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  1. Lines of Flight
    Discursive Time and Countercultural Desire in the Work of Thomas Pynchon
    Autor*in: Mattessich, Stefan
    Erschienen: [2002]; © 2002
    Verlag:  Duke University Press, Durham

    For Thomas Pynchon, the characteristic features of late capitalism-the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    For Thomas Pynchon, the characteristic features of late capitalism-the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing influence of the mass media-all point to a transformation in the way human beings experience time and duration. Focusing on Pynchon's novels as representative artifacts of the postwar period, Stefan Mattessich analyzes this temporal transformation in relation not only to Pynchon's work but also to its literary, cultural, and theoretical contexts.Mattessich theorizes a new kind of time-subjective displacement-dramatized in the parody, satire, and farce deployed through Pynchon's oeuvre. In particular, he is interested in showing how this sense of time relates to the counterculture of the 1960s and 1970s. Examining this movement as an instance of flight or escape and exposing the beliefs behind it, Mattessich argues that the counterculture's rejection of the dominant culture ultimately became an act of self-cancellation, a rebellion in which the counterculture found itself defined by the very order it sought to escape. He points to parallels in Pynchon's attempts to dramatize and enact a similar experience of time in the doubling-back, crisscrossing, and erasure of his writing. Mattessich lays out a theory of cultural production centered on the ethical necessity of grasping one's own susceptibility to discursive forms of determination

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822384137
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / American / General; Counterculture; Desire in literature; Escape in literature; Time in literature
    Umfang: 1 online resource (302 pages), 4 illus
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  2. Laura
    Uncovering Gender and Genre in Wyatt, Donne and Marvell
    Autor*in: Estrin, Barbara L.
    Erschienen: [1994]; © 1994
    Verlag:  Duke University Press, Durham

    How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies.Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet's love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem's framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin's Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally

     
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    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382256
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    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / Poetry; English poetry; English poetry; Literary form; Literary form; Love poetry, English; Sex role in literature; Women and literature; Women and literature
    Umfang: 1 online resource (360 pages), 3 illustrations
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  3. Postmodernity in Latin America
    The Argentine Paradigm
    Autor*in: Colás, Santiago
    Erschienen: [1994]; © 1994
    Verlag:  Duke University Press, Durham

    Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While European and North American theorists of postmodernity generally view Latin American fiction without regard for its political and cultural context, Latin Americanists often either uncritically apply the concept of postmodernity to Latin American literature and society or reject it in an equally uncritical fashion. The result has been both a limited understanding of the literature and an impoverished notion of postmodernity. Santiago Colás challenges both of these approaches and corrects their consequent distortions by locating Argentine postmodernity in the cultural dynamics of resistance as it operates within and against local expressions of late capitalism.Focusing on literature, Colás uses Julio Cortázar's Hopscotch to characterize modernity for Latin America as a whole, Manuel Puig's Kiss of the Spider Woman to identify the transition to a more localized postmodernity, and Ricardo Piglia's Artificial Respiration to exemplify the cultural coordinates of postmodernity in Argentina. Informed by the cycle of political transformation beginning with the Cuban Revolution, including its effects on Peronism, to the period of dictatorship, and finally to redemocratization, Colás's examination of this literary progression leads to the reconstruction of three significant moments in the history of Argentina. His analysis provokes both a revised understanding of that history and the recognition that multiple meanings of postmodernity must be understood in ways that incorporate the complexity of regional differences.Offering a new voice in the debate over postmodernity, one that challenges that debate's leading thinkers, Postmodernity in Latin America will be of particular interest to students of Latin American literature and to scholars in all disciplines concerned with theories of the postmodern

     
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    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382669
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / General; Argentine fiction; Literature and society; Literature and society; Postmodernism (Literature)
    Umfang: 1 online resource (240 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  4. Class Fictions
    Shame and Resistance in the British Working Class Novel, 1890-1945
    Autor*in: Fox, Pamela
    Erschienen: [1994]; © 1994
    Verlag:  Duke University Press, Durham

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity,... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion.Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox's argument has far-reaching implications for the way literary and cultural studies will be defined and practiced

