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  1. Aphrodite's Daughters
    Three Modernist Poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: [2016]; © 2016
    Verlag:  Rutgers University Press, New Brunswick, NJ

    The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invocation of a Sapphic goddess figure to Cowdery’s frank depiction of bisexual erotics to Bennett’s risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research, Aphrodite’s Daughters draws from Grimké, Bennett, and Cowdery’s published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating

     
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  2. Shadowed Dreams
    Women's Poetry of the Harlem Renaissance
    Beteiligt: Honey, Maureen (Hrsg.)
    Erschienen: [2006]; © 2006
    Verlag:  Rutgers University Press, New Brunswick, NJ

    The first edition of Shadowed Dreams was a groundbreaking anthology that brought to light the contributions of women poets to the Harlem Renaissance. This revised and expanded version contains twice the number of poems found in the original, many of... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The first edition of Shadowed Dreams was a groundbreaking anthology that brought to light the contributions of women poets to the Harlem Renaissance. This revised and expanded version contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new voices to the collection to once again strike new ground in African American literary history. Also new to this edition are nine period illustrations and updated biographical introductions for each poet. Shadowed Dreams features new poems by Gwendolyn Bennett, Anita Scott Coleman, Mae Cowdery, Blanche Taylor Dickinson, Alice Dunbar-Nelson, Jessie Fauset, Angelina Weld Grimké, Gladys Casely Hayford (a k a Aquah Laluah), Virginia Houston, Georgia Douglas Johnson, Helene Johnson, Effie Lee Newsome, Esther Popel, and Anne Spencer, as well as writings from newly discovered poets Carrie Williams Clifford, Edythe Mae Gordon, Alvira Hazzard, Gertrude Parthenia McBrown, Beatrice Murphy, Lucia Mae Pitts, Grace Vera Postles, Ida Rowland, and Lucy Mae Turner, among others. Covering the years 1918 through 1939 and ranging across the period’s major and minor journals, as well as its anthologies and collections, Shadowed Dreams provides a treasure trove of poetry from which to mine deeply buried jewels of black female visions in the early twentieth century

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Honey, Maureen (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813586205
    Weitere Identifier:
    Schriftenreihe: Multi-Ethnic Literatures of the Americas
    Schlagworte: LITERARY CRITICISM / General; American poetry - New York (State) - New York
    Umfang: 1 online resource (374 pages), 10
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020)
  3. Madame Butterfly
    Autor*in: Long, John Luther; Eaton, Winnifred
    Erschienen: [2002]; © 2002
    Verlag:  Rutgers University Press, New Brunswick, New Jersey ; London

    Standort:
    Ruhr-Universität Bochum, Fakultät für Philologie, Englisches Seminar, Bibliothek
    Signatur:
    A20C WAO 14001
    Fernleihe:
    keine Fernleihe
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    Quelle: Verbundkataloge
    Beteiligt: Honey, Maureen (Herausgeber); Cole, Jean Lee (Herausgeber); Long, John Luther; Eaton, Winnifred
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0813530628; 0813530636
    RVK Klassifikation: HT 5968
    Umfang: XII, 184 Seiten, Illustrationen
  4. The job
    an American novel
    Autor*in: Lewis, Sinclair
    Erschienen: 1994
    Verlag:  Univ. of Nebraska Press, Lincoln, Neb.

    Standort:
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    Signatur:
    G L 2 20
    Fernleihe:
    keine Fernleihe
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    Quelle: Verbundkataloge
    Beteiligt: Honey, Maureen (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0803279485
    RVK Klassifikation: HU 4223
    Auflage/Ausgabe: 1. Bison book print.
    Umfang: XVII, [327] S.
  5. Shadowed Dreams
    Women's Poetry of the Harlem Renaissance
    Beteiligt: Honey, Maureen (HerausgeberIn)
    Erschienen: [2006]
    Verlag:  Rutgers University Press, New Brunswick, NJ

