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  1. Medieval and Early Modern Authorship
    Beteiligt: Bolens, Guillemette (Hrsg.); Erne, Lukas (Hrsg.)
    Erschienen: 2011
    Verlag:  Narr Francke Attempto Verlag, Tübingen

    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the... mehr

    Alice Salomon Hochschule Berlin, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the two periods which literary histories and institutional practices too often keep apart. Canonical authors receive sustained attention (notably Chaucer, Gower, Shakespeare, Jonson, Milton, and Marvell), and so do key issues in the current scholarly debate, such as authorial self-fashioning . the fictionalisation of authorship, the posthumous construction of authorship, and the nexus of authorship and authority . Other important topics whose relations to authorship are explored include adaptation, paratext, portraiture, historiography, hagiography, theology, and the sublime. "This rich, challenging and exceptionally well conceived collection addresses the construction of authorship in medieval and early modern England, and revises received opinion in important ways. All the essays are worth attention; several should be considered essential reading. " Stephen Orgel, J. E. Reynolds Professor in the Humanities, Stanford University

     

    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Bolens, Guillemette (Hrsg.); Erne, Lukas (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783823376675
    Auflage/Ausgabe: 1st ed
    Schriftenreihe: Swiss Papers in English Language and Literature (SPELL)
    Schlagworte: fictionalisation; Medieval; theology; Autorschaft; Englisch; Literaturwissenschaft; Literatur
    Umfang: 1 Online-Ressource (323 Seiten)
    Bemerkung(en):

    [1. Auflage]

  2. Medieval and Early Modern Authorship
    Beteiligt: Bolens, Guillemette (Hrsg.); Erne, Lukas (Hrsg.)
    Erschienen: 2011
    Verlag:  Narr Francke Attempto Verlag, Tübingen

    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the... mehr

    Hochschule Kempten, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Evangelische Hochschule Nürnberg, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Technische Hochschulbibliothek Rosenheim
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the two periods which literary histories and institutional practices too often keep apart. Canonical authors receive sustained attention (notably Chaucer, Gower, Shakespeare, Jonson, Milton, and Marvell), and so do key issues in the current scholarly debate, such as authorial self-fashioning . the fictionalisation of authorship, the posthumous construction of authorship, and the nexus of authorship and authority . Other important topics whose relations to authorship are explored include adaptation, paratext, portraiture, historiography, hagiography, theology, and the sublime. "This rich, challenging and exceptionally well conceived collection addresses the construction of authorship in medieval and early modern England, and revises received opinion in important ways. All the essays are worth attention; several should be considered essential reading. " Stephen Orgel, J. E. Reynolds Professor in the Humanities, Stanford University

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Bolens, Guillemette (Hrsg.); Erne, Lukas (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783823376675
    Auflage/Ausgabe: 1st ed
    Schriftenreihe: Swiss Papers in English Language and Literature (SPELL)
    Schlagworte: fictionalisation; Medieval; theology; Autorschaft; Englisch; Literaturwissenschaft; Literatur
    Umfang: 1 Online-Ressource (323 Seiten)
    Bemerkung(en):

    [1. Auflage]

  3. Shakespeare and the Book Trade
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Shakespeare and the Book Trade follows on from Lukas Erne's groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare's printed plays and poems in his own time and to argue... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Shakespeare and the Book Trade follows on from Lukas Erne's groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare's printed plays and poems in his own time and to argue that their popularity in the book trade has been greatly underestimated. Erne uses evidence from Shakespeare's publishers and the printed works to show that in the final years of the sixteenth century and the early part of the seventeenth century, 'Shakespeare' became a name from which money could be made, a book trade commodity in which publishers had significant investments and an author who was bought, read, excerpted and collected on a surprising scale. Erne argues that Shakespeare, far from indifferent to his popularity in print, was an interested and complicit witness to his rise as a print-published author. Thanks to the book trade, Shakespeare's authorial ambition started to become bibliographic reality during his lifetime

