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  1. New perspectives on imagology : introduction
    Autor*in: Edtstadler, Katharina; Folie, Sandra; Zocco, Gianna
    Erschienen: 08.04.2024

    With this volume, the editors Katharina Edtstadler, Sandra Folie, and Gianna Zocco propose an extension of the traditional conception of imagology as a theory and method for studying the cultural construction and literary representation of national,... mehr

     

    With this volume, the editors Katharina Edtstadler, Sandra Folie, and Gianna Zocco propose an extension of the traditional conception of imagology as a theory and method for studying the cultural construction and literary representation of national, usually European characters. Consisting of an instructive introduction and 21 articles, the book relates this sub-field of comparative literature to contemporary political developments and enriches it with new interdisciplinary, transnational, intersectional, and intermedial perspectives. The contributions offer [1] a reconsideration and update of the field's methods, genres, and theoretical frames; [2] trans-/post-national, migratory, and marginalized perspectives beyond the European nation-state; [3] insights into geopolitical dichotomies such as Orient/Occident; [4] intersectional approaches considering the entanglements of national images with notions of age, class, gender, sexuality, and ethnicity/race; [5] investigations of the role of national images in visual narratives and music.

     
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    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Imagologie
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  2. Enmity, identity, discourse : imagology and the state
    Autor*in: Leerssen, Joep
    Erschienen: 08.04.2024

    Imagological analysis can be fruitfully applied to political discourse, most importantly the discourse of international antagonism and national self-positioning used in government decision-making circles. Historians studying that discourse have... mehr

     

    Imagological analysis can be fruitfully applied to political discourse, most importantly the discourse of international antagonism and national self-positioning used in government decision-making circles. Historians studying that discourse have tended to see its rhetoric of national characterization merely as a distracting accompaniment to actual, factually driven policies and developments. This, it is argued here, questionably presupposes that those policies were never driven by anything but cerebral reasons of state (such as these are seen by latter-day historians); it makes us unduly heedless of an important historical corpus throwing light on the force of emotive and national prejudice in policymaking.

     
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    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Imagologie; Weltkrieg <1914-1918>; Propaganda; Deutschland; England; Selbstbild; Fremdbild; Irland; Nationalbewegung
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

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    info:eu-repo/semantics/openAccess
  3. Axiological foundations of imagology
    Autor*in: Dukić, Davor
    Erschienen: 08.04.2024

    Images, the main object of imagological analysis, are by nature value-charged. Despite this fact, previous research has neglected the axiological foundations of imagology. This article discusses in brief some fundamental axiological questions of... mehr

     

    Images, the main object of imagological analysis, are by nature value-charged. Despite this fact, previous research has neglected the axiological foundations of imagology. This article discusses in brief some fundamental axiological questions of imagological investigations. The here analysed corpus includes an eighteenth-century visual-textual source (the so-called "Leopold-Stich"), and a famous imagological handbook ("Imagology", by Beller and Leerssen). The analysis starts with the problem of value connotations of the signifier of geocultural spaces and continues with a cluster of questions concerning the nature of value of imagotypical representations. The final part examines two relevant imagological phenomena—diachronic changes in evaluation of certain geocultural spaces and a somewhat opposite phenomenon of evaluative apriorism.

     
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    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Imagologie; Wertphilosophie
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. Toward a production-oriented imagology
    Autor*in: Köhler, Ulrike Kristina
    Erschienen: 08.04.2024

    This article outlines a production-oriented imagology and equips the imagological toolkit with concepts and terminology from cultural memory studies, reception aesthetics, narratology, rhetoric, and text linguistics. It thereby presents the... mehr

     

    This article outlines a production-oriented imagology and equips the imagological toolkit with concepts and terminology from cultural memory studies, reception aesthetics, narratology, rhetoric, and text linguistics. It thereby presents the theoretical framework which makes it possible to analyse generic elements without a national connotation with regard to their function in generating a national image. Using as examples genres from English Romanticism and how they evoke Englishness, the article highlights the aesthetic complexity of national images and their range of variation. Simultaneously it paves the way for a more nuanced deconstruction of these images.

