rules of affection
    passion and pedagogy in Sidney, Shakespeare, and Jonson
    Autor*in: Knecht, Ross
    Erschienen: 2021
    Verlag:  University of Toronto Press, Toronto

    "Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the... mehr

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    "Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the disciplinary gaze of the mistress, melancholy as a process of gradual decline like the declension of the noun, and courtship as a practice in which the participants are arranged like the parts of speech in a sentence. The Grammar Rules of Affection explores this synthesis of the affective and the pedagogical in Renaissance literature, analysing examples of it in major texts by Philip Sidney, William Shakespeare, and Ben Jonson. Drawing on philosophical approaches to emotion, theories of social practice, and the history of education, this book argues that emotions appear in Renaissance literature as conventional, rule-guided practices rather than internal states. This claim represents a novel intervention in the historical study of emotion, departing from the standard approaches to emotions as either corporeal phenomena or mental states. Combining linguistic philosophy and theory of emotion, The Grammar Rules of Affection works to overcome this dualistic crux by locating emotion in the expressions and practices of everyday life."--

     

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  7. The grammar rules of affection
    passion and pedagogy in Sidney, Shakespeare, and Jonson
    Autor*in: Knecht, Ross
    Erschienen: 2021
    Verlag:  University of Toronto Press, Toronto

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    Quelle: Verbundkataloge
    Sprache: Englisch
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    ISBN: 9781487538323; 1487538324; 9781487538330; 1487538332
    Schlagworte: Emotions in literature; Education, Humanistic, in literature; English literature
    Weitere Schlagworte: Sidney, Philip (1554-1586); Shakespeare, William (1564-1616); Jonson, Ben (1573?-1637)
    Umfang: 1 Online-Ressource
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    Includes bibliographical references and index

  8. The grammar rules of affection
    passion and pedagogy in Sidney, Shakespeare, and Jonson
    Autor*in: Knecht, Ross
    Erschienen: [2021]; ©2021
    Verlag:  University of Toronto Press, Toronto

    This interdisciplinary study argues that the intersection of pedagogical and affective language in Renaissance literature shows that emotion was conceived as a conventional practice. mehr

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    This interdisciplinary study argues that the intersection of pedagogical and affective language in Renaissance literature shows that emotion was conceived as a conventional practice.

     

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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9781487538323
    Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (viii, 180 Seiten)
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    Description based on publisher supplied metadata and other sources

  9. The grammar rules of affection
    passion and pedagogy in Sidney, Shakespeare, and Jonson
    Autor*in: Knecht, Ross
    Erschienen: [2021]
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

  10. The grammar rules of affection
    passion and pedagogy in Sidney, Shakespeare, and Jonson
    Autor*in: Knecht, Ross
    Erschienen: [2021]; ©2021
    Verlag:  University of Toronto Press, Toronto

    This interdisciplinary study argues that the intersection of pedagogical and affective language in Renaissance literature shows that emotion was conceived as a conventional practice. mehr

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    This interdisciplinary study argues that the intersection of pedagogical and affective language in Renaissance literature shows that emotion was conceived as a conventional practice.

     

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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9781487538323
    Schlagworte: Education, Humanistic; Emotions in literature; English literature-Early modern, 1500-1700-History and criticism; Figures of speech in literature; Electronic books
    Umfang: 1 Online-Ressource (viii, 180 Seiten)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  11. The grammar rules of affection
    passion and pedagogy in Sidney, Shakespeare, and Jonson
    Autor*in: Knecht, Ross
    Erschienen: [2021]
    Verlag:  University of Toronto Press, Toronto

    "Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the... mehr

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    "Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the disciplinary gaze of the mistress, melancholy as a process of gradual decline like the declension of the noun, and courtship as a practice in which the participants are arranged like the parts of speech in a sentence. The Grammar Rules of Affection explores this synthesis of the affective and the pedagogical in Renaissance literature, analysing examples of it in major texts by Philip Sidney, William Shakespeare, and Ben Jonson. Drawing on philosophical approaches to emotion, theories of social practice, and the history of education, this book argues that emotions appear in Renaissance literature as conventional, rule-guided practices rather than internal states. This claim represents a novel intervention in the historical study of emotion, departing from the standard approaches to emotions as either corporeal phenomena or mental states. Combining linguistic philosophy and theory of emotion, The Grammar Rules of Affection works to overcome this dualistic crux by locating emotion in the expressions and practices of everyday life."--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781487508470
    RVK Klassifikation: HI 3385
    Schlagworte: Emotions in literature; Education, Humanistic, in literature; Figures of speech in literature; English literature; Education, Humanistic, in literature; Emotions in literature; English literature ; Early modern; Figures of speech in literature; Criticism, interpretation, etc
    Weitere Schlagworte: Sidney, Philip (1554-1586); Shakespeare, William (1564-1616); Jonson, Ben (1573?-1637); Jonson, Ben; Shakespeare, William; Sidney, Philip
    Umfang: viii, 180 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 163-176) and index (pages 177-180)

    Issued also in electronic formats.

  12. The Grammar Rules of Affection
    Passion and Pedagogy in Sidney, Shakespeare, and Jonson
    Autor*in: Knecht, Ross
    Erschienen: [2021]; ©2021
    Verlag:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the... mehr

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    Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the disciplinary gaze of the mistress, melancholy as a process of gradual decline like the declension of the noun, and courtship as a practice in which the participants are arranged like the parts of speech in a sentence. The Grammar Rules of Affection explores this synthesis of the affective and the pedagogical in Renaissance literature, analysing examples from major texts by Philip Sidney, William Shakespeare, and Ben Jonson. Drawing on philosophical approaches to emotion, theories of social practice, and the history of education, this book argues that emotions appear in Renaissance literature as conventional, rule-guided practices rather than internal states. This claim represents a novel intervention in the historical study of emotion, departing from the standard approaches to emotions as either corporeal phenomena or mental states. Combining linguistic philosophy and theory of emotion, The Grammar Rules of Affection works to overcome this dualistic crux by locating emotion in the expressions and practices of everyday life.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 9781487538323
    Weitere Identifier:
    Schlagworte: Education, Humanistic, in literature; Emotions in literature; English literature; Figures of speech in literature; LITERARY CRITICISM / Modern / 17th Century
    Weitere Schlagworte: Astrophil and Stella; Ben Jonson; Hamlet; Love’s Labour’s Lost; Philip Sidney; Renaissance literature; The Grammar School; William Shakespeare; education; history of emotion; language; pedagogy
    Umfang: 1 Online-Ressource (192 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)

  13. Invaded by the World: Passion, Passivity, and the Object of Desire in Petrarch's Rime sparse
    Autor*in: Knecht, Ross
    Erschienen: 2011

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    Quelle: Online Contents Komparatistik
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    Übergeordneter Titel: Comparative literature; Durham, NC : Duke Univ. Press, 1949-; Band 63, Heft 3 (2011), Seite 235-252