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  1. The myth of Piers Plowman
    constructing a Medieval literary archive
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge ; OAPEN, [The Hague]

    Addressing the history of the production and reception of the great medieval poem, Piers Plowman, Lawrence Warner reveals the many ways in which scholars, editors and critics over the centuries created their own speculative narratives about the poem,... mehr

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    Addressing the history of the production and reception of the great medieval poem, Piers Plowman, Lawrence Warner reveals the many ways in which scholars, editors and critics over the centuries created their own speculative narratives about the poem, which gradually came to be regarded as factually true. Warner begins by considering the possibility that Langland wrote a romance about a werewolf and bear-suited lovers, and he goes on to explore the methods of the poem's localization, and medieval readers' particular interest in its Latinity. Warner shows that the 'Protestant Piers' was a reaction against the poem's oral mode of transmission, reveals the extensive eighteenth-century textual scholarship on the poem by figures including the maligned Chaucer editor John Urry, and contextualizes its first modernization by a literary forger inspired by the 1790s Shakespeare controversies. This lively account of Piers Plowman challenges the way the poem has traditionally been read and understood. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107043633; 9781107338821
    Weitere Identifier:
    RVK Klassifikation: HH 7165 ; HH 7165
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schriftenreihe: Cambridge studies in medieval literature ; 89
    Schlagworte: Stoff <Literatur>
    Weitere Schlagworte: Langland, William (1332-1400): Piers Plowman
    Umfang: 1 Online-Ressource (xiv, 220 Seiten)
  2. World literature after empire
    rethinking universality in the long Cold War
    Autor*in: Vanhove, Pieter
    Erschienen: 2021
    Verlag:  Routledge, New York, NY ; Taylor & Francis Group, London

    This book makes the case that the idea of a "world" in the cultural and philosophical sense is not an exclusively Western phenomenon. During the Cold War and in the wake of decolonization a plethora of historical attempts were made to reinvent the... mehr

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    This book makes the case that the idea of a "world" in the cultural and philosophical sense is not an exclusively Western phenomenon. During the Cold War and in the wake of decolonization a plethora of historical attempts were made to reinvent the notions of world literature, world art, and philosophical universality from an anticolonial perspective. Contributing to recent debates on world literature, the postcolonial, and translatability, the book presents a series of interdisciplinary and multilingual case studies spanning Europe, the United States, and China. The case studies illustrate how individual anti-imperialist writers and artists set out to remake the conception of the world in their own image by offering a different perspective centered on questions of race, gender, sexuality, global inequality, and class. The book also discusses how international cultural organizations like the Afro-Asian Writers' Bureau, UNESCO, and PEN International attempted to shape this debate across Cold War divides

     

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    Sprache: Englisch
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    ISBN: 9781000415438; 1000415430; 9781003129875; 1003129870; 9781000415476; 1000415473
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    Schriftenreihe: Routledge studies in comparative literature
    Schlagworte: Literature, Modern; Postcolonialism in literature
    Umfang: 1 Online-Ressource
  3. Poetry and Responsibility
    Autor*in: Corcoran, Neil
    Erschienen: 2014
    Verlag:  Liverpool University Press, Liverpool ; ProQuest, Ann Arbor, Michigan

    This book considers the kinds of responsibility which modern lyric poetry takes on, or to which it makes itself subject - social, cultural, political, aesthetic and personal. mehr

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    This book considers the kinds of responsibility which modern lyric poetry takes on, or to which it makes itself subject - social, cultural, political, aesthetic and personal.

     

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    ISBN: 9781781385876
    RVK Klassifikation: HM 1191 ; HN 1191 ; HU 1769
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Poetry and LUP Ser.
    Schlagworte: Englisch; Lyrik; Verantwortung
    Umfang: 1 Online-Ressource (229 pages)
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  4. Metaphor and thought
    Beteiligt: Ortony, Andrew (Hrsg.)
    Erschienen: 1980
    Verlag:  Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    11.542.98
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    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sozialwissenschaften und Psychologie (BSP)
    X 41123
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    Beteiligt: Ortony, Andrew (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0521227275; 0521296269
    RVK Klassifikation: CC 4400 ; CP 6500 ; EC 3765 ; ER 630 ; CC 4800
    Auflage/Ausgabe: Reprint.
    Schlagworte: Denken; Sprache; Semantik; Wissenschaftssprache; Metapher
    Umfang: X, 501 S., graph. Darst.
    Bemerkung(en):