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511803406
    Weitere Identifier:
    RVK Klassifikation: HI 3300 ; HI 3325 ; HI 3370 ; HI 3378
    Schlagworte: Geschichte; Book industries and trade / England / History / 16th century; Book industries and trade / England / History / 17th century; Literature publishing / England / History / 16th century; Literature publishing / England / History / 17th century; Buchhandel; Veröffentlichung
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism, Textual; Shakespeare, William / 1564-1616 / Books and reading; Shakespeare, William / 1564-1616 / Influence; Shakespeare, William (1564-1616)
    Umfang: 1 online resource (xvi, 302 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    prepared with the assistance of Louise Wilson: Array

  4. Shakespeare as Literary Dramatist
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these 'literary' texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays. This revised and updated edition includes a new and substantial preface that reviews and intervenes in the controversy the study has triggered and lists reviews, articles and books which respond to or build on the first edition

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139342445
    Weitere Identifier:
    RVK Klassifikation: HI 3378 ; HI 3390
    Auflage/Ausgabe: Second edition
    Schlagworte: Englisch; Geschichte; Authors and readers / England / History / 16th century; Authors and readers / England / History / 17th century; English language / Early modern, 1500-1700 / Style; Lesedrama
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Literary style; Shakespeare, William / 1564-1616 / Criticism, Textual; Shakespeare, William (1564-1616)
    Umfang: 1 online resource (xii, 313 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    The legitimation of printed playbooks in Shakespeare's time -- The making of "Shakespeare" -- Shakespeare and the publication of his plays (I): the late sixteenth century -- Shakespeare and the publication of his plays (II): the early seventeenth century -- The players' alleged opposition to print -- Why size matters: "the two hours' traffic of our stage" and the length of Shakespeare's plays -- Editorial policy and the length of Shakespeare's plays -- "Bad" quartos and their origins: Romeo and Juliet, Henry V, and Hamlet -- Theatricality, literariness, and the texts of Romeo and Juliet, Henry V, and Hamlet -- Appendixes: A. The plays of Shakespeare and his contemporaries in print, 1584-1623 -- B. Heminge and Condell's "Stolne, and surreptitious copies" and the Pavier quartos -- C. Shakespeare and the circulation of dramatic manuscripts

  5. Medieval and Early Modern Authorship
    Beteiligt: Bolens, Guillemette (Hrsg.); Erne, Lukas (Hrsg.)
    Erschienen: 2011
    Verlag:  Gunter Narr Verlag, Tübingen

    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the... mehr

    Hochschulbibliothek Ansbach
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the two periods which literary histories and institutional practices too often keep apart. Canonical authors receive sustained attention (notably Chaucer, Gower, Shakespeare, Jonson, Milton, and Marvell), and so do key issues in the current scholarly debate, such as authorial self-fashioning . the fictionalisation of authorship, the posthumous construction of authorship, and the nexus of authorship and authority . Other important topics whose relations to authorship are explored include adaptation, paratext, portraiture, historiography, hagiography, theology, and the sublime. "This rich, challenging and exceptionally well conceived collection addresses the construction of authorship in medieval and early modern England, and revises received opinion in important ways. All the essays are worth attention; several should be considered essential reading. " Stephen Orgel, J. E. Reynolds Professor in the Humanities, Stanford University

     

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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Bolens, Guillemette (Hrsg.); Erne, Lukas (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783823376675
    Weitere Identifier:
    RVK Klassifikation: HG 121
    Auflage/Ausgabe: 1st ed
    Schriftenreihe: Swiss Papers in English Language and Literature (SPELL) ; 25
    Schlagworte: Medieval; fictionalisation; theology; Englisch; Literaturwissenschaft; Autorschaft; Literatur
    Umfang: 1 Online-Ressource (323 Seiten)
    Bemerkung(en):

    [1. Auflage]

  6. Shakespeare as literary dramatist
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge ; New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107348202
    Auflage/Ausgabe: 2nd ed
    Schlagworte: Authors and readers; Authors and readers; English language
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: xii, 313 p., ill
    Bemerkung(en):

    pt. I. Publication -- pt. II. Texts

  7. Shakespeare and the book trade
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107347434
    Schlagworte: Book industries and trade; Book industries and trade; Literature publishing; Literature publishing
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: xvi, 302 p., ill
  8. Medieval and Early Modern Authorship
    Beteiligt: Bolens, Guillemette (HerausgeberIn); Erne, Lukas (HerausgeberIn)
    Erschienen: 2011
    Verlag:  Gunter Narr Verlag, Tübingen

