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  1. Rewriting Histories and Geographies: Cosmopolitan Moments in Contemporary Indian Writing in English
    Autor*in: Cottier Bucher, Annie Madeleine
    Erschienen: 2014
    Verlag:  (:null)

    Other ; In order to grasp the imaginative geographical and historical scope of contemporary Indian writing in English, this thesis claims that it is necessary to think about literature beyond the paradigms of national, postcolonial or even... mehr

     

    Other ; In order to grasp the imaginative geographical and historical scope of contemporary Indian writing in English, this thesis claims that it is necessary to think about literature beyond the paradigms of national, postcolonial or even transnational diasporic literatures. It is asserted that cosmopolitanism, which is here understood to be a concept that encompasses the negotiation of the ethics and practice of migration, community, responsibility, difference and sameness, offers the possibility of thinking critically about migration and globalization in the context of the literary texts at the centre of this thesis: Amitav Ghosh’s Sea of Poppies (2008) and River of Smoke (2011), Salman Rushdie’s The Enchantress of Florence (2007) and M.G. Vassanji’s The Assassin’s Song (2007). Literary criticism has acknowledged the relevance of cosmopolitan thought in contemporary literatures of a global, transnational literary imaginary. Yet the literature concerned with cosmopolitanism has, with a few exceptions, mainly used it as a descriptive rather than as an interpretative term, focusing on the politics of these fictional texts rather than on their aesthetics or in this case, to be more precise, their literary features. In this thesis, the interest is to examine the ethics, practice and aesthetics of cosmopolitan moments in which histories and geographies are rewritten and reimagined, i.e. the propensity of these four novels to remap, rethink and reimagine these narratives of time and space according to an understanding that moves away from postcolonial dichotomies towards a more global view of events that still takes into account existing power relations.

     
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    Sprache: Englisch
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    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820)
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  2. 1 minute autohypnosis #37
    Autor*in: Bericat, Pedro
    Erschienen: 2017
    Verlag:  edition taberna kritika

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    Sprache: Englisch
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    DDC Klassifikation: Spanische, portugiesische Literaturen (860); Englische, altenglische Literaturen (820)
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  3. AIDS in German Literature, Theatre, and Film. The Cultural Dramaturgy of Disorder
    Autor*in: Schappach, Beate
    Erschienen: 2014
    Verlag:  (:null)

    Other ; Background The paper sheds light on the development of the cultural representation of HIV/AIDS in Germany, Austria and Switzerland from the 1980ies until present. It analyses the contribution of literature, theatre, and film to the public... mehr

     

    Other ; Background The paper sheds light on the development of the cultural representation of HIV/AIDS in Germany, Austria and Switzerland from the 1980ies until present. It analyses the contribution of literature, theatre, and film to the public discourse about HIV/AIDS and characterises the rhetorical and iconographic strategies used to construct, represent, and discuss the disease and deal with it. The presentation shows which functions literature, theatre and film have performed within the HIV/AIDS discourse during the last 30 years in German speaking countries. Methods Having a background in Cultural Studies, Theatre Studies and German Studies the study uses methods from these disciplines to analyse the reception of aesthetic strategies – the ‘what’ and ‘how’ – of literary, theatrical and cinematic representations of HIV/AIDS on a micro level. On a macro level interdiscourse analysis (Jürgen Link) and sociological systems theory (Niklas Luhmann) are applied to describe the dramaturgical development of the HIV/AIDS discourse in German speaking countries. Results The public HIV/AIDS discourse in German speaking countries can be divided into seven stages characterised by different dominant modes of representing HIV/AIDS: exclusion and blame, prevention, integration, refuse of integration, apocalyptic scenarios, thrill, and normalisation. The dramaturgy of the HIV/AIDS discourse is initialised by the occurrence of the new disease in the 1980ies. In the first years it followed the pattern of historical epidemic discourses (plague, leprosy, syphilis). Since then, two major plotpoints have changed the structure of the discourse altogether: the discovery of the HI-Virus and the introduction of combined antiretroviral therapy. In the 21st century HIV/AIDS starts to become normalised. Nevertheless discrimination patterns known from the HIV/AIDS discourse of the 1980ies can be found again in medial representations. Conclusions The paper discusses the complex relationship between cultural and medical communication in the face of HIV/AIDS. Literature, theatre, and film perform different functions dealing with the disease: 1. feeding rhetorical and iconographic representations into the public discourse 2. observing and documenting the discourse about HIV/AIDS in the mass media 3. intervening in the public discourse through criticism or alternative interpretations 4. offering coping / passing strategies and strategies of assigning meaning to the disease.