    Literaturverz. S. [486] - 498

  5. Metapher and thought
    Erschienen: 1980
    Verlag:  Cambridge Univ. Press, London

    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sozialwissenschaften und Psychologie (BSP)
    PsyAnalyse: O X 9
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    Beteiligt: Ortony, Andrew (Hrsg.); Black, Max (Mitarb.); Sadock, Jerrold M. (Mitarb.); Cohen, Laurence Jonathan (Mitarb.); Rumelhart, David E. (Mitarb.); Searle, John R. (Mitarb.); Levin, Samuel R. (Mitarb.); Morgan, Jerry L. (Mitarb.); Paivio, Allan (Mitarb.); Fraser, Bruce (Mitarb.); Miller, George A. (Mitarb.); Schön, Donald A. (Mitarb.); Reddy, Michael J. (Mitarb.); Sternberg, Robert J.; Tourangeau, Roger (Mitarb.); Nigro, Georgia (Mitarb.); Boyd, Richard (Mitarb.); Kuhn, Thomas S. (Mitarb.); Pylyshyn, Zenon W. (Mitarb.); Petrie, Hugh G. (Mitarb.); Green, Thomas F. (Mitarb.); Sticht, Thomas G. (Mitarb.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0521227275
    RVK Klassifikation: CC 4400 ; EC 3765
    Umfang: X, 501 S.
  6. The classic short story, 1870 - 1925
    theory of a genre
    Autor*in: Goyet, Florence
    Erschienen: 2014
    Verlag:  Open Book Publishers, Cambridge, UK

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1909254762; 9781909254763; 9781909254756; 1909254754; 1909254770 (Sekundärausgabe); 9781909254770 (Sekundärausgabe)
    Weitere Identifier:
    DDC Klassifikation: Literatur und Rhetorik (800)
    Umfang: 210 S.
    Bemerkung(en):

    Literaturverz. S. [197] - 206

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  7. The development of translation theories in Europe
    Erschienen: 1998

    Este artigo trata do desenvolvimento dos estudos da tradução na Europa, no siculo XX. O maior enfoque está na mudança da perspeciiva de pesquisa, da comparação entre línguas para a confrontação de textos e da focalização datradução como atividade... mehr

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    Este artigo trata do desenvolvimento dos estudos da tradução na Europa, no siculo XX. O maior enfoque está na mudança da perspeciiva de pesquisa, da comparação entre línguas para a confrontação de textos e da focalização datradução como atividade pragmática para a investigação do pensamento do tradutor (perspectiva cognitiva). Paralelamente à discussão dos conceitos teóricos, comenta-se também o desenvolvimento institucional dos estudos da tradução. Der vorliegende Aufsatz behandelt die Entwicklung der europäischen Übersetzungswissenschaft im 20. Jahrhundert. Der Schwerpunkt liegt auf dem Wandel der Forschungsperspektive vom Vergleich einzelner Sprachen hin zur Gegenüberstellung von Texten und von der Betonung des Handlungscharakters der Übersetzung hin zur Untersuchung des übersetzerischen Denkens (kognitive Perspektive). Parallel zur Diskussion theoretischer Konzepte, ist auch die institutionelle Entwicklung der Übersetzungswissenschaft Gegenstand der Untersuchung.

     

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    Übergeordneter Titel: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 2, Heft 1 (1998), Seite 309-328; 22 cm

    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Dekonstruktion; Hermeneutik; Semiotik; Übersetzungswissenschaft
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  8. Mobile narratives
    travel, migration, and transculturation
    Beteiligt: Arapoglou, Elefheria (Hrsg.)
    Erschienen: 2014
    Verlag:  Routledge, London [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    90.156.43
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    Beteiligt: Arapoglou, Elefheria (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0415823056; 9780415823050
    RVK Klassifikation: EC 7455
    Schriftenreihe: Routledge interdisciplinary perspectives on literature ; 18
    Schlagworte: Reiseliteratur; Reise <Motiv>; Migration <Motiv>; Interkulturalität; Künste
    Umfang: IX, 279 S., Ill., 24 cm
    Bemerkung(en):

    Literaturangaben

  9. The influence of Islamic ideas on European literary thought
    Beteiligt: Mortaza, Aminul (Hrsg.)
    Erschienen: 2014
    Verlag:  Koros, London [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    90.228.33
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    Beteiligt: Mortaza, Aminul (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1781633185; 9781781633182
    Auflage/Ausgabe: Revised ed.
    Schlagworte: Islam; Geistesleben; Rezeption; Literatur
    Umfang: VIII, 288 S., Ill.
  10. The Edinburgh companion to the bible and the arts
    Beteiligt: Prickett, Stephen (Hrsg.)
    Erschienen: 2014
    Verlag:  Edinburgh Univ. Press, Edinburgh