    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the... mehr

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    Resolving-System (kostenfrei)
    Verlag (kostenfrei)
    Resolving-System (kostenfrei)
    Staats- und Universitätsbibliothek Bremen
    keine Fernleihe
    Technische Universität Chemnitz, Universitätsbibliothek
    keine Fernleihe
    Zentrale Hochschulbibliothek Flensburg
    keine Fernleihe
    Fachhochschule Westküste, Hochschule für Wirtschaft und Technik, Hochschulbibliothek
    keine Fernleihe
    Universitätsbibliothek Hildesheim
    keine Fernleihe
    Thüringer Universitäts- und Landesbibliothek
    keine Fernleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
    keine Fernleihe
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
    keine Fernleihe
    Universität Potsdam, Universitätsbibliothek
    keine Fernleihe
    Technische Hochschule Ulm, Bibliothek
    eBook Narr
    keine Fernleihe
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
    keine Fernleihe

     

    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the two periods which literary histories and institutional practices too often keep apart. Canonical authors receive sustained attention (notably Chaucer, Gower, Shakespeare, Jonson, Milton, and Marvell), and so do key issues in the current scholarly debate, such as authorial self-fashioning . the fictionalisation of authorship, the posthumous construction of authorship, and the nexus of authorship and authority . Other important topics whose relations to authorship are explored include adaptation, paratext, portraiture, historiography, hagiography, theology, and the sublime. "This rich, challenging and exceptionally well conceived collection addresses the construction of authorship in medieval and early modern England, and revises received opinion in important ways. All the essays are worth attention; several should be considered essential reading. " Stephen Orgel, J. E. Reynolds Professor in the Humanities, Stanford University

     

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Bolens, Guillemette (HerausgeberIn); Erne, Lukas (HerausgeberIn)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783823376675
    Weitere Identifier:
    9783823376675
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Swiss Papers in English Language and Literature (SPELL) ; 25
    Schlagworte: Englisch; Sprachwissenschaft, Linguistik; Medieval; fictionalisation; theology.
    Umfang: 1 Online-Ressource (323 S.)
  9. Shakespeare and the Book Trade
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Chapter 2 Shakespeare, publication and authorial misattributionPseudepigraphy: the meanings of authorial misattributions; Authorial misattributions of playbooks, 1634-1660: Shakespeare's contemporaries and successors; Authorial misattributions of... mehr

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    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    keine Fernleihe
    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    Chapter 2 Shakespeare, publication and authorial misattributionPseudepigraphy: the meanings of authorial misattributions; Authorial misattributions of playbooks, 1634-1660: Shakespeare's contemporaries and successors; Authorial misattributions of playbooks, 1595-1622: taking Shakespeare's name in vain; 'The author I know much offended': Shakespeare, misattribution and The Passionate Pilgrim; Conclusion; Chapter 3 The bibliographic and paratextual makeup of Shakespeare's quarto playbooks; Paratext in Shakespeare playbooks and the rise of literary drama. Cover; Contents; Figures; Tables; Acknowledgements; Abbreviations; Introduction; Shakespeare and the Book Trade: argument and scope; Shakespeare and the Book Trade and Shakespeare as Literary Dramatist; Shakespeare in print, 1593-1660; Shakespeare and the book trade's 'Shakespeare'; Chapter 1 Quantifying Shakespeare's presence in print; Shakespeare in numbers; Shakespeare and contemporaries in print; The number of early playbook editions: Shakespeare compared; Reprint rates and the popularity of Shakespeare's playbooks; Conclusion. Early owners and collectors of Shakespeare's quarto playbooksShakespeare owned and bound; Early readers and commonplacers of Shakespeare in print; Conclusion; Appendix A The publication of playbooks by Shakespeare and his contemporaries to 1660 (prepared with the assistance of Louise Wilson); Appendix B Printed playbooks of professional plays, including reprints, 1583-1622; Appendix C Shakespeare's publishers, 1593-1622; Works cited; Index. Paratext, playbooks and Shakespeare's invisible authorshipThe bibliographic makeup of Shakespeare's playbooks; Shakespeare's theatrical playbooks; Conclusion; Chapter 4 Shakespeare's publishers; Prologue: William Leake's reissue of q3 The Merchant of Venice in 1652; Shakespeare's publishers and the early modern book trade; The chief publishers of Shakespeare's poems; The chief publishers of Shakespeare's plays; Incidental Shakespeare publishers; Conclusion; Chapter 5 The reception of printed Shakespeare; The early status of playbooks and survival rates. This study establishes the remarkable presence of Shakespeare's plays and poems in the early modern English book trade

