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Iconicity in the digital world : an opportunity to create a personal image?
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Meanings of translation in cultural anthropology
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Alain Badiou's Pasolini : the problem of subtractive universalism
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One divided by another : split and conversion in Pasolini's "San Paolo"
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Outside Italy : Pasolini's transnational visions of the sacred and tradition
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Cinematographic aesthetics as subversion of moral reason in Pasolini's "Medea"
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Pasolini as Jew : between Israel and Europe
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Analogy and difference : multistable figures in Pier Paolo Pasolini's "Appunti per un'Orestiade Africana"
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The body of the actor : notes on the relationship between the body and acting in Pasolini's cinema
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Reconciliation and stark incompatibility : Pasolini's 'Africa' and Greek tragedy
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'La vera diversità' : multistability, circularity, and abjection in Pasolini's "Pilade"
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Figura lacrima
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Pasolini and India : de- and re-construction of a myth
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The guest : transfiguring indifference in "Teorema"
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Pier Paolo Pasolini and pan-meridional Italianness
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Destruction, negation, subtraction
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mythisnow - pasoliniandeuropetoday
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Tension on tension : some considerations that might help to produce an increasingly precise understanding of a problem which has no specific object
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Oblique gazes : the "je ne sais quoi" and the uncanny as forms of undecidability in post-Enlightenment aesthetics
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The topoi of utopia : a topology of political tensions
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Desiring tension : towards a queer politics of paradox
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Strategies of tension : A. Boissier's "Les amants électrisés par l'amour" (1797)
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Tension in/between aesthetics, politics, and physics
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Disappear here : adventures in subconscious narrative filmmaking
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The violence of form : philosophical remarks on Mazen Kerbaj's sound piece "Starry Night"