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    90.462.35
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    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    03/LH 82100 P947
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    Beteiligt: Prickett, Stephen (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780748639335
    RVK Klassifikation: LH 82100 ; LH 65900 ; BC 6220
    Schlagworte: Rezeption; Ästhetik; Künste; Christliche Kunst; Architektur; Literatur; Christliche Literatur
    Umfang: XXXI, 576 S., Ill.
  11. Medieval mysteries
    a guide to history, lore, places and symbolism
    Autor*in: Ralls, Karen
    Erschienen: 2014
    Verlag:  Ibis, Lake Worth, Fl.

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Q 90.250.35
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0892541725; 9780892541720
    Schlagworte: Katharer; Gral; Schwarze Madonna; Häresie; Troubadour
    Weitere Schlagworte: Merlin Fiktive Gestalt (540-612); Artus Fiktive Gestalt; Maria Magdalena Heilige, Biblische Person
    Umfang: 304 S., Ill.
    Bemerkung(en):

    Literaturverz. S. 272 - 292

  12. Identity and Survival in 'Deutsche Menschen'
    Autor*in: Britt, Brian
    Erschienen: 2014
    Verlag:  Wilhelm Fink, München ; Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    The flourishing of literature and thought during the age of Goethe may have inspired German nationalism in the 1930s, but Walter Benjamin identified other values in the period worth defending. 'Deutsche Menschen' is a short collection of edited... mehr

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    The flourishing of literature and thought during the age of Goethe may have inspired German nationalism in the 1930s, but Walter Benjamin identified other values in the period worth defending. 'Deutsche Menschen' is a short collection of edited letters by well-known German authors which Benjamin published in 1936 under the pseudonym Detlef Holz in order to hide his Jewish identity. In his inscription to Scholem's copy of the book, Benjamin wrote, "May you, Gerhard, find a chamber in this ark - which I built when the Fascist flood started to rise - for the memories of your youth," and in his sister’s copy Benjamin wrote, "This ark, built after a Jewish model, for Dora - From Walter." This essay considers what Benjamin may have meant by those inscriptions. Looking beyond discussions of "German," "Jewish," and even "German-Jewish" identity, this essay explores Benjamin's descriptions of his letter collection, asking how he conceptualized and framed it at first and how it may have changed between 1931 and 1936. The categories of tradition and agency will be my focus, which I will develop in the context of Benjamin's other writings and his particular interests in quotation and materialism. &e formation and reception of 'Deutsche Menschen' reveal a complex, ambitious project that combines many of Benjamin's ideas and goals.

     

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    Übergeordneter Titel: Enthalten in: Benjamin-Studien; München : Wilhelm Fink, 2014; 3, 1 Online-Ressource (Seite 83-104)
    DDC Klassifikation: Literatur und Rhetorik (800)
    Umfang: 1 Online-Ressource (Seite 83-104)
  13. Shock and Aura
    Benjamin on Dada
    Autor*in: Avishai, Tamar
    Erschienen: 2014
    Verlag:  Wilhelm Fink, München ; Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    If we take Benjamin's definitions to their logical conclusion, then the monad and the reproduced copy are set unequivocally into binary opposition, as we, the masses capable and most needful of action, are implicitly denied the potential for... mehr

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    If we take Benjamin's definitions to their logical conclusion, then the monad and the reproduced copy are set unequivocally into binary opposition, as we, the masses capable and most needful of action, are implicitly denied the potential for liberation through aesthetic experience. This denial could not have been his long-term intention. When we take into account the breadth of his writings in response to Fascism, and we look at the artistic movements, Dada in particular, that Benjamin defines as 'politicizing art,' it seems as though we risk too narrow a reading of Benjamin's theories by assuming the aura can be, or must be, done away with. Rather, I would argue that this moment of auratic interaction is crucial to effectively politicizing art at all. Mechanically-produced art, in order to function politically, must allow its audience the space necessary to step back, awaken their 'Geistesgegenwart', and take action 'before' the present moment is finished and past. The elimination of aura - as per Benjamin’s own definitions of aura - neuters the interaction this awakening requires. While Benjamin provides the framework and asks the right questions, when determining what will allow his definitions to realize their aims most fully, I submit that he draws his line in the wrong place.

     

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    Übergeordneter Titel: Enthalten in: Benjamin-Studien; München : Wilhelm Fink, 2014; 3, 1 Online-Ressource (Seite 107-132)
    DDC Klassifikation: Literatur und Rhetorik (800)
    Umfang: 1 Online-Ressource (Seite 107-132)
  14. The Painter through the Fourth Wall of China
    Benjamin and the Threshold of the Image
    Autor*in: Pinotti, Andrea
    Erschienen: 2014
    Verlag:  Wilhelm Fink, München ; Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Walter Benjamin had a revealing fascination with the legend of a Chinese artist who entered his painting and disappeared in it. In his writings this character becomes an emblematic figure that enables the philosopher to discuss the nature of... mehr

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    Walter Benjamin had a revealing fascination with the legend of a Chinese artist who entered his painting and disappeared in it. In his writings this character becomes an emblematic figure that enables the philosopher to discuss the nature of representation in its various infections (in games and in painting, in theater and in cinema); to explore the status of the image and of the threshold that simultaneously separates and connects image and reality; to analyse the different bodily (i. e. "aesthetic") attitudes of the beholder in his/her close or distant relationship to the image; to investigate the manifold implications of empathy ('Einfühlung ') toward the figurative world; and finally, to approach a peculiar kind of dialectics, namely the "Chinese". My paper aims at considering such varied aspects in Benjamin's interpretation of the Chinese painter, understanding it as a true "dialectical image" that in its 'non-coincidentia oppositorum' provokes not only significant hermeneutic oscillations, but even a radical inversion of its fundamental meaning.

     

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    Übergeordneter Titel: Enthalten in: Benjamin-Studien; München : Wilhelm Fink, 2014; 3, 1 Online-Ressource (Seite 133-149)
    DDC Klassifikation: Literatur und Rhetorik (800)
    Umfang: 1 Online-Ressource (Seite 133-149)
  15. Pain and memory in Benjamin's mourning play
    Autor*in: Quiring, Björn
    Erschienen: 2014
    Verlag:  Wilhelm Fink, München ; Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    One of the cruxes of Walter Benjamin’s work is the tension between an indebting and an expiating "memoria", i. e. the afflicting and the salvific insistence of history within the present moment. On the one hand, memory inscribes itself onto spaces... mehr

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    One of the cruxes of Walter Benjamin’s work is the tension between an indebting and an expiating "memoria", i. e. the afflicting and the salvific insistence of history within the present moment. On the one hand, memory inscribes itself onto spaces and bodies in the violent and painful fashion of Kafka's "Penal Colony" apparatus. On the other hand, it can, in the form of rememoration ('Eingedenken'), sublate these very inscriptions. This sublation usually involves some form of redemptive, timely (re-)verbalization, but Benjamin’s conception of it varies. To gain a better insight into this inherent, varying tension, the article will take a closer look at the connection between pain, memory and law-positing violence in some Benjaminian texts, occasionally relating them to the historical background of his discussion.

     

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    Übergeordneter Titel: Enthalten in: Benjamin-Studien; München : Wilhelm Fink, 2014; 3, 1 Online-Ressource (Seite 153-163)
    DDC Klassifikation: Literatur und Rhetorik (800)
    Umfang: 1 Online-Ressource (Seite 153-163)
  16. "Schmerz war ein Staudamm"
    Benjamin on pain
    Autor*in: Ferber, Ilit
    Erschienen: 2014
    Verlag:  Wilhelm Fink, München ; Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    To explicate what distinguishes pain, Benjamin elaborates: "Of all corporeal feelings, pain alone is like a navigable river which never dries up and which leads man down to the sea. [...] Pain [...] is a link between worlds. This is why organic... mehr

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    To explicate what distinguishes pain, Benjamin elaborates: "Of all corporeal feelings, pain alone is like a navigable river which never dries up and which leads man down to the sea. [...] Pain [...] is a link between worlds. This is why organic pleasure is intermittent, whereas pain can be permanent. This comparison of pleasure and pain explains why the cause of pain is irrelevant for the understanding of man's nature, whereas the source of his greatest pleasure is extremely important. For every pain, even the most trivial one, can lead upward to the highest religious suffering, whereas pleasure is not capable of any enhancement, and owes any nobility it possesses to the grace of its birth - that is to say, its source. (SW I, 397)" In these important lines, pain's unique strength is linked not to its origin (this is reserved for pleasure), but rather to the way that its strenuous flow throughout the suffering body has the power to lead it to infinite heights. In contrast to pleasure, which is forever seeking out its sources, pain manifests itself most consummately when it is intensified; it fulfills itself most deeply by gradually reenforcing its own fortitude. To make sense of pain, therefore, we must understand the nature of its 'movement': and in Benjamin's metaphor of the "navigable river" - its flow. In what follows, I develop Benjamin's idea of the nature of pain as manifested in the internal law of its ,ow in two other of Benjamin's texts: 'Berlin Childhood Around 1900' (1934) and 'Thought Figures' (1933).

     

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    Übergeordneter Titel: Enthalten in: Benjamin-Studien; München : Wilhelm Fink, 2014; 3, 1 Online-Ressource (Seite 165-177)
    DDC Klassifikation: Literatur und Rhetorik (800)
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  17. A cloud of words
    a reflection on (dis)appearing words of Benjamin and Wittgenstein
    Autor*in: Cho, Hyowon
    Erschienen: 2014
    Verlag:  Wilhelm Fink, München ; Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    At the forefront of those who tenaciously pondered this issue are, I would claim, Walter Benjamin and Ludwig Wittgenstein. Benjamin and Wittgenstein both are philosophers of language who tried to establish in unique ways the doctrine of resemblance... mehr

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    At the forefront of those who tenaciously pondered this issue are, I would claim, Walter Benjamin and Ludwig Wittgenstein. Benjamin and Wittgenstein both are philosophers of language who tried to establish in unique ways the doctrine of resemblance respectively: "Lehre vom Ähnlichen" and "[Lehre der] Familienähnlichkeit." What they see and find in language are not communication and mutual understanding but instead one of the weirdest phenomena in/of the world, viz., resemblance (likeness) in/of language. This phenomenon, I would insist, indicates the correlation of appearing and disappearing, of differentiating and integrating, and of dividing and imparting of language as such. For Benjamin and Wittgenstein, to sum up, language is a paradigmatic paradoxical site of (dis)appearance, differentiating integrity, and divisive imparting. For this reason, it is worthwhile to pin down where their thoughts on language converge and where they diverge.

     

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    Übergeordneter Titel: Enthalten in: Benjamin-Studien; München : Wilhelm Fink, 2014; 3, 1 Online-Ressource (Seite 233-250)
    DDC Klassifikation: Literatur und Rhetorik (800)
    Umfang: 1 Online-Ressource (Seite 233-250)
  18. Benjamin's early reception in the United States
    a report
    Erschienen: 2014
    Verlag:  Wilhelm Fink, München ; Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Benjamin's early reception in the United States can be broken into eight phases: 1) a few notices of his work in the 1930s; 2) the appearance of two major works, without translation, in the 'Zeitschrift für Sozialforschung', when it was published in... mehr

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    Benjamin's early reception in the United States can be broken into eight phases: 1) a few notices of his work in the 1930s; 2) the appearance of two major works, without translation, in the 'Zeitschrift für Sozialforschung', when it was published in New York and mimeographed in Los Angeles; 3) several reports of his suicide along with the death of other Jewish and left-wing writers who fell victim to Nazi terror; 4) scattered use of his work in the late 1940s and 1950s; 5) a growing realization in the early 1960s that American literary and cultural criticism was missing something of significance by neglecting Benjamin's work; 6) the appearance in the 1960s of competing portraits of Benjamin by four of his surviving friends, including Hannah Arendt, who edited and introduced the first collection of his writings in English; 7) an uncanny repetition of the earlier neglect, as a significant number of Benjamin's texts are published in Great Britain during the 1970s and early 1980s but remain unavailable in the States; 8) the beginning of a sustained critical engagement with Benjamin in the late 1970s.

     

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    Übergeordneter Titel: Enthalten in: Benjamin-Studien; München : Wilhelm Fink, 2014; 3, 1 Online-Ressource (Seite 253-259)
    DDC Klassifikation: Literatur und Rhetorik (800)
    Umfang: 1 Online-Ressource (Seite 253-259)
  19. The complete works of W. R. Bion
    Erschienen: 2014
    Verlag:  Karnac, London

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Quelle: Fachkatalog AVL
    Beteiligt: Mawson, Chris (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781855756038
  20. When the eternal can be met
    the bergsonian theology of time in the works of C.S. Lewis, T.S. Eliot and W.H. Auden
    Autor*in: Latta, Corey
    Erschienen: [2014]; © 2014
    Verlag:  The Lutterworth Press, Cambridge ; ProQuest, [Ann Arbor, Michigan]

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    Medientyp: Ebook
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    ISBN: 9780718842727
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schriftenreihe: N/a
    Umfang: 1 Online-Ressource (226 Seiten)
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  21. New Literary Hybrids in the Age of Multimedia Expression
    Crossing borders, crossing genres
    Erschienen: 2014
    Verlag:  John Benjamins Publishing Company, Amsterdam ; ProQuest, Ann Arbor, Michigan

    Begun in 2010 as part of the "Histories of Literatures in European Languages" series sponsored by the International Comparative Literature Association, the current project on New Literary Hybrids in the Age of Multimedia Expression recognizes the... mehr

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    Begun in 2010 as part of the "Histories of Literatures in European Languages" series sponsored by the International Comparative Literature Association, the current project on New Literary Hybrids in the Age of Multimedia Expression recognizes the global shift toward the visual and the virtual in all areas of textuality: the printed, verbal text is increasingly joined with the visual, often electronic, text. This shift has opened up new domains of human achievement in art and culture. The international roster of 24 contributors to this volume pursue a broad range of issues under four sets of questions that allow a larger conversation to emerge, both inside the volume's sections and between them. The four sections cover, 1) Multimedia Productions in Theoretical and Historical Perspective; 2) Regional and Intercultural Projects; 3) Forms and Genres; and, 4) Readers and Rewriters in Multimedia Environments. The essays included in this volume are examples of the kinds of projects and inquiries that have become possible at the interface between literature and other media, new and old. They emphasize the extent to which hypertextual, multimedia, and virtual reality technologies have enhanced the sociality of reading and writing, enabling more people to interact than ever before. At the same time, however, they warn that, as long as these technologies are used to reinforce old habits of reading/ writing, they will deliver modest results. One of the major tasks pursued by the contributors to this volume is to integrate literature in the global informational environment where it can function as an imaginative partner, teaching its interpretive competencies to other components of the cultural landscape.

     

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    ISBN: 9789027269331
    RVK Klassifikation: EC 3870 ; EC 5810 ; EC 8795
    Schriftenreihe: Comparative History of Literatures in European Languages ; v.XXVII
    Schlagworte: Literatur; Neue Medien; Edition; Hypertext; Multimedia; Hybrides Leistungsbündel; Internetliteratur
    Umfang: 1 Online-Ressource (463 pages)
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  22. The complete works of W. R. Bion
    Volume 1
    Erschienen: 2014
    Verlag:  Karnac, London

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    15/CU 2690 B615 C7-1
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    Sprache: Englisch
    Medientyp: Mehrbändiges Werk
    Format: Druck
    ISBN: 9781782202295
    Übergeordneter Titel: The complete works of W. R. Bion - Alle Bände anzeigen
    RVK Klassifikation: CU 2690
    Umfang: xviii, 318 Seiten, Illustrationen
  23. The complete works of W. R. Bion
    Volume 2
    Erschienen: 2014
    Verlag:  Karnac, London

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    15/CU 2690 B615 C7-2
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    Beteiligt: Mawson, Chris (Herausgeber)
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    Format: Druck
    ISBN: 9781782202301
    Übergeordneter Titel: The complete works of W. R. Bion - Alle Bände anzeigen
    RVK Klassifikation: CU 2690
    Umfang: v, 264 Seiten, 8 ungezählte Seiten, Illustrationen
  24. The complete works of W. R. Bion
    Volume 3
    Erschienen: 2014
    Verlag:  Karnac, London

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    15/CU 2690 B615 C7-3
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    Format: Druck
    ISBN: 9781782202318
    Übergeordneter Titel: The complete works of W. R. Bion - Alle Bände anzeigen
    RVK Klassifikation: CU 2690
    Umfang: v, 310 Seiten, Illustrationen
  25. The complete works of W. R. Bion
    Volume 4
    Erschienen: 2014
    Verlag:  Karnac, London

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    15/CU 2690 B615 C7-4
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    Beteiligt: Mawson, Chris (Herausgeber)
    Sprache: Englisch
    Medientyp: Mehrbändiges Werk
    Format: Druck
    ISBN: 9781782202325
    Übergeordneter Titel: The complete works of W. R. Bion - Alle Bände anzeigen
    RVK Klassifikation: CU 2690
    Umfang: vii, 365 Seiten, Diagramme