     

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  10. Shakespeare as Literary Dramatist
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  New York, Cambridge

    "In this groundbreaking study, Lukas Erne argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. The usual distinction that has been set... mehr

    Zugang:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    keine Fernleihe
    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    "In this groundbreaking study, Lukas Erne argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. The usual distinction that has been set up between Ben Jonson carefully preparing his manuscripts for publication, and Shakespeare the man of the theatre, writing for his actors and audience, indifferent to his plays as literature, is questioned in this book. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these "literary" texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V, and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays."--Jacket pt. I. Publication -- pt. II. Texts.

     

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  11. Medieval and Early Modern Authorship
    Beteiligt: Bolens, Guillemette (HerausgeberIn); Erne, Lukas (HerausgeberIn)
    Erschienen: 2011
    Verlag:  Gunter Narr Verlag, Tübingen

    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the... mehr

    Zugang:
    Resolving-System (kostenfrei)
    Verlag (kostenfrei)
    Resolving-System (kostenfrei)
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the two periods which literary histories and institutional practices too often keep apart. Canonical authors receive sustained attention (notably Chaucer, Gower, Shakespeare, Jonson, Milton, and Marvell), and so do key issues in the current scholarly debate, such as authorial self-fashioning . the fictionalisation of authorship, the posthumous construction of authorship, and the nexus of authorship and authority . Other important topics whose relations to authorship are explored include adaptation, paratext, portraiture, historiography, hagiography, theology, and the sublime. "This rich, challenging and exceptionally well conceived collection addresses the construction of authorship in medieval and early modern England, and revises received opinion in important ways. All the essays are worth attention; several should be considered essential reading. " Stephen Orgel, J. E. Reynolds Professor in the Humanities, Stanford University

     

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Bolens, Guillemette (HerausgeberIn); Erne, Lukas (HerausgeberIn)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783823376675
    Weitere Identifier:
    9783823376675
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Swiss Papers in English Language and Literature (SPELL) ; 25
    Schlagworte: Englisch; Sprachwissenschaft, Linguistik; Medieval; fictionalisation; theology.
    Umfang: 1 Online-Ressource (323 S.)
  12. Shakespeare as Literary Dramatist
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these 'literary' texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays. This revised and updated edition includes a new and substantial preface that reviews and intervenes in the controversy the study has triggered and lists reviews, articles and books which respond to or build on the first edition The legitimation of printed playbooks in Shakespeare's time -- The making of "Shakespeare" -- Shakespeare and the publication of his plays (I): the late sixteenth century -- Shakespeare and the publication of his plays (II): the early seventeenth century -- The players' alleged opposition to print -- Why size matters: "the two hours' traffic of our stage" and the length of Shakespeare's plays -- Editorial policy and the length of Shakespeare's plays -- "Bad" quartos and their origins: Romeo and Juliet, Henry V, and Hamlet -- Theatricality, literariness, and the texts of Romeo and Juliet, Henry V, and Hamlet -- Appendixes: A. The plays of Shakespeare and his contemporaries in print, 1584-1623 -- B. Heminge and Condell's "Stolne, and surreptitious copies" and the Pavier quartos -- C. Shakespeare and the circulation of dramatic manuscripts

     