     
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    DDC Klassifikation: Geschichte Europas (940); Literatur und Rhetorik (800); Freizeitgestaltung, darstellende Künste, Sport (790); Sozialwissenschaften (300); Geschichte und Geografie (900)
    Schlagworte: rhetoric & criticism; games & entertainment; sociology & anthropology
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    info:eu-repo/semantics/openAccess
  4. Intermedialität: Text/Bild-Verhältnisse
    Autor*in: Rippl, Gabriele
    Erschienen: 2014
    Verlag:  De Gruyter

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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  5. Journal of Literary Theory
    Autor*in: (:null)
    Erschienen: 2017
    Verlag:  de Gruyter

  6. Wolfram von Eschenbach’s ›Parzival‹: Searching for the Grail
    Autor*in: Stolz, Michael
    Erschienen: 2017
    Verlag:  de Gruyter

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    Sprache: Englisch
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    DDC Klassifikation: Germanische Sprachen; Deutsch (430); Literaturen germanischer Sprachen; Deutsche Literatur (830)
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  7. Celebrating Afropolitan Identities? Contemporary African World Literatures in English
    Autor*in: Neumann, Birgit; Rippl, Gabriele
    Erschienen: 2017
    Verlag:  De Gruyter

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    Sprache: Englisch
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    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820); Amerikanische Literatur in in Englisch (810)
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  8. Anglophone World Literatures: Introduction
    Autor*in: Rippl, Gabriele; Neumann, Brigit
    Erschienen: 2017
    Verlag:  De Gruyter

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    Sprache: Englisch
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    DDC Klassifikation: Englisch, Altenglisch (420); Amerikanische Literatur in in Englisch (810); Englische, altenglische Literaturen (820)
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  9. Hemingway and the Venetian Nobility
    Autor*in: Knigge, Jobst C.
    Erschienen: 2014
    Verlag:  Humboldt-Universität zu Berlin

    Abstract ; Between 1948 and 1954 the American author Ernest Hemingway visited Venice and the surrounding area for four times. In this period he made friendship with members of four local noble families: the Franchetti, di Robilant, Kechler and... mehr

     

    Abstract ; Between 1948 and 1954 the American author Ernest Hemingway visited Venice and the surrounding area for four times. In this period he made friendship with members of four local noble families: the Franchetti, di Robilant, Kechler and Ivancich. He was invited to their palazzi and country estates. He went fishing and hunting with them. He was fascinated by their lifestyle and portrayed members of the families in his novel "Across the River and into the Trees". The center figure was Adriana Ivancich. She became his "Venetian Muse" and center figure of the novel as Contessa Renata.

     
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    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
    Schlagworte: Hemingway; Franchetti; Kechler; di Robilant; Ivancich; Across the River and into the Trees; Venice
  10. Mescaline 55, Edith Boissonnas, Henri Michaux, Jean Paulhan
    Autor*in: (:null)
    Erschienen: 2014
    Verlag:  Editions Claire Paulhan

    Other ; Préface de Muriel Pic. Edition établie et annotée par Muriel Pic, avec la participation de Simon Miaz. Ce livre réunit les témoignages d'Edith BOISSONNAS, poétesse suisse (1904-1989), de Henri MICHAUX et de Jean PAULHAN, consacrés à leurs... mehr

     