    Frontmatter -- Contents -- List of Illustrations -- Preface to the Second Edition -- Foreword to the 1989 Edition -- Acknowledgments -- Introduction -- A Note on the Revised Text -- Gwendolyn B. Bennett (1902–1981) -- Ethel Caution-Davis (1880 –1981)... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    Universitätsbibliothek Braunschweig
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    Universitätsbibliothek Greifswald
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Frontmatter -- Contents -- List of Illustrations -- Preface to the Second Edition -- Foreword to the 1989 Edition -- Acknowledgments -- Introduction -- A Note on the Revised Text -- Gwendolyn B. Bennett (1902–1981) -- Ethel Caution-Davis (1880 –1981) -- Carrie Williams Clifford (1862–1934) -- Anita Scott Coleman (1890 –1960) -- Marion Grace Conover (?–?) -- Mae V. Cowdery (1909–1953) -- Clarissa Scott Delany (1901–1927) -- Blanche Taylor Dickinson (1896 –?) -- Alice Dunbar-Nelson (1875–1935) -- Jessie Redmon Fauset (1882–1961) -- Sarah Collins Fernandis (1863–1951) -- Sarah Lee Brown Fleming (1876 –1963) -- Alice E. Furlong (?–?) -- Edythe Mae Gordon (1896 –?) -- Angelina Weld Grimké (1880 –1958) -- Gladys May Casely Hayford (1904 –1950) -- Alvira Hazzard (1899–1953) -- Virginia Houston (?–?) -- Dorothy Vena Johnson (1898–1970) -- Georgia Douglas Johnson (1877–1966) -- Helen Aurelia Johnson (?–?) -- Helene Johnson (1906 –1995) -- Gertrude Parthenia McBrown (1902–1989) -- Myra Estelle Morris (?–?) -- Beatrice M. Murphy (1908–1992) -- Pauli Murray (1910 –1985) -- Effie Lee Newsome (1885–1979) -- Lucia Mae Pitts (1904 –1973) -- Esther Popel (1896 –1958) -- Grace Vera Postles (1906 –?) -- Ida Rowland (1904 –?) -- Anne Spencer (1882–1975) -- Clara Ann Thompson (1869–1949) -- Lucy Mae Turner (1884 –?) -- Lucy Ariel Williams (1905–1973) -- Octavia B. Wynbush (1898– ca. 1972) -- Appendix: Anthologies with Women’s Poetry and Collections of Poetry by Women of the Harlem Renaissance -- About the editor The first edition of Shadowed Dreams was a groundbreaking anthology that brought to light the contributions of women poets to the Harlem Renaissance. This revised and expanded version contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new voices to the collection to once again strike new ground in African American literary history. Also new to this edition are nine period illustrations and updated biographical introductions for each poet. Shadowed Dreams features new poems by Gwendolyn Bennett, Anita Scott Coleman, Mae Cowdery, Blanche Taylor Dickinson, Alice Dunbar-Nelson, Jessie Fauset, Angelina Weld Grimké, Gladys Casely Hayford (a k a Aquah Laluah), Virginia Houston, Georgia Douglas Johnson, Helene Johnson, Effie Lee Newsome, Esther Popel, and Anne Spencer, as well as writings from newly discovered poets Carrie Williams Clifford, Edythe Mae Gordon, Alvira Hazzard, Gertrude Parthenia McBrown, Beatrice Murphy, Lucia Mae Pitts, Grace Vera Postles, Ida Rowland, and Lucy Mae Turner, among others. Covering the years 1918 through 1939 and ranging across the period’s major and minor journals, as well as its anthologies and collections, Shadowed Dreams provides a treasure trove of poetry from which to mine deeply buried jewels of black female visions in the early twentieth century

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Honey, Maureen (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813586205
    Weitere Identifier:
    Schriftenreihe: Multi-Ethnic Literatures of the Americas
    Schlagworte: American poetry - New York (State) - New York; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource (374 p), 10
  6. Aphrodite's Daughters
    Three Modernist Poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: [2016]
    Verlag:  Rutgers University Press, New Brunswick, NJ

    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- 1. The Lyric Poetry of Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery -- 2. Angelina Weld Grimké’s Sapphic Temple of Desire -- 3. Harlem’s Phoenix: Gwendolyn B.... mehr

