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  1. Aquilon de Bavière, Vol. III
    roman franco-italien en prose (1379-1407)
    Autor*in: Raffaele
    Erschienen: 2007
    Verlag:  Niemeyer, Tübingen

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Französisch, Mitte (ca. 1300-1600)
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110948301; 3110948303
    Schriftenreihe: Beihefte zur Zeitschrift für romanische Philologie ; 337. Heft
    Schlagworte: FICTION / General; French prose literature; French prose literature
    Umfang: xi, 414 pages
    Bemerkung(en):

    Title from PDF title page (viewed on June 27, 2013)

    Includes bibliographical references and index

  2. The art of meditation and the French Renaissance love lyric
    the poetics of introspection in Maurice Scève's Délie, object de plus haulte vertu (1544)
    Erschienen: c2010
    Verlag:  University of Toronto Press, Toronto [Ont.]

    "The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is... mehr

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    "The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is the first French sequence of poems devoted to a single woman in the manner of Petrarch's Rime. It is also the first Renaissance work to use emblems in a sustained work on love At their core, most amatory lyrics involve a triple relation among lover, beloved, and the meaning of love. Whether the poet-lover is a man or woman, poetic discourse generally takes the form of an interior monologue frequently intermingled with direct and indirect address to the beloved. Though the dominant quality of this lyric is personal introspection, Michael Giordano finds Délie to be consistent with traditions of Christian meditation. He argues that the amatory lyric served as a vehicle for contests of value and paradigm change not only because it was conditioned both by sacred and profane sources, but also because it occurred at a time of religious upheaval and scientific revolution."--BOOK JACKET

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch; Französisch, Mitte (ca. 1300-1600); Latein
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442697560; 1442697563
    Schlagworte: Love poetry, French; Meditation in literature; Introspection in literature; Love poetry, French; LITERARY CRITICISM ; Poetry; POETRY ; Continental European; Introspection in literature; Love poetry, French; Meditation in literature; Criticism, interpretation, etc
    Weitere Schlagworte: Scève, Maurice 16th cent; Scève, Maurice active 16th century; Scève, Maurice (active 16th century): Délie; Scève, Maurice (active 16th century); Scève, Maurice
    Umfang: Online Ressource (xxv, 668 p. : ill.)
    Bemerkung(en):

    Includes bibliographical references (p. [619]-658) and index. - Includes some text in Middle French and Latin

  3. Clément Marot and religion
    a reassessment in the light of his Psalm paraphrases
    Erschienen: 2010
    Verlag:  Brill, Leiden

    Cover13; -- Contents -- Abbreviations -- Short Titles -- Introduction -- Chapter One Meeting Cl233;ment Marot -- 1.1 Until the Affaire des Placards (1534) -- 1.1.1 L8217;Enfer, a sermon from hell -- 1.1.2 Deploration de Florimond Robertet: a sermon... mehr