    Other ; Préface de Muriel Pic. Edition établie et annotée par Muriel Pic, avec la participation de Simon Miaz. Ce livre réunit les témoignages d'Edith BOISSONNAS, poétesse suisse (1904-1989), de Henri MICHAUX et de Jean PAULHAN, consacrés à leurs premières expériences de cette drogue psychotrope, en janvier 1955. Le dimanche 2 janvier 1955, la poétesse suisse Edith Boissonnas retrouve son ami et éditeur Jean Paulhan devant le 16, rue Séguier, où vit Henri Michaux. Dans la poche de Paulhan, des ampoules de mescaline, hallucinogène que lui a procuré le neuropsychiatre Julian de Ajuriaguerra. Après cette journée inaugurale, l'expérimentation sera renouvelée deux fois, les 3 et 9 janvier. Dans les notes (inédites) de son Journal pour moi seule, Boissonnas rend compte de ces expérimentations dont Michaux résumera la déception : « J.P. en cinq mots dit notre pensée à tous. "On n'en sort pas fier". Des trois que nous étions, aucun n'avait donc pris cela avec révérence, mais plutôt comme un tour de prestidigitateur. » Ces journées de janvier 1955 vont pourtant être la source d'une constellation d'écrits, ici réunis par ordre chronologique : échanges épistolaires, proses descriptives, notes cliniques, micro-récits fictionnels, fragments d'essais et poèmes documentaires. Chacun s'acquittera également d'un texte abouti : Boissonnas publie « Mescaline » (1955), Paulhan écrit « Petit rapport sur une expérience » (1955) et Michaux livre Misérable miracle (1956), premier volume de son œuvre consacrée aux drogues, comptant encore quatre ouvrages et une centaine de dessins.

     
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    Sprache: Französisch
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    DDC Klassifikation: Romanische Sprachen; Französisch (440); Literaturen romanischer Sprachen; Französische Literatur (840)
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  11. Detection and Prevention of MAC Layer Misbehavior for ad hoc Networks
    Autor*in: Cardenas, Alvaro A.; Radosavac, Svetlana; Baras, John S.
    Erschienen: 2004
    Verlag:  Defense Technical Information Center

  12. Theories of Lyric
    Autor*in: Klimek, Sonja; Zymner, Rüdiger; Waters, William; Hillebrandt, Claudia; Müller, Ralph
    Erschienen: 2017
    Verlag:  De Gruyter

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    DDC Klassifikation: Germanische Sprachen; Deutsch (430); Literaturen germanischer Sprachen; Deutsche Literatur (830); Literatur und Rhetorik (800)
    Schlagworte: rhetoric & criticism
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  13. As Many as Three Dimensions
    Autor*in: Cearley, Sean
    Erschienen: 2017
    Verlag:  edition taberna kritika

    Other ; 3D Poems mehr

     

    Other ; 3D Poems

     
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    DDC Klassifikation: Amerikanische Literatur in in Englisch (810); Grafik; Druckgrafik, Drucke (760)
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  14. Nicholas Perkins (ed.). Medieval Romance and Material Culture
    Autor*in: Kern-Stähler, Annette
    Erschienen: 2017
    Verlag:  De Gruyter

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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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  15. Agreement and transitivity in Middle Ukrainian resultative and passive -no/-to constructions
    Autor*in: Parkhomenko, Iryna
    Erschienen: 2017
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät II

    Abstract ; Die ukrainische Sprache, die zu den Nominativ-Akkusativ-Sprachen gehört, weist sowohl historisch als auch synchron Abweichungen vom kanonischen Lizensierungsmuster dieser beiden Kasus auf. So kennt das Ukrainische resultative,... mehr

     