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    Standort:
    Hochschule für Gesundheit, Hochschulbibliothek
    Signatur:
    Initiative E-Books.NRW
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Braunschweig
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    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
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    Standort:
    Zentrale Hochschulbibliothek Flensburg
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    Standort:
    Universitätsbibliothek Greifswald
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    Standort:
    HafenCity Universität Hamburg, Bibliothek
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    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Standort:
    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    keine Fernleihe

    Standort:
    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- 1. The Lyric Poetry of Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery -- 2. Angelina Weld Grimké’s Sapphic Temple of Desire -- 3. Harlem’s Phoenix: Gwendolyn B. Bennett -- 4. Shattered Mirror: The Failed Promise of Mae V. Cowdery -- Epilogue -- Appendix A: List of Published Poetry -- Appendix B: Selected List of Unpublished Poetry -- Notes -- Bibliography -- Further Reading -- Index -- About the Author The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invocation of a Sapphic goddess figure to Cowdery’s frank depiction of bisexual erotics to Bennett’s risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research, Aphrodite’s Daughters draws from Grimké, Bennett, and Cowdery’s published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813570808
    Weitere Identifier:
    Schlagworte: American poetry; American poetry; Modernism (Literature); American poetry; African American arts; African American poets; African American women; Women poets, American; Harlem Renaissance; BIOGRAPHY & AUTOBIOGRAPHY / General
    Umfang: 1 Online-Ressource, 21 photographs
    Bemerkung(en):

    restricted access online access with authorization star
  7. Aphrodite's Daughters
    Three Modernist Poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: [2016]; © 2016
    Verlag:  Rutgers University Press, New Brunswick, NJ

    The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Universitätsbibliothek Bamberg
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    Standort:
    Universitätsbibliothek Passau
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    The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invocation of a Sapphic goddess figure to Cowdery’s frank depiction of bisexual erotics to Bennett’s risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research, Aphrodite’s Daughters draws from Grimké, Bennett, and Cowdery’s published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
  8. Shadowed Dreams
    Women's Poetry of the Harlem Renaissance
    Beteiligt: Honey, Maureen (Hrsg.)
    Erschienen: [2006]; © 2006
    Verlag:  Rutgers University Press, New Brunswick, NJ

    The first edition of Shadowed Dreams was a groundbreaking anthology that brought to light the contributions of women poets to the Harlem Renaissance. This revised and expanded version contains twice the number of poems found in the original, many of... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The first edition of Shadowed Dreams was a groundbreaking anthology that brought to light the contributions of women poets to the Harlem Renaissance. This revised and expanded version contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new voices to the collection to once again strike new ground in African American literary history. Also new to this edition are nine period illustrations and updated biographical introductions for each poet. Shadowed Dreams features new poems by Gwendolyn Bennett, Anita Scott Coleman, Mae Cowdery, Blanche Taylor Dickinson, Alice Dunbar-Nelson, Jessie Fauset, Angelina Weld Grimké, Gladys Casely Hayford (a k a Aquah Laluah), Virginia Houston, Georgia Douglas Johnson, Helene Johnson, Effie Lee Newsome, Esther Popel, and Anne Spencer, as well as writings from newly discovered poets Carrie Williams Clifford, Edythe Mae Gordon, Alvira Hazzard, Gertrude Parthenia McBrown, Beatrice Murphy, Lucia Mae Pitts, Grace Vera Postles, Ida Rowland, and Lucy Mae Turner, among others. Covering the years 1918 through 1939 and ranging across the period’s major and minor journals, as well as its anthologies and collections, Shadowed Dreams provides a treasure trove of poetry from which to mine deeply buried jewels of black female visions in the early twentieth century

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Honey, Maureen (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813586205
    Weitere Identifier:
    Schriftenreihe: Multi-Ethnic Literatures of the Americas
    Schlagworte: LITERARY CRITICISM / General; American poetry - New York (State) - New York
    Umfang: 1 online resource (374 pages), 10
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020)
  9. Aphrodite's daughters
    three modernist poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: [2016]
    Verlag:  Rutgers University Press, New Brunswick, New Jersey ; London

