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  1. Athenian comedy in the Roman Empire
    Beteiligt: Marshall, C. W. (HerausgeberIn); Hawkins, Tom (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, London

    "Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric,... mehr

    Standort:
    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
    Signatur:
    Ed 3200
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 959365
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Standort:
    Universitätsbibliothek Freiburg
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    GE 2016/1962
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    Standort:
    Universität Freiburg, Seminar für Griechische und Lateinische Philologie, Abteilung für Griechische Philologie und Abteilung für Lateinische Philologie der Antike und der Neuzeit, Bibliothek
    Signatur:
    Frei 75: A Lit M 133
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    Standort:
    Universitätsbibliothek Heidelberg
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    2015 A 12381
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Bereich Klassisches Altertum
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    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Standort:
    Universitätsbibliothek Osnabrück
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    6230-378 7
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    FE 4601 MAR
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    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    66.3400
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    "Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood. This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Marshall, C. W. (HerausgeberIn); Hawkins, Tom (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Konferenzschrift
    Format: Druck
    ISBN: 9781472588845; 9781472588838
    RVK Klassifikation: FE 3537 ; FE 4601
    Körperschaften/Kongresse: American Philological Association (2014, Chicago, Ill.)
    Schlagworte: Greek drama (Comedy); Latin drama (Comedy); Classical literature
    Umfang: 295 pages
    Bemerkung(en):

    Literaturverzeichnis: Seite 259-290

    Machine generated contents note:1. Introduction: C. W. Marshall, University of British Columbia, Canada, and Tom Hawkins, Ohio State University, USA -- 2. Selectivity and survival: Aristophanes and Menander: Alan Sommerstein, University of Nottingham, UK -- 3. Understanding Old Comedy in the Roman Empire: Ralph M. Rosen, University of Pennsylvania, USA -- 4. Comic papyri: Susan A. Stephens, Stanford University, USA -- 5. Comedies and comic actors in the Greek East: an epigraphical perspective: Fritz Graf, Ohio State University, USA -- 6. Actors' repertory and 'new' comedies under the Roman Empire: Sebastiana Nervegna, University of Sydney, Australia -- 7. Natio comoeda est: Juvenal, Menander, and the Revival of Greek New Comedy at Rome: Mathias Hanses, Columbia University, USA -- 8. Parrhesia and Pudenda: Genital Pathology and Satiric Speech, from Old Comedy to Juvenal: Julia Nelson Hawkins, Ohio State University, USA -- 9. Lucian and Old Comedy: Ian Storey, Trent University, Canada -- 10. Comic Eunuchism and the Adultery Plot in the Biographical Tradition of the Eunuch Sophist Favorinus: Ryan Samuels, Harvard University, USA -- 11. Comedy Repurposed: Evidence for Comic Performances in the Second Sophistic and Aristides' On the Banning of Comedy: Anna Peterson, Loyola University, USA -- 12. Dio Chrysostom and the Naked Parabasis: Tom Hawkins, Ohio State University, USA -- 13. New Comic Stock Characters in Alciphron's Letters: Melissa Funke, University of British Columbia, Canada -- 14. Aelian and Comedy: C. W. Marshall, University of British Columbia, Canada -- 15. Two Clouded Marriages: Aristainetos' Allusions to Aristophanes' Clouds in Letters 2.3 and 2.12: Emilia A. Barbiero, University of Toronto, Canada -- Bibliography -- Index.
  2. Athenian comedy in the Roman Empire
    Beteiligt: Marshall, C. W. (HerausgeberIn); Hawkins, Tom (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, London

    "Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric,... mehr

    Standort:
    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood. This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction"--

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Marshall, C. W. (HerausgeberIn); Hawkins, Tom (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Konferenzschrift
    Format: Druck
    ISBN: 9781472588845; 9781472588838
    RVK Klassifikation: FE 3537 ; FE 4601
    Körperschaften/Kongresse: American Philological Association (2014, Chicago, Ill.)
    Schlagworte: Greek drama (Comedy); Latin drama (Comedy); Classical literature
    Umfang: 295 pages
    Bemerkung(en):

