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  1. 77’den bugüne uzanan Germanistik yolculugumuz
    Autor*in: Eğit, Sevilay Yadigâr
    Erschienen: 2013

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    Sprache: Türkisch
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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Eğit; Kasım
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    kostenfrei
  2. İnsan, yaşamada daha ne ister ki
    Autor*in: Çengel, Mengü Noyan
    Erschienen: 2013

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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Eğit; Kasım
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  3. Yabancı Kostüm İçinde Öz Kültür : Thomas Mann, "Değişen Kafalar"
    Autor*in: Akbulut, Nazire
    Erschienen: 2013

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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
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    kostenfrei
  4. Genç Türk Gazetecinin "Berlin’in Yalnız Kadınları" anılarında tarihsel eleştiri ve sanatlararasılık
    Autor*in: Baytekin, Binnaz
    Erschienen: 2013

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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
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  5. Akademik çeviri eğitimi ve şiir çevirisi
    Autor*in: Eruz, F. Sâkine
    Erschienen: 2013

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  6. Dürrenmatt’ın tiyatrodan beklentisi
    Autor*in: Kuruyazıcı, Nilüfer
    Erschienen: 2013

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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830); Deutsche Dramen (832)
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  7. 19. yüzyıl Alman popüler resim sanatında Türkiye ve Türklerin algılanması
    Autor*in: Öztürk, Ali Osman
    Erschienen: 2013

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  8. Thomas Mann "Tonio Kröger" : çeviri (Prof. Dr. Kasım Eğit’e)
    Autor*in: Ülken, Funda
    Erschienen: 2013

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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830); Deutsche Erzählprosa (833)
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  9. Alanların örtüşen yönleri : çeviribilim ile karşılaştırmalı edebiyat bilimi
    Autor*in: Yücel, Faruk
    Erschienen: 2013

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  10. Guillén, Vallejo, Drummond de Andrade: vanguardia - compromiso - etnicidad / vanguarda - compromisso - etnicidade.
    Autor*in: Schmidt-Welle, Friedhelm; Ibero-Amerikanisches Institut
    Erschienen: 2004

  11. Pandaemonium Germanicum : revista de estudos germanísticos
    Erschienen: 1997

    Die Zeitschrift Pandaemonium Germanicum erscheint zweimal jährlich und versteht sich als Forum für die wissenschaftliche Diskussion in den verschiedenen Bereichen der internationalen Germanistik, nämlich der Literatur- und Übersetzungswissenschaft,... mehr

     

    Die Zeitschrift Pandaemonium Germanicum erscheint zweimal jährlich und versteht sich als Forum für die wissenschaftliche Diskussion in den verschiedenen Bereichen der internationalen Germanistik, nämlich der Literatur- und Übersetzungswissenschaft, Linguistik, DaF und Kulturstudien. Die Zeitschrift wird von der deutschen Abteilung der FFLCH-USP (Universität São Paulo) seit 1997 herausgegeben und will zur Verbreitung unveröffentlichter Forschungen von GermanistInnen aus Brasilien und anderen Ländern, sowie zur Förderung des Dialogs zwischen der Germanistik und anderen Wissensbereichen beitragen.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Portugiesisch
    Medientyp: Zeitschrift, Zeitung
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsch; Kulturwissenschaften; Linguistik; Literaturwissenschaft; Übersetzungswissenschaft
    Lizenz:

    Creative Commons - Namensnennung-Nicht kommerziell 3.0Creative Commons - Namensnennung-Nicht kommerziell 3.0
  12. Dona Carolina Michaëlis e os estudos de filologia portuguesa: [no dia 18 de Outubro de 2002 . no Instituto Ibero-Americano em Berlim .]
    Erschienen: 2004
    Verlag:  TFM

    Gabriele Beck-Busse: Carl Goldbeck - "amigo e mentor" Clarinda de Azevedo Maia: Carolina Michaelis de Vasconcelos e o ensino da Filologia Portuguesa na Universidade de Coimbra Ricarda Musser: "Attendendo aos excepcionaes merecimentos ." - o caminho... mehr

     