    "Aphrodite's Daughters brings to dramatic life three lyrical poets of the Harlem Renaissance whose work was among the earliest to display erotic passion as a source of empowerment for women. Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V.... mehr

    Standort:
    Universitätsbibliothek Augsburg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
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    "Aphrodite's Daughters brings to dramatic life three lyrical poets of the Harlem Renaissance whose work was among the earliest to display erotic passion as a source of empowerment for women. Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery are framed as bold pioneers whose verse opened new frontiers into women's sexuality at the dawn of a new century. Honey describes Grimké construction of a Sapphic deity inspiring acolytes to express forbidden same-sex desire while she outlines Bennett's exploration of sexual pleasure and pain and Cowdery's frank depiction of bisexual erotics. Grimké, Bennett, and Cowdery, she argues, embraced the lyric "I" as an expression of their modernity as artists, women, and participants in the New Negro Movement by highlighting the female body as a primary source of meaning, strength and transcendence. Honey juxtaposes each poet's creative work against her life writing, personal archive, and appearances in the black press. These new source materials dramatically illuminate verse that has largely appeared without its biographical context or modernist roots. Honey's highly nuanced bio-critical portraits of this unique cadre of New Negro poets reveal the fascinating complexity of their private lives, and she creates absorbing narratives for all three as they experienced sexual awakening in lesbian, heterosexual, and bisexual contexts. The vivid interplay between intimate, racial and artistic currents in their lives makes Aphrodite's Daughters a compelling story of three courageous women who dared to be sexually alive New Negro artists paving the way toward our own era. "...

     
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  10. Aphrodite's daughters
    three modernist poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: [2016]; 2016
    Verlag:  Rutgers University Press, New Brunswick, New Jersey

    "Aphrodite's Daughters brings to dramatic life three lyrical poets of the Harlem Renaissance whose work was among the earliest to display erotic passion as a source of empowerment for women. Angelina Weld Grimke, Gwendolyn B. Bennett, and Mae V.... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    "Aphrodite's Daughters brings to dramatic life three lyrical poets of the Harlem Renaissance whose work was among the earliest to display erotic passion as a source of empowerment for women. Angelina Weld Grimke, Gwendolyn B. Bennett, and Mae V. Cowdery are framed as bold pioneers whose verse opened new frontiers into women's sexuality at the dawn of a new century. Honey describes Grimke construction of a Sapphic deity inspiring acolytes to express forbidden same-sex desire while she outlines Bennett's exploration of sexual pleasure and pain and Cowdery's frank depiction of bisexual erotics. Grimke, Bennett, and Cowdery, she argues, embraced the lyric "I" as an expression of their modernity as artists, women, and participants in the New Negro Movement by highlighting the female body as a primary source of meaning, strength and transcendence. Honey juxtaposes each poet's creative work against her life writing, personal archive, and appearances in the black press. These new source materials dramatically illuminate verse that has largely appeared without its biographical context or modernist roots. Honey's highly nuanced bio-critical portraits of this unique cadre of New Negro poets reveal the fascinating complexity of their private lives, and she creates absorbing narratives for all three as they experienced sexual awakening in lesbian, heterosexual, and bisexual contexts. The vivid interplay between intimate, racial and artistic currents in their lives makes Aphrodite's Daughters a compelling story of three courageous women who dared to be sexually alive New Negro artists paving the way toward our own era. "--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813570808
    RVK Klassifikation: HU 1732 ; HU 1745 ; HU 1769
    Schlagworte: American poetry; American poetry; Harlem Renaissance; African American poets; Women poets, American; African American women; Modernism (Literature); African American arts; Lyrik; Harlem renaissance; Autor; Frau
    Weitere Schlagworte: Grimke, Angelina Weld (1880-1958); Bennett, Gwendolyn (1902-1981); Cowdery, Mae V. (approximately 1909-1953); Bennett, Gwendolyn (1902-1981)
    Umfang: 1 Online-Ressource (288 pages), illustrations
    Bemerkung(en):

    Description based on print version record
  11. Aphrodite's daughters
    three modernist poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: [2016]
    Verlag:  Rutgers University Press, New Brunswick, New Jersey