     
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    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800); Englische, altenglische Literaturen (820)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Imagologie; Englisch; Literatur; Romantik; Produktionsästhetik
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. Imagology and the analysis of identity discourses in late eighteenth- and nineteenth-century European travel writing by Charles Dickens and Karl Philipp Moritz
    Autor*in: Vlasta, Sandra
    Erschienen: 08.04.2024

    This article analyses processes of collective and individual identity formation in European travel writing from the late eighteenth and the middle of the nineteenth century and argues that these processes are based not least on the national... mehr

     

    This article analyses processes of collective and individual identity formation in European travel writing from the late eighteenth and the middle of the nineteenth century and argues that these processes are based not least on the national stereotypes described and performed in the texts. I explore how the genre-specific stylistic elements of multilingualism and intertextuality inform the performance of auto- and hetero-images and in doing so suggest converging travel writing studies and imagological studies. To illustrate my thesis, I analyse travelogues by Charles Dickens and Karl Philipp Moritz.

     
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  6. The fall of the Berlin Wall transnational : images and stereotypes in Yadé Kara's "Selam Berlin" and Paul Beatty's "Slumberland"
    Autor*in: Zocco, Gianna
    Erschienen: 08.04.2024

    The fall of the Berlin Wall and its literary representations have often been described as a purely (white) German affair, as a discourse regarding (East/West) German identity. Taking on Leerssen's claim for a trans-/postnational imagology, this... mehr

     

    The fall of the Berlin Wall and its literary representations have often been described as a purely (white) German affair, as a discourse regarding (East/West) German identity. Taking on Leerssen's claim for a trans-/postnational imagology, this article provides an analysis of two novels depicting the fall of the Berlin Wall from transnational, not-(only)-German perspectives: Yadé Kara's "Selam Berlin" (2003) and Paul Beatty's "Slumberland" (2008). Comparing images and stereotypes used by both the Turkish-German narrator of Kara's and the African American narrator of Beatty's novel, it aims to undertake an exemplary case study of how imagology may be employed in contexts characterized by complex interferences of national, ethnic/racial, and urban ascriptions of belonging.

     
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  7. Immigration and imagology or Nationalisms abandoned
    Autor*in: Beller, Manfred
    Erschienen: 08.04.2024

    This article applies imagology to "migration literature" - a genre that is described as a "peripheral phenomenon" in the 2007 handbook "Imagology", but that requires more thorough attention due to the increasing number of significant writings by... mehr

     

    This article applies imagology to "migration literature" - a genre that is described as a "peripheral phenomenon" in the 2007 handbook "Imagology", but that requires more thorough attention due to the increasing number of significant writings by immigrant authors. Focusing on works by Rafik Schami, Tahar Ben Jelloun, Amara Lakhous, Igiaba Scego, Hatice Akyün, Yoko Tawada, and Emine Sevgi Özdamar, and considering theoretical observations by Edward Said, Salman Rushdie, and Homi Bhabha, this article analyses how most texts prefer arguments and metaphors of everyday life to the traditional images and stereotypes of nationalistic discourse. It concludes by distinguishing two perspectives central to most of them: that of an "in-between" and/or a "Third Space."

     
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    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Imagologie; Migrantenliteratur; Identität
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  8. Transnationalizing national characterization : meta-images and the centre-periphery dynamics in Spain and the South Slavic region
    Autor*in: Kešić, Josip
    Erschienen: 08.04.2024

    This article compares two similar yet never compared cases of intra-European othering: Spain and the South Slavic region. Their common denominator is what I call the Periphery Problem: a hierarchical cultural difference between Europe's symbolic... mehr

     

    This article compares two similar yet never compared cases of intra-European othering: Spain and the South Slavic region. Their common denominator is what I call the Periphery Problem: a hierarchical cultural difference between Europe's symbolic centre (Western Europe) and its exotic peripheries. Using paradigmatic examples intertextually linked to Prosper Mérimée, this article focuses both on the centre (exemplified by Mérimée), and the peripheries' recent responses to Mérimée through meta-images (your image of others' image of you). The structural commonalities in characterization and the entanglements of internal and external images show that national characterization in Europe is profoundly a transnational phenomenon.