    Gabriele Beck-Busse: Carl Goldbeck - "amigo e mentor" Clarinda de Azevedo Maia: Carolina Michaelis de Vasconcelos e o ensino da Filologia Portuguesa na Universidade de Coimbra Ricarda Musser: "Attendendo aos excepcionaes merecimentos ." - o caminho das mulheres em Portugal à universidade Werner Thielemann: Os Estudos sobre a formação das palavras nas línguas românicas (Studien zur Romanischen Wortschöp-fung) (1876) de Carolina Michaelis no ambiente das escolas linguísticas do século XIX (Humbold, Grimm, Diez, Bréal, Schleicher) Dieter Kremer: D. Carolina Michaelis de Vasconcellos como lexígrafa José Augusto Seabra: Dona Carolina e a Saudade.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Portugiesisch
    Medientyp: Buch (Monographie)
    Format: Online
    DDC Klassifikation: Spanische, portugiesische Literaturen (860)
    Schlagworte: Buch
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/3.0/ ; info:eu-repo/semantics/openAccess
  13. Pandaemonium Germanicum
    Erschienen: 1997
    Verlag:  Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo ; Goethe-Universität, Universitätsbibliothek

  14. Guillén, Vallejo, Drummond de Andrade: vanguardia - compromiso - etnicidad / Guillén, Vallejo, Drummond de Andrade : vanguarda - compromisso - etnicidade
    Autor*in: Schmidt-Welle, Friedhelm
    Erschienen: 2004

  15. Pandaemonium Germanicum 22/2013
    Erschienen: 2013

    Die Zeitschrift Pandaemonium Germanicum erscheint zweimal jährlich und versteht sich als Forum für die wissenschaftliche Diskussion in den verschiedenen Bereichen der internationalen Germanistik, nämlich der Literatur- und Übersetzungswissenschaft,... mehr

     

    Die Zeitschrift Pandaemonium Germanicum erscheint zweimal jährlich und versteht sich als Forum für die wissenschaftliche Diskussion in den verschiedenen Bereichen der internationalen Germanistik, nämlich der Literatur- und Übersetzungswissenschaft, Linguistik, DaF und Kulturstudien. Die Zeitschrift wird von der deutschen Abteilung der FFLCH-USP (Universität São Paulo) seit 1997 herausgegeben und will zur Verbreitung unveröffentlichter Forschungen von GermanistInnen aus Brasilien und anderen Ländern, sowie zur Förderung des Dialogs zwischen der Germanistik und anderen Wissensbereichen beitragen.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Portugiesisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsch; Kulturwissenschaften; Linguistik; Literaturwissenschaft; Übersetzungswissenschaft
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  16. Por um teatro épico e ético : a crítica teatral de Anatol Rosenfeld ; For an epic and ethical theater : the theater criticism of Anatol Rosenfeld
    Autor*in: Castro, Érica Gonçalves de
    Erschienen: 2013

    In this paper we discuss some of Anatol Rosenfeld's most important writings on the theater, especially his O Teatro épico (Epic Theater), where he takes up the principles of Brecht’s dramatic art and Brecht's work in organizing anthologies of... mehr

     

    In this paper we discuss some of Anatol Rosenfeld's most important writings on the theater, especially his O Teatro épico (Epic Theater), where he takes up the principles of Brecht’s dramatic art and Brecht's work in organizing anthologies of outstanding German literary authors (Lessing, Goethe and Schiller, for example). The objective here is to show how all these influences are intertwined in Rosenfeld’s analysis of the Brazilian theatrical production of the 1960s. Between the lines of Rosenfeld's critique one can see the ethical dimension he attributes to Brazil's intellectual activity. He also mentions the efforts taken to adapt the transforming potential of Brechtian theater to the specific political and cultural context of countries like Brazil. ; O presente artigo aborda alguns dos principais escritos de Anatol Rosenfeld sobre teatro, sobretudo O teatro épico, obra em que se debruça sobre os preceitos da dramaturgia de Brecht, bem como seu trabalho como organizador de antologias de autores canônicos da literatura alemã (Lessing, Goethe, Schiller), para mostrar como essas influências se cruzam em sua análise da produção teatral brasileira dos anos 1960. Nas entrelinhas da crítica de Rosenfeld, percebe-se a dimensão ética que ele atribuía à sua atividade intelectual e, ainda, um esforço de adaptar o potencial transformador do teatro brechtiano às demandas de um contexto político e cultural específico como o brasileiro.