    Literaturverzeichnis: Seite 259-290

    Machine generated contents note:1. Introduction: C. W. Marshall, University of British Columbia, Canada, and Tom Hawkins, Ohio State University, USA -- 2. Selectivity and survival: Aristophanes and Menander: Alan Sommerstein, University of Nottingham, UK -- 3. Understanding Old Comedy in the Roman Empire: Ralph M. Rosen, University of Pennsylvania, USA -- 4. Comic papyri: Susan A. Stephens, Stanford University, USA -- 5. Comedies and comic actors in the Greek East: an epigraphical perspective: Fritz Graf, Ohio State University, USA -- 6. Actors' repertory and 'new' comedies under the Roman Empire: Sebastiana Nervegna, University of Sydney, Australia -- 7. Natio comoeda est: Juvenal, Menander, and the Revival of Greek New Comedy at Rome: Mathias Hanses, Columbia University, USA -- 8. Parrhesia and Pudenda: Genital Pathology and Satiric Speech, from Old Comedy to Juvenal: Julia Nelson Hawkins, Ohio State University, USA -- 9. Lucian and Old Comedy: Ian Storey, Trent University, Canada -- 10. Comic Eunuchism and the Adultery Plot in the Biographical Tradition of the Eunuch Sophist Favorinus: Ryan Samuels, Harvard University, USA -- 11. Comedy Repurposed: Evidence for Comic Performances in the Second Sophistic and Aristides' On the Banning of Comedy: Anna Peterson, Loyola University, USA -- 12. Dio Chrysostom and the Naked Parabasis: Tom Hawkins, Ohio State University, USA -- 13. New Comic Stock Characters in Alciphron's Letters: Melissa Funke, University of British Columbia, Canada -- 14. Aelian and Comedy: C. W. Marshall, University of British Columbia, Canada -- 15. Two Clouded Marriages: Aristainetos' Allusions to Aristophanes' Clouds in Letters 2.3 and 2.12: Emilia A. Barbiero, University of Toronto, Canada -- Bibliography -- Index.
  3. Iambic poetics in the Roman Empire
    Autor*in: Hawkins, Tom
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge

    "This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the... mehr

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Akademie der Wissenschaften, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
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    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
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    "This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus - however briefly and to whatever end"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107012080
    RVK Klassifikation: FB 5950
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Jambendichtung; Antike; Griechisch; Latein; Rezeption; Jambus; Literatur
    Umfang: XI, 334 S.
    Bemerkung(en):

    Includes bibliographical references
  4. Iambic poetics in the Roman Empire
    Autor*in: Hawkins, Tom
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus – however briefly and to whatever end

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511997822
    Weitere Identifier:
    RVK Klassifikation: FB 5950
    Schlagworte: Iambic poetry, Classical / History and criticism; Greek language / Metrics and rhythmics; Latin language / Metrics and rhythmics; Latin literature / Greek influences; Jambendichtung; Literatur; Latein; Griechisch; Antike; Rezeption; Jambus
    Weitere Schlagworte: Archilochus / Criticism and interpretation; Archilochus / Influence
    Umfang: 1 online resource (xi, 334 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: the bitter Muse -- 1. Iambus delayed: Ovid's Ibis -- 2. Iambos denied: Babrius' Mythiambi -- 3. The Christian iambopoios: Gregory Nazianzen -- 4. Archilochus in Tarsus: Dio Chrysostom's First Tarsian -- 5. Playful aggression: Lucian's Pseudologista -- 6. Festive iambos: Julian's Misopogon --Conclusions: becoming Archilochus
  5. Athenian comedy in the Roman Empire
    Beteiligt: Marshall, C. W. (Hrsg.); Hawkins, Tom (Hrsg.)
    Erschienen: [2016]
    Verlag:  Bloomsbury, London ; New Delhi ; New York ; Sydney

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
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    Standort:
    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Marshall, C. W. (Hrsg.); Hawkins, Tom (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472588845; 9781472588838
    RVK Klassifikation: FE 3537 ; FE 4601
    Schlagworte: Literatur; Komödie; Latein; Rezeption; Griechisch
    Umfang: 295 Seiten
  6. Athenian comedy in the Roman Empire
    Beteiligt: Marshall, C. W. (Hrsg.); Hawkins, Tom (Hrsg.)
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, New York