     
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    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen romanischer Sprachen; Französische Literatur (840)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Mérimée, Prosper; Carmen; La Guzla; Spanienbild; Südslawenbild; Peripherie
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  9. Between Orient and Occident : the construction of a postimperial Turkish identity in Ahmet Hamdi Tanpınar's novel "Huzur"
    Autor*in: Chovanec, Johanna
    Erschienen: 08.04.2024

    This article aims to show that imagology is a promising method for analysing images of the European Other and the Turkish Self as expressed in Ahmet Hamdi Tanpınar's novel "Huzur" (1948; trans. "A Mind at Peace", 2007). The narrative challenges the... mehr

     

    This article aims to show that imagology is a promising method for analysing images of the European Other and the Turkish Self as expressed in Ahmet Hamdi Tanpınar's novel "Huzur" (1948; trans. "A Mind at Peace", 2007). The narrative challenges the rhetoric of early Turkish nationalism by promoting a synthesis of the national present with both the melancholically evoked Ottoman heritage and with European cultures. At the same time, the novel's protagonists stand for diverse and often contradicting conceptions of Self and Other and thus provide an insight into the various identity conflicts present in Republican Turkey.

     
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    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen anderer Sprachen (890)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Tanpınar, Ahmet Hamdi; Huzur; Türkei; Selbstbild; Europabild; Osmanisches Reich <Motiv>; Europäisierung; Türkisch; Literatur
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  10. European ethnotypes in Chinese words : the translation and negotiation of some Western national characters in early nineteenth-century China
    Autor*in: Casalin, Federica
    Erschienen: 08.04.2024

    The "World Geography" ("Wanguo dili quanji" 萬國地理全集) published in 1844 by the Protestant missionary Karl F.A. Gützlaff was the first geographical account to introduce some European ethnotypes to China. Based on recent archival findings, my article... mehr

     

    The "World Geography" ("Wanguo dili quanji" 萬國地理全集) published in 1844 by the Protestant missionary Karl F.A. Gützlaff was the first geographical account to introduce some European ethnotypes to China. Based on recent archival findings, my article compares this book with both its presumed Western source and its rendering in the 1847 edition of Wei Yuan 魏源's "Maps and Documents of the Maritime Countries" ("Haiguo tuzhi" 海國圖志). It thus explores the role that interlingual and intralingual transfers respectively played first in negotiating and then renegotiating two European stereotypes in their early travels to and within the Qing empire.

     
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    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen anderer Sprachen (890)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Gützlaff, Carl F.; Wei, Yuan; Übersetzung; Bearbeitung; Rezeption; Deutsche <Motiv>; Franzosen <Motiv>
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  11. A study on "The Travel Journal and Pictures" : Li Danlin's image of foreign lands and cultures
    Autor*in: Zhu, Wenjun
    Erschienen: 08.04.2024

    This article studies the hetero-images in premodern Chinese painter Li Danlin's travelogue "The Travel Journal and Pictures" with regard to Daniel-Henri Pageaux's and Jean-Marc Moura's theories. Li draws pictures of foreign lands and cultures to... mehr

     

    This article studies the hetero-images in premodern Chinese painter Li Danlin's travelogue "The Travel Journal and Pictures" with regard to Daniel-Henri Pageaux's and Jean-Marc Moura's theories. Li draws pictures of foreign lands and cultures to express his exoticist interest, following the tradition entailed from "The Classic of Mountains and Seas". He transforms the reality and constructs two forms of hetero-images: those of Western cultures by applying clichés, and stereotyped images of indigenous peoples as "Manyi." These hetero-images give us insights into premodern Chinese ideology and offer an example of Occidentalism as a Sinocentric form of ethnotype.