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    Cover13; -- Contents -- Abbreviations -- Short Titles -- Introduction -- Chapter One Meeting Cl233;ment Marot -- 1.1 Until the Affaire des Placards (1534) -- 1.1.1 L8217;Enfer, a sermon from hell -- 1.1.2 Deploration de Florimond Robertet: a sermon by Death -- 1.1.3 A year of wonders (15338211;34) -- 1.2 After the Affaire des Placards (15358211;42) -- 1.2.1 Epistle to the King -- 1.2.2 A poem addressed to some very dear sisters -- 1.2.3 Janus-faced poems -- 1.2.4 Editing his Oeuvres, editing his image -- 1.2.5 A court poet in Geneva -- Chapter Two Tracing Marot8217;s Psalm Paraphrases, a Historical Survey -- 2.1 Psalm 6, a primordial paraphrase (before 1533) -- 2.2 Sounds of Silence (15348211;41) -- 2.2.1 Literary references to Psalm paraphrases -- 2.2.2 Manuscripts and clandestine editions -- 2.3 Towards the first official edition of the Trente Pseaulmes -- 2.3.1 Three inter-related manuscripts (Vind. 2644, Ars. 3632, PM 218) -- 2.3.2 Trente Pseaulmes de David (Paris, E. Roffet, [1541]) -- 2.3.3 Liturgical publications based on AN41 (Strasbourg and Geneva, 1542) -- 2.3.4 Relationship table of versions of the Trente Pseaulmes -- 2.4 The edition of Marot8217;s 50 Psalms -- 2.4.1 Trente deux Pseaulmes ... Plus vingt autres (Paris, E. Roffet, [1543]) -- 2.4.2 [La Forme des prieres et chantz ecclesiastiques (Geneva, Girard, 1543)] -- 2.4.3 Cinquante Pseaumes ([Geneva, Jean Girard], 1543) -- 2.5 Summary and chronology of Marot8217;s Psalm project -- Chapter Three Translating the Psalms -- 3.1 Sixteenth-century views on translation -- 3.2 Marot8217;s Psalm translations -- 3.3 Exploring the field: pitfalls and possibilities -- 3.4 Fine-tuning the research question -- Chapter Four According to the 8216;Hebrew Truth8217; -- 4.1 Hebraica Veritas, a historical survey -- 4.1.1 Jerome8217;s Psalters -- 4.1.2 Hebraica Veritas and the Psalter translations in the sixteenth century -- 4.2 Hebraica Veritas and the text of Marot8217;s Psalm paraphrases -- 4.2.1 Reference group -- 4.2.2 Marot used 8216;a8217; Hebraicum -- 4.2.3 Marot used a modern Hebraicum -- 4.2.4 Did Marot use a scholarly Hebraicum? -- 4.2.5 Conclusion: Marot Hebraicus -- Chapter Five The Example of Psalm 4 -- 5.1 The first version of Psalm 4 (AN41) -- 5.1.1 Narrative construction -- 5.2 The first revision of Psalm 4 (AN41>gt;gt;PA41) -- 5.2.1 The Argument -- 5.3 The last revision of Psalm 4 (PA41>gt;gt;GE43) -- Chapter Six Martin Bucer8217;s Hermeneutics -- 6.1 Marot8217;s use of Bucer8217;s Arguments -- 6.2 The hermeneutics underlying Bucer8217;s Psalms commentary -- 6.3 Did Marot abandon Bucer8217;s view on two occasions? (G. Defaux) -- 6.3.1 Psalm 2 -- 6.3.2 Psalm 45 -- 6.4 Hermeneutical consequences -- Chapter Seven The Burden of Christology, Psalms 8 and 110 -- 7.1 Psalm 8: 8216;ab angelis8217; or 8216;a Deo8217; -- 7.1.1 Lef232;vre versus Erasmus -- 7.1.2 Marot and Psalm 8 -- 7.1.3 Marot and Psalm 8: conclusion -- 7.2 Psalm 110: about Christ? -- 7.2.1 The Argument -- 7.2.2 The Psalm paraphrase -- 7.3 Conclusion: it8217;s Bucer again -- Chapter Eight Theological Idiom and Marot8217;s Language -- 8.1 The names of God -- 8.2 Religious idiom from the Psalter (I) -- 8.2.1 ch-s-j-d -- 8.2.2 ts-dd-j-q and r-sh-8219; -- 8.3 Religious idiom from the Psalter (II) -- 8.3.1 Salvation, 'Salut, ' and 'Secours' (j-sh-8219;) -- 8

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch; Französisch, Mitte (ca. 1300-1600)
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004193529; 9004193529
    Schriftenreihe: Brill's series in church history 1572-4107 ; v. 44
    Brill's series in church history ; v. 44
    Schlagworte: POETRY ; Continental European; Religion; Romance Literatures; French Literature; Languages & Literatures; Criticism, interpretation, etc
    Weitere Schlagworte: Marot, Clément 1496-1544; Marot, Clément 1496-1544; Marot, Clément (1496-1544); Marot, Clément (1496-1544); Marot, Clément 1496-1544; Marot, Clément
    Umfang: Online Ressource (ix, 435 p.)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

  4. Aquilon de Bavière
    roman franco-italien en prose (1379-1407)Vol. III
    Erschienen: 2007
    Verlag:  Niemeyer, Tübingen

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    Hochschule Aalen, Bibliothek
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Französisch, Mitte (ca. 1300-1600)
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110948301; 3110948303
    Schriftenreihe: Beihefte zur Zeitschrift für romanische Philologie 0084-5396 ; Bd. 337
    Beihefte zur Zeitschrift für romanische Philologie ; Bd. 337
    Schlagworte: French prose literature; French prose literature; French prose literature; French prose literature; FICTION ; General
    Umfang: Online Ressource (xi, 414 pages), illustrations.
    Bemerkung(en):

    Title from PDF title page (viewed on June 27, 2013). - Includes bibliographical references and index

    Title from PDF title page (viewed on June 27, 2013)

  5. The art of meditation and the French Renaissance love lyric
    the poetics of introspection in Maurice Scève's Délie, object de plus haulte vertu (1544)
    Erschienen: c2010
    Verlag:  University of Toronto Press, Toronto [Ont.]