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382935
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English fiction; Literature and society; Shame in literature; Working class in literature; Working class writings, English; Working class
    Umfang: 1 online resource (241 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  5. Close Reading
    The Reader
    Beteiligt: Andrew, Dubois (MitwirkendeR); Catherine, Gallagher (MitwirkendeR); Cleanth, Brooks (MitwirkendeR); DuBois, Andrew (HerausgeberIn); Eve, Sedgwick (MitwirkendeR); Fish, Stanley (MitwirkendeR); Franco, Moretti (MitwirkendeR); Frank, Lentricchia (MitwirkendeR); Fredric, Jameson (MitwirkendeR); Helen, Vendler (MitwirkendeR); Homi, Bhabha (MitwirkendeR); Houston, Baker (MitwirkendeR); John, Ransom (MitwirkendeR); Kenneth, Burke (MitwirkendeR); Lentricchia, Frank (HerausgeberIn); Murray, Krieger (MitwirkendeR); Paul, Man (MitwirkendeR); R, Blackmur (MitwirkendeR); Roland, Barthes (MitwirkendeR); Sandra, Gilbert (MitwirkendeR); Stephen, Greenblatt (MitwirkendeR); Susan, Gubar (MitwirkendeR)
    Erschienen: [2002]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Preface -- Introduction -- Formalism (PLUS) -- Poetry: A Note on Ontology -- Keats’s Sylvan Historian: History Without Footnotes -- Symbolic Action in a Poem by Keats -- The Ekphrastic Principle and the Still Movement of... mehr

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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    Universitätsbibliothek der Eberhard Karls Universität
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    Frontmatter -- Contents -- Preface -- Introduction -- Formalism (PLUS) -- Poetry: A Note on Ontology -- Keats’s Sylvan Historian: History Without Footnotes -- Symbolic Action in a Poem by Keats -- The Ekphrastic Principle and the Still Movement of Poetry; or Laokoön Revisited -- Examples of Wallace Stevens -- How to Do Things with Wallace Stevens -- Stevens and Keats’s ‘‘To Autumn’’ -- ‘‘Lycidas’’: A Poem Finally Anonymous -- After Formalism? -- Literary History and Literary Modernity -- Acts of Cultural Criticism -- Nostalgia for the Present -- The Mousetrap -- Jane Austen’s Cover Story (And Its Secret Agents) -- Jane Austen and the Masturbating Girl -- Ulysses and the Twentieth Century -- To Move Without Moving: An Analysis of Creativity and Commerce in Ralph Ellison’s Trueblood Episode -- The World and the Home -- Contributors -- Acknowledgment of Copyrights -- Index An anthology of exemplary readings by some of the twentieth century’s foremost literary critics, Close Reading presents a wide range of responses to the question at the heart of literary criticism: how best to read a text to understand its meaning. The lively introduction and the selected essays provide an overview of close reading from New Criticism through poststructuralism, including works of feminist criticism, postcolonial theory, queer theory, new historicism, and more.From a 1938 essay by John Crowe Ransom through the work of contemporary scholars, Close Reading highlights the interplay between critics—the ways they respond to and are influenced by others’ works. To facilitate comparisons of methodology, the collection includes discussions of the same primary texts by scholars using different critical approaches. The essays focus on Hamlet, “Lycidas,” “The Rape of the Lock,” Ulysses, Invisible Man, Beloved, Jane Austen, John Keats, and Wallace Stevens and reveal not only what the contributors are reading, but also how they are reading.Frank Lentricchia and Andrew DuBois’s collection is an essential tool for teaching the history and practice of close reading.Contributors. Houston A. Baker Jr., Roland Barthes, Homi Bhabha, R. P. Blackmur, Cleanth Brooks, Kenneth Burke, Paul de Man, Andrew DuBois, Stanley Fish, Catherine Gallagher, Sandra Gilbert, Stephen Greenblatt, Susan Gubar, Fredric Jameson, Murray Krieger, Frank Lentricchia, Franco Moretti, John Crowe Ransom, Eve Kosofsky Sedgwick, Helen Vendler

     
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    Beteiligt: Andrew, Dubois (MitwirkendeR); Catherine, Gallagher (MitwirkendeR); Cleanth, Brooks (MitwirkendeR); DuBois, Andrew (HerausgeberIn); Eve, Sedgwick (MitwirkendeR); Fish, Stanley (MitwirkendeR); Franco, Moretti (MitwirkendeR); Frank, Lentricchia (MitwirkendeR); Fredric, Jameson (MitwirkendeR); Helen, Vendler (MitwirkendeR); Homi, Bhabha (MitwirkendeR); Houston, Baker (MitwirkendeR); John, Ransom (MitwirkendeR); Kenneth, Burke (MitwirkendeR); Lentricchia, Frank (HerausgeberIn); Murray, Krieger (MitwirkendeR); Paul, Man (MitwirkendeR); R, Blackmur (MitwirkendeR); Roland, Barthes (MitwirkendeR); Sandra, Gilbert (MitwirkendeR); Stephen, Greenblatt (MitwirkendeR); Susan, Gubar (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822384595
    Weitere Identifier:
    Schlagworte: American literature; Books and reading; English literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource (408 p), 1 figure
  6. Lines of Flight
    Discursive Time and Countercultural Desire in the Work of Thomas Pynchon
    Autor*in: Mattessich, Stefan
    Erschienen: [2002]
    Verlag:  Duke University Press, Durham