    "Aphrodite's Daughters brings to dramatic life three lyrical poets of the Harlem Renaissance whose work was among the earliest to display erotic passion as a source of empowerment for women. Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V.... mehr

     

    "Aphrodite's Daughters brings to dramatic life three lyrical poets of the Harlem Renaissance whose work was among the earliest to display erotic passion as a source of empowerment for women. Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery are framed as bold pioneers whose verse opened new frontiers into women's sexuality at the dawn of a new century. Honey describes Grimké construction of a Sapphic deity inspiring acolytes to express forbidden same-sex desire while she outlines Bennett's exploration of sexual pleasure and pain and Cowdery's frank depiction of bisexual erotics. Grimké, Bennett, and Cowdery, she argues, embraced the lyric "I" as an expression of their modernity as artists, women, and participants in the New Negro Movement by highlighting the female body as a primary source of meaning, strength and transcendence. Honey juxtaposes each poet's creative work against her life writing, personal archive, and appearances in the black press. These new source materials dramatically illuminate verse that has largely appeared without its biographical context or modernist roots. Honey's highly nuanced bio-critical portraits of this unique cadre of New Negro poets reveal the fascinating complexity of their private lives, and she creates absorbing narratives for all three as they experienced sexual awakening in lesbian, heterosexual, and bisexual contexts. The vivid interplay between intimate, racial and artistic currents in their lives makes Aphrodite's Daughters a compelling story of three courageous women who dared to be sexually alive New Negro artists paving the way toward our own era. "...

     
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  12. Breaking the ties that bind
    popular stories of the new women, 1925 - 1930
    Beteiligt: Honey, Maureen (Hrsg.)
    Erschienen: 1992
    Verlag:  Univ. of Oklahoma Press, Norman, Okla. [u.a.]

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    Quelle: Verbundkataloge
    Beteiligt: Honey, Maureen (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0806124679
    Schlagworte: Feminism; Women's rights; Short stories, American; American fiction; American fiction; Women; United States
    Umfang: XI, 339 S., Ill.
  13. Aphrodite's daughters
    three modernist poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: [2016]
    Verlag:  Rutgers University Press, New Brunswick, New Jersey ; London

    "Aphrodite's Daughters brings to dramatic life three lyrical poets of the Harlem Renaissance whose work was among the earliest to display erotic passion as a source of empowerment for women. Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V.... mehr

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    "Aphrodite's Daughters brings to dramatic life three lyrical poets of the Harlem Renaissance whose work was among the earliest to display erotic passion as a source of empowerment for women. Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery are framed as bold pioneers whose verse opened new frontiers into women's sexuality at the dawn of a new century. Honey describes Grimké construction of a Sapphic deity inspiring acolytes to express forbidden same-sex desire while she outlines Bennett's exploration of sexual pleasure and pain and Cowdery's frank depiction of bisexual erotics. Grimké, Bennett, and Cowdery, she argues, embraced the lyric "I" as an expression of their modernity as artists, women, and participants in the New Negro Movement by highlighting the female body as a primary source of meaning, strength and transcendence. Honey juxtaposes each poet's creative work against her life writing, personal archive, and appearances in the black press. These new source materials dramatically illuminate verse that has largely appeared without its biographical context or modernist roots. Honey's highly nuanced bio-critical portraits of this unique cadre of New Negro poets reveal the fascinating complexity of their private lives, and she creates absorbing narratives for all three as they experienced sexual awakening in lesbian, heterosexual, and bisexual contexts. The vivid interplay between intimate, racial and artistic currents in their lives makes Aphrodite's Daughters a compelling story of three courageous women who dared to be sexually alive New Negro artists paving the way toward our own era. "...