    The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers "The Art of Meditation and... mehr

    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers "The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is the first French sequence of poems devoted to a single woman in the manner of Petrarch's Rime. It is also the first Renaissance work to use emblems in a sustained work on love At their core, most amatory lyrics involve a triple relation among lover, beloved, and the meaning of love. Whether the poet-lover is a man or woman, poetic discourse generally takes the form of an interior monologue frequently intermingled with direct and indirect address to the beloved. Though the dominant quality of this lyric is personal introspection, Michael Giordano finds Délie to be consistent with traditions of Christian meditation. He argues that the amatory lyric served as a vehicle for contests of value and paradigm change not only because it was conditioned both by sacred and profane sources, but also because it occurred at a time of religious upheaval and scientific revolution."--BOOK JACKET

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch; Französisch, Mitte (ca. 1300-1600); Latein
    Medientyp: Ebook
    Format: Online
    ISBN: 1442697563; 9781442697560
    Weitere Identifier:
    Schlagworte: Meditation in literature; Introspection in literature; Love poetry, French
    Weitere Schlagworte: Scève, Maurice (active 16th century); Scève, Maurice (16th cent): Délie
    Umfang: Online-Ressource (xxv, 668 p. : ill)
    Bemerkung(en):

    Includes bibliographical references (p. [619]-658) and index

    1 Two Models of Meditation for Délie: Ignatius's Spiritual Exercises and Augustine's Confessions2 Meditative Praxis and the Tensions of Transvaluation -- 3 Lyric Dispossession and the Powers of Enigma -- 4 The Triple Way -- 5 Via purgativa -- 6 Via illuminativa -- 7 Via unitiva -- 8 Conclusion -- Appendix 1 Joannes Mauburnus, Scala Meditatoria -- Appendix 2 Augustine, Confessions, X: 30 -- Appendix 3 Intersections of Illustrations and Dizains: Translation of Mottoes.

  6. Clément Marot and religion
    a reassessment in the light of his Psalm paraphrases
    Autor*in: Wursten, Dick
    Erschienen: 2010
    Verlag:  Brill, Leiden [Netherlands]

    A far-reaching analysis of Clment Marots poetry (mainly his Psalm paraphrases) shows that this poet was much more than a frivolous court poet; he was touched by the humanist yearning to restore old texts (in this case the Jewish Psalter) to their ori mehr

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    ebook
    keine Fernleihe

     

    A far-reaching analysis of Clment Marots poetry (mainly his Psalm paraphrases) shows that this poet was much more than a frivolous court poet; he was touched by the humanist yearning to restore old texts (in this case the Jewish Psalter) to their ori

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch; Französisch, Mitte (ca. 1300-1600)
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004193529
    Weitere Identifier:
    Schriftenreihe: Brill's series in church history ; Volume 44
    Weitere Schlagworte: Marot, Clément (1496-1544); Marot, Clément (1496-1544)
    Umfang: Online-Ressource (XIV, 435 Seiten), 25 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Contents; Abbreviations; Short Titles; Introduction; Chapter One Meeting Clément Marot; Chapter Two Tracing Marot's Psalm Paraphrases, a Historical Survey; Chapter Three Translating the Psalms; Chapter Four According to the 'Hebrew Truth'; Chapter Five The Example of Psalm 4; Chapter Six Martin Bucer's Hermeneutics; Chapter Seven The Burden of Christology, Psalms 8 and 110; Chapter Eight Theological Idiom and Marot's Language; Chapter Nine The Trente Pseaulmes Revisited (PA41/GE43); Chapter Ten Vingt Pseaulmes for Geneva? (GE43); Chapter Eleven The Dedicatory Epistles

    Chapter Twelve What the Psalm Paraphrases Tell us about MarotChapter Thirteen Calvin and Marot on the Psalms; Chapter Fourteen Final Peregrinations; Chapter Fifteen Gleaning the Field: Marot's Religious Sensitivity; Bibliography of Consulted Texts; Index of Marot's Poems;