    Frontmatter -- CONTENTS -- Introduction -- 1 Imperium, Misogyny, and Postmodern Parody in V. -- 2 Ekphrasis, Escape, and Countercultural Desire in The Crying of Lot 49 -- 3 Turning Around the Origin in Gravity’s Rainbow: Parody, Preterition,... mehr

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    Frontmatter -- CONTENTS -- Introduction -- 1 Imperium, Misogyny, and Postmodern Parody in V. -- 2 Ekphrasis, Escape, and Countercultural Desire in The Crying of Lot 49 -- 3 Turning Around the Origin in Gravity’s Rainbow: Parody, Preterition, Paranoia, and Other Polymera -- 4 A Close Reading of Part 1, Episode 19, of Gravity’s Rainbow -- 5 Docile Bodies and the Body without Organs: Gravity’s Gravity’s Rainbow -- 6 Totality and the Repetition of Di√erence: Rereading the 1960s in Vineland -- 7 A Vigilant Folly: Lines of Flight in Mason & Dixon -- Conclusion: Toward a Theory of the Counterculture -- Notes -- Works Cited -- Index For Thomas Pynchon, the characteristic features of late capitalism—the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing influence of the mass media—all point to a transformation in the way human beings experience time and duration. Focusing on Pynchon’s novels as representative artifacts of the postwar period, Stefan Mattessich analyzes this temporal transformation in relation not only to Pynchon’s work but also to its literary, cultural, and theoretical contexts.Mattessich theorizes a new kind of time—subjective displacement—dramatized in the parody, satire, and farce deployed through Pynchon’s oeuvre. In particular, he is interested in showing how this sense of time relates to the counterculture of the 1960s and 1970s. Examining this movement as an instance of flight or escape and exposing the beliefs behind it, Mattessich argues that the counterculture’s rejection of the dominant culture ultimately became an act of self-cancellation, a rebellion in which the counterculture found itself defined by the very order it sought to escape. He points to parallels in Pynchon’s attempts to dramatize and enact a similar experience of time in the doubling-back, crisscrossing, and erasure of his writing. Mattessich lays out a theory of cultural production centered on the ethical necessity of grasping one’s own susceptibility to discursive forms of determination

     
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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (HerausgeberIn); Jameson, Fredric (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822384137
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: Counterculture; Desire in literature; Escape in literature; Time in literature; LITERARY CRITICISM / American / General
    Umfang: 1 Online-Ressource (302 p), 4 illus
  7. Class Fictions
    Shame and Resistance in the British Working Class Novel, 1890–1945
    Autor*in: Fox, Pamela
    Erschienen: [1994]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Acknowledgments -- Introduction Recovering the "Narrow Plot of Acquisitiveness and Desire": A Methodology for Reading Working-Class Narrative -- 1 Rehabilitating Working-Class Cultural and Literary History: The Critical... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Introduction Recovering the "Narrow Plot of Acquisitiveness and Desire": A Methodology for Reading Working-Class Narrative -- 1 Rehabilitating Working-Class Cultural and Literary History: The Critical Agenda -- 2 The Ragged Trousered Philanthropists and After: Epistemologies of Class, Legacies of Resistance -- 3 On the "Borderland of Tears": Reputation, Exposure, and the Public/Private Dynamic of Working-Class Culture -- 4 The "Revolt of the Gentle": Romance and the Politics of Resistance in Working-Class Writing -- Afterword: Getting Their Own Back Notes -- Notes -- Bibliography -- Index Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way—as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion.Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox’s argument has far-reaching implications for the way literary and cultural studies will be defined and practiced