     
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  14. Shadowed Dreams
    Women's Poetry of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: 2006
    Verlag:  Rutgers University Press, New Brunswick, NJ

    This revised and expanded version of the collection contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new female voices from the Harlem Renaissance, once again striking new ground in... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    This revised and expanded version of the collection contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new female voices from the Harlem Renaissance, once again striking new ground in African American literary history. Also new to this edition are nine period illustrations and updated biographical introductions for each poet. Shadowed Dreams features new poems by Gwendolyn B. Bennett, Anita Scott Coleman, Mae V. Cowdery, Blanche Taylor Dickinson, Alice Dunbar-Nelson, Jessie Redmon Fauset, Angelina Weld Grimk#65533;, Gladys May Casely Hayford (a k a Aquah Laluah), Virginia Houston, Georgia Douglas Johnson, Helene Johnson, Effie Lee Newsome, Esther Popel, and Anne Spencer, as well as writings from rediscovered poets Carrie Williams Clifford, Edythe Mae Gordon, Alvira Hazzard, Gertrude Parthenia McBrown, Beatrice M. Murphy, Lucia Mae Pitts, Grace Vera Postles, Ida Rowland, and Lucy Mae Turner, among others Series -- Title -- Copyright -- Dedication -- Contents -- Illustrations -- Preface -- Foreword -- Acknowledgments -- Introduction -- Note on the Revised Text -- Epigraph -- Gwendolyn B. Bennett -- Ethel Caution-Davis -- Carrie Williams Clifford -- Anita Scott Coleman -- Marion Grace Conover -- Mae V. Cowdery -- Clarissa Scott Delany -- Blanche Taylor Dickinson -- Alice Dunbar-Nelson -- Jessie Redmon Fauset -- Sarah Collins Fernandis -- Sarah Lee Brown Fleming -- Alice E. Furlong -- Edythe Mae Gordon -- Angelina Weld Grimké -- Gladys May Casely Hayford -- Alvira Hazzard -- Virginia Houston -- Dorothy Vena Johnson -- Georgia Douglas Johnson -- Helen Aurelia Johnson -- Helene Johnson -- Gertrude Parthenia McBrown -- Myra Estelle Morris -- Beatrice M. Murphy -- Pauli Murray -- Effie Lee Newsome -- Lucia Mae Pitts -- Esther Popel -- Grace Vera Postles -- Ida Rowland -- Anne Spencer -- Clara Ann Thompson -- Lucy Mae Turner -- Lucy Ariel Williams -- Octavia B. Wynbush -- Appendix -- About the Editor

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813586205
    Auflage/Ausgabe: 2nd ed
    Schriftenreihe: Multi-Ethnic Literatures of the Americas (MELA) Ser
    Schlagworte: American poetry - New York (State) - New York
    Umfang: 1 Online-Ressource (372 pages)
  15. Aphrodite's Daughters
    Three Modernist Poets of the Harlem Renaissance = Three Modernist Poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: 2016
    Verlag:  Rutgers University Press, Piscataway

    Aphrodite's Daughters introduces us to Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery, African American poetic iconoclasts who viewed the female body as a source of strength and transcendence as they pioneered forthright modes of... mehr

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    Aphrodite's Daughters introduces us to Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery, African American poetic iconoclasts who viewed the female body as a source of strength and transcendence as they pioneered forthright modes of erotic self-expression during the Harlem Renaissance. Drawing from their published and unpublished poetry, along with rare periodicals and biographical materials, Maureen Honey immerses us in the lives of these remarkable women and the world in which they lived Frontispiece -- Title -- Copyright -- Dedication -- Epigraphs -- Contents -- List of Illustrations -- Acknowledgments -- 1. The Lyric Poetry of Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery -- 2. Angelina Weld Grimké's Sapphic Temple of Desire -- 3. Harlem's Phoenix: Gwendolyn B. Bennett -- 4. Shattered Mirror: The Failed Promise of Mae V. Cowdery -- Epilogue -- Appendix A. List of Published Poetry -- Appendix B. Selected List of Unpublished Poetry -- Notes -- Bibliography -- Further Reading -- Index -- About the Author

     
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  16. Aphrodite's daughters
    three modernist poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: [2016]; © 2016
    Verlag:  Rutgers University Press, New Brunswick, New Jersey

