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The Cambridge history of literary criticism
9, Twentieth century historical, philosophical and psychological perspectives -
The Cambridge history of literary criticism
8, From formalism to poststructuralism -
Towards a 'natural' narratology
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Troubling confessions
speaking guilt in law & literature -
Troubling confessions
speaking guilt in law & literature -
Troubling confessions
speaking guilt in law & literature -
Troubling confessions
speaking guilt in law & literature -
Towards a "natural" narratology
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The Cambridge history of literary criticism
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The fictions of language and the languages of fiction
the linguistic representation of speech and consciousness -
The fictions of language and the languages of fiction
the linguistic representation of speech and consciousness -
Troubling confessions
speaking guild in law & literature -
Troubling confessions
speaking guilt in law & literature -
Towards a "natural" narratology
-
The Cambridge history of literary criticism
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New wine in old bottles?
voice, focalization, and new writing -
William Godwin's Caleb Williams
the tarnishing of the sublime -
Spectacle, theatre, and sympathy in Caleb Williams
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Sympathetic affect and artful deception
rhetorical ambivalence in William Godwin's Caleb Williams -
Fiction vs. non-fiction
narratological differentiations -
Noble savages and calibans
Dryden and colonial discourse -
<<The>> Cambridge history of literary criticism
9, Twentieth century historical, philosophical and psychological perspectives -
Towards a 'natural' narratology
-
<<The>> Cambridge history of literary criticism
8, From formalism to poststructuralism -
Troubling confessions
speaking guilt in law & literature