    "Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric,... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    "Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood.This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Marshall, C. W. (Hrsg.); Hawkins, Tom (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472588869
    RVK Klassifikation: FE 3537 ; FE 4601
    Schlagworte: Greek drama (Comedy); Griechisch; Rezeption; Latein; Komödie; Literatur
    Umfang: 1 Online-Ressource (3,059 pages)
    Bemerkung(en):

    Description based on print version record

    Machine generated contents note: -- 1. Introduction: C. W. Marshall, University of British Columbia, Canada, and Tom Hawkins, Ohio State University, USA -- 2. Selectivity and survival: Aristophanes and Menander: Alan Sommerstein, University of Nottingham, UK -- 3. Understanding Old Comedy in the Roman Empire: Ralph M. Rosen, University of Pennsylvania, USA -- 4. Comic papyri: Susan A. Stephens, Stanford University, USA -- 5. Comedies and comic actors in the Greek East: an epigraphical perspective: Fritz Graf, Ohio State University, USA -- 6. Actors' repertory and 'new' comedies under the Roman Empire: Sebastiana Nervegna, University of Sydney, Australia -- 7. Natio comoeda est: Juvenal, Menander, and the Revival of Greek New Comedy at Rome: Mathias Hanses, Columbia University, USA -- 8. Parrhesia and Pudenda: Genital Pathology and Satiric Speech, from Old Comedy to Juvenal: Julia Nelson Hawkins, Ohio State University, USA -- 9. Lucian and Old Comedy: Ian Storey, Trent University, Canada -- 10. Comic Eunuchism and the Adultery Plot in the Biographical Tradition of the Eunuch Sophist Favorinus: Ryan Samuels, Harvard University, USA -- 11. Comedy Repurposed: Evidence for Comic Performances in the Second Sophistic and Aristides' On the Banning of Comedy: Anna Peterson, Loyola University, USA -- 12. Dio Chrysostom and the Naked Parabasis: Tom Hawkins, Ohio State University, USA -- 13. New Comic Stock Characters in Alciphron's Letters: Melissa Funke, University of British Columbia, Canada -- 14. Aelian and Comedy: C. W. Marshall, University of British Columbia, Canada -- 15. Two Clouded Marriages: Aristainetos' Allusions to Aristophanes' Clouds in Letters 2.3 and 2.12: Emilia A. Barbiero, University of Toronto, Canada -- Bibliography -- Index
  7. Iambic poetics in the Roman Empire
    Autor*in: Hawkins, Tom
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge

    "This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the... mehr

     

    "This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus - however briefly and to whatever end"--

     
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    93
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107012080
    RVK Klassifikation: FB 5950
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Griechisch; Latein; Jambendichtung; Griechisch; Jambendichtung; Rezeption; Griechisch; Latein; Antike; Literatur; Jambus; Geschichte
    Umfang: XI, 334 S., 26 cm
    Bemerkung(en):

    Literaturverz. S. 304 - 317
  8. Athenian comedy in the Roman Empire
    Beteiligt: Marshall, C. W. (HerausgeberIn); Hawkins, Tom (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, London

    "Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric,... mehr

    Standort:
    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
    Signatur:
    Ed 3200
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 959365
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Bereich Klassisches Altertum
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Signatur:
    6230-378 7
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Signatur:
    FE 4601 MAR
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    66.3400
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood. This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction"--

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Marshall, C. W. (HerausgeberIn); Hawkins, Tom (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Konferenzschrift
    Format: Druck
    ISBN: 9781472588845; 9781472588838
    RVK Klassifikation: FE 3537 ; FE 4601
    Körperschaften/Kongresse: American Philological Association (2014, Chicago, Ill.)
    Schlagworte: Greek drama (Comedy); Latin drama (Comedy); Classical literature
    Umfang: 295 pages
    Bemerkung(en):

