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  1. Staged
    show trials, political theater, and the aesthetics of judgment
    Autor*in: Arjomand, Minou
    Erschienen: [2018]; © 2018
    Verlag:  Columbia University Press, New York

    Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231545730
    Weitere Identifier:
    Schlagworte: Theater; Theater; Trials; War crime trials; Politisches Theater; Schauprozess; Ästhetik; Theater
    Umfang: 1 Online-Ressource (XV, 232 Seiten), Illustrationen
  2. Staged
    show trials, political theater, and the aesthetics of judgment
    Autor*in: Arjomand, Minou
    Erschienen: [2018]
    Verlag:  Columbia University Press, New York

    "No one uses the term "show trial" as a compliment: we usually understand theater as antithetical to the workings of justice. But after the Second World War, directors and playwrights like Bertolt Brecht, Erwin Piscator, Peter Weiss, and Arthur... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "No one uses the term "show trial" as a compliment: we usually understand theater as antithetical to the workings of justice. But after the Second World War, directors and playwrights like Bertolt Brecht, Erwin Piscator, Peter Weiss, and Arthur Miller sought to claim a new public role for theater by restaging trials as shows. In the two decades after the War, the Moscow show trials, Nuremberg trials, House Un-American Activities Committee hearings, the Frankfurt Auschwitz trial, and the Eichmann trial were all turned into plays. Why re-stage these trials within a theater? How can the stage represent atrocity and narrate histories of oppression differently than a courtroom? And, finally, how do the processes of aesthetic judgment change an audience's understanding of justice? To answer these questions, Staged combines extensive archival research into performances of postwar documentary theater with a critical reading of Hannah Arendt's political and aesthetic philosophy, addressing at the same time broader debates within critical theory about the relationship between aesthetics and politics"-- Show trials and political theatre -- Hannah Arendt : judging in dark times -- Bertolt Brecht : poetic justice -- Erwin Piscator : theatre after Auschwitz -- Trials in Nuremberg -- Archives, law, and theatre today

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231184885
    Schlagworte: Theater; Legal drama; Political plays; Aesthetics
    Umfang: xv, 232 pages, illustrations
    Bemerkung(en):

    Includes bibliographical references and index

  3. The Routledge introduction to theatre and performance studies
    Erschienen: 2014
    Verlag:  Routledge, London ; New York

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Arjomand, Minou (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780203068731; 9781135083885
    Weitere Identifier:
    RVK Klassifikation: AP 62800 ; AP 63500 ; AP 73000 ; EC 4700
    Schlagworte: Theatre; Theatre; Performing arts; Performing arts; Performance <Künste>; Theater; Theaterwissenschaft
    Umfang: 1 Online-Ressource (XI, 201 Seiten), Illustrationen
  4. Staged
    show trials, political theater, and the aesthetics of judgment
    Autor*in: Arjomand, Minou
    Erschienen: [2018]; © 2018
    Verlag:  Columbia University Press, New York

    Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Deutsches Forum für Kunstgeschichte, Bibliothek
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231545730
    Weitere Identifier:
    Schlagworte: Theater; Theater; Trials; War crime trials; Politisches Theater; Schauprozess; Ästhetik; Theater
    Umfang: 1 Online-Ressource (XV, 232 Seiten), Illustrationen
  5. Staged
    show trials, political theater, and the aesthetics of judgment
    Autor*in: Arjomand, Minou
    Erschienen: [2018]
    Verlag:  Columbia University Press, New York

    "No one uses the term "show trial" as a compliment: we usually understand theater as antithetical to the workings of justice. But after the Second World War, directors and playwrights like Bertolt Brecht, Erwin Piscator, Peter Weiss, and Arthur... mehr

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "No one uses the term "show trial" as a compliment: we usually understand theater as antithetical to the workings of justice. But after the Second World War, directors and playwrights like Bertolt Brecht, Erwin Piscator, Peter Weiss, and Arthur Miller sought to claim a new public role for theater by restaging trials as shows. In the two decades after the War, the Moscow show trials, Nuremberg trials, House Un-American Activities Committee hearings, the Frankfurt Auschwitz trial, and the Eichmann trial were all turned into plays. Why re-stage these trials within a theater? How can the stage represent atrocity and narrate histories of oppression differently than a courtroom? And, finally, how do the processes of aesthetic judgment change an audience's understanding of justice? To answer these questions, Staged combines extensive archival research into performances of postwar documentary theater with a critical reading of Hannah Arendt's political and aesthetic philosophy, addressing at the same time broader debates within critical theory about the relationship between aesthetics and politics"...

