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Neulich in Beverly Hills
Es kam ganz anders: Das Kunsthaus Zürich zeigt die Träume der Pop-Kunst in Europa und was daraus wurde - von David Hockney bis Thomas Bayrle
Standort:
Institut für moderne Kunst Nürnberg, Archiv / Bibliothek
Fernleihe:
keine Fernleihe
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The outside can't go outside
USC Roski Lecture, 12/9/13 : HEAD - Genève Lecture, 4/14/15
Standort:
Kunst- und Museumsbibliothek der Stadt Köln
Signatur:
KMB/K CARPEN 2 2018
Fernleihe:
keine Fernleihe
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Here comes the sun
Pilar Albarracin, Francis Alÿs, Ghada Amer, Tacita Dean, Olafur Eliasson, Avital Geva, Rivane Neuenschwander, Tobias Rehberger, Jeroen de Rijke & Willem de Rooij
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Here comes the sun
Pilar Albarracin, Francis Alÿs, Ghada Amer, Tacita Dean, Olafur Eliasson, Avital Geva, Rivane Neuenschwander, Tobias Rehberger, Jeroen de Rijke & Willem de Rooij – <2>
Standort:
Hochschulbibliothek der Hochschule Düsseldorf
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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Here comes the sun
Pilar Albarracin, Francis Alÿs, Ghada Amer, Tacita Dean, Olafur Eliasson, Avital Geva, Rivane Neuenschwander, Tobias Rehberger, Jeroen de Rijke & Willem de Rooij – <1>
Standort:
Hochschulbibliothek der Hochschule Düsseldorf
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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Daniel Birnbaum
Chronology
Standort:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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Rich texts
selected writing for art
Compiled here for the first time, the critic, artist, gallerist, dealer, translator John Kelsey’s selected essays gamesomely convey some of the most poignant challenges in the art world and in the many social roles it creates. “When the critic...
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Standort:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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Compiled here for the first time, the critic, artist, gallerist, dealer, translator John Kelsey’s selected essays gamesomely convey some of the most poignant challenges in the art world and in the many social roles it creates. “When the critic chooses to become a smuggler, a hack, a cook, or an artist,” Kelsey said at a 2007 conference at the Städelschule in Frankfurt am Main, “it’s maybe because criticism as such remains tied to an outmoded social relation.” It is precisely this relation that Kelsey intends to not only critique but also to surpass. In this way, Kelsey’s “rich texts” play the double role of explaining the art world and actively participating in it; they close the distance between the work of art and how we talk about it. Originally published in Artforum—where Kelsey is a contributing editor—Texte zur Kunst, Parkett, and various artists’ catalogues, the essays compiled in Rich Texts have all been written over the last decade, and therefore embody a timeliness that strikes at the core of the contemporary art world and the crises that have come to define it.
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Thinking worlds
the Moscow Conference on Philosophy, Politics, and Art
Standort:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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Your engagement has consequences
on the relativity of your reality ; publ. on the occasion of the following exhibitions by Olafur Eliasson: The light setup, Malmö Konsthall, Malmö, September 10, 2005 - January 22, 2006 ; Notion Motion, Museum Boijmans van Beuningen, Rotterdam, October 8, 2005 - January 8, 2006 ; Your light shadow, Hara Museum for Contemporary Art, Tokyo, November 17, 2005 - March 5, 2006
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Olafur Eliasson
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Artful objects
Graham Harman on art and the business of speculative Realism
Standort:
Zentralinstitut für Kunstgeschichte, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
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Here comes the sun
Pilar Albarracin, Francis Alÿs, Ghada Amer, Tacita Dean, Olafur Eliasson, Avital Geva, Rivane Neuenschwander, Tobias Rehberger, Jeroen de Rijke & Willem de Rooij
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Is it my body?