    Literaturverzeichnis: Seite 259-290

    Machine generated contents note:1. Introduction: C. W. Marshall, University of British Columbia, Canada, and Tom Hawkins, Ohio State University, USA -- 2. Selectivity and survival: Aristophanes and Menander: Alan Sommerstein, University of Nottingham, UK -- 3. Understanding Old Comedy in the Roman Empire: Ralph M. Rosen, University of Pennsylvania, USA -- 4. Comic papyri: Susan A. Stephens, Stanford University, USA -- 5. Comedies and comic actors in the Greek East: an epigraphical perspective: Fritz Graf, Ohio State University, USA -- 6. Actors' repertory and 'new' comedies under the Roman Empire: Sebastiana Nervegna, University of Sydney, Australia -- 7. Natio comoeda est: Juvenal, Menander, and the Revival of Greek New Comedy at Rome: Mathias Hanses, Columbia University, USA -- 8. Parrhesia and Pudenda: Genital Pathology and Satiric Speech, from Old Comedy to Juvenal: Julia Nelson Hawkins, Ohio State University, USA -- 9. Lucian and Old Comedy: Ian Storey, Trent University, Canada -- 10. Comic Eunuchism and the Adultery Plot in the Biographical Tradition of the Eunuch Sophist Favorinus: Ryan Samuels, Harvard University, USA -- 11. Comedy Repurposed: Evidence for Comic Performances in the Second Sophistic and Aristides' On the Banning of Comedy: Anna Peterson, Loyola University, USA -- 12. Dio Chrysostom and the Naked Parabasis: Tom Hawkins, Ohio State University, USA -- 13. New Comic Stock Characters in Alciphron's Letters: Melissa Funke, University of British Columbia, Canada -- 14. Aelian and Comedy: C. W. Marshall, University of British Columbia, Canada -- 15. Two Clouded Marriages: Aristainetos' Allusions to Aristophanes' Clouds in Letters 2.3 and 2.12: Emilia A. Barbiero, University of Toronto, Canada -- Bibliography -- Index.
  9. Athenian comedy in the Roman Empire
    Beteiligt: Marshall, C. W. (Hrsg.); Hawkins, Tom (Hrsg.)
    Erschienen: [2016]
    Verlag:  Bloomsbury, London ; New Delhi ; New York ; Sydney

    Zugang:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Marshall, C. W. (Hrsg.); Hawkins, Tom (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474256285; 9781472588869
    Weitere Identifier:
    RVK Klassifikation: FE 3537 ; FE 4601
    Schlagworte: Komödie; Rezeption; Literatur; Latein; Griechisch
    Umfang: 1 Online-Ressource (295 Seiten)
  10. Athenian comedy in the Roman Empire
    Beteiligt: Marshall, C. W. (HerausgeberIn); Hawkins, Tom (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, London

    "Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric,... mehr

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    Universität Potsdam, Universitätsbibliothek
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    "Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood. This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Marshall, C. W. (HerausgeberIn); Hawkins, Tom (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Konferenzschrift
    Format: Druck
    ISBN: 9781472588845; 9781472588838
    RVK Klassifikation: FE 3537 ; FE 4601
    Körperschaften/Kongresse: American Philological Association (2014, Chicago, Ill.)
    Schlagworte: Greek drama (Comedy); Latin drama (Comedy); Classical literature
    Umfang: 295 pages
    Bemerkung(en):

    Literaturverzeichnis: Seite 259-290

    Machine generated contents note:1. Introduction: C. W. Marshall, University of British Columbia, Canada, and Tom Hawkins, Ohio State University, USA -- 2. Selectivity and survival: Aristophanes and Menander: Alan Sommerstein, University of Nottingham, UK -- 3. Understanding Old Comedy in the Roman Empire: Ralph M. Rosen, University of Pennsylvania, USA -- 4. Comic papyri: Susan A. Stephens, Stanford University, USA -- 5. Comedies and comic actors in the Greek East: an epigraphical perspective: Fritz Graf, Ohio State University, USA -- 6. Actors' repertory and 'new' comedies under the Roman Empire: Sebastiana Nervegna, University of Sydney, Australia -- 7. Natio comoeda est: Juvenal, Menander, and the Revival of Greek New Comedy at Rome: Mathias Hanses, Columbia University, USA -- 8. Parrhesia and Pudenda: Genital Pathology and Satiric Speech, from Old Comedy to Juvenal: Julia Nelson Hawkins, Ohio State University, USA -- 9. Lucian and Old Comedy: Ian Storey, Trent University, Canada -- 10. Comic Eunuchism and the Adultery Plot in the Biographical Tradition of the Eunuch Sophist Favorinus: Ryan Samuels, Harvard University, USA -- 11. Comedy Repurposed: Evidence for Comic Performances in the Second Sophistic and Aristides' On the Banning of Comedy: Anna Peterson, Loyola University, USA -- 12. Dio Chrysostom and the Naked Parabasis: Tom Hawkins, Ohio State University, USA -- 13. New Comic Stock Characters in Alciphron's Letters: Melissa Funke, University of British Columbia, Canada -- 14. Aelian and Comedy: C. W. Marshall, University of British Columbia, Canada -- 15. Two Clouded Marriages: Aristainetos' Allusions to Aristophanes' Clouds in Letters 2.3 and 2.12: Emilia A. Barbiero, University of Toronto, Canada -- Bibliography -- Index.
  11. Iambic poetics in the Roman Empire
    Autor*in: Hawkins, Tom
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge

    "This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the... mehr

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    "This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus - however briefly and to whatever end"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107012080
    RVK Klassifikation: FB 5950
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Jambendichtung; Antike; Griechisch; Latein; Rezeption; Jambus; Literatur
    Umfang: XI, 334 S.
    Bemerkung(en):

    Includes bibliographical references
  12. Iambic Poetics in the Roman Empire
    Autor*in: Hawkins, Tom
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Traces the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences mehr

    Standort:
    Hochschulbibliothek Friedensau
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    Traces the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107012080
    Umfang: Online-Ressource (348 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Halftitle; Title; Copyright; Dedication; Table of Contents; Acknowledgements; Abbreviations; Introduction: the bitter Muse; Introduction; Post-Horatian iambic poetics; Slurring Thersites' words:dissimulated iambic poetry (Chapters 1-3); Prosaic pastures of the Muses: simulated iambic prose (Chapters 4-6); Conjuring up Iambe: what the imperial era knew about iambic poetics; 1 Iambus delayed: Ovid'sIbis; Introduction; Ovid'siambic dissimulation; Callimachus and the idea of ibidic invective; Callimachus' Ibis and Plato'sPhaedrus; The geopoetics of washing ashore at Tomis

    Ruining the New Year in Ovid'sIbisIbidic therapy as a remedy for exile; Conclusions; Interlude 1 ""Bad artists imitate, great artists steal"":1Martial and the trope of not being iambic; 2 Iambos denied: Babrius Mythiambi; Introduction; Iambos and fable; Choliambs that neither sting nor bite; Babrius'First Prologue; Babrius'Second Prologue; Preconditioning an iambic reading of Babrius'fables; The iambic mode in Babrius'fables; Babrius and Phaedrus; Conclusions; Interlude 2 Iambopoioi after Babrius; 3 TheChristian IOTA WITHPSILIαμβοποιός - Gregory Nazianzen; Introduction

    The Callimachean turn: Eis ta emmetraGregory bites back at the dog; Gregory the holy man vs. the bishops; Conclusions; Interlude 3 Palladas and epigrammatic iambos; 4 Archilochus in Tarsus: Dio Chrysostom'sFirst Tarsian; Introduction; Ethical λοιδορίαand ethical crisis in Tarsus; Becoming Archilochean and theorizingλοιδορία; Rereading Dio'spersona; Dio'sArchilochean performance; Conclusions; Interlude 4 Begging with Hipponax; 5 Playful aggression: Lucian'sPseudologista; Introduction; Lucian on the attack; Fun with (fighting over) words; The gauche aggressor; The mouth of the barbarian

    Mock salvation on the kalendsConclusions; Interlude 5 Neobule in love: the Ps.-Lucianic Amores; 6 Festive Iambos: Julian'sMisopogon; Introduction; Updating iambic poetics; The emperor'sbeard; Of Hellenes and barbarians; Carnival at Antioch; Conclusions; Interlude 6 Iambic time travel: Julian the Egyptian on Archilochus; Conclusions: becoming Archilochus; Works cited; Index of passages cited; Index of Greek words; General index
  13. Abusive Mouths in Classical Athens (review)
    Autor*in: Hawkins, Tom
    Erschienen: 2009

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    Übergeordneter Titel: American journal of philology; Baltimore, Md. : Johns Hopkins Univ. Press, 1880-; Band 130, Heft 3 (2009), Seite 461-464; 23 cm