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780231184885
    Schlagworte: Theater; Legal drama; Political plays; Aesthetics; Politisches Theater; Ästhetik; Theater; Schauprozess
    Umfang: XV, 232 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  6. The Routledge introduction to theatre and performance studies
    Erschienen: 2014
    Verlag:  Routledge, London ; New York

    Universitätsbibliothek der RPTU in Kaiserslautern
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Koblenz
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Arjomand, Minou (Herausgeber, Übersetzer)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780203068731; 9781135083885
    Weitere Identifier:
    RVK Klassifikation: AP 63500 ; AP 73000 ; EC 4700 ; AP 62800
    Schlagworte: Theatre; Theatre; Performing arts; Performing arts; Theater; Theaterwissenschaft; Performance <Künste>
    Umfang: 1 Online-Ressource (xi, 201 Seiten), Illustrationen
  7. Staged
    show trials, political theater, and the aesthetics of judgment
    Autor*in: Arjomand, Minou
    Erschienen: [2018]; © 2018
    Verlag:  Columbia University Press, New York

    Universitäts- und Landesbibliothek Münster
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231545730
    Weitere Identifier:
    Schlagworte: Theater; Theater; Trials; War crime trials; Theater; Politisches Theater; Ästhetik; Schauprozess
    Umfang: 1 Online-Ressource (xv, 232 Seiten), Illustrationen
  8. <<The>> Routledge introduction to theatre and performance studies
    Erschienen: 2014
    Verlag:  Routledge, London [u.a.]

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Arjomand, Minou (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780415504195; 9780415504201
    Weitere Identifier:
    9780415504201
    RVK Klassifikation: AP 62800 ; EC 4700
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Theatre; Theatre; Performing arts; Performing arts
    Umfang: XI, 201 S., Ill.
    Bemerkung(en):

    Literaturverz. S. [185] - 196

    Literaturangaben

  9. Staged
    show trials, political theater, and the aesthetics of judgment
    Autor*in: Arjomand, Minou
    Erschienen: [2018]
    Verlag:  Columbia University Press, New York

    "No one uses the term "show trial" as a compliment: we usually understand theater as antithetical to the workings of justice. But after the Second World War, directors and playwrights like Bertolt Brecht, Erwin Piscator, Peter Weiss, and Arthur... mehr

    Archiv der Akademie der Künste, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität der Künste Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "No one uses the term "show trial" as a compliment: we usually understand theater as antithetical to the workings of justice. But after the Second World War, directors and playwrights like Bertolt Brecht, Erwin Piscator, Peter Weiss, and Arthur Miller sought to claim a new public role for theater by restaging trials as shows. In the two decades after the War, the Moscow show trials, Nuremberg trials, House Un-American Activities Committee hearings, the Frankfurt Auschwitz trial, and the Eichmann trial were all turned into plays. Why re-stage these trials within a theater? How can the stage represent atrocity and narrate histories of oppression differently than a courtroom? And, finally, how do the processes of aesthetic judgment change an audience's understanding of justice? To answer these questions, Staged combines extensive archival research into performances of postwar documentary theater with a critical reading of Hannah Arendt's political and aesthetic philosophy, addressing at the same time broader debates within critical theory about the relationship between aesthetics and politics"...

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780231184885
    Übergeordneter Titel:
    Schlagworte: Theater; Legal drama; Political plays; Aesthetics; Politisches Theater; Ästhetik; Theater; Schauprozess
    Umfang: XV, 232 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  10. Staged
    Show Trials, Political Theater, and the Aesthetics of Judgment
    Autor*in: Arjomand, Minou
    Erschienen: [2018]
    Verlag:  Columbia University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term “show trials” suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by... mehr

    Universitätsbibliothek Gießen
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    Universität Mainz, Zentralbibliothek
    keine Fernleihe
    Universität Marburg, Universitätsbibliothek
    keine Fernleihe

     

    Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term “show trials” suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231545730
    Weitere Identifier:
    Schlagworte: Theater; Schauprozess; Politisches Theater; Ästhetik
    Umfang: 1 Online-Ressource, 21 b&w illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018)