    Abstract ; Die ukrainische Sprache, die zu den Nominativ-Akkusativ-Sprachen gehört, weist sowohl historisch als auch synchron Abweichungen vom kanonischen Lizensierungsmuster dieser beiden Kasus auf. So kennt das Ukrainische resultative, inkongruente, in den Finitheitsmerkmalen neutralisierten Passiv-Partizipien auf -no, -to, die wie finite Aktiv-Verben ihrem internen Argument Akkusativ zuweisen, aber historisch auch Nominativ am Patiensargument lizensierten. Solche Kasus-Zuweisung am Patiens passivischer und impersonaler Verben bei fehlender oder Default-Kongruenz stellt einen wichtigen Prüfstein für die theoretische Erfassung von Kasus, Finitheitsmerkmale und Subjektmarkierung dar. Das Ziel der Untersuchung war, über die etymologische Fragestellung hinaus, ein korpus-basiertes und quantifizierbares Bild des diachronen grammatischen Wandels der -no, -to-Formen im Mittelukrainischen zu erstellen. Synchron sind -no, -to bereits gut erforscht: die Struktur erlaubt eine overte Agensangabe im Instrumental und eine optional eingesetzte overte Kopula. Diagnostische Subjekteigenschaften wie Kontrolle in die Infinitiv- und Partizipialkontexte, sowie die Bindung von Reflexiva greifen nicht. Historisch dagegen bestehen noch große empirische Lücken und Beschreibungsdesiderate. Es wurden einige der empirischen Lücken in der Diachronie der -no, -to auf der Grundlage eines elektronischen, diachronen (1500-1800) mittelgroßen Korpus literarischer und administrativer Texte geschlossen: die Arbeit beschäftigt sich mit der Kongruenz und Transitivität der -no, -to und untersucht sie parallel zu den morphologisch identischen passiven kongruierenden -no, -to. ; Abstract ; The Ukrainian language belongs to the nominative-accusative languages and demonstrates both historically and synchronically the deviations from the canonical case licensing pattern. That is, Ukrainian has resultative, non-agreeing and non-finite passive participles ending in either -no or -to that assign accusative to their internal argument, just like finite active verbs do. Historically -no, -to forms licensed the nominative on the patience argument as well. Accusative case assignment on the patience in impersonal verbs that lack agreement represents an important touchstone for the theoretical understanding of case, finiteness and subject marking. Along with the etymological questions, the aim of this investigation was to obtain a corpus-based quantifiable picture of the diachronic grammatical change of -no, -to forms in Middle Ukrainian. The modern -no, -to structure has already been properly investigated: it is clear that the structure allows for an overt agent phrase in instrumental and for an optional copula. Diagnostic subject properties like control into the infinitival and participial contexts, as well as the binding of reflexives do not apply. Historically however, there are large empirical gaps and desiderata as to the development of -no, -to. The thesis closes several of the empirical gaps in the diachrony of -no, -to on the basis of a middle-sized electronic corpus of literary and administrative texts from 1500-1800. The thesis deals with the agreement and transitivity of non-agreeing -no, -to that have been investigated parallel to the morphologically identical to them agreeing passive -no, -to.

     
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  16. Une analyse des connecteurs pragmatiques fondée sur la théorie de la pertinence et son application au TALN
    Autor*in: Zufferey, Sandrine
    Erschienen: 2004
    Verlag:  Département de linguistique de l'Université de Genève

    Other ; Dans cet article, nous proposons d’appliquer une analyse des connecteurs pragmatiques issue de la théorie de la pertinence au traitement automatique des langues naturelles (TALN). Nous commencerons par montrer les conséquences de... mehr

     

    Other ; Dans cet article, nous proposons d’appliquer une analyse des connecteurs pragmatiques issue de la théorie de la pertinence au traitement automatique des langues naturelles (TALN). Nous commencerons par montrer les conséquences de l’application de la théorie de la pertinence sur l’étude des connecteurs, en prenant pour exemple les connecteurs de l’anglais. Dans un deuxième temps, nous exposerons les contraintes imposées par les limites actuelles du TALN. Enfin, nous proposerons un schéma d’étude des connecteurs pragmatiques pour le TALN ainsi qu’une esquisse d’application de cette méthode.

     
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    Sprache: Französisch
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    DDC Klassifikation: Literaturen romanischer Sprachen; Französische Literatur (840); Romanische Sprachen; Französisch (440)
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  17. Review of A.S. Byatt by Mariadele Boccardi
    Autor*in: Rippl, Gabriele
    Erschienen: 2014
    Verlag:  De Gruyter

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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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  18. Gulliver's Travels. The Cambridge Edition of the Works of Jonathan Swift
    Autor*in: Richter, Virginia
    Erschienen: 2014
    Verlag:  De Gruyter

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    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820)
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  19. Review of The Palgrave Handbook of Comparative North American Literature. By Reingard Nischik.
    Autor*in: Straub, Julia
    Erschienen: 2017
    Verlag:  De Gruyter

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    DDC Klassifikation: Englisch, Altenglisch (420); Amerikanische Literatur in in Englisch (810); Englische, altenglische Literaturen (820)
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  20. Mallarmé and His Futurist 'Heir' Marinetti
    Autor*in: Suter, Patrick
    Erschienen: 2014
    Verlag:  De Gruyter

    Other ; Marinetti is known for his call to arms against Mallarmé's aesthetics, but, in actual fact, he admired the great Symbolist at the beginning of his literary career. Nevertheless, his heritage from Mallarmé was not pure. This becomes most... mehr

     

    Other ; Marinetti is known for his call to arms against Mallarmé's aesthetics, but, in actual fact, he admired the great Symbolist at the beginning of his literary career. Nevertheless, his heritage from Mallarmé was not pure. This becomes most apparent in their diverging attitude towards the book as a cultural attainment and a literariy vehicle. While Mallarmé's Book was organized according to the model of the constellation, where all elements answer each other in a system of echoes, the Futurist text was characterized by the absence of both memory and echoes between the different parts of the book.]

