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Fabulæ i þeim bestu sögum
studies in the genre of the medieval Icelandic mytho-heroic saga -
The problem of perspective in the 'Miroir de l'ame pecheresse, the 'Prisons' and the 'Heptameron' of Marguerite de Navare
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Sexuality in the theatre of Molière
a Freudian analysis -
Woman as mediatrix in the prose works of André Pieyre de Mandiargues
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Clárús saga
an edition and translation -
The heroines in the novels of Stendhal
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The environmental self
pastoral and the emergence of american nature writing -
Oiseuse
an introduction to a homoerotic reading of Guillaume de Lorris's Romans de la rose -
Coming out of the text
discovering sexual identity in André Gide's Espace autobiographique -
Tools for the embrace
an ethical consideration of "Candide" and "Rasselas" -
Victor Hugo's private sphere
family and honor in the exile novels -
Ernest Renan and the question of race
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Gender in Dante's 'Divina Commedia'
the principal female characters -
The narrative silences of Grazia Deledda
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Un monde à part
representations of female adolescence in the French novel from 1870 to 1930 -
The agony of expression
Sceve's poetics and the petrarchan paradigm -
The evolution of characterization and internal structure in Ghelderode's early plays
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Elie Wiesel: The theme of 'Le temoin'
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Sexuality in the essais of Montaigne
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Woman as outsider in Giraudoux's theatre from 'Siegfried' to 'Electre'
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The transgression of boundaries in the poetry of Francesco Petrarca and Gaspara Stampa
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Themes and topics of the American musical after World War II
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Woman in the 'Encyclopedie'
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The artist as 'artifex mundi' in Ariosto's 'Orlando Furioso' and Cervantes' 'Don Quijote'
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Proust's writing of desire