selected texts
Standort:
Bayerische Staatsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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The outside can't go outside
USC Roski Lecture, 12/9/13 : HEAD - Genève Lecture, 4/14/15
Standort:
Zentralinstitut für Kunstgeschichte, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
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Thomas Mann and neurology
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More than real. Art in the digital age
2018 Verbier Art Summit
Standort:
Bayerische Staatsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universitätsbibliothek der LMU München
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Zentralinstitut für Kunstgeschichte, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
Standort:
Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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Efter Babel
poesin kommer att göras av alla! - 89plus ; [i samband med utställingen ... Moderna Museet, Stockholm 13.6. - 30.8.2015] = After Babel : poetry will be made by all! - 89plus
Standort:
Bayerische Staatsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Zentralinstitut für Kunstgeschichte, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
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Art and subjecthood
the return of the human figure in semiocapitalism
Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist...
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Standort:
Zentralinstitut für Kunstgeschichte, Bibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
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Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist vocabulary, which embraces anthropomorphism as in the works of Isa Genzken and Rachel Harrison. This book brings together contributions from the eponymous conference, all of which seek to speculate on the reasons as to why, since the turn of the millennium, we have encountered so many artworks that tend to reconcile Minimalism with suggestions of the human figure. It proposes that this new artistic convention becomes rather questionable when discussed in the light of Franco Berardi's theory of semiocapitalism-a power technology that aims squarely at our human resources. The participants of this conference were asked to offer possible explanations for this wide acceptance of anthropomorphism could it be that this is a manifestation ofthe increasingly desperate desire for art to have agency?
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Den andra födan
en essä om melankoli och kannibalism
Standort:
Bayerische Staatsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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Artful objects
Graham Harman on art and the business of speculative realism
Standort:
Kunst- und Museumsbibliothek der Stadt Köln
Signatur:
KMB/DC GRAHAM 4 2020
Fernleihe:
keine Fernleihe
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"The outside can't go outside"
USC Roski Lecture, 12/9/13, HEAD - Genève Lecture, 4/14/15
Preface / Isabelle Graw, Daniel Birnbaum -- "The Outside Can't Go Outside" -- USC Roski Lecture, 12/9/13 -- HEAD : Genève Lecture, 4/14/15 -- Poor Leatherette -- Biography. Zusammenfassung: Why has there been so much interest in "surplus value" in...
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Preface / Isabelle Graw, Daniel Birnbaum -- "The Outside Can't Go Outside" -- USC Roski Lecture, 12/9/13 -- HEAD : Genève Lecture, 4/14/15 -- Poor Leatherette -- Biography. Zusammenfassung: Why has there been so much interest in "surplus value" in recent years? In "The Outside Can't Go Outside", artist Merlin Carpenter considers how this term has been inserted into contemporary art theory following the financial crisis of 2007/8. The book focuses on the idea that the value of art is located in unpaid mental, educational, and communicational labor that is gradually accrued and then exploited according to the logic of Marx's central thesis on exploitation. This much-hyped view is rejected in favor of a more rigorous Marxist interpretation of the nature of surplus value, and its role in a systematic law of value. Carpenter counterposes value to what exists outside of it--a dream, an imaginary, what he describes as a "trance" or the location of revolutionary thought and desires. The outside, however, is not proposed as a physical location, but as an outside inside the body that functions as a line of control within. Moreover, the author suggests that the new revolutionary subjects might be the new groups that form in order to push against control networks, in a reordering of class struggles.
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More than real
art in the digital age : 2018 Verbier Art Summit
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From Immaterials to Resistance. The Other Side of Les Immatériaux
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Guillermo Faivovich & Nicolás Goldberg, The campo del cielo meteorites
Vol. 1., El Taco : [produced by Documenta (13) on the occasion of the Exhibition: Guillermo Faivovich & Nicolás Goldberg. Meteorit "El Taco", Portikus, Frankfurt am Main 25.9. - 14.11.2010] / [texts Daniel Birnbaum ... Ed. Bettina Funcke. Transl. Andrea Bargenda ...]
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What good is the moon?
the exhibitions of the Trussardi Foundation ; [Darren Almond ...]