    Cover13;Contents -- Abbreviations -- Short Titles -- Introduction -- Chapter One Meeting Cl233;ment Marot -- 1.1 Until the Affaire des Placards (1534) -- 1.1.1 L8217;Enfer, a sermon from hell -- 1.1.2 Deploration de Florimond Robertet: a sermon by Death -- 1.1.3 A year of wonders (15338211;34) -- 1.2 After the Affaire des Placards (15358211;42) -- 1.2.1 Epistle to the King -- 1.2.2 A poem addressed to some very dear sisters -- 1.2.3 Janus-faced poems -- 1.2.4 Editing his Oeuvres, editing his image -- 1.2.5 A court poet in Geneva -- Chapter Two Tracing Marot8217;s Psalm Paraphrases, a Historical Survey -- 2.1 Psalm 6, a primordial paraphrase (before 1533) -- 2.2 Sounds of Silence (15348211;41) -- 2.2.1 Literary references to Psalm paraphrases -- 2.2.2 Manuscripts and clandestine editions -- 2.3 Towards the first official edition of the Trente Pseaulmes -- 2.3.1 Three inter-related manuscripts (Vind. 2644, Ars. 3632, PM 218) -- 2.3.2 Trente Pseaulmes de David (Paris, E. Roffet, [1541]) -- 2.3.3 Liturgical publications based on AN41 (Strasbourg and Geneva, 1542) -- 2.3.4 Relationship table of versions of the Trente Pseaulmes -- 2.4 The edition of Marot8217;s 50 Psalms -- 2.4.1 Trente deux Pseaulmes ... Plus vingt autres (Paris, E. Roffet, [1543]) -- 2.4.2 [La Forme des prieres et chantz ecclesiastiques (Geneva, Girard, 1543)] -- 2.4.3 Cinquante Pseaumes ([Geneva, Jean Girard], 1543) -- 2.5 Summary and chronology of Marot8217;s Psalm project -- Chapter Three Translating the Psalms -- 3.1 Sixteenth-century views on translation -- 3.2 Marot8217;s Psalm translations -- 3.3 Exploring the field: pitfalls and possibilities -- 3.4 Fine-tuning the research question -- Chapter Four According to the 8216;Hebrew Truth8217; -- 4.1 Hebraica Veritas, a historical survey -- 4.1.1 Jerome8217;s Psalters -- 4.1.2 Hebraica Veritas and the Psalter translations in the sixteenth century -- 4.2 Hebraica Veritas and the text of Marot8217;s Psalm paraphrases -- 4.2.1 Reference group -- 4.2.2 Marot used 8216;a8217; Hebraicum -- 4.2.3 Marot used a modern Hebraicum -- 4.2.4 Did Marot use a scholarly Hebraicum? -- 4.2.5 Conclusion: Marot Hebraicus -- Chapter Five The Example of Psalm 4 -- 5.1 The first version of Psalm 4 (AN41) -- 5.1.1 Narrative construction -- 5.2 The first revision of Psalm 4 (AN41>gt;gt;PA41) -- 5.2.1 The Argument -- 5.3 The last revision of Psalm 4 (PA41>gt;gt;GE43) -- Chapter Six Martin Bucer8217;s Hermeneutics -- 6.1 Marot8217;s use of Bucer8217;s Arguments -- 6.2 The hermeneutics underlying Bucer8217;s Psalms commentary -- 6.3 Did Marot abandon Bucer8217;s view on two occasions? (G. Defaux) -- 6.3.1 Psalm 2 -- 6.3.2 Psalm 45 -- 6.4 Hermeneutical consequences -- Chapter Seven The Burden of Christology, Psalms 8 and 110 -- 7.1 Psalm 8: 8216;ab angelis8217; or 8216;a Deo8217; -- 7.1.1 Lef232;vre versus Erasmus -- 7.1.2 Marot and Psalm 8 -- 7.1.3 Marot and Psalm 8: conclusion -- 7.2 Psalm 110: about Christ? -- 7.2.1 The Argument -- 7.2.2 The Psalm paraphrase -- 7.3 Conclusion: it8217;s Bucer again -- Chapter Eight Theological Idiom and Marot8217;s Language -- 8.1 The names of God -- 8.2 Religious idiom from the Psalter (I) -- 8.2.1 ch-s-j-d -- 8.2.2 ts-dd-j-q and r-sh-8219; -- 8.3 Religious idiom from the Psalter (II) -- 8.3.1 Salvation, 'Salut, ' and 'Secours' (j-sh-8219;) -- 8.