  14. Athenian comedy in the Roman Empire
    Beteiligt: Marshall, C. W. (HerausgeberIn); Hawkins, Tom (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, London, UK

    "Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric,... mehr

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    "Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood. This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Marshall, C. W. (HerausgeberIn); Hawkins, Tom (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472588869; 147258886X
    Schlagworte: Greek drama (Comedy); Theater; Theater; Greek drama (Comedy); Greek drama (Comedy); Theater; DRAMA / Ancient, Classical & Medieval; Theater; Greek drama (Comedy); Criticism, interpretation, etc; History
    Umfang: Online Ressource
    Bemerkung(en):

    Includes bibliographical references and index. - Vendor-supplied metadata
  15. Hacking Classical Forms in Haitian Literature
    Autor*in: Hawkins, Tom
    Erschienen: 2023; ©2024
    Verlag:  Taylor & Francis Group, Milton

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    Technische Universität Chemnitz, Universitätsbibliothek
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    ISBN: 9781000936384
    Schriftenreihe: Classics and the Postcolonial Series
    Umfang: 1 online resource (278 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  16. Iambic poetics in the Roman Empire
    Autor*in: Hawkins, Tom
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus – however briefly and to whatever end Introduction: the bitter Muse -- 1. Iambus delayed: Ovid's Ibis -- 2. Iambos denied: Babrius' Mythiambi -- 3. The Christian iambopoios: Gregory Nazianzen -- 4. Archilochus in Tarsus: Dio Chrysostom's First Tarsian -- 5. Playful aggression: Lucian's Pseudologista -- 6. Festive iambos: Julian's Misopogon --Conclusions: becoming Archilochus

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511997822
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    RVK Klassifikation: FB 5950
    Schlagworte: Iambic poetry, Classical; Greek language; Latin language; Latin literature; Archilochus ; Criticism and interpretation; Archilochus ; Influence; Iambic poetry, Classical ; History and criticism; Greek language ; Metrics and rhythmics; Latin language ; Metrics and rhythmics; Latin literature ; Greek influences
    Weitere Schlagworte: Archilochus; Archilochus
    Umfang: 1 Online-Ressource (xi, 334 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  17. HACKING CLASSICAL FORMS IN HAITIAN LITERATURE
    Autor*in: Hawkins, Tom
    Erschienen: 2023
    Verlag:  ROUTLEDGE, [S.l.] ; Taylor & Francis Group, London

    This is the first book to study how Haitian authors - from independence in 1804 to the modern Haitian diaspora - have adapted Greco-Roman material and harnessed it to Haiti's legacy as the world's first anti-colonial nation-state. In nine... mehr

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    This is the first book to study how Haitian authors - from independence in 1804 to the modern Haitian diaspora - have adapted Greco-Roman material and harnessed it to Haiti's legacy as the world's first anti-colonial nation-state. In nine chronologically organized chapters built around individual Haitian authors, Hawkins takes readers on a journey through one strand of Haitian literary history that draws on material from ancient Greece and Rome. This cross-disciplinary exploration is composed in a way that invites all readers to discover a rich and exciting cultural exchange that foregrounds the variety of ways that Haitian authors have hacked classical forms' as part of their creative process. Students of ancient Mediterranean cultures will learn about a branch of the Greco-Roman legacy that has never been deeply explored. Experts in Caribbean culture will find a robust register of Haitian literature that will enrich familiar texts. And those interested in anti-colonial movements will encounter a host of examples of artists creatively engaging with literary monuments from the past in ways that always keep the Haitian experience in central focus. Written in a broadly accessible style, Hacking Classical Forms in Haitian Literature appeals to anyone interested in Haiti, Haitian literature and history, anti-colonial literature, or classical reception studies

     
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    ISBN: 9780367824266; 0367824264; 9781000936315; 1000936317; 9781000936384; 1000936384
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    Schriftenreihe: Classics and the postcolonial
    Schlagworte: Haitian literature; Classical literature; Classical literature; HISTORY / Ancient / General
    Umfang: 1 Online-Ressource
  18. Iambic poetics in the Roman Empire
    Autor*in: Hawkins, Tom
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the... mehr

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    This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus – however briefly and to whatever end.