     
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    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Malerei, Gemälde (750); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Reiseliteratur; Malerei; Fremdbild; Barbar <Motiv>; Ethnozentrismus; Okzidentalismus
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  12. "I have gotten used to the whites, but I tremble before the blacks!" : fashioning colonial subjectivities in "The Brave Rabbit in Africa"
    Autor*in: Kállay, Kristína
    Erschienen: 08.04.2024

    The ways in which Self and Other are represented in fiction play a significant role in the formation of racial and other stereotypes in any culture. This article is a reading of the children's book "The Brave Rabbit in Africa" (1931) by Slovak... mehr

     

    The ways in which Self and Other are represented in fiction play a significant role in the formation of racial and other stereotypes in any culture. This article is a reading of the children's book "The Brave Rabbit in Africa" (1931) by Slovak modernist author Jozef Cíger-Hronský. It attempts to point out and analyse the ways in which racial and national identities are constructed in the written text of the book. Arguably, the story deploys colonialist motifs typical of Western literature in order to appraise the modern, civilized identity of the young Slovak nation.

     
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    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800); 891.8
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Hronský, Jozef Cíger; Kinderliteratur; Afrikabild; Kolonialliteratur
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  13. The myth of the Orient in Flaubert's "Voyage en Égypte" and Bachmann's "Das Buch Franza"
    Autor*in: Wagner, Walter
    Erschienen: 08.04.2024

    This study compares and analyses hetero-stereotypes in Flaubert's travelogue "Voyage en Égypte" and Bachmann's prose fictions "Wüstenbuch" and "Das Buch Franza" in order to find out to what extent Flaubert resorts to stereotypical representations of... mehr

     

    This study compares and analyses hetero-stereotypes in Flaubert's travelogue "Voyage en Égypte" and Bachmann's prose fictions "Wüstenbuch" and "Das Buch Franza" in order to find out to what extent Flaubert resorts to stereotypical representations of the colonial Orient, and Bachmann perpetuates, transforms, or revises Flaubert's imagological discourse in the age of postcolonialism. Whereas Flaubert's sexist and racist narrative posits white superiority, Bachmann's protagonists subvert the male hegemonic stance of her French predecessor, insisting on white and male inferiority, causing just another stereotypization of race and gender.

     
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  14. Categories, stereotypes, images, and intersectionality
    Autor*in: Thiele, Martina
    Erschienen: 08.04.2024

    Starting from the definition that stereotypes are based on categorization and attribution, this article first deals with the relationship between categorization and stereotyping as well as images and imagology. The multitude of categories and... mehr

     

    Starting from the definition that stereotypes are based on categorization and attribution, this article first deals with the relationship between categorization and stereotyping as well as images and imagology. The multitude of categories and stereotypes used in the process of perception raises the question of which categories are decisive in which social contexts and how different social categories are intertwined. Following an examination of categories, stereotypes, and images, these questions of interdependence lead to the fourth important topic of this article: intersectionality.

     
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    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Kategorie; Stereotyp; Bild <Psychologie>; Intersektionalität
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  15. Nationality as intersectional storytelling : inventing the 'Parisienne'
    Autor*in: Weilandt, Maria
    Erschienen: 08.04.2024

    Nationality traditionally is one of imagology's key terms. In this article, I propose an intersectional understanding of this category, conceiving nationality as an interdependent dynamic. I thus conclude it to be always internally constructed by... mehr

     

    Nationality traditionally is one of imagology's key terms. In this article, I propose an intersectional understanding of this category, conceiving nationality as an interdependent dynamic. I thus conclude it to be always internally constructed by notions of gender, sexuality, race, class, religion, age, ability, and other identity categories. This complex and multi-layered construct, I argue, is formed narratively. To exemplify this, I analyse practices of stereotyping in Honoré de Balzac's "Illusions perdues" (1843) and Henry James's "The American" (1877) which construct the so-called 'Parisienne' as a synecdoche for nineteenth-century France.