    "Aphrodite's Daughters brings to dramatic life three lyrical poets of the Harlem Renaissance whose work was among the earliest to display erotic passion as a source of empowerment for women. Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V.... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 998270
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    "Aphrodite's Daughters brings to dramatic life three lyrical poets of the Harlem Renaissance whose work was among the earliest to display erotic passion as a source of empowerment for women. Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery are framed as bold pioneers whose verse opened new frontiers into women's sexuality at the dawn of a new century. Honey describes Grimké construction of a Sapphic deity inspiring acolytes to express forbidden same-sex desire while she outlines Bennett's exploration of sexual pleasure and pain and Cowdery's frank depiction of bisexual erotics. Grimké, Bennett, and Cowdery, she argues, embraced the lyric "I" as an expression of their modernity as artists, women, and participants in the New Negro Movement by highlighting the female body as a primary source of meaning, strength and transcendence. Honey juxtaposes each poet's creative work against her life writing, personal archive, and appearances in the black press. These new source materials dramatically illuminate verse that has largely appeared without its biographical context or modernist roots. Honey's highly nuanced bio-critical portraits of this unique cadre of New Negro poets reveal the fascinating complexity of their private lives, and she creates absorbing narratives for all three as they experienced sexual awakening in lesbian, heterosexual, and bisexual contexts. The vivid interplay between intimate, racial and artistic currents in their lives makes Aphrodite's Daughters a compelling story of three courageous women who dared to be sexually alive New Negro artists paving the way toward our own era. "--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0813570786; 0813570794; 9780813570785; 9780813570792
    RVK Klassifikation: HU 1728 ; HU 1732 ; HU 1745 ; HU 1769
    Schlagworte: African American poets; Women poets, American; African American women; Modernism (Literature); African-American arts; American poetry; American poetry; Harlem Renaissance
    Weitere Schlagworte: Grimké, Angelina Weld (1880-1958); Bennett, Gwendolyn (1902-1981); Cowdery, Mae V (approximately 1909-1953)
    Umfang: xvi, 269 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  17. Aphrodite's daughters
    three modernist poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: 2016
    Verlag:  Rutgers University Press, New Brunswick, New Jersey

    "Aphrodite's Daughters brings to dramatic life three lyrical poets of the Harlem Renaissance whose work was among the earliest to display erotic passion as a source of empowerment for women. Angelina Weld Grimke, Gwendolyn B. Bennett, and Mae V.... mehr

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    "Aphrodite's Daughters brings to dramatic life three lyrical poets of the Harlem Renaissance whose work was among the earliest to display erotic passion as a source of empowerment for women. Angelina Weld Grimke, Gwendolyn B. Bennett, and Mae V. Cowdery are framed as bold pioneers whose verse opened new frontiers into women's sexuality at the dawn of a new century. Honey describes Grimke construction of a Sapphic deity inspiring acolytes to express forbidden same-sex desire while she outlines Bennett's exploration of sexual pleasure and pain and Cowdery's frank depiction of bisexual erotics. Grimke, Bennett, and Cowdery, she argues, embraced the lyric "I" as an expression of their modernity as artists, women, and participants in the New Negro Movement by highlighting the female body as a primary source of meaning, strength and transcendence. Honey juxtaposes each poet's creative work against her life writing, personal archive, and appearances in the black press. These new source materials dramatically illuminate verse that has largely appeared without its biographical context or modernist roots. Honey's highly nuanced bio-critical portraits of this unique cadre of New Negro poets reveal the fascinating complexity of their private lives, and she creates absorbing narratives for all three as they experienced sexual awakening in lesbian, heterosexual, and bisexual contexts. The vivid interplay between intimate, racial and artistic currents in their lives makes Aphrodite's Daughters a compelling story of three courageous women who dared to be sexually alive New Negro artists paving the way toward our own era. "--

     
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  18. Breaking the ties that bind
    popular stories of the new woman, 1915 - 1930
    Beteiligt: Honey, Maureen (Hrsg.)
    Erschienen: 1992
    Verlag:  University of Oklahoma Press, Norman

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    93 A 2815
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    EV/970/7219
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Leipzig
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Brechtbau-Bibliothek
    Signatur:
    PE 350.060
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Honey, Maureen (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0806124679
    RVK Klassifikation: HU 1980
    Auflage/Ausgabe: 1. ed.
    Schlagworte: English fiction; United States; Feminism; Women's rights; Short stories, American; American fiction; American fiction; Women
    Umfang: XI, 339 S., Ill.
    Bemerkung(en):