     
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    ISBN: 9780511997822
    RVK Klassifikation: FB 5950
    Schlagworte: Jambendichtung; Rezeption; Griechisch; Latein; Jambus
    Weitere Schlagworte: Archilochus (v680-v645)
    Umfang: 1 Online-Ressource (xi, 334 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  19. Athenian Comedy in the Roman Empire
    Autor*in: Marshall, C. W.
    Erschienen: 2015
    Verlag:  Bloomsbury Publishing Plc, London ; ProQuest, Ann Arbor, Michigan

    Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric,... mehr

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    Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood. This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction.

     
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    Quelle: Verbundkataloge
    Beteiligt: Hawkins, Tom
    Sprache: Englisch
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    ISBN: 9781472588869
    RVK Klassifikation: FE 3537 ; FE 4601
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Criminal Practice Ser.
    Schlagworte: Griechisch; Komödie; Rezeption; Greek drama (Comedy) -- History and criticism; Greek drama (Comedy)
    Umfang: 1 Online-Ressource (305 pages)
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    Description based on publisher supplied metadata and other sources
  20. Athenian comedy in the Roman Empire
    Beteiligt: Marshall, C. W. (Herausgeber); Hawkins, Tom (Herausgeber)
    Erschienen: [2016]; © 2016
    Verlag:  Bloomsbury, London

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    Beteiligt: Marshall, C. W. (Herausgeber); Hawkins, Tom (Herausgeber)
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    ISBN: 9781472588838; 9781472588845
    RVK Klassifikation: FE 3537 ; FE 4601
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    Schlagworte: Griechisch; Komödie; Rezeption
    Umfang: 295 Seiten
    Bemerkung(en):

    Literaturverzeichnis Seite 259-290
  21. Iambic poetics in the Roman Empire
    Autor*in: Hawkins, Tom
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    "This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the... mehr

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    "This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus - however briefly and to whatever end"--

     
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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9781107012080; 1107012082
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    9781007012080
    RVK Klassifikation: FB 5950
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Iambic poetry, Classical; Greek language; Latin language; Latin literature; Iambic poetry, Classical; Greek language; Latin language; Latin literature
    Weitere Schlagworte: Archilochus; Archilochus; Archilochus; Archilochus
    Umfang: XI, 334 S.
    Bemerkung(en):

    Includes bibliographical references

    Machine generated contents note: Introduction; 1. Iambus delayed: Ovid's Ibis; Interlude 1. 'Bad artists imitate, great artists steal': Martial and the trope of not being iambic; 2. Iambos denied: Babrius' Mythiambi; Interlude 2. Iambopoioi after Babrius; 3. The Christian iambopoios: Gregory Nazianzen; Interlude 3. Palladas and epigrammatic iambos; 4. Archilochus in Tarsus: Dio Chrysostom's First Tarsian; Interlude 4. Begging with Hipponax; 5. Playful aggression: Lucian's Pseudologista; Interlude 5. Neobule in love: the Ps.-Lucianic Amores; 6. Festive iambos: Julian's Misopogon; Interlude 6. Iambic time travel: Julian the Egyptian on Archilochus; Conclusions: becoming Archilochus.
  22. Iambic poetics in the Roman Empire
    Autor*in: Hawkins, Tom
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the... mehr

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    This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus – however briefly and to whatever end Introduction: the bitter Muse -- 1. Iambus delayed: Ovid's Ibis -- 2. Iambos denied: Babrius' Mythiambi -- 3. The Christian iambopoios: Gregory Nazianzen -- 4. Archilochus in Tarsus: Dio Chrysostom's First Tarsian -- 5. Playful aggression: Lucian's Pseudologista -- 6. Festive iambos: Julian's Misopogon --Conclusions: becoming Archilochus

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511997822
    Weitere Identifier:
    RVK Klassifikation: FB 5950
    Schlagworte: Iambic poetry, Classical; Greek language; Latin language; Latin literature; Archilochus ; Criticism and interpretation; Archilochus ; Influence; Iambic poetry, Classical ; History and criticism; Greek language ; Metrics and rhythmics; Latin language ; Metrics and rhythmics; Latin literature ; Greek influences
    Weitere Schlagworte: Archilochus; Archilochus
    Umfang: 1 Online-Ressource (xi, 334 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)