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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139342445
    Weitere Identifier:
    RVK Klassifikation: HI 3378
    Auflage/Ausgabe: Second edition
    Schlagworte: Authors and readers; Authors and readers; English language; Shakespeare, William ; 1564-1616 ; Literary style; Shakespeare, William ; 1564-1616 ; Criticism, Textual; Authors and readers ; England ; History ; 16th century; Authors and readers ; England ; History ; 17th century; English language ; Early modern, 1500-1700 ; Style
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xii, 313 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  13. Shakespeare and the Book Trade
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Shakespeare and the Book Trade follows on from Lukas Erne's groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare's printed plays and poems in his own time and to argue... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Shakespeare and the Book Trade follows on from Lukas Erne's groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare's printed plays and poems in his own time and to argue that their popularity in the book trade has been greatly underestimated. Erne uses evidence from Shakespeare's publishers and the printed works to show that in the final years of the sixteenth century and the early part of the seventeenth century, 'Shakespeare' became a name from which money could be made, a book trade commodity in which publishers had significant investments and an author who was bought, read, excerpted and collected on a surprising scale. Erne argues that Shakespeare, far from indifferent to his popularity in print, was an interested and complicit witness to his rise as a print-published author. Thanks to the book trade, Shakespeare's authorial ambition started to become bibliographic reality during his lifetime

     

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    Sprache: Englisch
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    Format: Online
    ISBN: 9780511803406
    Weitere Identifier:
    RVK Klassifikation: HI 3325 ; HI 3331
    Schlagworte: Book industries and trade; Book industries and trade; Literature publishing; Literature publishing; Shakespeare, William ; 1564-1616 ; Criticism, Textual; Shakespeare, William ; 1564-1616 ; Books and reading; Shakespeare, William ; 1564-1616 ; Influence; Book industries and trade ; England ; History ; 16th century; Book industries and trade ; England ; History ; 17th century; Literature publishing ; England ; History ; 16th century; Literature publishing ; England ; History ; 17th century
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xvi, 302 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    prepared with the assistance of Louise Wilson: Quantifying Shakespeare's presence in print ; Shakespeare, publication and authorial misattribution ; The bibliographic and paratextual makeup of Shakespeare's Quarto playbooks ; Shakespeare's publishers ; The reception of printed Shakespeare ; Appendix A. The publication of playbooks by Shakespeare and his contemporaries to 1660

  14. Shakespeare as literary dramatist
    Autor*in: Erne, Lukas
    Erschienen: May 2013
    Verlag:  Cambridge University Press, Cambridge

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    ISBN: 9781139342445
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    RVK Klassifikation: HI 3378 ; HI 3390
    Auflage/Ausgabe: Second edition
    Schlagworte: Lesedrama
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xii, 313 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index.

    Literaturverzeichnis: Seite 287-302

  15. Shakespeare and the book trade
    Autor*in: Erne, Lukas
    Erschienen: April 2013
    Verlag:  Cambridge University Press, Cambridge

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    Schlagworte: Buchhandel
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xvi, 302 Seiten), Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 263-289

  16. Medieval and Early Modern Authorship
    Erschienen: 2011
    Verlag:  Narr Francke Attempto, [Erscheinungsort nicht ermittelbar] ; UTB GmbH, Stuttgart

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    ISBN: 9783823376675
    RVK Klassifikation: HG 121 ; EC 5123
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Auflage/Ausgabe: 1. Auflage
    Schlagworte: Mittelenglisch; Frühneuenglisch; Literatur; Autorschaft
    Umfang: Online Ressource
  17. Shakespeare and the Book Trade
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    This study establishes the remarkable presence of Shakespeare's plays and poems in the early modern English book trade. mehr

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    This study establishes the remarkable presence of Shakespeare's plays and poems in the early modern English book trade.

     

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    ISBN: 9780521765664; 9781107344938 (Sekundärausgabe)
    RVK Klassifikation: HI 3300 ; HI 3370 ; HI 3325 ; HI 3378
    Schlagworte: Buchhandel
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 320 p.
    Bemerkung(en):

    Description based upon print version of record

    Online-Ausg.:

  18. Shakespeare as Literary Dramatist
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    This second edition of Erne's groundbreaking study includes a new preface that reviews the controversy the book has triggered. mehr

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    This second edition of Erne's groundbreaking study includes a new preface that reviews the controversy the book has triggered.