  11. The Routledge Introduction to Theatre and Performance Studies
    Erschienen: 2014
    Verlag:  Routledge, London

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    02/AP 62800 F529
    keine Fernleihe
    Universität Mainz, Zentralbibliothek
    268.353
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Arjomand, Minou (Übersetzer)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780415504195; 9780415504201
    RVK Klassifikation: AP 62800 ; EC 4700
    Schlagworte: Theater; Performance <Künste>; Theaterwissenschaft
    Umfang: XI, 201 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis Seite [185] - 196

  12. Staged
    show trials, political theater, and the aesthetics of judgment
    Autor*in: Arjomand, Minou
    Erschienen: [2018]; © 2018
    Verlag:  Columbia University Press, New York

    Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term “show trials” suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by... mehr

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    Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term “show trials” suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231545730
    Weitere Identifier:
    Schlagworte: Theater; Theater; War crime trials; Trials; Theater; Theater; War crime trials; Trials; Legal drama; Aesthetics; Political plays; Theater.; Theater.; Trials.; War crime trials.; PHILOSOPHY / Movements / Critical Theory
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Frontmatter -- -- Contents -- -- ILLUSTRATIONS -- -- ACKNOWLEDGMENTS -- -- Introduction: Show Trials and Political Theater -- -- Chapter One. Hannah Arendt: Judging in Dark Times -- -- Chapter Two. Bertolt Brecht: Poetic Justice -- -- Chapter Three. Erwin Piscator: Theater After Auschwitz -- -- Chapter Four. Trials in Nuremberg -- -- Conclusion. Archives, Law, and Theater Today -- -- NOTES -- -- BIBLIOGRAPHY -- -- INDEX

  13. Staged
    show trials, political theater, and the aesthetics of judgment
    Autor*in: Arjomand, Minou
    Erschienen: [2018]
    Verlag:  Columbia University Press, New York

    "No one uses the term "show trial" as a compliment: we usually understand theater as antithetical to the workings of justice. But after the Second World War, directors and playwrights like Bertolt Brecht, Erwin Piscator, Peter Weiss, and Arthur... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Wissenschaftskolleg zu Berlin - Institute for Advanced Study, Bibliothek
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    HR 1784 A719
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    "No one uses the term "show trial" as a compliment: we usually understand theater as antithetical to the workings of justice. But after the Second World War, directors and playwrights like Bertolt Brecht, Erwin Piscator, Peter Weiss, and Arthur Miller sought to claim a new public role for theater by restaging trials as shows. In the two decades after the War, the Moscow show trials, Nuremberg trials, House Un-American Activities Committee hearings, the Frankfurt Auschwitz trial, and the Eichmann trial were all turned into plays. Why re-stage these trials within a theater? How can the stage represent atrocity and narrate histories of oppression differently than a courtroom? And, finally, how do the processes of aesthetic judgment change an audience's understanding of justice? To answer these questions, Staged combines extensive archival research into performances of postwar documentary theater with a critical reading of Hannah Arendt's political and aesthetic philosophy, addressing at the same time broader debates within critical theory about the relationship between aesthetics and politics"-- Show trials and political theatre -- Hannah Arendt : judging in dark times -- Bertolt Brecht : poetic justice -- Erwin Piscator : theatre after Auschwitz -- Trials in Nuremberg -- Archives, law, and theatre today

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231184885
    Schlagworte: Theater; Legal drama; Political plays; Aesthetics
    Umfang: xv, 232 pages, illustrations
    Bemerkung(en):

    Includes bibliographical references and index

  14. <<The>> Routledge introduction to theatre and performance studies
    Erschienen: 2014
    Verlag:  Routledge, London ; New York

    Universitätsbibliothek Koblenz
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Arjomand, Minou (Herausgeber, Übersetzer)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780203068731; 9781135083885
    Weitere Identifier:
    RVK Klassifikation: AP 62800 ; EC 4700 ; AP 63500 ; AP 73000
    Schlagworte: Theatre; Theatre; Performing arts; Performing arts
    Umfang: 1 Online-Ressource (xi, 201 Seiten), Illustrationen
  15. Staged
    show trials, political theater, and the aesthetics of judgment
    Autor*in: Arjomand, Minou
    Erschienen: [2018]; © 2018
    Verlag:  Columbia University Press, New York

    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231545730
    Weitere Identifier:
    Schlagworte: Theater; Theater; Trials; War crime trials
    Umfang: 1 Online-Ressource (xv, 232 Seiten), Illustrationen