     
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    DDC Klassifikation: Literaturen romanischer Sprachen; Französische Literatur (840); Romanische Sprachen; Französisch (440)
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  21. Images rhétoriques & visions de l'Univers dans la vulgarisation scientifique
    Autor*in: Clivaz-Charvet, Clara
    Erschienen: 2014
    Verlag:  (:null)

    Other ; Cette thèse a pour objectif premier d’analyser les images rhétoriques (procédant par analogie) contenues dans un corpus d’ouvrages de vulgarisation scientifique ayant trait à la physique (astrophysique et physique quantique). Privilégiant une... mehr

     

    Other ; Cette thèse a pour objectif premier d’analyser les images rhétoriques (procédant par analogie) contenues dans un corpus d’ouvrages de vulgarisation scientifique ayant trait à la physique (astrophysique et physique quantique). Privilégiant une optique pluridisciplinaire, cet ouvrage s’applique à constituer - puis démontrer - l’extrême importance de ce cadre référentiel. Cette étude met également en lumière la caractéristique essentielle de la vulgarisation francophone, tout en insistant sur la nécessité de développer l’entreprise de vulgarisation scientifique. Les différentes visions proposées par les scientifiques eux-mêmes concernant notre monde, la valeur de leur imagerie ou de la composante épistémologique dans tout acte de connaissance font également partie intégrante de cette «réflexion», «véritable» reflet de notre savoir.

     
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    DDC Klassifikation: Romanische Sprachen; Französisch (440); Literaturen romanischer Sprachen; Französische Literatur (840)
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  22. Contact, Mobility and Authenticity: Language Ideologies in Koineisation and Creolisation
    Autor*in: Neuenschwander, Christoph; Tresch, Laura Alessandra
    Erschienen: 2014
    Verlag:  (:null)

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    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820)
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  23. Contact, Mobility and Authenticity: Language Ideologies in Koineisation
    Autor*in: Tresch, Laura Alessandra
    Erschienen: 2014
    Verlag:  (:null)

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an... mehr

     

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.

     
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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  24. Language ideologies: the formation and legitimisation of New Zealand English
    Autor*in: Tresch, Laura Alessandra; Neuenschwander, Christoph
    Erschienen: 2014
    Verlag:  (:null)

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an... mehr

     

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
    Lizenz:

    info:eu-repo/semantics/openAccess
  25. Digital multitext editions from scratch to electronic performance. Transcription and collation routines transformed in a flexible database system
    Autor*in: Stolz, Michael
    Erschienen: 2014
    Verlag:  (:null)

    Other ; The poster demonstrates the preparatory steps of a digital multi-text edition that are abstracted from the experiences made in the Parzival Project, based at the University of Bern, the Berlin-Brandenburg Academy of Sciences and the... mehr

     

    Other ; The poster demonstrates the preparatory steps of a digital multi-text edition that are abstracted from the experiences made in the Parzival Project, based at the University of Bern, the Berlin-Brandenburg Academy of Sciences and the University of Erlangen. This edition of Wolfram von Eschenbach’s German Grail novel, written shortly after 1200 and transmitted during several centuries in ca. hundred witnesses, has now been completed by more than a half of the textual corpus. As the text is transmitted in medieval manuscripts the witnesses have to be transcribed according to specific encoding rules. The transcriptions then are collated following certain ideas and concepts of how the transmission process could have developed. The transcriptions and collations finally have to be transferred to a digital edition that allows the users to explore the characteristics of single witnesses as well as the history of a text, which is delivered in variants and in different versions. A dynamically organized database offering various components and adapted to the needs of diverse user-profiles is nowadays the right tool for this purpose.

     
    Export in Literaturverwaltung
    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830); Germanische Sprachen; Deutsch (430)
    Lizenz:

    info:eu-repo/semantics/openAccess