     

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    ISBN: 9781107029651; 9781107345706 (Sekundärausgabe)
    Umfang: 328 p.
    Bemerkung(en):

    Description based upon print version of record

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  19. Medieval and Early Modern Authorship
    Beteiligt: Bolens, Guillemette (Hrsg.); Erne, Lukas (Hrsg.)
    Erschienen: 2011
    Verlag:  Narr Francke Attempto Verlag, Tübingen

    Technische Hochschule Augsburg
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    Quelle: Verbundkataloge
    Beteiligt: Bolens, Guillemette (Hrsg.); Erne, Lukas (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783823376675
    Weitere Identifier:
    Auflage/Ausgabe: 1. Auflage
    Schlagworte: Medieval; fictionalisation; theolog; Autorschaft; Englisch; Literaturwissenschaft; Literatur
    Umfang: 1 Online-Ressource (323 Seiten)
    Bemerkung(en):

    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the two periods which literary histories and institutional practices too often keep apart. Canonical authors receive sustained attention (notably Chaucer, Gower, Shakespeare, Jonson, Milton, and Marvell), and so do key issues in the current scholarly debate, such as authorial self-fashioning . the fictionalisation of authorship, the posthumous construction of authorship, and the nexus of authorship and authority . Other important topics whose relations to authorship are explored include adaptation, paratext, portraiture, historiography, hagiography, theology, and the sublime. "This rich, challenging and exceptionally well conceived collection addresses the construction of authorship in medieval and early modern England, and revises received opinion in important ways. All the essays are worth attention; several should be considered essential reading. " Stephen Orgel, J. E. Reynolds Professor in the Humanities, Stanford University

  20. Shakespeare and the Book Trade
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    This study establishes the remarkable presence of Shakespeare's plays and poems in the early modern English book trade mehr

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    This study establishes the remarkable presence of Shakespeare's plays and poems in the early modern English book trade

     

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    ISBN: 9780511803406; 9780521765664
    Schlagworte: Book industries and trade ; England ; History ; 16th century; Book industries and trade ; England ; History ; 17th century; Literature publishing ; England ; History ; 16th century; Literature publishing ; England ; History ; 17th century; Shakespeare, William ; 1564-1616 ; Books and reading; Shakespeare, William ; 1564-1616 ; Criticism, Textual; Shakespeare, William ; 1564-1616 ; Influence; Electronic books
    Umfang: Online-Ressource (320 p)
    Bemerkung(en):

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Cover; Contents; Figures; Tables; Acknowledgements; Abbreviations; Introduction; Shakespeare and the Book Trade: argument and scope; Shakespeare and the Book Trade and Shakespeare as Literary Dramatist; Shakespeare in print, 1593-1660; Shakespeare and the book trade's 'Shakespeare'; Chapter 1 Quantifying Shakespeare's presence in print; Shakespeare in numbers; Shakespeare and contemporaries in print; The number of early playbook editions: Shakespeare compared; Reprint rates and the popularity of Shakespeare's playbooks; Conclusion

    Chapter 2 Shakespeare, publication and authorial misattributionPseudepigraphy: the meanings of authorial misattributions; Authorial misattributions of playbooks, 1634-1660: Shakespeare's contemporaries and successors; Authorial misattributions of playbooks, 1595-1622: taking Shakespeare's name in vain; 'The author I know much offended': Shakespeare, misattribution and The Passionate Pilgrim; Conclusion; Chapter 3 The bibliographic and paratextual makeup of Shakespeare's quarto playbooks; Paratext in Shakespeare playbooks and the rise of literary drama

    Paratext, playbooks and Shakespeare's invisible authorshipThe bibliographic makeup of Shakespeare's playbooks; Shakespeare's theatrical playbooks; Conclusion; Chapter 4 Shakespeare's publishers; Prologue: William Leake's reissue of q3 The Merchant of Venice in 1652; Shakespeare's publishers and the early modern book trade; The chief publishers of Shakespeare's poems; The chief publishers of Shakespeare's plays; Incidental Shakespeare publishers; Conclusion; Chapter 5 The reception of printed Shakespeare; The early status of playbooks and survival rates

    Early owners and collectors of Shakespeare's quarto playbooksShakespeare owned and bound; Early readers and commonplacers of Shakespeare in print; Conclusion; Appendix A The publication of playbooks by Shakespeare and his contemporaries to 1660 (prepared with the assistance of Louise Wilson); Appendix B Printed playbooks of professional plays, including reprints, 1583-1622; Appendix C Shakespeare's publishers, 1593-1622; Works cited; Index

