Liao Yiwu und die Freiheit der Literatur. Mit Beiträgen von Karin Betz, Christoph König, Liao Yiwu und Herbert Wiesner
Textdokumentation zur Podiumsveranstaltung der Osnabrücker Friedensgespräche und des Germanistischen Kolloquiums der Universität Osnabrück am 27. Juni 2018
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Textdokumentation zur Podiumsveranstaltung der Osnabrücker Friedensgespräche und des Germanistischen Kolloquiums der Universität Osnabrück am 27. Juni 2018
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[Rezension zu:] Henk de Berg, Kontext und Kontingenz. Kommunikationstheoretische Überlegungen zur Literaturhistoriographie. Mit einer Fallstudie zur Goethe-Rezeption des Jungen Deutschland.
Other ; Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG geförderten) Allianz- bzw. Nationallizenz frei zugänglich. ; Other ; This publication is with permission of the rights owner freely accessible due to an Alliance licence...
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Other ; Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG geförderten) Allianz- bzw. Nationallizenz frei zugänglich. ; Other ; This publication is with permission of the rights owner freely accessible due to an Alliance licence and a national licence (funded by the DFG, German Research Foundation) respectively. ; Abstract ; Henk de Berg will die Luhmannsche Kommunikationstheorie für die Literaturgeschichtsschreibung fruchtbar machen, indem er sie mit theoretischen Einsichten Quentin Skinners und Thomas Nipperdeys 'anreichert'. Im ersten Teil (der ungefähr die Hälfte der Arbeit umfaßt) sucht er den Nachweis zu erbringen, daß weder eine klassisch-hermeneutische noch eine literatur- oder wirkungsgeschichtliche Interpretation dem Verständnis eines Textes dienlich seien. Gefordert wird demgegenüber ein funktionalistischer Ansatz von Textverstehen, ein „dreistellige[s] Modell" (Text / Kontext / Beobachter; S. 73), das dem Interpreten die Position eines Beobachters zuweist, von der aus sich ihm die Bedeutung eines Textes in Opposition zu einem Kontext erschließen soll.
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Construyendo el espacio teatral criollo: Los empeños de una casa de Sor Juana Inés de la Cruz
Abstract ; The article analyzes the play and festejo Los empeños de una casa by the Mexican Golden Age playwright Sor Juana Inés de la Cruz and claims that the play is a transcultural creation. In the play, the different “rooms” of the house, meaning...
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Abstract ; The article analyzes the play and festejo Los empeños de una casa by the Mexican Golden Age playwright Sor Juana Inés de la Cruz and claims that the play is a transcultural creation. In the play, the different “rooms” of the house, meaning the different parts of the festejo, allude to other cultural spaces, whether they be texts from the canon of Spanish Golden Age theater (for example by Calderón de la Barca) or Latin-American texts and spaces. The allusions to Latin-American spaces run throughout the festejo and frame it as a creole play by adapting the Spanish genre to the reality and the esthetic and epistemic context of Colonial Mexico. The article applies Gilles Deleuze’s concept of the baroque fold in order to understand the transcultural aspects of Sor Juana’s play in terms of the construction of semantic spaces. The interior and exterior spaces of Los empeños de una casa are interwoven: the house is a baroque labyrinth in which comic fortunes and misfortunes are expressed as an oscillating game between the visible and the invisible, the ephemeral and the stable. In a first step we will analyze the loa and its allegorical spaces. Secondly, we will focus on the comedia and its ironic and insightful way to challenge genre conventions. In a final step, we will read the Sainete Segundo as a commentary on creole theatre and its spaces.
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Prácticas literarias de pertenencia: identificación y diferenciación cultural en la loa del Divino Narciso de Juana Inés de la Cruz
Abstract ; The article investigates the transcultural exchanges and the traces of a creole consciousness in the loa of the auto sacramental El Divino Narciso by Juana Inés de la Cruz. Our reading of this allegorical play takes the concept of...
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Abstract ; The article investigates the transcultural exchanges and the traces of a creole consciousness in the loa of the auto sacramental El Divino Narciso by Juana Inés de la Cruz. Our reading of this allegorical play takes the concept of belonging as a tool for the analysis of the multifaceted dynamics of cultural identification and differentiation that are deployed in this literary text from the Mexican colonial baroque of the 17th century. We will focus on three dimensions on which the author introduces differentiations that structure the topic and the action of the play: the geocultural dimension, the ethic dimension and the geopolitical dimension. In doing so, we propose to consider Juana’s creole consciousness not so much as an identity that she possesses but rather as the totality of the complex and sometimes contradictory practices of belonging that are expressed in her texts.
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Natural convection in a vertical channel with open-cell foams
Open-cell foams are promising to enhance heat transfer in many applications, such as electronics cooling. Though heat transfer coefficients are low, natural convection in open-cell foams is used in low-end applications, as consumer electronics or...
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Open-cell foams are promising to enhance heat transfer in many applications, such as electronics cooling. Though heat transfer coefficients are low, natural convection in open-cell foams is used in low-end applications, as consumer electronics or switching devices. In this paper air natural convection in a vertical channel equipped with an open-cell foam, with a symmetric uniform heat flux boundary condition at the vertical sides, is investigated numerically. The foam is modeled as a continuous porous medium under the assumption of Local Thermal Non-Equilibrium (LTNE) between solid and fluid phases. Mass, momentum and energy equations are solved numerically under the appropriate boundary conditions by employing a commercial finite element code. The velocity of the fluid and the temperature of the solid as well as the global heat transfer coefficient, for different thermo-physical properties and morphologies of the foam, and for various channel aspect ratios, are predicted.
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