     
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    Sprache: Portugiesisch
    Medientyp: Aufsatz aus einer Zeitschrift
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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Rosenfeld; Anatol; Brecht; Bertolt; Theaterkritik; Dramentheorie
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    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  17. Apontamentos sobre a recepção de Bertolt Brecht no Brasil via Anatol Rosenfeld ; Notes on Berthold Brecht's reception in Brazil by Anatol Rosenfeld
    Autor*in: Villibor Flory, Alexandre
    Erschienen: 2013

    One of the most important chapters in the reception of German theater in Brazil began in 1958 with the presentation of Berthold Brecht's play "The Good Woman of Setsuan". The subsequent performance of many of his works brought up new dramaturgic and... mehr

     

    One of the most important chapters in the reception of German theater in Brazil began in 1958 with the presentation of Berthold Brecht's play "The Good Woman of Setsuan". The subsequent performance of many of his works brought up new dramaturgic and theoretical questions in a context that was open to aesthetic experimentation and marked by a dialectic between the theater and the turbulent social context of the period. Groups such as Arena, Oficina, and CPC discussed, updated and articulated Brecht's work through their experimentation. Since this reception in Brazil, both in the late 1950s and today, is based on several different theoretical and critical references, it would seem well to go back to Anatol Rosenfeld's critique of Brecht. From his broad knowledge of aesthetic theater, epic theater theory, Brazilian theater and Brecht's work, Rosenfeld holds an important place in the debates on Brecht's works and Brecht's influence on Brazilian theater. In this article we take up several phases in Rosenfeld's work, which is theoretical as well as historical and critical. His contributions are considered among the most lucid and updated studies on Brecht and the Brazilian theater. ; Um dos capítulos mais importantes da recepção do teatro alemão no Brasil se iniciou em 1958, com a montagem de "A alma boa de Setsuan". A encenação de muitas entre suas obras a partir de então colocou novas questões dramatúrgicas e teóricas num cenário aberto à experimentação estética e marcado pela dialética entre o teatro e o turbulento contexto social brasileiro da época. Grupos como o Arena, o Oficina e o CPC discutiram, atualizaram e articularam a obra de Brecht com suas próprias pesquisas. Como essa recepção, ontem como hoje no Brasil, é feita a partir dos mais diferentes referenciais teóricos e críticos, faz-se necessária a revisitação da crítica esclarecedora de Anatol Rosenfeld sobre Brecht. Profundo conhecedor de estética teatral, da teoria do teatro épico, da obra de Brecht e do teatro brasileiro, Rosenfeld tem papel decisivo ...

     
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    Medientyp: Aufsatz aus einer Zeitschrift
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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Rosenfeld; Anatol; Brecht; Bertolt / Der gute Mensch von Sezuan; Rezeption; Brasilien
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  18. Arte engajada e arte autônoma no pensamento de Theodor Adorno ; Committed and autonomous art in Theodor Adorno's thought
    Autor*in: Bylaardt, Cid Ottoni
    Erschienen: 2013

    In the essay "Engagement", published in 1962, Theodor Adorno discusses the duality between committed and autonomous literature, noticing that at his time the controversy doesn't stand in the level of human survival and life in society, but presents... mehr

     

    In the essay "Engagement", published in 1962, Theodor Adorno discusses the duality between committed and autonomous literature, noticing that at his time the controversy doesn't stand in the level of human survival and life in society, but presents itself as an intellectual speculation. This text recovers Adorno's main ideas concerning the subject and tries to reflect upon them. The German thinker shows the two poles of thoughts on the problem and says that the tension between them is now dissolved. He then talks about the confusions of the debate about commitment, and offers some reflections upon philosophy and art in Sartre's work, Bertolt Brecht's didacticism in art, as well as his treatment of fascism, the relation between politics and poetic tone, the problem of suffering related to the work of art, the contemporary experimentalism of Kafka and Becket, the cultural traditions in France and Germany, and the relations between politics and autonomous art. ; No ensaio "Engagement", de 1962, Theodor Adorno recoloca em discussão a dicotomia entre literatura engajada e literatura autônoma, advertindo que em seu tempo a controvérsia não se situa mais no nível da sobrevivência humana ou da vida em sociedade, mas se coloca como uma especulação intelectual. O presente texto recupera as principais ideias de Adorno a respeito do tema e procura refletir sobre elas. O pensador apresenta os dois polos de pensamento sobre o problema e inicia dizendo que a tensão entre eles agora está diluída. Seguem-se então considerações sobre as confusões que envolvem o debate sobre o engagement, reflexões sobre a filosofia da arte de Sartre e sua concretização em obras de ficção, a arte e a didática de Bertolt Brecht, bem como o tratamento que o dramaturgo alemão dá ao fascismo, a relação entre o tom da poesia e a política, o problema do sofrimento ligado à obra de arte, o experimentalismo contemporâneo de Kafka e Becket, as tradições culturais da França e da Alemanha, e as relações entre a política e a arte autônoma.

