Ergebnisse für *

Zeige Ergebnisse 1 bis 3 von 3.

  1. Hothouses
    Poems 1889
    Erschienen: 2003; ©2003
    Verlag:  Princeton University Press, Princeton

    Cover Page -- Half-title Page -- Title Page -- Copyright Page -- Contents -- Translator's Note -- Chronology -- Hothouses -- Appendix:The Massacre of the Innocents. mehr

    Zugang:
    Aggregator (lizenzpflichtig)
    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    Cover Page -- Half-title Page -- Title Page -- Copyright Page -- Contents -- Translator's Note -- Chronology -- Hothouses -- Appendix:The Massacre of the Innocents.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Howard, Richard (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691222424
    Schriftenreihe: Facing Pages Ser. ; v.2
    Schlagworte: Electronic books
    Umfang: 1 online resource (128 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  2. Hothouses
    Poems, 1889
    Erschienen: [2003]; ©2003
    Verlag:  Princeton University Press, Princeton, NJ ; Walter de Gruyter GmbH, Berlin

    On May 31, 1889, a young Belgian lawyer from a wealthy bourgeois family in Ghent published a book of 33 poems in 155 copies. Maurice Maeterlinck's legal career was floundering but his road to literary greatness had begun. Long overshadowed by the... mehr

    Universitätsbibliothek Gießen
    keine Fernleihe
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe
    Universität Mainz, Zentralbibliothek
    keine Fernleihe
    Universität Marburg, Universitätsbibliothek
    keine Fernleihe

     

    On May 31, 1889, a young Belgian lawyer from a wealthy bourgeois family in Ghent published a book of 33 poems in 155 copies. Maurice Maeterlinck's legal career was floundering but his road to literary greatness had begun. Long overshadowed by the plays that later won him the Nobel Prize, Serres chaudes (Hothouses) nonetheless came to be widely regarded as one of the cornerstones of literary Modernism after Baudelaire. While Max Nordau soon seized upon Maeterlinck's--tumult of images--as symptomatic of a pervasive social malaise, decades later Antonin Artaud pronounced, "Maeterlinck was the first to introduce the multiple riches of the subconscious into literature." Richard Howard's translation of this quietly radical work is the first to be published in nearly a century, and the first to accurately convey Maeterlinck's elusive visionary force. The poems, some of them in free verse (new to Belgium at the time), combine the decadent symbolism and the language of dislocation that Maeterlinck later perfected in his dramas. Hothouses reflects the influence not only of French poets including Verlaine and Rimbaud, but also of Whitman. As for the title, the author said it was "a natural choice, Ghent . . . abounding in greenhouses." The poems, whose English translations appear opposite the French originals, are accompanied by reproductions of seven woodcuts by Georges Minne that appeared in the original volume, and by an early prose text by Maeterlinck imaginatively describing a painting by the sixteenth-century Flemish artist Pieter Brueghel. A feat of daring power extraordinarily immediate and inventive, Hothouses will appeal to all lovers of poetry, and in particular to those interested in Modernism. Maeterlinck's enormous fame may have faded, but twentieth-century writers such as Beckett are still our masters who testify to its undying influence.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Howard, Richard
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691222424
    Weitere Identifier:
    Schriftenreihe: Facing Pages ; 2
    Umfang: 1 Online-Ressource (128 p.), 1 halftone. 7 line illus
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Feb 2021)

  3. Close Reading
    The Reader
    Beteiligt: Baker, Houston (Mitwirkender); Barthes, Roland (Mitwirkender); Bhabha, Homi (Mitwirkender); Blackmur, R (Mitwirkender); Brooks, Cleanth (Mitwirkender); Burke, Kenneth (Mitwirkender); DuBois, Andrew (Herausgeber); Dubois, Andrew (Mitwirkender); Gallagher, Catherine (Mitwirkender); Gilbert, Sandra (Mitwirkender); Greenblatt, Stephen (Mitwirkender); Gubar, Susan (Mitwirkender); Jameson, Fredric (Mitwirkender); Krieger, Murray (Mitwirkender); Lentricchia, Frank (Mitwirkender); Man, Paul (Mitwirkender); Moretti, Franco (Mitwirkender); Ransom, John Crowe; Sedgwick, Eve (Mitwirkender); Stanley, Fish (Mitwirkender); Vendler, Helen (Mitwirkender)
    Erschienen: [2003]; ©2003
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    An anthology of exemplary readings by some of the twentieth century's foremost literary critics, Close Reading presents a wide range of responses to the question at the heart of literary criticism: how best to read a text to understand its meaning.... mehr

    Universitätsbibliothek Gießen
    keine Fernleihe
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe
    Universität Mainz, Zentralbibliothek
    keine Fernleihe
    Universität Marburg, Universitätsbibliothek
    keine Fernleihe

     

    An anthology of exemplary readings by some of the twentieth century's foremost literary critics, Close Reading presents a wide range of responses to the question at the heart of literary criticism: how best to read a text to understand its meaning. The lively introduction and the selected essays provide an overview of close reading from New Criticism through poststructuralism, including works of feminist criticism, postcolonial theory, queer theory, new historicism, and more.From a 1938 essay by John Crowe Ransom through the work of contemporary scholars, Close Reading highlights the interplay between critics-the ways they respond to and are influenced by others' works. To facilitate comparisons of methodology, the collection includes discussions of the same primary texts by scholars using different critical approaches. The essays focus on Hamlet, "Lycidas," "The Rape of the Lock," Ulysses, Invisible Man, Beloved, Jane Austen, John Keats, and Wallace Stevens and reveal not only what the contributors are reading, but also how they are reading.Frank Lentricchia and Andrew DuBois's collection is an essential tool for teaching the history and practice of close reading.Contributors. Houston A. Baker Jr., Roland Barthes, Homi Bhabha, R. P. Blackmur, Cleanth Brooks, Kenneth Burke, Paul de Man, Andrew DuBois, Stanley Fish, Catherine Gallagher, Sandra Gilbert, Stephen Greenblatt, Susan Gubar, Fredric Jameson, Murray Krieger, Frank Lentricchia, Franco Moretti, John Crowe Ransom, Eve Kosofsky Sedgwick, Helen Vendler...

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Baker, Houston (Mitwirkender); Barthes, Roland (Mitwirkender); Bhabha, Homi (Mitwirkender); Blackmur, R (Mitwirkender); Brooks, Cleanth (Mitwirkender); Burke, Kenneth (Mitwirkender); DuBois, Andrew (Herausgeber); Dubois, Andrew (Mitwirkender); Gallagher, Catherine (Mitwirkender); Gilbert, Sandra (Mitwirkender); Greenblatt, Stephen (Mitwirkender); Gubar, Susan (Mitwirkender); Jameson, Fredric (Mitwirkender); Krieger, Murray (Mitwirkender); Lentricchia, Frank (Mitwirkender); Man, Paul (Mitwirkender); Moretti, Franco (Mitwirkender); Ransom, John Crowe; Sedgwick, Eve (Mitwirkender); Stanley, Fish (Mitwirkender); Vendler, Helen (Mitwirkender)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822384595
    Weitere Identifier:
    Umfang: 1 Online-Ressource (408 p.), 1 figure