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  1. The power of the passive self in English literature, 1640-1770
    Autor*in: Gordon, Scott Paul
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing. This tradition - which Scott Paul Gordon locates in seventeenth-century religious discourse, in early eighteenth-century moral philosophy, in mid eighteenth-century acting theory, and in the emergent novel - resists autonomy and defers agency from the individual to an external 'prompter'. Gordon argues that the trope of passivity aims to guarantee a disinterested self in a culture that was increasingly convinced that every deliberate action involves calculating one's own interest. Gordon traces the origins of such ideas from their roots in the non-conformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484254
    Weitere Identifier:
    RVK Klassifikation: HI 1140 ; HK 1031 ; HK 1071
    Schlagworte: Geschichte; English literature / 18th century / History and criticism; Passivity (Psychology) in literature; English literature / Early modern, 1500-1700 / History and criticism; Christianity and literature / Great Britain / History / 18th century; Christianity and literature / Great Britain / History / 17th century; Ethics in literature; Self in literature; Protestantismus; Literatur; Individuum; Englisch; Passivität
    Umfang: 1 online resource (xi, 279 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction. "Spring and motive of our actions": disinterest and self-interest -- "Acted by another": agency and action in early modern England -- "The belief of the people": Thomas Hobbes and the battle over the heroic -- "For want of some heedfull eye": Mr. Spectator and the power of spectacle -- "For its own sake": virtue and agency in early eighteenth-century England -- "Not perform'd at all": managing Garrick's body in eighteenth-century England -- "I wrote my heart": Richardson's Clarissa and the tactics of sentiment -- Epilogue: "A sign of so noble a passion": the politics of disinterested selves
  2. The power of the passive self in English literature, 1640-1770
    Autor*in: Gordon, Scott Paul
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, UK

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521810051
    Schlagworte: Geschichte; English literature; Passivity (Psychology) in literature; English literature; Christianity and literature; Christianity and literature; Ethics in literature; Self in literature; Individuum; Passivität; Englisch; Protestantismus; Literatur
    Umfang: xi, 279 p
    Bemerkung(en):

    Includes bibliographical references (p. 249-272) and index
  3. The power of the passive self in English literature, 1640-1770
    Autor*in: Gordon, Scott Paul
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, UK

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Sprache: Englisch
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    Format: Online
    ISBN: 0511042124; 0511120079; 0511484259; 0521810051; 9780511042126; 9780511120077; 9780511484254; 9780521810050
    Schlagworte: Littérature anglaise / 18e siècle / Histoire et critique; Passivité (Psychologie) dans la littérature; Littérature anglaise / 17e siècle / Histoire et critique; Christianisme et littérature / Grande-Bretagne / Histoire / 18e siècle; Christianisme et littérature / Grande-Bretagne / Histoire / 17e siècle; Morale dans la littérature; Moi (Psychologie) dans la littérature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Letterkunde; Engels; Passiviteit; Christelijke ethiek; Zelf; Individuum; Literatur; Passivität; Protestantismus; Passivity (Psychology) in literature; English literature / Early modern, 1500-1700 / History and criticism; Christianity and literature / Great Britain / History / 18th century; Christianity and literature / Great Britain / History / 17th century; Ethics in literature; Self in literature; Litterature anglaise / 18e siecle / Histoire et critique; Passivite (Psychologie) dans la litterature; Litterature anglaise / 17e siecle / Histoire et critique; Christianisme et litterature / Grande-Bretagne / Histoire / 18e siecle; Christianisme et litterature / Grande-Bretagne / Histoire / 17e siecle; Morale dans la litterature; Moi (Psychologie) dans la litterature; English literature / 18th century / History and criticism; Christliche Ethik; Englisch; Geschichte; Literatur; English literature; Passivity (Psychology) in literature; English literature; Christianity and literature; Christianity and literature; Ethics in literature; Self in literature; Protestantismus; Passivität; Literatur; Englisch; Individuum
    Umfang: 1 Online-Ressource (xi, 279 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 249-272) and index

    Introduction. "Spring and motive of our actions": disinterest and self-interest -- "Acted by another": agency and action in early modern England -- "The belief of the people": Thomas Hobbes and the battle over the heroic -- "For want of some heedfull eye": Mr. Spectator and the power of spectacle -- "For its own sake": virtue and agency in early eighteenth-century England -- "Not perform'd at all": managing Garrick's body in eighteenth-century England -- "I wrote my heart": Richardson's Clarissa and the tactics of sentiment -- Epilogue: "A sign of so noble a passion": the politics of disinterested selves

    "Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing

    This tradition - which Scott Paul Gordon locates in seventeenth-century religious discourse, in early eighteenth-century moral philosophy, in mid eighteenth-century acting theory, and in the emergent novel - resists autonomy and defers agency from the individual to an external "prompter." Gordon argues that the trope of passivity aims to guarantee a disinterested self in a culture that was increasingly convinced that every deliberate action involves calculating one's own interest. Gordon traces the origins of such ideas from their roots in the nonconformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa."--Jacket
  4. The power of the passive self in English literature, 1640-1770
    Autor*in: Gordon, Scott Paul
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing. This tradition - which Scott Paul Gordon locates in seventeenth-century religious discourse, in early eighteenth-century moral philosophy, in mid eighteenth-century acting theory, and in the emergent novel - resists autonomy and defers agency from the individual to an external 'prompter'. Gordon argues that the trope of passivity aims to guarantee a disinterested self in a culture that was increasingly convinced that every deliberate action involves calculating one's own interest. Gordon traces the origins of such ideas from their roots in the non-conformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa Introduction. "Spring and motive of our actions": disinterest and self-interest -- "Acted by another": agency and action in early modern England -- "The belief of the people": Thomas Hobbes and the battle over the heroic -- "For want of some heedfull eye": Mr. Spectator and the power of spectacle -- "For its own sake": virtue and agency in early eighteenth-century England -- "Not perform'd at all": managing Garrick's body in eighteenth-century England -- "I wrote my heart": Richardson's Clarissa and the tactics of sentiment -- Epilogue: "A sign of so noble a passion": the politics of disinterested selves