    Includes bibliographical references
  19. Aphrodite's Daughters
    Three Modernist Poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: [2016]
    Verlag:  Rutgers University Press, New Brunswick, NJ ; Walter de Gruyter GmbH, Berlin

    The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
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    Standort:
    Universität Marburg, Universitätsbibliothek
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    keine Fernleihe

     

    The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invocation of a Sapphic goddess figure to Cowdery’s frank depiction of bisexual erotics to Bennett’s risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research, Aphrodite’s Daughters draws from Grimké, Bennett, and Cowdery’s published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating. ...

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813570808
    Weitere Identifier:
    RVK Klassifikation: HU 1728 ; HU 1732 ; HU 1745 ; HU 1769
    Schlagworte: Harlem renaissance; Frau; Autor; Lyrik
    Weitere Schlagworte: Bennett, Gwendolyn (1902-1981)
    Umfang: 1 Online-Ressource, 21 photographs
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  20. Aphrodite's daughters
    three modernist poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: [2016]
    Verlag:  Rutgers University Press, London

    Standort:
    Universität Mainz, Zentralbibliothek
    Signatur:
    281.208
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0813570786; 0813570794; 9780813570785; 9780813570792
    RVK Klassifikation: HU 1728 ; HU 1732 ; HU 1745 ; HU 1769
    Schlagworte: Harlem renaissance; Frau; Autor; Lyrik
    Weitere Schlagworte: Bennett, Gwendolyn (1902-1981)
    Umfang: xvi, 269 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  21. Shadowed Dreams
    Women's Poetry of the Harlem Renaissance
    Beteiligt: Honey, Maureen; McKay, Nellie
    Erschienen: [2006]
    Verlag:  Rutgers University Press, New Brunswick, NJ ; Walter de Gruyter GmbH, Berlin

    The first edition of Shadowed Dreams was a groundbreaking anthology that brought to light the contributions of women poets to the Harlem Renaissance. This revised and expanded version contains twice the number of poems found in the original, many of... mehr

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    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Standort:
    Universität Marburg, Universitätsbibliothek
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    The first edition of Shadowed Dreams was a groundbreaking anthology that brought to light the contributions of women poets to the Harlem Renaissance. This revised and expanded version contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new voices to the collection to once again strike new ground in African American literary history. Also new to this edition are nine period illustrations and updated biographical introductions for each poet. Shadowed Dreams features new poems by Gwendolyn Bennett, Anita Scott Coleman, Mae Cowdery, Blanche Taylor Dickinson, Alice Dunbar-Nelson, Jessie Fauset, Angelina Weld Grimké, Gladys Casely Hayford (a k a Aquah Laluah), Virginia Houston, Georgia Douglas Johnson, Helene Johnson, Effie Lee Newsome, Esther Popel, and Anne Spencer, as well as writings from newly discovered poets Carrie Williams Clifford, Edythe Mae Gordon, Alvira Hazzard, Gertrude Parthenia McBrown, Beatrice Murphy, Lucia Mae Pitts, Grace Vera Postles, Ida Rowland, and Lucy Mae Turner, among others. Covering the years 1918 through 1939 and ranging across the period’s major and minor journals, as well as its anthologies and collections, Shadowed Dreams provides a treasure trove of poetry from which to mine deeply buried jewels of black female visions in the early twentieth century.

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Honey, Maureen; McKay, Nellie
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813586205
    Weitere Identifier:
    Schriftenreihe: Multi-Ethnic Literatures of the Americas
    Umfang: 1 Online-Ressource (374 p.), 10
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020)
  22. Madame Butterfly
    Autor*in: Long, John Luther; Eaton, Winnifred
    Erschienen: [2002]; © 2002
    Verlag:  Rutgers University Press, New Brunswick, New Jersey

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Honey, Maureen (Herausgeber); Cole, Jean Lee (Herausgeber); Long, John Luther; Eaton, Winnifred
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0813530628; 0813530636
    RVK Klassifikation: HT 5968
    Umfang: XII, 184 Seiten, Illustrationen