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382935
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: English fiction; Literature and society; Shame in literature; Working class in literature; Working class writings, English; Working class; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource (241 p)
  8. Postmodernity in Latin America
    The Argentine Paradigm
    Autor*in: Colás, Santiago
    Erschienen: [1994]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Preface and Acknowledgments -- 1. Resisting Postmodernity -- I. Latin American Modernity -- 2. Beyond Western Modernity? Rayuela as Critique -- 3. Toward a Latin American Modernity: Rayuela, the Cuban Revolution, and the... mehr

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    Frontmatter -- Contents -- Preface and Acknowledgments -- 1. Resisting Postmodernity -- I. Latin American Modernity -- 2. Beyond Western Modernity? Rayuela as Critique -- 3. Toward a Latin American Modernity: Rayuela, the Cuban Revolution, and the Leap -- 4. Latin American Modernity in Crisis: El beso de la mujer arana and the Argentine National Left -- 5. Beyond Valentin's Dream: From the Crisis of Latin American Modernity -- II. Argentine Postmodernity -- 6. Resuscitating History in Respiracion artificial -- 7. The Importance of Writing History; or, On Louis Bonaparte and Juan Peron -- III. Conclusion -- 8. Speculations Toward Articulating Latin American Postmodernities -- Notes -- Bibliography -- Index Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While European and North American theorists of postmodernity generally view Latin American fiction without regard for its political and cultural context, Latin Americanists often either uncritically apply the concept of postmodernity to Latin American literature and society or reject it in an equally uncritical fashion. The result has been both a limited understanding of the literature and an impoverished notion of postmodernity. Santiago Colás challenges both of these approaches and corrects their consequent distortions by locating Argentine postmodernity in the cultural dynamics of resistance as it operates within and against local expressions of late capitalism.Focusing on literature, Colás uses Julio Cortázar’s Hopscotch to characterize modernity for Latin America as a whole, Manuel Puig’s Kiss of the Spider Woman to identify the transition to a more localized postmodernity, and Ricardo Piglia’s Artificial Respiration to exemplify the cultural coordinates of postmodernity in Argentina. Informed by the cycle of political transformation beginning with the Cuban Revolution, including its effects on Peronism, to the period of dictatorship, and finally to redemocratization, Colás’s examination of this literary progression leads to the reconstruction of three significant moments in the history of Argentina. His analysis provokes both a revised understanding of that history and the recognition that multiple meanings of postmodernity must be understood in ways that incorporate the complexity of regional differences.Offering a new voice in the debate over postmodernity, one that challenges that debate’s leading thinkers, Postmodernity in Latin America will be of particular interest to students of Latin American literature and to scholars in all disciplines concerned with theories of the postmodern

     
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    ISBN: 9780822382669
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: Argentine fiction; Literature and society; Literature and society; Postmodernism (Literature); LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource (240 p)
  9. Laura
    Uncovering Gender and Genre in Wyatt, Donne and Marvell
    Autor*in: Estrin, Barbara L
    Erschienen: [1994]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Permission to quote from the following is gratefully acknowledged -- CONTENTS -- Acknowledgments -- Note on Editions -- Introduction: Gender Performance and Genre Slippage -- PETRARCH -- WYATT -- DONNE -- MARVELL -- Musing Afterward --... mehr

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    Frontmatter -- Permission to quote from the following is gratefully acknowledged -- CONTENTS -- Acknowledgments -- Note on Editions -- Introduction: Gender Performance and Genre Slippage -- PETRARCH -- WYATT -- DONNE -- MARVELL -- Musing Afterward -- Notes -- Index How do men imagine women? In the poetry of Petrarch and his English successors—Wyatt, Donne, and Marvell—the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies.Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally

     
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    ISBN: 9780822382256
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: English poetry; English poetry; Literary form; Literary form; Love poetry, English; Sex role in literature; Women and literature; Women and literature; LITERARY CRITICISM / Poetry
    Umfang: 1 Online-Ressource (360 p), 3 illustrations
  10. Laura
    Uncovering Gender and Genre in Wyatt, Donne and Marvell
    Autor*in: Estrin, Barbara L.
    Erschienen: [1994]; © 1994
    Verlag:  Duke University Press, Durham

    How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held... mehr

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    How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies.Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet's love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem's framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin's Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally

     
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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382256
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / Poetry; English poetry; English poetry; Literary form; Literary form; Love poetry, English; Sex role in literature; Women and literature; Women and literature
    Umfang: 1 online resource (360 pages), 3 illustrations
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  11. Postmodernity in Latin America
    The Argentine Paradigm
    Autor*in: Colás, Santiago
    Erschienen: [1994]; © 1994
    Verlag:  Duke University Press, Durham

    Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While... mehr

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    Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While European and North American theorists of postmodernity generally view Latin American fiction without regard for its political and cultural context, Latin Americanists often either uncritically apply the concept of postmodernity to Latin American literature and society or reject it in an equally uncritical fashion. The result has been both a limited understanding of the literature and an impoverished notion of postmodernity. Santiago Colás challenges both of these approaches and corrects their consequent distortions by locating Argentine postmodernity in the cultural dynamics of resistance as it operates within and against local expressions of late capitalism.Focusing on literature, Colás uses Julio Cortázar's Hopscotch to characterize modernity for Latin America as a whole, Manuel Puig's Kiss of the Spider Woman to identify the transition to a more localized postmodernity, and Ricardo Piglia's Artificial Respiration to exemplify the cultural coordinates of postmodernity in Argentina. Informed by the cycle of political transformation beginning with the Cuban Revolution, including its effects on Peronism, to the period of dictatorship, and finally to redemocratization, Colás's examination of this literary progression leads to the reconstruction of three significant moments in the history of Argentina. His analysis provokes both a revised understanding of that history and the recognition that multiple meanings of postmodernity must be understood in ways that incorporate the complexity of regional differences.Offering a new voice in the debate over postmodernity, one that challenges that debate's leading thinkers, Postmodernity in Latin America will be of particular interest to students of Latin American literature and to scholars in all disciplines concerned with theories of the postmodern

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 9780822382669
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / General; Argentine fiction; Literature and society; Literature and society; Postmodernism (Literature)
    Umfang: 1 online resource (240 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  12. Class Fictions
    Shame and Resistance in the British Working Class Novel, 1890-1945
    Autor*in: Fox, Pamela
    Erschienen: [1994]; © 1994
    Verlag:  Duke University Press, Durham

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity,... mehr

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    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion.Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox's argument has far-reaching implications for the way literary and cultural studies will be defined and practiced

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 9780822382935
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English fiction; Literature and society; Shame in literature; Working class in literature; Working class writings, English; Working class
    Umfang: 1 online resource (241 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  13. Lines of Flight
    Discursive Time and Countercultural Desire in the Work of Thomas Pynchon
    Autor*in: Mattessich, Stefan
    Erschienen: [2002]; © 2002
    Verlag:  Duke University Press, Durham

    For Thomas Pynchon, the characteristic features of late capitalism-the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Standort:
    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Standort:
    Hochschule Kempten, Hochschulbibliothek
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    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    For Thomas Pynchon, the characteristic features of late capitalism-the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing influence of the mass media-all point to a transformation in the way human beings experience time and duration. Focusing on Pynchon's novels as representative artifacts of the postwar period, Stefan Mattessich analyzes this temporal transformation in relation not only to Pynchon's work but also to its literary, cultural, and theoretical contexts.Mattessich theorizes a new kind of time-subjective displacement-dramatized in the parody, satire, and farce deployed through Pynchon's oeuvre. In particular, he is interested in showing how this sense of time relates to the counterculture of the 1960s and 1970s. Examining this movement as an instance of flight or escape and exposing the beliefs behind it, Mattessich argues that the counterculture's rejection of the dominant culture ultimately became an act of self-cancellation, a rebellion in which the counterculture found itself defined by the very order it sought to escape. He points to parallels in Pynchon's attempts to dramatize and enact a similar experience of time in the doubling-back, crisscrossing, and erasure of his writing. Mattessich lays out a theory of cultural production centered on the ethical necessity of grasping one's own susceptibility to discursive forms of determination

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822384137
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / American / General; Counterculture; Desire in literature; Escape in literature; Time in literature
    Umfang: 1 online resource (302 pages), 4 illus
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  14. Class Fictions
    Shame and Resistance in the British Working Class Novel, 1890-1945
    Autor*in: Fox, Pamela
    Erschienen: 1994
    Verlag:  Duke University Press, Durham ; ProQuest, Ann Arbor, Michigan

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity,... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Standort:
    Universitätsbibliothek Gießen
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    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture. With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion. Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox's argument has far-reaching implications for the... way literary and cultural studies will be defined and practiced.

     
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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley; Jameson, Fredric
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382935
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Post-Contemporary Interventions Ser.
    Schlagworte: English fiction -- 20th century -- History and criticism; Working class writings, English -- History and criticism; Literature and society -- Great Britain -- History -- 20th century; Working class -- Great Britain -- Intellectual life; Working class in literature; Shame in literature
    Umfang: 1 Online-Ressource (253 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  15. Laura
    Uncovering Gender and Genre in Wyatt, Donne and Marvell
    Autor*in: Estrin, Barbara L.
    Erschienen: 1994; ©1994
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held... mehr

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    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Standort:
    Universität Mainz, Zentralbibliothek
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    Standort:
    Universität Marburg, Universitätsbibliothek
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    How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies.Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet's love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem's framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin's Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.

     
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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Herausgeber); Jameson, Fredric (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382256
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Umfang: 1 Online-Ressource (360 p.), 3 illustrations
  16. Postmodernity in Latin America
    The Argentine Paradigm
    Autor*in: Colás, Santiago
    Erschienen: 1994; ©1994
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While... mehr

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    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
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    Standort:
    Universität Marburg, Universitätsbibliothek
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    Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While European and North American theorists of postmodernity generally view Latin American fiction without regard for its political and cultural context, Latin Americanists often either uncritically apply the concept of postmodernity to Latin American literature and society or reject it in an equally uncritical fashion. The result has been both a limited understanding of the literature and an impoverished notion of postmodernity. Santiago Colás challenges both of these approaches and corrects their consequent distortions by locating Argentine postmodernity in the cultural dynamics of resistance as it operates within and against local expressions of late capitalism.Focusing on literature, Colás uses Julio Cortázar's Hopscotch to characterize modernity for Latin America as a whole, Manuel Puig's Kiss of the Spider Woman to identify the transition to a more localized postmodernity, and Ricardo Piglia's Artificial Respiration to exemplify the cultural coordinates of postmodernity in Argentina. Informed by the cycle of political transformation beginning with the Cuban Revolution, including its effects on Peronism, to the period of dictatorship, and finally to redemocratization, Colás's examination of this literary progression leads to the reconstruction of three significant moments in the history of Argentina. His analysis provokes both a revised understanding of that history and the recognition that multiple meanings of postmodernity must be understood in ways that incorporate the complexity of regional differences.Offering a new voice in the debate over postmodernity, one that challenges that debate's leading thinkers, Postmodernity in Latin America will be of particular interest to students of Latin American literature and to scholars in all disciplines concerned with theories of the postmodern.

     
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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Herausgeber); Jameson, Fredric (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382669
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Umfang: 1 Online-Ressource (240 p.)
  17. Class Fictions
    Shame and Resistance in the British Working Class Novel, 1890-1945
    Autor*in: Fox, Pamela
    Erschienen: 1994; ©1994
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity,... mehr

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    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion.Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox's argument has far-reaching implications for the way literary and cultural studies will be defined and practiced.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Herausgeber); Jameson, Fredric (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382935
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Umfang: 1 Online-Ressource (241 p.)
  18. Lines of Flight
    Discursive Time and Countercultural Desire in the Work of Thomas Pynchon
    Autor*in: Mattessich, Stefan
    Erschienen: 2002; ©2002
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    For Thomas Pynchon, the characteristic features of late capitalism-the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing... mehr

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    Universitätsbibliothek Gießen
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
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    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
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    keine Fernleihe

     

    For Thomas Pynchon, the characteristic features of late capitalism-the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing influence of the mass media-all point to a transformation in the way human beings experience time and duration. Focusing on Pynchon's novels as representative artifacts of the postwar period, Stefan Mattessich analyzes this temporal transformation in relation not only to Pynchon's work but also to its literary, cultural, and theoretical contexts.Mattessich theorizes a new kind of time-subjective displacement-dramatized in the parody, satire, and farce deployed through Pynchon's oeuvre. In particular, he is interested in showing how this sense of time relates to the counterculture of the 1960s and 1970s. Examining this movement as an instance of flight or escape and exposing the beliefs behind it, Mattessich argues that the counterculture's rejection of the dominant culture ultimately became an act of self-cancellation, a rebellion in which the counterculture found itself defined by the very order it sought to escape. He points to parallels in Pynchon's attempts to dramatize and enact a similar experience of time in the doubling-back, crisscrossing, and erasure of his writing. Mattessich lays out a theory of cultural production centered on the ethical necessity of grasping one's own susceptibility to discursive forms of determination.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Herausgeber); Jameson, Fredric (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822384137
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions : 31
    Umfang: 1 Online-Ressource (302 p.), 4 illus