     
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  5. The Power of the Passive Self in English Literature, 1640–1770
    Autor*in: Gordon, Scott Paul
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge ; ProQuest, Ann Arbor, Michigan

    This book examines passivity, and disinterestedness, in English writing during the seventeenth and eighteenth centuries. mehr

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

     

    This book examines passivity, and disinterestedness, in English writing during the seventeenth and eighteenth centuries.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511157035
    RVK Klassifikation: HI 1140 ; HK 1071
    Schlagworte: Passivität <Motiv>; Literatur; Englisch
    Umfang: 1 Online-Ressource (293 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  6. The power of the passive self in English literature, 1640-1770
    Autor*in: Gordon, Scott Paul
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    /
    Fernleihe:
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    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing. This tradition - which Scott Paul Gordon locates in seventeenth-century religious discourse, in early eighteenth-century moral philosophy, in mid eighteenth-century acting theory, and in the emergent novel - resists autonomy and defers agency from the individual to an external 'prompter'. Gordon argues that the trope of passivity aims to guarantee a disinterested self in a culture that was increasingly convinced that every deliberate action involves calculating one's own interest. Gordon traces the origins of such ideas from their roots in the non-conformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484254
    RVK Klassifikation: HI 1140 ; HK 1071
    Schlagworte: Passivität <Motiv>; Literatur; Englisch
    Umfang: 1 Online-Ressource (xi, 279 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  7. The power of the passive self in English literature, 1640-1770
    Autor*in: Gordon, Scott Paul
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, UK [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    "Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing. This tradition - which Scott Paul Gordon locates in seventeenth-century religious discourse, in early eighteenth-century moral philosophy, in mid eighteenth-century acting theory, and in the emergent novel - resists autonomy and defers agency from the individual to an external "prompter." Gordon argues that the trope of passivity aims to guarantee a disinterested self in a culture that was increasingly convinced that every deliberate action involves calculating one's own interest. Gordon traces the origins of such ideas from their roots in the nonconformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa."--Jacket.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511042124; 9780511042126; 9780521810050; 0521810051; 0511120079; 9780511120077; 9780511484254; 0511484259; 9780511044953; 051104495X; 0511157037; 9780511157035; 1280159553; 9781280159558
    RVK Klassifikation: HI 1140 ; HK 1071
    Schlagworte: Passivität <Motiv>; Literatur; Englisch
    Umfang: 1 Online-Ressource (xi, 279 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 249-272) and index
  8. The power of the passive self in English literature, 1640-1770
    Autor*in: Gordon, Scott Paul
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, UK

    Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines... mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    keine Fernleihe

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521810051
    Schlagworte: English literature; Self in literature; Ethics in literature; Christianity and literature; Christianity and literature; Passivity (Psychology) in literature; English literature; English literature ; 18th century ; History and criticism; Electronic books
    Umfang: Online-Ressource (xi, 279 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 249-272) and index

    Electronic reproduction; Available via World Wide Web

    Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction: Spring and Motive of our ActionsŽ: disinterest and self-interest; CHAPTER 1 Acted by AnotherŽ: agency and action in early modern England; CHAPTER 2 The belief of the peopleŽ: Thomas Hobbes and the battle over the heroic; CHAPTER 3 For want of some heedfull EyeŽ: Mr. Spectator and the power of spectacle; CHAPTER 4 For its own sakeŽ: virtue and agency in early eighteenth-century England; CHAPTER 5 Not perform d at allŽ: managing Garrick s body in eighteenth-century England

    CHAPTER 6 I wrote my HeartŽ: Richardson s Clarissa and the tactics of sentimentEpilogue: a sign of so noble a passionŽ: the politics of disinterested selves; Notes; Bibliography; Index
  9. The power of the passive self in English literature, 1640-1770
    Autor*in: Gordon, Scott Paul
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines... mehr

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    Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing. This tradition - which Scott Paul Gordon locates in seventeenth-century religious discourse, in early eighteenth-century moral philosophy, in mid eighteenth-century acting theory, and in the emergent novel - resists autonomy and defers agency from the individual to an external 'prompter'. Gordon argues that the trope of passivity aims to guarantee a disinterested self in a culture that was increasingly convinced that every deliberate action involves calculating one's own interest. Gordon traces the origins of such ideas from their roots in the non-conformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa Introduction. "Spring and motive of our actions": disinterest and self-interest -- "Acted by another": agency and action in early modern England -- "The belief of the people": Thomas Hobbes and the battle over the heroic -- "For want of some heedfull eye": Mr. Spectator and the power of spectacle -- "For its own sake": virtue and agency in early eighteenth-century England -- "Not perform'd at all": managing Garrick's body in eighteenth-century England -- "I wrote my heart": Richardson's Clarissa and the tactics of sentiment -- Epilogue: "A sign of so noble a passion": the politics of disinterested selves

     
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