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The performative/theatrical divide
staging aberrant masculinities in film, literature, and performance art -
Immediate modernism
the living language of Musil, Lawrence, and Green -
Art(ist) for art's sake or art(ist) for capital's sake
aesthetic production and consumption in turn-of-the-century literature -
Messenger writers
author position, the International Left, and the Cold War -
Performing 'that-which-will-become'
posthuman and queer bodies in the work of Heinrich von Kleist and Oscar Wilde -
Bildliche Rede in der Philosophie der Frühaufklärung
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The homo-exilic experience
queerness, alienation, and contrapuntal vision -
Cult of image
literary portraits of Jesus in European and American prose, 1831 - 1895 -
Moveable type
literature and communication in the early nineteenth century -
Die Gestalt des Kindes in den Werken Franz Werfels
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The poetics of Terayama Shuij
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Narrativity, emplotment, and voice in autobiographical and cinematic representations of 'mentally ill' women, 1942 - 2003
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Gewalt der Musik
Literatur und Musikkritik um 1800 -
Los origenes de la teoria y critica cinematograficas en Espana y su influencia en el discurso narrativo de la vanguardia hispanica
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Der doppelte Blick
Erzählstrukturen und Bedeutungsvielfalt in Jim Jarmuschs Spielfilm Dead Man (1995) -
Symbolist films
the metaphorical expression of narrative films -
Die musikalischen Redefiguren im Parodieverfahren bei J. S. Bach
Untersuchungsobjekt: Weihnachtsoratorium, BWV 248