Liao Yiwu und die Freiheit der Literatur. Mit Beiträgen von Karin Betz, Christoph König, Liao Yiwu und Herbert Wiesner
Textdokumentation zur Podiumsveranstaltung der Osnabrücker Friedensgespräche und des Germanistischen Kolloquiums der Universität Osnabrück am 27. Juni 2018
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Textdokumentation zur Podiumsveranstaltung der Osnabrücker Friedensgespräche und des Germanistischen Kolloquiums der Universität Osnabrück am 27. Juni 2018
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[Rezension zu:] Henk de Berg, Kontext und Kontingenz. Kommunikationstheoretische Überlegungen zur Literaturhistoriographie. Mit einer Fallstudie zur Goethe-Rezeption des Jungen Deutschland.
Other ; Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG geförderten) Allianz- bzw. Nationallizenz frei zugänglich. ; Other ; This publication is with permission of the rights owner freely accessible due to an Alliance licence...
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Other ; Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG geförderten) Allianz- bzw. Nationallizenz frei zugänglich. ; Other ; This publication is with permission of the rights owner freely accessible due to an Alliance licence and a national licence (funded by the DFG, German Research Foundation) respectively. ; Abstract ; Henk de Berg will die Luhmannsche Kommunikationstheorie für die Literaturgeschichtsschreibung fruchtbar machen, indem er sie mit theoretischen Einsichten Quentin Skinners und Thomas Nipperdeys 'anreichert'. Im ersten Teil (der ungefähr die Hälfte der Arbeit umfaßt) sucht er den Nachweis zu erbringen, daß weder eine klassisch-hermeneutische noch eine literatur- oder wirkungsgeschichtliche Interpretation dem Verständnis eines Textes dienlich seien. Gefordert wird demgegenüber ein funktionalistischer Ansatz von Textverstehen, ein „dreistellige[s] Modell" (Text / Kontext / Beobachter; S. 73), das dem Interpreten die Position eines Beobachters zuweist, von der aus sich ihm die Bedeutung eines Textes in Opposition zu einem Kontext erschließen soll.
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Construyendo el espacio teatral criollo: Los empeños de una casa de Sor Juana Inés de la Cruz
Abstract ; The article analyzes the play and festejo Los empeños de una casa by the Mexican Golden Age playwright Sor Juana Inés de la Cruz and claims that the play is a transcultural creation. In the play, the different “rooms” of the house, meaning...
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Abstract ; The article analyzes the play and festejo Los empeños de una casa by the Mexican Golden Age playwright Sor Juana Inés de la Cruz and claims that the play is a transcultural creation. In the play, the different “rooms” of the house, meaning the different parts of the festejo, allude to other cultural spaces, whether they be texts from the canon of Spanish Golden Age theater (for example by Calderón de la Barca) or Latin-American texts and spaces. The allusions to Latin-American spaces run throughout the festejo and frame it as a creole play by adapting the Spanish genre to the reality and the esthetic and epistemic context of Colonial Mexico. The article applies Gilles Deleuze’s concept of the baroque fold in order to understand the transcultural aspects of Sor Juana’s play in terms of the construction of semantic spaces. The interior and exterior spaces of Los empeños de una casa are interwoven: the house is a baroque labyrinth in which comic fortunes and misfortunes are expressed as an oscillating game between the visible and the invisible, the ephemeral and the stable. In a first step we will analyze the loa and its allegorical spaces. Secondly, we will focus on the comedia and its ironic and insightful way to challenge genre conventions. In a final step, we will read the Sainete Segundo as a commentary on creole theatre and its spaces.
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Prácticas literarias de pertenencia: identificación y diferenciación cultural en la loa del Divino Narciso de Juana Inés de la Cruz
Abstract ; The article investigates the transcultural exchanges and the traces of a creole consciousness in the loa of the auto sacramental El Divino Narciso by Juana Inés de la Cruz. Our reading of this allegorical play takes the concept of...
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Abstract ; The article investigates the transcultural exchanges and the traces of a creole consciousness in the loa of the auto sacramental El Divino Narciso by Juana Inés de la Cruz. Our reading of this allegorical play takes the concept of belonging as a tool for the analysis of the multifaceted dynamics of cultural identification and differentiation that are deployed in this literary text from the Mexican colonial baroque of the 17th century. We will focus on three dimensions on which the author introduces differentiations that structure the topic and the action of the play: the geocultural dimension, the ethic dimension and the geopolitical dimension. In doing so, we propose to consider Juana’s creole consciousness not so much as an identity that she possesses but rather as the totality of the complex and sometimes contradictory practices of belonging that are expressed in her texts.
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Influences of postural alterations on the hemodynamic of the gait in patients with saphenous incompetence. A preliminary study
OBJECTIVES: The aim of this study is to verify whether the postural alterations can influence the development of the varicose disease with unilateral and bilateral saphenous incompetence. MATERIALS AND METHODS: 39 patients suffering from saphenous...
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OBJECTIVES: The aim of this study is to verify whether the postural alterations can influence the development of the varicose disease with unilateral and bilateral saphenous incompetence. MATERIALS AND METHODS: 39 patients suffering from saphenous incompetence diagnosed by hemodynamic study with eco-color doppler (20 patients with bilateral venous insufficiency (VI), 19 patients with unilateral VI) have performed the gait analysis though wireless inertial sensor and baropodometry to assess the plantar pressure distribution both statically and dynamically. RESULTS: The 68% and the 60% of subjects suffering from unilateral or bilateral VI present a plantar pressure dysfunction a single foot or both feet in static and/or in dynamic. In 63% of subjects with unilateral VI the propulsion is reduced on the lower limb damaged. The number of asymmetries in walking and dysfunctions in planar pressure in both groups has been calculated. The average number of asymmetries in walking in the group of patients with unilateral VI is significantly greater (p-value=0.0075) compared to the group of patients with bilateral VI. CONCLUSIONS: Plantar pressure and increased valvo-muscular pump pressure (VMPP) are not the main etiological factors that modify the hemodynamic in walking. In unilateral cases the postural alterations may contribute to worsening or to appearance of the varicose veins. Postural disorders treatment in children of phlebopaths during the childhood could maintain the mild condition of varicose disease silent. The treatment in adults suffering from unilateral VI may reduce or prevent the appearance of relapses KEY WORDS: Gait analysis, Hemodynamic of the gait, Postural alterations, Saphenous incompetence, Venous insufficiency.
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