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The ʿUdhrī Narrative in Arabic Literature
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Aux sources d'un mythe littéraire
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Raisonner avec des ontologies: logiques de description et graphes conceptuels
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‘It’s not for me to smile at their tyranny’: Democracy and Dialogue in Charles Brockden Brown’s Alcuin
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A ‘Dish Offered to the Public’: The Business of Gender and Class in Nathaniel Hawthorne’s The House of the Seven Gables
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Introduction: Literature and Consumption in Nineteenth-Century America
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Experiments with Ethics in Contemporary British Fiction: The Lack of a Stable Framework
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The Rhetoric of Toxic Discourse: The Ironic Mode in John Cheever’s Oh What A Paradise It Seems
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Environmentalism and Encounters with the Abject: T. Coraghessan Boyle’s A Friend of the Earth
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Explorations of the Controversially Real: Risk, the Climate Change Novel, and the Narrative of Anticipation
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Gender-orientierte Erzähltextanalyse als Modell für die Schnittstelle von Narratologie und intersektioneller Forschung?: Wissenschaftsgeschichtliche Entwicklung, Schlüsselkonzepte und Anwendungsperspektiven
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Interrogating the Interview as Genre: Five Cases over Two Hundred Years
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Viren zirkulieren: Eine Einleitung
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Mythos Afrika: Peter Beard und Alfredo Jaars Afrikafotografien
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'A story must have a plot, otherwise it's not a story': Anzia Yezierska's Melodramatic Meaning-Making
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Postcolonial/Transcultural/Transnational: American Studies, American Literature, and the World
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On First Looking Into Ackroyd's Chatterton: Framing Pictures
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Animating The Tempest: Power, Passion, and Spectacle
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The Prisoner’s Body/The Prisoner’s Dilemma: Subjects in Contemporary U.S. Prison Literature
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At the Limits of Representation: Counter-tourism in Jean Amery and W.G. Sebald
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What Chabon Remembers: Terrorism, The Yiddish Policemen’s Union, and Nations without Borders
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Lafayette Players
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Lafayette Theater
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Dramatische Ironie als Strukturprinzip von unreliable narration, unreliable focalization und dramatic monologue: Ein kommunikations- und erzähltheoretischer Beitrag zur Rhetorik der Ironie im literarischen Erzähltext
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Experiments with Ethics in Contemporary British Fiction: The Lack of Stable Framework in Ian McEwan's Saturday and Julian Barnes' Arthur and George