     
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    Sprache: Portugiesisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Adorno; Theodor W; Engagierte Kunst; Autonomie; Kunstwerk
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    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  19. Espaços livres para a fantasia : "Descrição de imagem", de Heiner Müller ; Free spaces for fantasy : "Description of image", by Heiner Müller
    Autor*in: Gatti, Luciano
    Erschienen: 2013

    The article discusses Heiner Müller's play "Description of image" as an example of his late playwriting. By analyzing the various movements of the text, we seek to understand its qualification, given by Müller himself in his autobiography, as an... mehr

     

    The article discusses Heiner Müller's play "Description of image" as an example of his late playwriting. By analyzing the various movements of the text, we seek to understand its qualification, given by Müller himself in his autobiography, as an autodrama, a term that would refer, according to the hypothesis of the article, to a comparison with the Brechtian genre of the learning play (Lehrstück). ; O artigo aborda a peça "Descrição de imagem", de Heiner Müller, como um exemplo de sua dramaturgia tardia. Pela análise dos diversos movimentos do texto, busca-se entender a qualificação, dada pelo próprio Müller em sua autobiografia, da peça como um autodrama, termo que remeteria, segundo a hipótese do artigo, a um confronto com o gênero brechtiano da peça de aprendizagem (Lehrstück).

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Portugiesisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Müller; Heiner / Bildbeschreibung; Theater; Deutsch; Lehrstück
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    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  20. Sobre representação e ética em "Reigen" de Arthur Schnitzler e suas releituras por Max Ophüls e Fernando Meirelles ; On representation and ethics in "Reigen" by A. Schnitzler and reinterpretations by Max Ophüls and Fernando Meirelles
    Autor*in: Pereira, Valéria Sabrina
    Erschienen: 2013

    In 1903 Arthur Schnitzler published the play "Reigen" ("La ronde"), which presented ten dialogues, each one occurring before and after a sexual conquest. The play intended to present typical behavior of social statuses through the way each figure... mehr

     

    In 1903 Arthur Schnitzler published the play "Reigen" ("La ronde"), which presented ten dialogues, each one occurring before and after a sexual conquest. The play intended to present typical behavior of social statuses through the way each figure behaved in achieving the same goal. The sexual inferences in the text caused a commotion and it was criticized as being immoral. In 1950 the play was transposed to the screen in a movie directed by Max Ophüls. This work was basically faithful to the play, but gave a certain lightness to the theme, which would seem to indicate a loosening of moral standards toward sex during that period. In 2012 Fernando Meirelles directed a film inspired by Schnitzler's play: "360". Even though the present day stands out for its sexual liberation, the movie does not show Ophüls' lightness. On the contrary, the film is bleak and depicts interpersonal relationships through the prism of guilt implied by infidelity and repressed sexual desires. In this article we will discuss how the theme of lust and sexual impulses expressed by Schnitzler evolved in its different representations after more than a century, and how the ethical problem was shaped to each work and its moment in history. ; Em 1903, Arthur Schnitzler publicou a peça "Reigen" (port. "A ronda"), a qual apresentava dez diálogos, cada qual se desenvolvendo antes e depois de uma conquista sexual. A obra pretende apresentar comportamentos típicos de diferentes classes sociais através da forma como se comportavam para chegar ao mesmo objetivo. A ciranda sexual apresentada no texto causou comoção em sua época e foi criticada por sua alegada imoralidade. Em 1950, a peça foi transposta para o cinema em um filme de Max Ophüls. Sua obra buscou ser fiel ao original, mas também concedeu uma certa leveza ao tema, o que parece indicar um alargamento nos padrões morais diante o sexo. Em 2012, Fernando Meirelles filmou uma releitura da peça de Schnitzler: "360". Na atualidade, uma era marcada pela liberação sexual, o filme não mantém a leveza ...

