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Rewriting Histories and Geographies: Cosmopolitan Moments in Contemporary Indian Writing in English
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AIDS in German Literature, Theatre, and Film. The Cultural Dramaturgy of Disorder
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White Woman
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Intermedialität: Text/Bild-Verhältnisse
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Book review: Richard Bowring: The Religious Traditions of Japan 500–1600
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A Medieval Drama
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Hemingway and the Venetian Nobility
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Contrasting the Automatic Identification of Two Discourse Markers in Multiparty Dialogues
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Review of A.S. Byatt by Mariadele Boccardi
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Gulliver's Travels. The Cambridge Edition of the Works of Jonathan Swift
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Using folk songs as a source for dialect change? The pervasive effects of attitudes
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In search of the Chronicle of Matthew of Edessa
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Putting the Pieces Together: Interedition Microservices in Practice
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Digital Tools for Scholarly Editions: An Overview, and a Wish List
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Mallarmé and His Futurist 'Heir' Marinetti
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Contact, Mobility and Authenticity: Language Ideologies in Koineisation and Creolisation
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Contact, Mobility and Authenticity: Language Ideologies in Koineisation
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Language ideologies: the formation and legitimisation of New Zealand English
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Digital multitext editions from scratch to electronic performance. Transcription and collation routines transformed in a flexible database system
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Introduction: Melodrama: Staging Emotions in the Anglophone World
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Workshop "Körper - Leib"
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Melodrama and Narrative Fiction: Towards a Typology
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The Best Story of the World: Theology, Geology and Philip Henry Gosse's Omphalos
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Tim Lanzendörfer. The Professionalization of the American Magazine
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"¿Critique génétique y/o filologia d’autore? Según los casos… ”Historia” —¿o fin?— “de una utopía real”