     
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  16. A "Jezebel" or a further "madwoman in the attic" in Caroline Lee Hentz's "The Planter's Northern Bride"
    Autor*in: Andersson, Karin
    Erschienen: 08.04.2024

    This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can... mehr

     

    This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can be made between Hentz's Italian "Madwoman in the attic" Claudia, and Brontë's transatlantic Caribbean counterpart Bertha. An intersectional methodology performed through a close reading will show how both women are literally and metaphorically trapped within spaces and stereotypes. This article transfers imagology into a global setting while extending its scope beyond investigating national characteristics.

     
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  17. Images of Bosniac women in contemporary antiwar films : an intersectional analysis of victim feminism in "Grbavica" and "In the Land of Blood and Honey"
    Autor*in: Drmić, Ivana
    Erschienen: 08.04.2024

    Visual representations of sexual violence in the Bosnian War in Jasmila Žbanić's "Grbavica" (2006) and Angelina Jolie's "In the Land of Blood and Honey" (2011) reveal different dimensions of victim feminism. Both directors sought to raise awareness... mehr

     

    Visual representations of sexual violence in the Bosnian War in Jasmila Žbanić's "Grbavica" (2006) and Angelina Jolie's "In the Land of Blood and Honey" (2011) reveal different dimensions of victim feminism. Both directors sought to raise awareness of the issue of wartime rape and to direct viewers' attention to the pain of the distant Other. An intersectional analysis of the two productions (one domestic and one US-based) helps convey the impact of national and gender stereotyping both on self-representations and on representations of Otherness. Moreover, the analysis of a cinematic response to the Western gaze encourages rethinking prevalent images of the so-called Balkans.

     
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    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Jolie, Angelina; Film; Balkanbild; Bosnienkrieg <Motiv>; Frau <Motiv>; Sexualisierte Gewalt
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  18. National images in visual narratives : the (re)presentation of national characters in the Flemish comic series "Suske en Wiske"
    Autor*in: Hermann, Christine
    Erschienen: 08.04.2024

    In visual narratives such as comics, national images are actually depicted. While Franco-Belgian comics have been the subject of detailed studies regarding the national stereotypes they convey, Flemish comics have been largely ignored. This article... mehr

     

    In visual narratives such as comics, national images are actually depicted. While Franco-Belgian comics have been the subject of detailed studies regarding the national stereotypes they convey, Flemish comics have been largely ignored. This article focuses on three albums of the Flemish comic series "Suske en Wiske", in which the heroes travel to a fictitious Eastern Bloc country, Japan, and China. It will examine how both heteroimages and auto-image are presented (visually, textually, and as part of the plot), and how comic characters may combine contradictory ethnotypes. As it will turn out, in the early album (1945) ethnotypes are perpetuated, whereas in later ones (1984, 2008) they are rather undermined.

     
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    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800); 741.5
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Comic; Belgien; Flämisch; Stereotyp; Fremdbild; Selbstbild; Ostblock; Chinabild; Japanbild
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  19. #JeSuisAmatrice: identity through a landscape of wounds; toward a geo-imagology
    Autor*in: Brandlechner, Daniel
    Erschienen: 08.04.2024

    Italy has experienced a high number of earthquakes. However, the identity of "the Italians" has not yet been defined by their "landscape of wounds." Referring to an earthquake in central Italy (Amatrice) in August 2016, the French satirical magazine... mehr

     

    Italy has experienced a high number of earthquakes. However, the identity of "the Italians" has not yet been defined by their "landscape of wounds." Referring to an earthquake in central Italy (Amatrice) in August 2016, the French satirical magazine Charlie Hebdo published a controversial caricature of two wounded Italians standing alongside the "Lasagnes," a pile of bodies layered like the well- known Italian pasta dish. By analysing the caricature's text, intertext, and context, while drawing on imagology and geopoetics, this article aims to show how earthquakes are linked to Italian cultural stereotypes and national identity.

     
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    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Italienbild; Erdbeben; Geopoetik; Charlie hebdo
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    creativecommons.org/licenses/by-nc/4.0/deed.de

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    info:eu-repo/semantics/openAccess
  20. Singing the Dutch : an extended imagological approach to constructions of "Dutchness" in late eighteenth-century political songs
    Autor*in: Vulto, Renée
    Erschienen: 08.04.2024

    Throughout history, songs have been considered effective instruments to strengthen the formation of collective identities. Eighteenth-century Dutch songwriters engaged with this idea in their striving for national unity. Political songs from that... mehr

     

    Throughout history, songs have been considered effective instruments to strengthen the formation of collective identities. Eighteenth-century Dutch songwriters engaged with this idea in their striving for national unity. Political songs from that period employ several tropes, and the music often reinforces such images through musical imagery and intertextual references. Moreover, the imagined identities voiced in the songs might have become embodied identities through the performative act of singing. Therefore, for an investigation of the construction of collective identities in songs, the imagological approach can be expanded to musical imagery and take into account cognitive theories explaining the effects of singing.

     
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    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Musik (780); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Niederlande; Politisches Lied; Nationalbewusstsein; Nationale Einheit; Geschichte 1790-1800
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    creativecommons.org/licenses/by-nc/4.0/deed.de

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    info:eu-repo/semantics/openAccess
  21. "… the first singer, a born German" : notions of nationality as a field of conflict in operatic music of the 1770s
    Autor*in: Horz, Andrea
    Erschienen: 08.04.2024

    This article contributes to the European history of musical nationalism with regard to operatic debates in the eighteenth century. The investigation reveals that within operatic debates national categories were used for all levels of the multimedia... mehr

     

    This article contributes to the European history of musical nationalism with regard to operatic debates in the eighteenth century. The investigation reveals that within operatic debates national categories were used for all levels of the multimedia genre of opera: music, text, composer, and actor. Moreover, the relationship between national character and national taste was a highly critical point: there was general agreement that only outstanding aesthetic abilities enable composers to go beyond their own particular national character. Only in this respect could aesthetic abilities stand above national taste, which was said to be shaped by national character.

     
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    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Bühnenkunst (792); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Oper; Diskurs; Nationalismus; Nationalcharakter; Musikalischer Geschmack; Geschichte 1770-1780; Gluck, Christoph Willibald; Rezeption
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    creativecommons.org/licenses/by-nc/4.0/deed.de

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    info:eu-repo/semantics/openAccess
  22. Blurring stereotypes : "Aus dem Leben eines Tonkünstlers" as a medium of Italian musical character around 1800
    Autor*in: Krahn, Carolin
    Erschienen: 08.04.2024

    How can music history help us understand the establishment of national character? This article discusses a prosaic text by Johann Friedrich Rochlitz as a medium for implementing stereotypical ideas of "the Italian" in German music historiography and,... mehr

     

    How can music history help us understand the establishment of national character? This article discusses a prosaic text by Johann Friedrich Rochlitz as a medium for implementing stereotypical ideas of "the Italian" in German music historiography and, thereby, in public consciousness. It shows how particular musical qualities of the story's fictional protagonists are blurred with ideas of national character. Against this background, the predominant reception of the author Rochlitz in the realm of German music historiography can be reevaluated from a more transnational scholarly perspective. Key to this reassessment is investigation into the categories of fictional and musical characters with regard to notions of both "the German" and "the Italian."

     
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    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Musik (780); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Rochlitz, Friedrich; Musikgeschichtsschreibung; Deutschland; Italien; Nationalcharacter; Stereotyp
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    creativecommons.org/licenses/by-nc/4.0/deed.de

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    info:eu-repo/semantics/openAccess
  23. History of knowledge through the Global South : a case for entangled ecologies
    Autor*in: Coletta, Michela
    Erschienen: 17.04.2024

    In this brief discussion, I reflect on the significance of using the category of the global south for reconfiguring the scope of the history of knowledge. While I see this as a productive paradigm shift that has already given rise to mould-breaking... mehr

     

    In this brief discussion, I reflect on the significance of using the category of the global south for reconfiguring the scope of the history of knowledge. While I see this as a productive paradigm shift that has already given rise to mould-breaking works, I focus here on the cross-hemispheric histories of extractive capitalism and how both colonial violence and anticolonial resistance have shaped knowledge-making. I argue that thinking through 'entangled ecologies' can be a tool for countering the existing conceptual order, which has led to the north-south division in the first place. Attending to epistemic and ontological entanglements would enable us to ask better and deeper questions about the increasingly complex interconnections across human and nonhuman worlds, especially given the planetary crises we face today.

     
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    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-96558-068-8; 978-3-96558-069-5; 978-3-96558-067-1
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Globaler Süden; Wissensproduktion; Ökologie
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    creativecommons.org/licenses/by-sa/4.0/deed.de

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    info:eu-repo/semantics/openAccess
  24. Decolonialities and the exilic consciousness : thinking from the Global South
    Autor*in: Al-Zayed, Mahmoud
    Erschienen: 17.04.2024

    This chapter is a journey of thought exploring decolonial critique as a situated practice while thinking through exilic consciousness and its constitutive conditions. I begin by reflecting on decolonialities to gesture toward varied forms of... mehr

     

    This chapter is a journey of thought exploring decolonial critique as a situated practice while thinking through exilic consciousness and its constitutive conditions. I begin by reflecting on decolonialities to gesture toward varied forms of decolonial projects that need to be situated, given that each location generates different sets of questions/problems that demand different answers. In this way, I reconfigure the exilic condition, and the space of displacement in general, as a plurilingual space that unsettles various colonial forms of epistemic monolingualism predicated on the selfsufficiency of thought. To this end, I reflect on the potentiality of exilic consciousness to generate decolonial critique when thinking from/about the Global South. Finally, this chapter demonstrates the significance of acknowledging the diverse locations and trajectories of decolonial critique and the plurality of thought embedded within the exilic intellectual formation that can potentially undo colonial forms of knowledge-making and being in the world.

     
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    Format: Online
    ISBN: 978-3-96558-068-8; 978-3-96558-069-5; 978-3-96558-067-1
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Globaler Süden; Theorie; Postkolonialismus; Exil
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/deed.de

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    info:eu-repo/semantics/openAccess
  25. Berlin's killjoys : feminist art from the Global South
    Autor*in: Erensoy, Şirin Fulya
    Erschienen: 17.04.2024

    In this reflection piece, I look at the feminist artistic landscape emerging in Berlin with its growing, diverse migrant community. I examine the ways in which women* artists challenge the imposed notions of their migrant status in the city and their... mehr

     

    In this reflection piece, I look at the feminist artistic landscape emerging in Berlin with its growing, diverse migrant community. I examine the ways in which women* artists challenge the imposed notions of their migrant status in the city and their states of belonging within it. I demonstrate this through two feminist initiatives I have been involved in that aim to amplify the voices of women* artists whose creative practices disrupt carefully constructed frameworks relating to borders of inclusion and exclusion. I argue that the artistic practices of women* in these networks are killjoy because they unapologetically get in the way, dismantling carefully constructed frameworks that delineate borders of inclusion and exclusion. By reflecting on homemaking practices in exile, I exemplify how feminisms from the global south decentralize claims to truth by taking the means of production into their own hands. By framing the chapter around the recent protests in Berlin unfolding in solidarity with the feminist revolution in Iran, I reveal the possible limits of such actions when they do not embrace intersectionality. Ultimately, I propose to invest in feminist artistic practices that destabilize exclusionary politics by creating visibility and bridging theory and practice.

     
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    Format: Online
    ISBN: 978-3-96558-068-8; 978-3-96558-069-5; 978-3-96558-067-1
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Berlin; Einwanderin; Künstlerin; Feminismus
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    creativecommons.org/licenses/by-sa/4.0/deed.de

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    info:eu-repo/semantics/openAccess