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Portugiesisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Schnitzler; Arthur / Reigen; Ophüls; Max; Meirelles; Fernando; Adaption; Verfilmung; Erotik; Ethik
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  21. Pós-modernidade como "gesto" de despedida : a "crítica autorreferencial da razão" no pensamento estético nietzschiano ; Postmodernity as a farewell "gesture" : the "self-referential critique of reason" in Nietzsche's esthetic thinking
    Autor*in: Araújo, Nabil
    Erschienen: 2013

    This paper is based on considerations by Gianni Vattimo and Jürgen Habermas on Nietzsche's institution of postmodernity as a "farewell" to Western Modernity and to the kind of rationality associated with it. Here we analyze how a "self-referential... mehr

     

    This paper is based on considerations by Gianni Vattimo and Jürgen Habermas on Nietzsche's institution of postmodernity as a "farewell" to Western Modernity and to the kind of rationality associated with it. Here we analyze how a "self-referential critique of reason" (Habermas) is actually engendered by Nietzschean aesthetic thought. We thus reconsider the terms in which the postmodern "farewell" itself should be conceived. ; Partindo das considerações de Gianni Vattimo e de Jürgen Habermas sobre a instauração nietzschiana da pós-modernidade como uma "despedida" à modernidade ocidental e ao tipo de racionalidade a ela associada, este texto analisa o modo pelo qual uma "crítica autorreferencial da razão" (Habermas) é efetivamente engendrada pelo pensamento estético nietzschiano, de modo a reconsiderar os termos pelos quais a própria "despedida" pós-moderna deve ser concebida.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Portugiesisch
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Postmoderne; Nietzsche; Friedrich; Selbstbezüglichkeit; Vernunftkritik
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  22. Acercar-se da morte : a correspondência entre Hermann Broch e Egon Vietta
    Autor*in: Reizinger Bonomo, Daniel
    Erschienen: 2013

  23. Grimm Masalı 'Balıkçı ve Karısı'nda Ilsebil Adlı Kadın Figürün Tanrı Olma Arzusu (Bir Deusmorfizm Kazısı) ; The desire of Ilsebil, a woman figure in Grimm's tale "Fisherman and his wife", to be a god
    Autor*in: Sarı, Ahmet
    Erschienen: 2013

    Bu makalede, Grimm Masalları’nda “Balıkçı ve Karısı” adlı masalda, Ilsebil adlı figürün Tanrı olma arzusunu araştırmaya çalıştık. İnsanın tarih boyunca Tanrı tasavvuru ve Tanrı düşüncesi, onu gündelik hayatında algılama ve yaşatma tarzı birçok... mehr

     

    Bu makalede, Grimm Masalları’nda “Balıkçı ve Karısı” adlı masalda, Ilsebil adlı figürün Tanrı olma arzusunu araştırmaya çalıştık. İnsanın tarih boyunca Tanrı tasavvuru ve Tanrı düşüncesi, onu gündelik hayatında algılama ve yaşatma tarzı birçok nedenlerden ötürü bazen insanın kendini onun yerine koymasını gerekli kılmıştır. Aynı zamanda da insanın Tanrı olma arzusunun nedenleri, tarihsel örnekleri, dinsel ardıl alanlarıyla izah edilmeye çalışılmıştır. ; In this article, we tried to examine the desire of Ilsebil, a figure in "Fisherman and His Wife" from the Grimm Tale, to be God. The perception of God throughout the history of man and in his daily chores necessitates, due to his styles of perception and sustentation, sometimes to put the self into the shoes of God for many reasons. Furthermore, this article attempts to describe the underlying reasons of man's desire to be God with their religious background.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Türkisch
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    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Kinder- und Hausmärchen; Von dem Fischer un syner Fru; Gott; Mystizismus; Hinduismus; New Age
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess
  24. Yüksel Pazarkaya'nın "Mediha" Adlı Eserinde Türk Kadını İmgesi ; The image of Turkish women in Yüksel Pazarkaya's work "Mediha"
    Autor*in: Er, Mutlu
    Erschienen: 2013

