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  1. Editorial [2019, english]
    Autor*in: Glasenapp, Gabriele von; O'Sullivan, Emer; Roeder, Caroline; Staiger, Michael; Tomkowiak, Ingrid
    Erschienen: 01.12.2019

  2. Colonising the play world : texts, toys and colonial fantasies in german children’s stories around 1900
    Autor*in: Simpson, Patricia Anne
    Erschienen: 01.12.2019

    In German children’s literature around 1900, the representation of childhood in pseudo-colonial realms participates in a construction of racial identities based on transcultural play. Acts of reading and scenes of instruction intersect with material... mehr

     

    In German children’s literature around 1900, the representation of childhood in pseudo-colonial realms participates in a construction of racial identities based on transcultural play. Acts of reading and scenes of instruction intersect with material objects to convey a pedagogy of race dominated by learned whiteness. This article asks: How does German children’s fiction around 1900 reconfigure national identity as imperial experience? An analysis of a noncanonical though exemplary fictional text about a jungle adventure demonstrates strategies used to include the child in the colonial experience. Imagining this ›play world‹ replicates for the child reader a sense of agency and citizenship through encounters with an indigenous mediator, an impish primate and imaginary landscapes – each represented through the lens of European epistemologies. These tropes produce tension between historical fact and imaginative fiction, working together to map a colonial geography of German identity on to a model transatlantic German childhood. Framed by theories of material objects and toys, and supported by the work of literary scholars and cultural historians, I examine the brief story »Die kleine Urwälderin« [The Little Jungle Girl] from Auerbachs Deutscher Kinder-Kalender auf das Jahr 1902 [Auerbach’s Almanac for German Children, 1902]. In it, the Amazonian setting aspires to historically factual representation, which, however, cedes considerable territory to the realm of fantasy. The projection of a German forest adventure on to a Brazilian geography elides historical truths, such as centuries of the transatlantic slave trade, and instead inserts imperial signifiers into an established syntax of the European child at play. The resulting national ideology of childhood identity in this German language story imposes colonial order on a reimagined play world.

     
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    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    ISBN: 978-3-9821241-0-0
    DDC Klassifikation: Bildung und Erziehung (370); Literaturen germanischer Sprachen; Deutsche Literatur (830)
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    creativecommons.org/licenses/by-nc/4.0/

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    info:eu-repo/semantics/openAccess
  3. Introduction "Adaptation as translation: transferring cultural narratives"
    Autor*in: Fehrle, Johannes; Schmitt, Mark
    Erschienen: 10.01.2019

    The discipline of adaptation studies has come a long way from its academic inception in novel-to-film studies. Since George Bluestone's seminal 1957 study Novels into Film, often regarded as the starting point of modern day Anglo-American adaptation... mehr

     

    The discipline of adaptation studies has come a long way from its academic inception in novel-to-film studies. Since George Bluestone's seminal 1957 study Novels into Film, often regarded as the starting point of modern day Anglo-American adaptation studies, the discipline has seen a continual widening of its methodology as well as of the material scholars are willing to regard as adaptations. Particularly since the turn of the 21st century and the increasing institutionalization of the discipline as distinct from literary or film studies, adaptation scholars have widened the scope to include a broad range of media, encompassing not only the traditional adaptations from novels and drama into film, but also novelizations of various other media, video game and comic adaptations, TV series, opera, theme parks and tie in vacations, and many more. Others have included the study of media franchises as dependent on adaptation. As part of this redefinition of the discipline, scholars have also widened their discussion to bring to the centre aspects that were not originally the main focus of adaptation researchers' comparative textual analyses, including industrial structures, legal frameworks, and, most frequently and emphatically, questions of intertextuality and the cultural and ideological embeddedness of adapted texts.

     
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Adaption <Literatur>; Literatur; Film; Theater; Medien; Kulturvermittlung
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  4. A one-way ticket to paradise? : Adapting the bible in Venedikt Erofeev’s 'Moskva-Petushki' (1973), Stephen Mulrine's 'Moscow Stations' (1993), and A.L. Kennedy's 'Paradise' (2004)
    Autor*in: Lusin, Caroline
    Erschienen: 10.01.2019

    In the early 21st century, scientists once more declared God a delusion and announced the end of faith, boosting the current critique of religious belief known as 'New Atheism'. Yet the contemporary British and Irish novel engage with religion in... mehr

     

    In the early 21st century, scientists once more declared God a delusion and announced the end of faith, boosting the current critique of religious belief known as 'New Atheism'. Yet the contemporary British and Irish novel engage with religion in various forms, and religion has indeed "returned", Andrew Tate argues, "to the study of literature". The Bible in particular proves a rich source for novelists as different as Colm Tóibín, Zadie Smith, and Philip Pullman among others. Where Colm Tóibín's 'The Testament of Mary' (2012) offers a fictional memoir by the mother of God, depicting the Virgin Mary as "a powerful, unsparing figure" ('Guardian'), Zadie Smith's 'NW' (2012) describes the lives of its two female protagonists against the backdrop of the stories of Mary and Elizabeth in the Gospel of Luke. And Philip Pullman's bestselling trilogy 'His Dark Materials' (1995- 2000) is a re-writing of Milton's 'Paradise Lost' (1667) that "only really makes sense" according to Tate "if the reader has a detailed knowledge of the biblical scriptures against which it writes". Despite being written from a very critical, ironic or atheist stance, all these novels rely on the Bible as an intertext in crucial ways. The Bible, in other words, is once more living up to its ancient reputation as "the Book of Books", "the Urtext of Western literature".

     
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Adaption <Literatur>; Bibel; Religion; Erofeev, Viktor; Moskva-Petuški; Mulrine, Stephen; Moscow stations; Kennedy, A. L.; Paradise
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  5. Prole politics – adaptation as appropriation of techno in the works of Rainald Goetz
    Autor*in: Fischer, Kai
    Erschienen: 10.01.2019

    In this article, I will argue for a different notion of adaptation as a form of appropriation that allows a more productive analysis of the literary works of German author Rainald Goetz. Therefore I will draw on a specific understanding of pop music,... mehr

     

    In this article, I will argue for a different notion of adaptation as a form of appropriation that allows a more productive analysis of the literary works of German author Rainald Goetz. Therefore I will draw on a specific understanding of pop music, which derives from Diedrich Diederichsen 'Über Pop-Musik' (On pop music). According to Diederichsen, pop-music is not limited to certain kinds of music, but moreover to the practices pop-music entails.

     
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Adaption <Literatur>; Goetz, Rainald; Techno; Pop-Kultur
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  6. The adaptation of disaster: representations of environmental crises in climate change fiction
    Autor*in: Nitzke, Solvejg
    Erschienen: 10.01.2019

    In light of climate change, the attempt to overcome the gap between the 'Two Cultures' appears more urgent than ever. With climate change being only one of the environmental crises marking the so-called Anthropocene, knowledge production and... mehr

     

    In light of climate change, the attempt to overcome the gap between the 'Two Cultures' appears more urgent than ever. With climate change being only one of the environmental crises marking the so-called Anthropocene, knowledge production and representations are constantly challenged. The very reason that led to the idea of proclaiming a new geological epoch can be taken as evidence for the collapse of the Cartesian dichotomy between nature and culture. The Anthropocene marks an epoch in Earth's history in which the human species has become a geological force. That is, the effects of industrialized civilization are now forming geological strata that irreversibly change the face of the planet and its future. However, if nature and culture cannot be meaningfully distinguished anymore, how, one might ask, is a divide within academia still of concern? Would it not naturally perish with the insight that what has been regarded as nature has now been thoroughly pervaded by remnants of human actions? To the contrary, the persistence of the gap between the sciences and the humanities is one of the main reasons that complicates the representation and, ultimately, hinders the understanding of the problems which characterize the new epoch. Inability or unwillingness to change behavior on a collective level will most probably lead to environmental, political and social disaster on an unprecedented scale.

     
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Adaption <Literatur>; Klimaänderung; Klimaänderung <Motiv>; Science-Fiction
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  7. #booklove: how reading culture is adapted on the internet
    Autor*in: Birke, Dorothee; Fehrle, Johannes
    Erschienen: 10.01.2019

    On the one side there is book culture, centered on the printed book as a material object; on the other digital culture, centered on what is displayed on a screen, by now more often than not that of a mobile phone. In the cultural imaginary, the two... mehr

     

    On the one side there is book culture, centered on the printed book as a material object; on the other digital culture, centered on what is displayed on a screen, by now more often than not that of a mobile phone. In the cultural imaginary, the two practices are separated by far more than just media technology. The girl in Delevingne's picture, in choosing to read a book rather than participate in the social media arena, opts (as the black-and-white blocking of the caption neatly reflects) for a commendable type of media use: She sharpens her intellect and exercises her imagination, she digs deep rather than staying on the surface, and she engages – in a seemingly disinterested manner – with valuable content rather than obsessing over how to present herself in the best light. Her absorption is a badge of honor, much different from the 'bad' absorption of digital media users, a recurring trope that is artistically represented, for example, in the much-acclaimed surrealist photo series "SURFAKE" by the French photographer Antoine Geiger, which represents mobile phone users whose faces are sucked into their devices.

     
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    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Adaption <Literatur>; Lesen; Internet; Neue Medien; Sozialer Wandel; Lesekultur
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  8. Caving in : character-spaces in Nietzsche and Poe
    Autor*in: Mendicino, Kristina
    Erschienen: 05.11.2019

    "Das Aussereinander", schreibt Gustav Teichmüller in seiner Abhandlung "Die wirkliche und scheinbare Welt", "bedeutet bloss, dass die Vorstellungen verschieden bleiben und nicht verschmelzen sollen." Wenn aber Räumlichkeit dergestalt relativiert... mehr

     

    "Das Aussereinander", schreibt Gustav Teichmüller in seiner Abhandlung "Die wirkliche und scheinbare Welt", "bedeutet bloss, dass die Vorstellungen verschieden bleiben und nicht verschmelzen sollen." Wenn aber Räumlichkeit dergestalt relativiert wird, sind nicht nur die Bedingungen jedes objektiven Koordinatensystems und jeder subjektiven Orientierung a priori abgeräumt. Denn die Möglichkeit eines entscheidenden Kriteriums für die Trennung zwischen Innen- und Außenraum wird ebenso außer Kraft gesetzt, im wörtlichen wie im übertragenen Sinne. Ausgegangen wird in den folgenden Seiten von der Frage, wie nach dem Aussetzen oder Einstürzen jeglicher statthaften räumlichen Ordnung weiter erzählt wird. Durch eine Auseinandersetzung mit Friedrich Nietzsches "Also sprach Zarathustra" und Edgar Allan Poes "The Narrative of Arthur Gordon Pym" soll auszugsweise angedeutet werden, wie diesen desorientierenden Schriften anders charakterisierte Räume eingeschrieben sind.

     
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  9. Out-takes of a life : on a cinematic moment in Benjamin's "The Storyteller"
    Autor*in: Levine, Michael G.
    Erschienen: 06.11.2019

    Berühmt sind Benjamins Überlegungen zum bürgerlichen Interieur vor allem im "Passagen-Werk". Weniger bekannt hingegen sind seine Reflexionen über eine eigenartige Form von Erzählraum, der sich in der Mitte seines Erzähler-Aufsatzes lokalisiert.... mehr

     

    Berühmt sind Benjamins Überlegungen zum bürgerlichen Interieur vor allem im "Passagen-Werk". Weniger bekannt hingegen sind seine Reflexionen über eine eigenartige Form von Erzählraum, der sich in der Mitte seines Erzähler-Aufsatzes lokalisiert. 'Eigenartig' ist er, weil es dort weniger um mündliches oder schriftliches Erzählen geht, als vielmehr um filmische Projektionen. Was projiziert wird, sind nach Benjamin "Ansichten der eigenen Person, unter denen er ohne es inne zu werden, sich selber begegnet ist". Solche Begegnungen gehören weder zur Erfahrung dieser Person noch zu ihrer Selbsterzählung oder Autobiographie. Diese "Out-takes eines Lebens" werden unwissentlich aufgenommen, unbewusst aufbewahrt und am Sterbebett mechanisch projiziert. Benjamin modifiziert in seinem Erzähler-Aufsatz die geläufige, entscheidend filmische Vorstellung, dass einem kurz vor dem Tod noch einmal das ganze Leben vorgeführt werde: Die Vorführung, die hier stattfindet, projiziert nur die Momente, die nie wirklich zum eigenem Leben gehört haben. Um diese andere Erzählart und diesen anderen Erzählraum zu erkunden, muss die betreffende Stelle im Erzähler-Aufsatz zusammen mit Benjamins Schriften zum buckligen Männlein gelesen werden. Was sich durch diese Lektüre manifestiert, ist eine andere Theorie der erzählerischen Autorität und der Tradierbarkeit von "unvergesslichen" Erfahrungen.

     
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    ISBN: 978-3-8498-1308-6
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Aisthesis Verlag
    Schlagworte: Benjamin, Walter; Der Erzähler; Film <Motiv>; Unbewusstes
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  10. Cultural misunderstanding in translation: multicultural coexistence and multicultural conceptions of world literature
    Autor*in: Bachmann-Medick, Doris
    Erschienen: 26.11.2008

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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Übersetzung; Weltliteratur
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  11. Is there a literary history of world literature?
    Autor*in: Bachmann-Medick, Doris
    Erschienen: 26.11.2008

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    ISBN: 978-3-8233-4171-0
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Weltliteratur
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  12. Mozart, Da Ponte, and Censorship : Don Giovanni and Così fan tutte at the Vienna Court Theater, 1798–1804
    Autor*in: Nedbal, Martin
    Erschienen: 25.04.2019

    On July 10, 1798, the German ensemble at the Vienna court theater presented the premiere performance of 'Die Hochzeit des Figaro', the first production of Mozart and Da Ponte's 'Le nozze di Figaro' – and indeed of any Mozart-Da Ponte work – at the... mehr

     

    On July 10, 1798, the German ensemble at the Vienna court theater presented the premiere performance of 'Die Hochzeit des Figaro', the first production of Mozart and Da Ponte's 'Le nozze di Figaro' – and indeed of any Mozart-Da Ponte work – at the court theater since Mozart's death and Da Ponte's departure from the imperial capital. A few months later, on December 11, 1798, a new production of Don Giovanni, titled Don Juan, arrived at the court theater stage. On September 19, 1804, a production of Così fan tutte followed, under the title 'Mädchentreue'. Although the productions were not extraordinarily successful in terms of performance numbers, they represented important trends in the Viennese reception of Mozart's operas that were to continue throughout the early nineteenth century. In particular, these productions left behind numerous records about the convoluted processes through which theatrical works were approved, re-approved, and revised before reaching the stage in Vienna around 1800. Particularly prominent among these processes was censorship. Yet, as this article shows, Viennese censors worked in tandem with numerous private and public agents who likewise contributed to the final shape of pre-existing works' adaptations. An examination of the censorial approaches to Mozart's Don Giovanni and Così fan tutte in Vienna around 1800 shows that late Enlightenment censorship was contradictory and multidirectional and should be considered not as a force of restriction but as an element that affected artworks in ways similar to other social, political, and cultural factors, such as patronage, audience structure, and various social and political ideologies.

     
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  13. Memorizing battle musically : The Siege of Szigetvár (1566) as an identity signifier
    Autor*in: Marković, Tatjana
    Erschienen: 16.05.2019

    Nations are signified by their constructed or mythicized cultural memory, since "identity is part of memory discourse". There are shared historical legacies in Southeast European countries, among which the most significant are Byzantium and the... mehr

     

    Nations are signified by their constructed or mythicized cultural memory, since "identity is part of memory discourse". There are shared historical legacies in Southeast European countries, among which the most significant are Byzantium and the Ottoman Empire: "It has been chiefly the Ottoman elements or the ones perceived as such which have mostly given rise to the current stereotype of the Balkans, so that it would not be an exaggeration to say that the Balkans are, in fact, the Ottoman legacy." Contrary to it, the Habsburg legacy and the belonging to the Habsburg Monarchy have mainly not been seen in the same, negative way. Consequently, there are two different understandings of national identity and different strategies in defining self-representation in the (previous) provinces of the two empires, which is also explicated in Southeast European operas. The construction of Croatian national identity is considered through the stage representations of the historical Siege of Szigetvár (1566).

     
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  14. The problem of American habitus
    Autor*in: Mennell, Stephen
    Erschienen: 06.09.2019

    How is it possible to write about "American" habitus in general, when the United States is socially, geographically, ethically and politically so diverse? "The USA", it has been observed, "is not a country, it is a continent". The social forces and... mehr

     

    How is it possible to write about "American" habitus in general, when the United States is socially, geographically, ethically and politically so diverse? "The USA", it has been observed, "is not a country, it is a continent". The social forces and social processes shaping the habitus of Americans are multifarious. There has not, for example, ever been a single elite in the USA as a whole that has succeeded in monopolising the social "model-setting" function to the extent that was common in the history of many Western European countries. For the development of American habitus, Stephen Mennell advances a central proposition: His thesis is that the central historic experience shaping the social habitus of Americans is that of their country constantly becoming more powerful relative to its neighbours. This has had long-term and all-pervasive effects on the way Americans see themselves, on how they perceive the rest of the world, and how others see them.

     
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    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Sozialwissenschaften (300); Literatur und Rhetorik (800)
    Sammlung: LiTheS. Zeitschrift für Literatur- und Theatersoziologie
    Schlagworte: Habitus; USA; Gesellschaft
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/

    ;

    info:eu-repo/semantics/openAccess
  15. Graphic realities : comics as documentary, history, and journalism
    Autor*in: Menn, Ricarda; Glaser, Tim
    Erschienen: 12.06.2019

    Report on the Conference "Graphic Realities: Comics as Documentary, History, and Journalism", Justus-Liebig-University Giessen / International Graduate Centre for the Study of Culture (GCSC), February 22-23, 2018. mehr

     

    Report on the Conference "Graphic Realities: Comics as Documentary, History, and Journalism", Justus-Liebig-University Giessen / International Graduate Centre for the Study of Culture (GCSC), February 22-23, 2018.

     
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Tagungsberichte
    Schlagworte: Comic; Graphic Novel; Dokumentarliteratur; Journalismus
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    creativecommons.org/licenses/by-nc-nd/4.0/deed.de

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    info:eu-repo/semantics/openAccess