  21. Shakespeare as Literary Dramatist
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    This second edition of Erne's groundbreaking study includes a new preface that reviews the controversy the book has triggered mehr

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    This second edition of Erne's groundbreaking study includes a new preface that reviews the controversy the book has triggered

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107029651
    Schlagworte: Authors and readers ; England ; History ; 16th century; Authors and readers ; England ; History ; 17th century; English language ; Early modern, 1500-1700 ; Style; Shakespeare, William ; 1564-1616 ; Criticism, Textual; Shakespeare, William ; 1564-1616 ; Literary style; Electronic books
    Umfang: Online-Ressource (328 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Contents; Illustrations; Acknowledgments; Preface to the second edition; Introduction; Part I Publication; Chapter 1 The legitimation of printed playbooks in Shakespeare's time; Chapter 2 The making of "Shakespeare"; Chapter 3 Shakespeare and the publication of his plays (I): the late sixteenth century; Chapter 4 Shakespeare and the publication of his plays (II): the early seventeenth century; Chapter 5 The players' alleged opposition to print; Part II Texts; Chapter 6 Why size matters: "the two hours' traffic of our stage" and the length of Shakespeare's plays

    Chapter 7 Editorial policy and the length of Shakespeare's playsChapter 8 "Bad" quartos and their origins: Romeo and Juliet, Henry V, and Hamlet; Chapter 9 Theatricality, literariness, and the texts of Romeo and Juliet, Henry V, and Hamlet; Appendix A The plays of Shakespeare and his contemporaries in print, 1584-1623; Appendix B Heminge and Condell's "Stolne, and surreptitious copies" and the Pavier quartos; Appendix C Shakespeare and the circulation of dramatic manuscripts; Select bibliography; Index

  22. Medieval and Early Modern Authorship
    Beteiligt: Bolens, Guillemette (HerausgeberIn); Erne, Lukas (HerausgeberIn)
    Erschienen: [2011]
    Verlag:  Narr Verlag, Tübingen

    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the... mehr

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    Reports of his death having been greatly exaggerated, the author has made a spectacular return in English studies. This is the first book devoted to medieval and early modern authorship, exploring continuities, discontinuities, and innovations in the two periods which literary histories and institutional practices too often keep apart. Canonical authors receive sustained attention (notably Chaucer, Gower, Shakespeare, Jonson, Milton, and Marvell), and so do key issues in the current scholarly debate, such as authorial self-fashioning, the fictionalisation of authorship, the posthumous construction of authorship, and the nexus of authorship and authority. Other important topics whose relations to authorship are explored include adaptation, paratext, portraiture, historiography, hagiography, theology, and the sublime.

     

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    Beteiligt: Bolens, Guillemette (HerausgeberIn); Erne, Lukas (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 3823376675; 9783823376675
    RVK Klassifikation: EC 5123
    Schriftenreihe: SPELL : Swiss papers in English language and literature ; Volume 25
    Schlagworte: English literature; Authorship; English literature; English literature
    Umfang: 1 Online Ressource (1770 KB, 323 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Table of Contents; General Editor's Preface; Acknowledgements; Introduction; Choosing Poetic Fathers:The English Problem - Helen Cooper; Authorship, Imitation, and Refusalin Late-Medieval England - Robert R. Edwards; The Tangled Thread of Authorship: Shakespeare'sJulius Caesar and Jonson's Sejanus, His Fall - Lynn S. Meskill; The "author's drift" in Shakespeare'sTroilus and Cressida: A Poetics of Reflection - Johann Gregory; Authorship from Homer toWordsworth via Milton - Neil Forsyth; Marvell's Pronouns and theEthics of Representation - Stephen Hequembourg

    "The forms of things unknown":English Authorship and the Early Modern Sublime - Patrick CheneyExchanging "words for mony":The Parnassus Plays and Literary Remuneration - John Blakeley; Fictions of Collaboration: Authors and Editors inthe Sixteenth Century - Colin Burrow; Authorship and Alteration:Shakespeare on the Exclusion CrisisStage and Page, 1678-1682 - Emma Depledge; Portraiture, Authorship, and theAuthentication of Shakespeare - Julianna Bark; Producing the Lector - Rita Copeland; The Logic of Authorship in Chaucer'sTroilus and Criseyde - Stefania D'Agata D'Ottavi

    Gestures of Authorship in Medieval EnglishHistoriography: The Case of RobertMannyng of Brunne - Nicole Nyffenegger"By Auctorite of Experyence": The Role ofTopography in Osbern Bokenham'sLives of Native Saints - Alice Spencer; Ethical Poetry, Poetic Theology:A Crisis of Medieval Authority? - Alastair Minnis; Notes on Contributors; Index of Names; A Note from the General Editor

  23. Shakespeare and the Book Trade
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Shakespeare and the Book Trade follows on from Lukas Erne's groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare's printed plays and poems in his own time and to argue... mehr

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    Shakespeare and the Book Trade follows on from Lukas Erne's groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare's printed plays and poems in his own time and to argue that their popularity in the book trade has been greatly underestimated. Erne uses evidence from Shakespeare's publishers and the printed works to show that in the final years of the sixteenth century and the early part of the seventeenth century, 'Shakespeare' became a name from which money could be made, a book trade commodity in which publishers had significant investments and an author who was bought, read, excerpted and collected on a surprising scale. Erne argues that Shakespeare, far from indifferent to his popularity in print, was an interested and complicit witness to his rise as a print-published author. Thanks to the book trade, Shakespeare's authorial ambition started to become bibliographic reality during his lifetime

     

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    ISBN: 9780511803406
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    RVK Klassifikation: HI 3325 ; HI 3331
    Schlagworte: Book industries and trade; Book industries and trade; Literature publishing; Literature publishing; Shakespeare, William ; 1564-1616 ; Criticism, Textual; Shakespeare, William ; 1564-1616 ; Books and reading; Shakespeare, William ; 1564-1616 ; Influence; Book industries and trade ; England ; History ; 16th century; Book industries and trade ; England ; History ; 17th century; Literature publishing ; England ; History ; 16th century; Literature publishing ; England ; History ; 17th century
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xvi, 302 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    prepared with the assistance of Louise Wilson: Quantifying Shakespeare's presence in print ; Shakespeare, publication and authorial misattribution ; The bibliographic and paratextual makeup of Shakespeare's Quarto playbooks ; Shakespeare's publishers ; The reception of printed Shakespeare ; Appendix A. The publication of playbooks by Shakespeare and his contemporaries to 1660

  24. Shakespeare as Literary Dramatist
    Autor*in: Erne, Lukas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence... mehr

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    Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these 'literary' texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays. This revised and updated edition includes a new and substantial preface that reviews and intervenes in the controversy the study has triggered and lists reviews, articles and books which respond to or build on the first edition The legitimation of printed playbooks in Shakespeare's time -- The making of "Shakespeare" -- Shakespeare and the publication of his plays (I): the late sixteenth century -- Shakespeare and the publication of his plays (II): the early seventeenth century -- The players' alleged opposition to print -- Why size matters: "the two hours' traffic of our stage" and the length of Shakespeare's plays -- Editorial policy and the length of Shakespeare's plays -- "Bad" quartos and their origins: Romeo and Juliet, Henry V, and Hamlet -- Theatricality, literariness, and the texts of Romeo and Juliet, Henry V, and Hamlet -- Appendixes: A. The plays of Shakespeare and his contemporaries in print, 1584-1623 -- B. Heminge and Condell's "Stolne, and surreptitious copies" and the Pavier quartos -- C. Shakespeare and the circulation of dramatic manuscripts

     

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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139342445
    Weitere Identifier:
    RVK Klassifikation: HI 3378
    Auflage/Ausgabe: Second edition
    Schlagworte: Authors and readers; Authors and readers; English language; Shakespeare, William ; 1564-1616 ; Literary style; Shakespeare, William ; 1564-1616 ; Criticism, Textual; Authors and readers ; England ; History ; 16th century; Authors and readers ; England ; History ; 17th century; English language ; Early modern, 1500-1700 ; Style
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xii, 313 pages), digital, PDF file(s)
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