    Alman ekonomisinin yükselen konjonktürü ile 60'lı yıllarda birçok Türk vatandaşı imzalanan ikili anlaşmalar sonrasında işçi olarak Almanya’ya göç etmiştir. "Misafir işçi" göçünün başlamasıyla bir "göçmen işçi" edebiyatının çıkması da rastlantı... mehr

     

    Alman ekonomisinin yükselen konjonktürü ile 60'lı yıllarda birçok Türk vatandaşı imzalanan ikili anlaşmalar sonrasında işçi olarak Almanya’ya göç etmiştir. "Misafir işçi" göçünün başlamasıyla bir "göçmen işçi" edebiyatının çıkması da rastlantı değildir. Göçmen işçi edebiyatı (Gastarbeiterliteratur) teriminin kullanılmamasının nedeni negatif bir anlam taşımasıdır. Bunun yerine daha naif ve yanlış anlamlara neden olmayacak bir terim olan göçmen edebiyatı (Migrantenliteratur) tercih edilmiştir. Göçmen edebiyatının günümüzde Almanya'da çok önemli bir yer tuttuğunun da altını çizmek gerekir. Göçmen edebiyatı yeni eserler verdikçe araştırmalara da yenisi eklenmektedir. Yazarlar ise konu itibariyle her iki kültürün bakış açısıyla yazar ve sentez oluştururlar. Kültürel aktarıma yazdığı ve çevirdiği eserleriyle katkıda bulunan Türk kökenli göçmen yazarlarından biri de Yüksel Pazarkaya'dır. Mediha adlı eserinde sadece Yunan tragedyasının ana karakterinin maruz kaldığı haksızlığı tekrar canlandırmamış aynı zamanda Almanya'da yaşayan Türklerin ailevi sorunlarına da değinmiştir. ; Due to rising German economic trend, many Turkish citizens moved to Germany in the 1960ies to work as a result of signed treaties between two countries. This immigration of guest workers initiated, of course, the emergence of an immigrant literature. The usage of "immigrant literature" term does not lead to discrimination. Instead of the term "Guest worker literature", the term "migrant literature" was preferred which is more naive and prevents misunderstandings. It should be underlined that the migrant literature occupies a significant in Germany. As new examples of Migrant literature are published, new studies into these works follow. These writers synthesize perspectives of both cultures regarding a given topic. One of the migrant writers of Turkish origin in Germany is Yüksel Pazarkaya. In his book "Mediha", he not only exemplifies the injustice inflicted on the main character of Greek tragedy, but also refers to familial problems of the Turks ...

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Türkisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Migrantenliteratur; Ausländischer Arbeitnehmer; Pazarkaya; Yüksel; Frauenbild
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    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess
  25. Walther von der Vogelweide ve Karacaoğlan : "Bizler – Onlar" ; Walther von der Vogelweide und Karacaoglan : "Wir – Andere" ; Walther von der Vogelweide and Karacaoglan : "we – the others"
    Autor*in: Arvasi, Battal
    Erschienen: 2013

    Walthers Gedicht "Ir sult sprechen willekommen" und Karacaoğlans Gedicht "Ich zog hinunter, sah mir Frankistan an" werden in diesem Diskussionsbeitrag zum Vergleich herangezogen. Beide Dichter treten nach einer langen Reise vor die Gesellschaft auf... mehr

     

    Walthers Gedicht "Ir sult sprechen willekommen" und Karacaoğlans Gedicht "Ich zog hinunter, sah mir Frankistan an" werden in diesem Diskussionsbeitrag zum Vergleich herangezogen. Beide Dichter treten nach einer langen Reise vor die Gesellschaft auf und teilen ihre Erfahrungen anhand von Vergleich zwischen Vaterländischem und Ausländischem mit. ; In this article, the poems "Ir sult sprechen willekommen" by Walther von der Vogelweide and "İndim, seyrân ettim Firengistan'ı" by Karacaoğlan will be analyzed and discussed comparatively. Both of these poets speak up in the public after their long travels and share their experiences regarding differences between various foreign countries.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Türkisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Walther <von der Vogelweide>; Karacaoğlan; Minnesang; Deutsch; Türkisch; Fremdheit
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess